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Item Ships From: Continental US
Red Tondo Signed Limited Edition Screen Print 1979
By Ilya Bolotowsky
Located in Rochester Hills, MI
Artist Name: Ilya Bolotowsky
Title: Ilya Bolotowsky Red Tondo 1979 Signed Limited Edition Silkscreen, BFK Rives Paper Rare
Year: 1979
Medium Type: Screen Print
Size-Width Size-Heigh...
Category
1970s Continental US - Abstract Prints
Materials
Screen
Plate XIII, from 1972 Lithographe I
By Joan Miró
Located in Washington, DC
Artist: Joan Miro
Title: Plate XIII
Portfolio: Lithographe I
Medium: Lithograph
Date: 1972
Edition: Unnumbered
Frame Size: 19 3/4" x 17"
Sheet Size: 12 1/2" x 10"
Image Size: 12 1/2"...
Category
1970s Continental US - Abstract Prints
Materials
Lithograph
Dwan Gallery Rare, Historic Pop Art exhibition print Hand Signed by Larry Rivers
By Larry Rivers
Located in New York, NY
Larry Rivers
At The Dwan Gallery: Rivers Small Recent Work (Hand Signed), 1965
Silkscreen on wove paper
Hand signed and dated "Rivers, 1965" in graphite pencil lower right front
Fram...
Category
1960s Pop Art Continental US - Abstract Prints
Materials
Pencil, Screen
Magnelli, Composition, XXe Siècle (after)
By Alberto Magnelli
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, XXe Siècle, vol. n°29, 1967. Published and printed u...
Category
1960s Surrealist Continental US - Abstract Prints
Materials
Lithograph
$716 Sale Price
44% Off
'Diptych' — Modernist Abstraction, Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed.
Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm).
Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing.
Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green.
An impression of this work is held in the collection of the National Gallery of Art.
ABOUT THE ARTIST
Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall.
The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet.
Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...
Category
1960s Modern Continental US - Abstract Prints
Materials
Engraving
Aftermath
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Aftermath" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 2/150in pencil b...
Category
Mid-20th Century Op Art Continental US - Abstract Prints
Materials
Screen
Composition (Cramer 105), Femmes, Joan Miró
By Joan Miró
Located in Auburn Hills, MI
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category
1960s Modern Continental US - Abstract Prints
Materials
Lithograph
$1,756 Sale Price
20% Off
Lauren Bacall Lights Humphrey Bogart's Cigarette iconic 1966 Pop Art silkscreen
By Bob Stanley
Located in New York, NY
Bob Stanley
Lauren Bacall Lights Humphrey Bogart's Cigarette, 1966
Color Silkscreen on paper with full margins (S/N)
22 1/2 × 17 inches
Hand signed and dated on the lower right front...
Category
1960s Pop Art Continental US - Abstract Prints
Materials
Screen
original lithograph
By Yaacov Agam
Located in Henderson, NV
Medium: original lithograph. Printed in 1980 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/4 x 9 1/8 inches (310 x 232 mm). Not signed.
Category
1980s Continental US - Abstract Prints
Materials
Lithograph
La Perruch et la Sirene
By (after) Henri Matisse
Located in Washington, DC
Artist: Henri Matisse (after)
Title: La Perruch et la Sirene
Portfolio: The Last Works of Henri Matisse
Medium: Lithograph
Date: 1958
Edition: 2000
Frame Siz...
Category
1950s Modern Continental US - Abstract Prints
Materials
Lithograph
'Bridge at Poughkeepsie' — WPA Era American Modernism
By Albert Heckman
Located in Myrtle Beach, SC
Albert Heckman (1893-1971), 'Bridge at Poughkeepsie', lithograph, 1934, edition 30. Signed, titled, and annotated '30 Impressions' in pencil. A superb, richly-inked impression, on cr...
Category
1930s American Modern Continental US - Abstract Prints
Materials
Lithograph
Wilfredo Lam, "Sans Titre (Untitled), " original lithograph, hand signed
By Wilfredo Lam
Located in Chatsworth, CA
Wilfredo Lam
Lithograph in colors
Hand signed, numbered 52/100
1953
Referenced and number 5304 in "Wilfredo Lam: Catalogue Raisonne.
Sheet measures 17.5 x...
Category
1950s Modern Continental US - Abstract Prints
Materials
Lithograph
Large Aquatint Etching A Red Color MInimalist Abstract Etching Robert Mangold
By Robert Mangold
Located in Surfside, FL
A Red, from Three Aquatints, 1979
Aquatint on six copper plates printed on Rives BFK paper
Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm)
Signed and titled lower left front Edition of 50, 10 AP, 3 TP
Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California
Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963).
In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art.
Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions.
In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction.
Select Exhibitions
Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum
Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert,
Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY
Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland
Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY
Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY
Systematic: Anne Appleby...
Category
1970s Minimalist Continental US - Abstract Prints
Materials
Etching, Aquatint
Miró, Composition (Cramer 6; Dupin 40; Mourlot 1967), XXe Siècle (after)
By Joan Miró
Located in Auburn Hills, MI
Linocut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°4, Christmas 1938. Published and printed under the dire...
Category
1930s Surrealist Continental US - Abstract Prints
Materials
Linocut
$1,996 Sale Price
20% Off
Femme et Chien devant la Lune
By Joan Miró
Located in New York, NY
A superb impression of this very scarce, early color pochoir. Signed, dated "1935" and numbered 58/60 in pencil by Miro. Published by Adlan, Barcelona. Ink stamp on the reverse indic...
Category
1930s Surrealist Continental US - Abstract Prints
Materials
Color, Stencil
Giacometti, Composition, Derrière le miroir (after)
By Alberto Giacometti
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 65, 1954. Published by Aimé Maeg...
Category
1950s Modern Continental US - Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
The Empresses (complete set of 5 works)
By Damien Hirst
Located in Calabasas, CA
Laminated Giclée prints on aluminium composite, screen printed with glitter
39.37 x 39.37 in. (100 x 100 cm.) each
Signed and numbered on a label affixed to the reverse (each)
I. W...
Category
2010s Contemporary Continental US - Abstract Prints
Materials
Giclée
Le pot et la faucille, Une Aventure méthodique, Georges Braque
By Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...
Category
1950s Modern Continental US - Abstract Prints
Materials
Lithograph
$5,196 Sale Price
20% Off
Exhibition Poster for Kandinsky at Galerie Karl Flinker 1977 in Ink on Paper
By Wassily Kandinsky
Located in Soquel, CA
Exhibition Poster for Kandinsky at Galerie Karl Flinker 1977 in Ink on Paper
Poster with a reproduction of "Merry Structure" by Vassily Kandinsky (Russian, 1866-1944). This posted is for a show at Galerie Karl Flinker a Paris, in 1977. The poster was printed by IMP. IDL Graphique, Paris. Kandinsky's "Merry Structure" contains a variety of abstract geometric shapes, laid out in a harmonious composition. There are hints of architectural, figurative, and landscape-like objects, in a manner that is open to interpretation.
Presented in a new white mat with foamcore backing.
Mat size: 40"H x 28"W
Poster size: 33"H x 21"W
At the relatively advanced age of nearly thirty, Vasily Vasilievich Kandinsky abandoned a burgeoning career as a teacher of law in Moscow to take up studies as a painter. In 1896 he moved to Munich to study, enrolling in the private art academy established by the Slovenian painter Anton Ažbe, where he joined a number of other Russian artists, including Marianne von Werefkin...
Category
1970s Abstract Geometric Continental US - Abstract Prints
Materials
Paper, Ink, Lithograph
Untitled abstract #30 , by Santa Fe artist Robert Roach
By Robert Roach
Located in Palm Springs, CA
Unique monotype, signed and numbered 1/1.
Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, climate and ligh...
Category
2010s Abstract Continental US - Abstract Prints
Materials
Monotype
Spanish Artist signed limited edition original art print intagio monotype n63
By Luis Feito López
Located in Miami, FL
Luis Feito (Spain, 1929-2021)
'Guadarrama V', 2004
intaglio monotype on paper
55.2 x 39.4 in. (140 x 100 cm.)
Edition of 76
Unframed
ID: FEI1051-063
Hand-signed by author
Category
Early 2000s Abstract Continental US - Abstract Prints
Materials
Paper, Intaglio, Monotype
Joan Miro, M.1067 from Maravillas con variaciones acrosticas, 1975, hand signed
By Joan Miró
Located in Chatsworth, CA
Joan Miró
"M.1067" from Maravillas con variaciones acrósticas
Original lithograph in colors on Vélin de Rives paper
Hand signed by the artist and numbered III/XV from an edition of f...
Category
1970s Modern Continental US - Abstract Prints
Materials
Lithograph
Richard Serra 'Videy Afangar #6' Limited Edition, Signed Etching Print
By Richard Serra
Located in San Rafael, CA
Richard Serra (born 1939)
Videy Afangar #6, from Videy Afangar Series, 1991
Etching on Hahnemühle paper
Signed and dated in pencil lower right
Edition 73/75 (there were also 20 artis...
Category
1990s Abstract Continental US - Abstract Prints
Materials
Etching
Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
By Howard Hodgkin
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Continental US - Abstract Prints
Materials
Etching
Pop Art Screen Print, 'Colour Chart' Aluminum Panel with Glitter, 2017
By Damien Hirst
Located in New York, NY
The glittering contemporary pop-art ‘Colour Chart’ by Damien Hirst is a study of “pinning down the joy of colour” - a concept that began in the 1980s with his iconic ‘Spot Series’ pa...
Category
2010s Young British Artists (YBA) Continental US - Abstract Prints
Materials
Glitter, Panel, Screen
$30,000 Sale Price
25% Off
Miro, Composition (Mourlot 230; Cramer 39) (after)
By Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From volume, Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes, 1956. Pu...
Category
1950s Surrealist Continental US - Abstract Prints
Materials
Lithograph
$1,996 Sale Price
20% Off
Untitled
Located in Kansas City, MO
Jean Dewasne
Untitled
Offset lithograph
Year: 1977
Size: 21 x 14 in
Edition: 1,500
Signed in the plate
Publisher: HMK Fine Arts, New York
COA provided
Ref.: 924802-925
Jean Dewasn...
Category
1970s Abstract Geometric Continental US - Abstract Prints
Materials
Lithograph
$198 Sale Price
72% Off
"Back to Nature, " Limited Edition Giclee Print, 27" x 45"
By Ned Martin
Located in Westport, CT
This limited edition abstract landscape print by artist Ned Martin depicts an abstracted forest with deep blues and vibrant orange hues. Tree trunks are visible spanning the width of...
Category
2010s Abstract Continental US - Abstract Prints
Materials
Digital, Giclée
Picasso, Composition, La Comédie Humaine, Verve: Revue Artistique (after)
By Pablo Picasso
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...
Category
1950s Cubist Continental US - Abstract Prints
Materials
Lithograph
$956 Sale Price
20% Off
Alfred Jensen, Deluxe VIP Hand Signed Edition #85/100, 1 Cent Life, '64, Framed
By Alfred Jensen
Located in New York, NY
Alfred Jensen
Untitled (Deluxe Artists & Collaborators Edition of the One Cent Life portfolio), 1964
Color lithograph on two pages wove paper (from the Artists & Collaborators hand s...
Category
1960s Abstract Geometric Continental US - Abstract Prints
Materials
Lithograph
ANTONI TAPIES 175 Red Yellow Vertical."
By Antoni Tàpies
Located in CORAL GABLES - MIAMI, FL
ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world.
Graphic work of the ...
Category
Late 20th Century Abstract Continental US - Abstract Prints
Materials
Paper, Lithograph
Joan Miro (Plate 2)
By Joan Miró
Located in Washington, DC
Artist: Joan Miro
Title: Joan Miro (Plate 2)
Portfolio: Joan Miro
Medium: Lithograph
Date: 1956
Edition: Unnumbered
Frame Size: 17" x 24"
Sheet Size: 9" x 15"
Signature: Unsigned
Ref...
Category
1950s Abstract Continental US - Abstract Prints
Materials
Lithograph
THE MOST FORMAL GARDEN
By Leonard Edmondson
Located in Santa Monica, CA
LEONARD EDMONDSON (1916 – 2002)
THE MOST FORMAL GARDEN, c. 1965
Color intaglio signed titled and annotated “Artist’s Proof"
Irregular platemark 10 ¼ x14...
Category
1960s Surrealist Continental US - Abstract Prints
Materials
Intaglio
V (from Double Metamorphosis Series) Large Abstract Screen Print
By Yaacov Agam
Located in Aventura, FL
Screen print on arches paper. From Double Metamorphosis Series. Hand signed and numbered by Yaacov Agam. From the edition of 180. Sheet size 36.25 x 49.75 inches. Image size 29 ...
Category
1970s Abstract Continental US - Abstract Prints
Materials
Paper, Screen
$3,400 Sale Price
20% Off
The Delusion of Fashion - Yellow, 1969 (M.647)
By Joan Miró
Located in Greenwich, CT
The Delusion of Fashion - Yellow (from the series also known as 'Fashion Frenzy' or 'El delirio de la moda') is a lithograph on paper, image size 49.5 x 34", signed Miró lower right ...
Category
20th Century Modern Continental US - Abstract Prints
Materials
Paper, Lithograph
1970 Signed Limited Edition Large Screen Print III
By Jimmy Ernst
Located in Rochester Hills, MI
Artist: Jimmy Ernst
Title: Plate III
Year: 1970
Print: Screen Print on Heavy Paper 28'' x 37'' inches
Edition: Signed in pencil and numbered 1 /125
Jimmy Ernst’s artwork was inf...
Category
1970s Abstract Continental US - Abstract Prints
Materials
Screen
Views of Hotel Well I, from Moving Focus series
By David Hockney
Located in Aventura, FL
Views of Hotel Well I, from Moving Focus series (T. 280; DH. 67). Lithograph printed in colors on TGL handmade paper. Hand signed, dated and numbered by the artist. original Artist's...
Category
1980s Pop Art Continental US - Abstract Prints
Materials
Paper, Lithograph
KAWS Screen Print 'MBF: Man's Best Friend' IX
By KAWS
Located in New York, NY
The ‘Man's Best Friend' IX by KAWS is a signed, numbered, and dated silkscreen print, one of the ten in the portfolio series created in 2016. The portfolio was created in a limited e...
Category
2010s Contemporary Continental US - Abstract Prints
Materials
Screen
Japanese Fishing Boats, Abstract Diptych Screen Print
Located in Soquel, CA
Abstract Screen print (Serigraph) composition of Japanese fishing boats in two parts by an unknown artist (20th Century). Signed (possibly "Myketo") a...
Category
Late 20th Century Abstract Continental US - Abstract Prints
Materials
Paper, Ink, Screen
Nine Pointed Stars, Colors
By Sol LeWitt
Located in Greenwich, CT
With Nine Pointed Stars, the most complex of the “Pointed Star” series executed in 1996, Lewitt employs his trademark systematic use of grids, geometric shapes, and precise mathemati...
Category
1990s Contemporary Continental US - Abstract Prints
Materials
Handmade Paper
Chillida, Composition, Derrière le miroir (after)
By Eduardo Chillida
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 124, 1961. Published by Aim...
Category
1960s Modern Continental US - Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Taos Artist Gene Kloss Original Drypoint, Christmas Eve, Taos Pueblo
By Gene Kloss
Located in Phoenix, AZ
Drypoint etching by famous Taos Artist Gene Kloss (1903-1996).
Edition of 75. Titled: Christmas Eve - Taos Pueblo.
Image measures: 12" H x 15" W.
Unframed. Archivally matted.
Created...
Category
Mid-20th Century Continental US - Abstract Prints
Materials
Paper
Vin
By Auguste Herbin
Located in Miami, FL
Vin - From the 12 plate Portfolio, 1959
Published by Denise Rene, Paris
Lithograph in colors on heavy paper
20 x 26 inches
Numbered in pencil, edition of 126/150
AUGUSTE HERBIN (18...
Category
1950s Abstract Geometric Continental US - Abstract Prints
Materials
Lithograph
$3,500
Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 22)
By Joan Miró
Located in Long Island City, NY
Artist: Joan Miro, Spanish (1893 - 1983)
Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 22)
Year: 1975
Medium: Lithograph, signed ...
Category
1970s Modern Continental US - Abstract Prints
Materials
Lithograph
Miró, Composition (Mourlot 872-881; Cramer 164), El tapís de Tarragona (after)
By Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...
Category
1970s Modern Continental US - Abstract Prints
Materials
Lithograph
$876 Sale Price
20% Off
Mare (Mascagni) - large scale photograph of abstract Italian sky in Mascagni
By Frank Schott
Located in San Francisco, CA
Mare (Mascagni) by Frank Schott
60 x 48 inches / 152cm x 122cm
signed edition of 7
40 x 32 inches / 102cm x 81cm
signed edition of 25
archival quality fine art pigment print
limit...
Category
21st Century and Contemporary Contemporary Continental US - Abstract Prints
Materials
Photographic Paper, Giclée, Archival Pigment, Archival Ink, Archival Paper
Pinwheel, Op Art Screenprint by Jurgen Peters, 1980
By Jurgen Peters
Located in Long Island City, NY
This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...
Category
1980s Op Art Continental US - Abstract Prints
Materials
Screen
Chevaux et Cavaliers Artist Proof
By Marino Marini
Located in San Francisco, CA
Marino Marini (Italian, 1901-1980) "Chevaux et Cavaliers" Artist proof pencil signed circa 1970
Fantastic 1970 lithograph by noted Italian artist Marino Marini.
This is a rare Art...
Category
Mid-20th Century Abstract Continental US - Abstract Prints
Materials
Lithograph
Abstracted Screen, Abstract Expressionist Lithograph by Unknown Artist
Located in Long Island City, NY
Unknown Artist - Abstracted Screen, Medium: Lithograph, Image Size: 12 x 12.5 inches, Size: 15 x 16 in. (38.1 x 40.64 cm), Description: Signed "Kathy Salleut" in pencil lower right
Category
20th Century Abstract Expressionist Continental US - Abstract Prints
Materials
Lithograph
Vibrant 1975 Joe Tilson British Pop Art Screenprint, Woodblock, Colorful Print
By Joe Tilson
Located in Surfside, FL
Silkscreen screenprint. Hand signed and numbered. A pyramid or ziggurat in vibrant colors of blue, red, yellow, orange and green on heavy paper
Joseph Charles Tilson RA (born 24 Au...
Category
1970s Pop Art Continental US - Abstract Prints
Materials
Screen
Sam Gilliam, Buoy Landscape IV Mixed media signed/n Abstract Expressionist print
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Buoy Landscape IV, 1982
Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper
31 1/2 × 24 inches
Hand signed and numbered 3/25 in graphite pencil
Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto
Unframed with elegant deckled edges
Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market.
Steven M. Andersen (Printer)
Philip Barber (Printer)
Hang Nguyen (Printer)
Stephanie Nowack (Printer)
Michael Reid (Printer)
Daniel Rounds (Printer)
Vermillion Editions Limited (Publisher)
Sam Gilliam Biography:
Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.
A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials.
In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago.
Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category
1980s Abstract Expressionist Continental US - Abstract Prints
Materials
Mixed Media, Drypoint, Etching, Aquatint, Screen
Untitled (Plate 1) DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled (Plate 1) DLM
Color lithograph, 1963
Unsigned and unnumbered (as usual)
From: Derriere le Miroir, No. 141
Published by A. Maeght, Paris
Image/sheet size: 14 7/8 x 11 inches...
Category
1960s American Modern Continental US - Abstract Prints
Materials
Lithograph
Sun on Six (Jasper Johns linocut, hand signed and numbered 4/26)
By Jasper Johns
Located in New York, NY
Jasper Johns
Sun on Six, 2000
Color linoleum cut on Gampi Torinoko paper
Pencil signed, dated and numbered 4/26 on the front
Published by Z Press, Calais, Vermont
Frame included: ele...
Category
Early 2000s Pop Art Continental US - Abstract Prints
Materials
Rice Paper, Pencil, Linocut
Goodbye Sharpie Dieter Roth black and white geometric abstract print
By Dieter Roth
Located in New York, NY
Dieter Roth
Goodbye Sharpie, 1972
44.5 x 54.3 / 113 x 138 cm
Planographic printing from zinc, white on dyed grey card
Edition of 30, this copy marked "Artist's Copy" and annotated II/IV
Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972).
Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work.
Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...
Category
1970s Abstract Continental US - Abstract Prints
Materials
Lithograph
Original "The City of New Orleans" Amtrak vintage travel poster
Located in Spokane, WA
Original “The City of New Orleans” Amtrack railroad travel poster. The only thing that separates Chicago from New Orleans is your imagination. Archival linen backed in excellent, ...
Category
1970s Abstract Continental US - Abstract Prints
Materials
Offset
Ex Uno Plures Seven - Contemporary Abstract Geological Encaustic Monotype, 2020
By Laura Moriarty
Located in Kent, CT
Laura Moriarty's Ex Uno Plures 7 is a contemporary encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting laye...
Category
2010s Contemporary Continental US - Abstract Prints
Materials
Encaustic, Archival Paper, Monotype
Composition (Cramer 105), Femmes, Joan Miró
By Joan Miró
Located in Auburn Hills, MI
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category
1960s Modern Continental US - Abstract Prints
Materials
Lithograph
$1,756 Sale Price
20% Off
Demeter (L. L.146), Sam Francis
By Sam Francis
Located in Fairfield, CT
Artist: Sam Francis (1923-1994)
Title: Demeter (L. L.146)
Year: 1972
Medium: Lithograph in colors on Rives BFK paper
Edition: A.P. III; 34, plus proofs
Size: 18 x 24 inches
Condition...
Category
1970s Abstract Expressionist Continental US - Abstract Prints
Materials
Lithograph
$7,160 Sale Price
20% Off
NO REPLY PORTFOLIO
By KAWS
Located in Aventura, FL
No Reply Portfolio by KAWS. Screenprint on wove paper. Each of the 10 screen prints are hand signed, dated and numbered by the artist. Edition PP 3/5. (Pr...
Category
21st Century and Contemporary Street Art Continental US - Abstract Prints
Materials
Paper, Screen
$117,000 Sale Price
40% Off
"Long View, " Framed Limited Edition Giclee Print, 48" x 80"
By Elwood Howell
Located in Westport, CT
This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line. Lush, green abstracted land extends the width of the composition, wi...
Category
2010s Abstract Continental US - Abstract Prints
Materials
Digital, Giclée
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