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Item Ships From: Continental US
Numbers: Complete Portfolio of 10 Color Silkscreens, Hand Signed on 1st End page
By Robert Indiana
Located in New York, NY
Robert Indiana Numbers: Complete Portfolio of 10 Color Silkscreens (Sheehan 46-55) bound in cloth slip case (Hand Signed, inscribed and dated by Robert Indiana on the first front end...
Category

1960s Pop Art Continental US - Abstract Prints

Materials

Board, Screen

Joan Miro und Katalonien - Lithograph by Joan Miró
By Joan Miró
Located in Long Island City, NY
Artist: Joan Miro, Spanish (1893 - 1983) Title: Joan Miro und Katalonien Year: 1969 Medium: Lithograph on Arches, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm) Frame...
Category

1960s Modern Continental US - Abstract Prints

Materials

Lithograph

Large Abstract Expressionist Color Monotype Oil Painting Tom Lieber Mixed Media
By Tom Lieber
Located in Surfside, FL
Tom Alan Lieber, (American, born 1949), Untitled Monotype oil painting on paper 1984 Hand signed TL and dated '84 in the lower margin. Measurements: 47 X 63 inches This was probab...
Category

1980s Abstract Expressionist Continental US - Abstract Prints

Materials

Mixed Media, Oil, Monotype

Helen Frankenthaler, Air Frame (Harrison 6) her first silkscreen Signed AP 1965
By Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the front; this is an Artist's Proof, aside from the regular edition of 200 “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler Pencil signed AP, one of 25 proofs aside from the regular edition of 200 Catalogue Raisonne: Harrison 6, Berggruen 7, Clark 6 Printed by Chiron Press, New York. Published by Tanglewood Press, New York. This work has been newly framed in a museum quality wood frame under UV plexiglass. The original label from the famed John Berggruen Gallery in California has been affixed to the back to preserve provenance. Other examples of this coveted 1965 work can be found in major institutional and museum collections worldwide. Measurements: Framed 29 inches vertical by 24 inches (horizontal) by 1.5 inches Artwork: 22 inches vertical x 17 inches horizontal This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1960s Abstract Expressionist Continental US - Abstract Prints

Materials

Screen

Henri Matisse, The Sun, from Verve, Revue Artistique, 1948
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph by Henri Matisse (1869–1954), titled Le Soleil (The Sun), from Verve, Revue Artistique et Litteraire, Vol. VI, No. 21–22, originates from the 1948 issue pub...
Category

1940s Fauvist Continental US - Abstract Prints

Materials

Lithograph

Planetary And Scatologic Vision
By Salvador Dalí­
Located in San Francisco, CA
Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Planetary and Scatologic Vision Year: 1974 Medium: Engraving with embossing and color lithograph Edition: Numbered...
Category

Late 20th Century Surrealist Continental US - Abstract Prints

Materials

Engraving, Lithograph

Henri Matisse, Frontispiece, Vence 1944–1948, from Verve, Revue Artistique, 1948
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph by Henri Matisse (1869–1954), titled Frontispice, Vence 1944–1948 (Frontispiece, Vence 1944–1948), from Verve, Revue Artistique et Litteraire, Vol. VI, No. ...
Category

1940s Fauvist Continental US - Abstract Prints

Materials

Lithograph

Pierre Soulages, Plate No. 5, from Painters of Today, 1962 (after)
By Pierre Soulages
Located in Southampton, NY
This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 5 (Plate No. 5), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...
Category

1960s Modern Continental US - Abstract Prints

Materials

Lithograph

Max Ernst Dada Surrealist Hand Signed Lithograph Poster for a Jewish Museum
By Max Ernst
Located in Surfside, FL
Max Ernst (German, American, 1891-1976) Color lithograph Titled, "Poster For The Jewish Museum" 1966 Hand signed lower right Hand numbered HC I/XVII Dimensions: 34.75 x 28.5 sight 25 X 19.25 Max Ernst (German 1891 – 1976) was a German-born painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Max Ernst showed for the first time in 1912 at the Galerie Feldman in Cologne. At the Sonderbund exhibition of that year in Cologne he saw the work of Paul Cezanne, Edvard Munch, Pablo Picasso, Paul Gauguin and Vincent van Gogh. In 1913 he met Guillaume Apollinaire and Robert Delaunay and traveled to Paris. Ernst participated that same year in the Erste deutsche Herbstsalon. In 1914 he met Jean Arp in Cologne who was to become a lifelong friend. In 1921 Ernst exhibited at the Galerie au Sans Pareil in Paris. He was involved in Surrealist activities in the early 1920s with Paul Eluard and André Breton. His work was exhibited that year together with that of the Das Junge Rheinland group, at Galerie Feldman in Cologne, and then in several group exhibitions in 1913. In his paintings of this period, Ernst adopted an ironic style that juxtaposed grotesque elements alongside Cubist and Expressionist motifs. Ernst fought in world war I. Several German Expressionist painters died in action during the war, among them August Macke and Franz Marc. In 1918, Ernst was demobilised and returned to Cologne. He soon married art history student Luise Straus, of Jewish ancestry, whom he had met in 1914. In 1919, he visited Paul Klee in Munich and studied paintings by Giorgio de Chirico. In the same year, inspired by de Chirico and mail-order catalogues, teaching-aide manuals and similar sources, he produced his first collage works (notably Fiat modes, a portfolio of lithographs), a technique which later dominated his artistic pursuits. Also in 1919, Ernst, social activist Johannes Theodor Baargeld and several colleagues founded the Cologne Dada group. In 1919–20, Ernst and Baargeld published various short-lived magazines such as Der Strom, die Schammade and organised Dada exhibitions. Ernst and Luise's son Ulrich Jimmy Ernst was born on 24 June 1920; he later would also become a painter. In 1921, he met Paul Éluard, who became a lifelong friend. Éluard bought two of Ernst's paintings (Celebes and Oedipus Rex) and selected six collages to illustrate his poetry collection Répétitions. A year later the two collaborated on Les malheurs des immortels and then with André Breton, whom Ernst met in 1921, on the magazine Littérature. Ernst developed a fascination with birds which was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested that this alter-ego was an extension of himself stemming from an early confusion of birds and humans. In 1927, he married Marie-Berthe Aurenche and it is thought his relationship with her may have inspired the erotic subject matter of The Kiss and other works of that year. He collaborated with Joan Miro on designs for Sergei Diaghilev Ballet that same year. The following year the artist collaborated with Salvador Dali and the Surrealist Luis Bunuel on the film L'Age d'or. His first American show was held at the Julien Levy Gallery, New York, in 1932. In 1936 Ernst was represented in Fantastic Art, Dada, Surrealism at the Museum of Modern Art in New York. Ernst began to sculpt in 1934 and spent time with Alberto Giacometti. In 1938, the American heiress and artistic patron Peggy Guggenheim acquired a number of Max Ernst's works, which she displayed in her new gallery in London. Ernst and Guggenheim were married from 1942 to 1946. In September 1939, the outbreak of World War II caused Ernst, being German, to be interned as an "undesirable foreigner" in Camp des Milles, near Aix-en-Provence, along with fellow surrealist, Hans Bellmer, who had recently emigrated to Paris. He had been living with his lover and fellow surrealist painter, Leonora Carrington who, not knowing whether he would return, saw no option but to sell their house to repay their debts and leave for Spain. Thanks to the intercession of Paul Éluard and other friends, including the journalist Varian Fry, he was released a few weeks later. Soon after the German occupation of France, he was arrested again, this time by the Gestapo, but managed to escape to America with the help of Fry and Peggy Guggenheim, a member of a wealthy American art collecting family. Ernst and Peggy Guggenheim arrived in the United States in 1941 and were married at the end of the year. Along with other artists and friends (Marcel Duchamp and Marc Chagall) who had fled from the war and lived in New York City, Ernst helped inspire the development of abstract expressionism. His marriage to Guggenheim did not last. In October 1946 he married American surrealist painter Dorothea Tanning in a double ceremony with Man Ray and Juliet P. Browner in Beverly Hills, California. The couple made their home in Sedona, Arizona from 1946 to 1953. He and Tanning hosted intellectuals and European artists such as Henri Cartier-Bresson and Yves Tanguy. Sedona proved an inspiration for the artists and for Ernst, who compiled his book Beyond Painting and completed his sculptural masterpiece Capricorn while living in Sedona. As a result of the book and its publicity, Ernst began to achieve financial success. From the 1950s he lived mainly in France. In 1954 he was awarded the Grand Prize for painting at the Venice Biennale. In 2005, "Max Ernst: A Retrospective" opened at the Metropolitan Museum of Art. Contemporary artist tapestries have had their true believers. He produced a tapestry for Gloria Ross...
Category

1960s Surrealist Continental US - Abstract Prints

Materials

Lithograph

Tàpies, Composition, Derrière le miroir (after)
By Antoni Tàpies
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 253, 1982. Published by Aim...
Category

1980s Post-War Continental US - Abstract Prints

Materials

Lithograph

Laser II, Geometric Abstract Screenprint by Murray Zucker
By Murray Zucker
Located in Long Island City, NY
Artist: Murray Zucker, American (1920 - ) Title: Laser II Year: circa 1970 Medium: Screenprint, signed, titled and numbered in pencil Edition: 30/175 Image: 24 x 23.5 inches Paper S...
Category

1970s Abstract Geometric Continental US - Abstract Prints

Materials

Screen

Hope - Progress, Pop Art Screenprint Diptych by Steven Gagnon
By Steven Gagnon
Located in Long Island City, NY
Two silkscreen prints by Steven Gagnon from 2011. Political commentary in pop art style imagery with a farcical tone. Unframed, hand signed in lower right corner. Artist: Steven Ga...
Category

20th Century Pop Art Continental US - Abstract Prints

Materials

Screen

"Duality" by Leonor Fini
By Leonor Fini
Located in Hinsdale, IL
Leonor Fini Duality Edited for Volume I of “The Three Wise Men” Zinc engraving on Arches, c. 1960 Edition 27 of 100 Published by Pierre and Genevieve Argillet in1960 Sheet siz...
Category

1960s Surrealist Continental US - Abstract Prints

Materials

Etching

Homage to the Square - P2, F14, I2 - Geometric Screenprint by Josef Albers
By Josef Albers
Located in Long Island City, NY
"Homage to the Square - Portfolio 2, Folder 14, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...
Category

1970s Abstract Geometric Continental US - Abstract Prints

Materials

Screen

Untitled (0813), Minimalist print from the Rubber Stamp Portfolio Stamped FRAMED
By Carl Andre
Located in New York, NY
Carl Andre Untitled (0813), 1976 Rubber stamp relief print Artist Stamp and Copy Right on the back. It is from a limited edition of 1000. Frame Included This is Minimalist master Car...
Category

1970s Minimalist Continental US - Abstract Prints

Materials

Lithograph

White Lace and Ribbons Collotype
By Patricia A. Pearce
Located in Soquel, CA
Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype, whereas the lace, strings, and shadows are ...
Category

Late 20th Century Abstract Continental US - Abstract Prints

Materials

Paper, Ink, Pencil, Lithograph, Acrylic

Henri Matisse, Mrs. L.D., from Portraits by Henri Matisse, 1954 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...
Category

1950s Fauvist Continental US - Abstract Prints

Materials

Lithograph

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall
By Marc Chagall
Located in Soquel, CA
"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall Playful etching of a lumberjack by Marc Chagall (Russian, 1887-1985). A stout lumberjack is shown holing his...
Category

1940s Post-War Continental US - Abstract Prints

Materials

Ink, Laid Paper

The Fall of Icarus, from Verve, Revue Artistique, 1945
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph by Henri Matisse (1869–1954), titled La Chute d’Icare (The Fall of Icarus), from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the...
Category

1940s Fauvist Continental US - Abstract Prints

Materials

Lithograph

Wilma Fiori Abstract Monotype Print in Red, Blue, and Yellow, 20th Century
Located in Denver, CO
This original abstract fine art print by noted Denver artist Wilma Fiori presents a striking interplay of deep red, blue, and yellow, showcasing her signature command of color, balan...
Category

Mid-20th Century Abstract Impressionist Continental US - Abstract Prints

Materials

Monotype

Seascape XVIII Diptych - large scale abstract monochromatic ocean water surface
By Frank Schott
Located in San Francisco, CA
Large format abstract photograph diptych of mesmerizing water surface and ephemeral abstract ripple patterns from a series of photographic works capturing the monochromatic oceanic b...
Category

21st Century and Contemporary Contemporary Continental US - Abstract Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment

Los Angeles Olympic Games 1984 (hand signed with official Olympic Committee COA)
By Martin Puryear
Located in New York, NY
Martin Puryear Los Angeles Olympic Games 1984, 1982 Offset Lithograph on Parsons Diploma Parchment Paper Hand signed on the front with COA, Edition of 750 (though only approximately 200-250 remain) 21 × 34 1/2 inches Unframed This limited edition, pencil signed offset lithograph was published in a limited edition of 750, and printed as one of the fifteen Official Fine Art Olympic Posters for the 1984 Olympic Games in Los Angeles. A statement released by the 1984 Olympic committee explains the set as follows - "The posters commissioned for the 1984 Olympics contain an enlightened selection of the best American artists with special emphasis on those who work in Southern California...As the Games develop, transpire and pass into memory, these fifteen posters contain the images, forms and symbols that will represent the 1984 Olympics in the museums, galleries, homes and the minds of people all over the world.” Printed and Published by Knapp Communications Corporation and includes Certificate of Authenticity from the publisher. This work is NOT to be confused with the ubiquitous plate signed poster of the same image, which was printed on different paper in an open edition.) In 1982, the Olympic Committee commissioned 15 artists to create posters for the 1984 Games in Los Angeles. Hockney designed this offset lithograph depicting Olympic swimming...
Category

1980s Contemporary Continental US - Abstract Prints

Materials

Parchment Paper, Lithograph, Offset

Rainbow Rain I (Limited Edition Print)
By Mauro Oliveira
Located in LOS ANGELES, CA
**FALL SUPER SALE UNTIL OCTOBER 13TH** **IMPORTANT** This is a Limited edition of only 30 museum quality prints on CANVAS, signed and numbered by the artist** >>>It will arrive ro...
Category

21st Century and Contemporary Pop Art Continental US - Abstract Prints

Materials

Giclée

Distant Muses
By Brice Marden
Located in New York, NY
Brice Marden Distant Muses 2000 Screenprint 23 1/2 x 19 1/8 inches; 60 x 49 cm Edition of 300 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...
Category

Early 2000s Contemporary Continental US - Abstract Prints

Materials

Screen

Untitled (Rabat), Geometric Abstract Screenprint by Frank Stella 1964
By Frank Stella
Located in Long Island City, NY
An original screenprint by Frank Stella from X + X (Ten Works by Ten Painters) published in 1964 by Wadsworth Atheneum, CT. The print was printed by Ives-Sillman, CT and referenced i...
Category

1960s Abstract Geometric Continental US - Abstract Prints

Materials

Screen

Günther Förg German Artist 1995 Original Poster lithograph
By Günther Förg
Located in Miami, FL
Günther Förg (Germany, 1952-2013) 'Erker-Gallery', 1995 Original poster from exhibition of 1995 lithograph on paper 36.5 x 22.6 in. (92.7 x 57.4 cm.) Unframed Ref: FOR100-201 Günthe...
Category

1990s Expressionist Continental US - Abstract Prints

Materials

Lithograph

Gagosian Gallery hardback monograph (hand signed by Christopher Wool)
By Christopher Wool
Located in New York, NY
Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...
Category

Early 2000s Minimalist Continental US - Abstract Prints

Materials

Paper, Ink, Mixed Media, Lithograph, Offset

Keeping the Culture, mixed media signed/N print by top African American artist
By Kerry James Marshall
Located in New York, NY
Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...
Category

2010s Contemporary Continental US - Abstract Prints

Materials

Mixed Media, Pencil, Linocut, Screen

Scissors Jack Series 1978 Two Signed Limited Edition Screen Prints
By Larry Zox
Located in Rochester Hills, MI
Larry Zox Two Screen Prints Edition: Signed in pencil and marked XXII/XXX Scissors Jack I Scissors Jack II 39'' x 29.5'' inches Larry Zox is one of the principal representatives...
Category

1970s Abstract Geometric Continental US - Abstract Prints

Materials

Screen

Teal Lace Collotype Lithograph
By Patricia A. Pearce
Located in Soquel, CA
Delicate layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. I...
Category

Late 20th Century Abstract Geometric Continental US - Abstract Prints

Materials

Paper, Ink, Lithograph

Miro a l'Encre II, Lithograph on Wove Paper from the Indelible Miro
By Joan Miró
Located in Long Island City, NY
Miro a l’Encre II Joan Miro, Spanish (1893–1983) Portfolio: Indelible Miro Date: 1972 Lithograph on Wove Paper Size: 14 x 10 in. (35.56 x 25.4 cm) Frame Size: 21.5 x 18 inches Printe...
Category

1970s Modern Continental US - Abstract Prints

Materials

Lithograph

Abstract Composition 9
By Johnny Friedlaender
Located in San Francisco, CA
This artwork "Abstract Composition 9" c.1970 in an original color lithograph on B.F,K. Rives paper by noted Polish artist Johnny Friedlaender, 1912-199...
Category

Late 20th Century Abstract Continental US - Abstract Prints

Materials

Lithograph

Christmas print with hand coloring in oil stick, Signed, Framed, hand colored
By Jim Dine
Located in New York, NY
Jim Dine The Christmas Print (Burg, 26), 2001 Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...
Category

Early 2000s Pop Art Continental US - Abstract Prints

Materials

Oil Crayon, Drypoint, Etching, Offset

Olaolu Slawn "Batman" Print Contemporary Street Artist, 2025
Located in Draper, UT
Olaolu Akeredolu-Ale better known as Olaolu Slawn is a British Nigerian artist and designer. He began his career working at Wafflesncream, Nigeria’s first skate shop, catching the at...
Category

2010s Street Art Continental US - Abstract Prints

Materials

Giclée

David Hockney, The Prisoner for Amnesty International, hand signed 17/100 Framed
By David Hockney
Located in New York, NY
From the rare, Deluxe, hand signed edition of only 100: David Hockney The Prisoner, for Amnesty International, 1977 Color Offset Lithograph Hand signed, numbered 17/100 and inscribed...
Category

1970s Pop Art Continental US - Abstract Prints

Materials

Pencil, Graphite, Lithograph, Offset

Calder, Composition, Derrière le miroir (after)
By Alexander Calder
Located in Southampton, NY
Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the album, Lithographies et Eaux-Fortes Originales, Livres I...
Category

1960s Modern Continental US - Abstract Prints

Materials

Lithograph

Skybird, Flying Colors for Braniff Airlines, Lithograph by Alexander Calder
By Alexander Calder
Located in Long Island City, NY
Artist: Alexander Calder (after) (American, 1898-1976) Title: Skybird, Flying Colors for Braniff Airlines Year: 1974 Medium: Lithograph, signed in the plate Size: 20 in. x 26 in. (50...
Category

1970s Modern Continental US - Abstract Prints

Materials

Lithograph

"Night Views" Silkscreen Print by The Skyscape Artist, 25/100
Located in Soquel, CA
"Night Views" Silkscreen Print by The Skyscape Artist, 25/100. By Tetsuro Sawada ( Japanese, 1933-1998) This raven black geometric abstraction focuses on hard-edged horizontal lines, color, and light, giving the impression of dusk through the "bokashi," or shading, technique, which is most difficult in the silkscreen medium, a good example of Sawada's theme of the infinite beyond, the silent emptiness of the universe. Signature in the bottom right corner reads, "T. Sawada '87," titled in the bottom center, "Night Views," and numbered, "25/100," in the bottom left corner. Presented in a new white mat. Paper size: 34"H x 22"W, Mat size: 39"H x 27"W Born in Hokkaido, Tetsuro Sawada (1933-1998, Japanese) graduated from Musashimo Art University where he majored in Western painting. In 1960, he began painting abstract oils...
Category

21st Century and Contemporary Abstract Geometric Continental US - Abstract Prints

Materials

Paper, Screen

"Opus, " Framed Limited Edition Giclee Print, 30" x 40"
By Ned Martin
Located in Westport, CT
This abstract landscape limited edition print captures a forest in cool blue tones accented by warm yellow-greens and reds. It is an edition size of 100. Printed on canvas, this gicl...
Category

2010s Contemporary Continental US - Abstract Prints

Materials

Digital, Giclée

Joan Miro, Woman and Bird in the Night, from XXe Siecle, 1957
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled Femme et oiseau dans la nuit (Woman and Bird in the Night), from the album XXe Siecle, Nouvelle serie No. 8, or...
Category

1950s Surrealist Continental US - Abstract Prints

Materials

Lithograph

Joost Schmidt-Bauhaus Exhibition-1995- Vintage
Located in Brooklyn, NY
Schmidt's 1923 poster for the Bauhaus Exhibition is celebrated for its innovative use of geometric forms and typographic elements, reflecting the school's avant-garde approach to des...
Category

Mid-20th Century Bauhaus Continental US - Abstract Prints

Materials

Offset

Savage Beasts in the Desert original lithograph by Salvador Dali 1976
By Salvador Dalí­
Located in Paonia, CO
Savage Beasts in the Desert  or Little Animal Kingdom ( Les Betes Sauvages sans Le Desert ) is an original signed lithograph (+ original etched remarque)  by Salvador Dali . L...
Category

1970s Surrealist Continental US - Abstract Prints

Materials

Lithograph

1970 Signed Limited Edition Large Screen Print VI
By Jimmy Ernst
Located in Rochester Hills, MI
Artist: Jimmy Ernst  Title: Plate VI Year: 1970 Print: Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 58 /125 Jimmy Ernst’s artwork was inf...
Category

1970s Abstract Continental US - Abstract Prints

Materials

Screen

"Back to Nature, " Limited Edition Giclee Print, 36" x 60"
By Ned Martin
Located in Westport, CT
This limited edition abstract landscape print by artist Ned Martin depicts an abstracted forest with deep blues and vibrant orange hues. Tree trunks are visible spanning the width of...
Category

2010s Abstract Continental US - Abstract Prints

Materials

Digital, Giclée

Untitled abstraction, woodcut, Signed/N, Art Against AIDS, British Pop pioneer
By Derek Boshier
Located in New York, NY
Derek Boshier Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publishe...
Category

1980s Abstract Continental US - Abstract Prints

Materials

Woodcut, Pencil

Maravillas con Variaciones Acrosticas (No 22), Modern Lithograph by Joan Miro
By Joan Miró
Located in Long Island City, NY
Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 22) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...
Category

1970s Modern Continental US - Abstract Prints

Materials

Lithograph

Jean-Michel Basquiat Gagosian gallery Los Angeles 1986 (exhibition poster)
By Jean-Michel Basquiat
Located in NEW YORK, NY
Jean-Michel Basquiat Gagosian Gallery 1986: Original 1980’s Basquiat exhibition poster, published on the occasion of: Jean-Michel Basquiat at Larry Gagosian Gallery, 510 North Robert...
Category

1980s Pop Art Continental US - Abstract Prints

Materials

Paper

Composition (Cramer 105), Femmes, Joan Miró
By Joan Miró
Located in Southampton, NY
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed ...
Category

1960s Modern Continental US - Abstract Prints

Materials

Lithograph

Pierre Soulages, Plate No. 8, from Painters of Today, 1962 (after)
By Pierre Soulages
Located in Southampton, NY
This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 8 (Plate No. 8), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...
Category

1960s Modern Continental US - Abstract Prints

Materials

Lithograph

Andy Mouse Plate 4
By Keith Haring
Located in Washington, DC
Artist: Keith Haring Title: Andy Mouse: Plate 4 Medium: Silkscreen Date: 1986 Edition: 2/30 Sheet Size: 38" x 38" Signature: Hand signed and dated by the artist (K. Haring '86) and t...
Category

1980s Pop Art Continental US - Abstract Prints

Materials

Screen

"Neighbors, " Limited Edition Giclee Print, 24" x 30"
By Sofie Swann
Located in Westport, CT
This Limited Edition abstract print, "Neighbors," by Sofie Swann measures 24" x 30" and is an edition of 95. Printed on canvas, this giclee ships rolled ready to be stretched and fra...
Category

2010s Abstract Continental US - Abstract Prints

Materials

Digital, Giclée

Pablo Picasso, Harlequin and Boy, from Fifteen Drawings, 1946 (after)
By Pablo Picasso
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Harlequin and Boy, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...
Category

1940s Modern Continental US - Abstract Prints

Materials

Lithograph, Stencil

Rare mid century modern Olivetti Fully Automatic Printing Calculator poster, '50
By Giovanni Pintori
Located in New York, NY
Giovanni Pintori Olivetti (Fully Automatic Printing Calculator), 1951 Offset lithograph poster Framed: held in original vintage metal frame Evocati...
Category

Mid-20th Century Modern Continental US - Abstract Prints

Materials

Offset, Lithograph

Bouncing Ball, Minimalist Screenprint by Murray Zucker
By Murray Zucker
Located in Long Island City, NY
Artist: Murray Zucker, American (1920 - ) Title: Bouncing Ball Year: circa 1970 Medium: Screenprint, signed, titled and numbered in pencil Edition: 9/20 Image: 18 x 24 inches Paper ...
Category

1970s Abstract Geometric Continental US - Abstract Prints

Materials

Screen

Pierre Soulages, Untitled, from XXe Siecle, 1956
By Pierre Soulages
Located in Southampton, NY
This exquisite lithograph and pochoir by Pierre Soulages (1919–2022), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates f...
Category

1950s Modern Continental US - Abstract Prints

Materials

Lithograph

Composition au verre a pied (Composition with stemmed glass)
By Pablo Picasso
Located in Fairlawn, OH
Composition au verre a pied (Composition with stemmed glass) Lithograph (Ink drawing, pen and brush transferred to lithograph stone) , 1947 Unsigned Editi...
Category

1940s Cubist Continental US - Abstract Prints

Materials

Ink, Lithograph

Charms against harms, Robert Rauschenberg
By Robert Rauschenberg
Located in Fairfield, CT
Artist: Robert Rauschenberg (1925-2008) Title: Charms against harms Year: 1993 Medium: Lithograph on wove paper Edition: H.C. 8/15, 100, plus proofs Size: 40.5 x 28 inches Condition:...
Category

1990s Pop Art Continental US - Abstract Prints

Materials

Lithograph

Joan Miro, Untitled, from Joan Miro, 1956
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...
Category

1950s Surrealist Continental US - Abstract Prints

Materials

Lithograph

Lithographs II (1040), Modern Abstract Lithograph by Joan Miró
By Joan Miró
Located in Long Island City, NY
Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...
Category

1980s Modern Continental US - Abstract Prints

Materials

Lithograph

"Uplifting", Contemporary, Vines, Interior, Blue, White, Brown, Color Photograph
By Rebecca Skinner
Located in Franklin, MA
Rebecca Skinner’s “Uplifting” is a 12 x 18 inch color photograph of vines growing into the interior of an abandoned building. A natural sculpture from mother nature, the tiny feet of...
Category

2010s Contemporary Continental US - Abstract Prints

Materials

Metal

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