Continental US - Abstract Prints

Artist/Designer; Manufacturer: KAWS aka Brian Donnelly (American, b. 1974) Marking(s); notes: signed; ed. 126/250; 2020 Materials: screenprint on Saunders Waterford 425gm HP hi-white...

Artist: Bob Pardo Title: Belly Dancer II Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 131/150 Size: 22 x 29.5 inches [55.88 x...

Alexander Calder Lithograph c. 1966: Lithograph in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Publish...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm. Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique. Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Artist: John Hultberg Title: Sketch Year: 1978 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 28 inches Size: 26 in. x 30 in. (66.04 cm x 76.2...

Artist: Marc Chagall (after) Title: Couple and Fish Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the edition o...

DAVID HUMPHREY Lies III (Framed with David McKee Gallery Label), 1986 Monotype on wove paper Unique signed and dated in graphite on the recto Frame included Measurements: 29 1/2 x 21...

Artist: Winfred Gaul, German (1928–2003) Title: May Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: 20 x 18 in...

Comprised of several shapes, the composition by Pablo Picasso exemplifies his manipulation of form to produce new perspectives and views of his subjects that would otherwise be unsee...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Force Field (Purple) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 21 x 25 inches S...

Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman an...

Joan Miró M.990 from " Les Pénaltiés de l'enfer ou les Nouvelles-Hébrides" 1974 Hand signed in white crayon From a rare signed edition of 15, annotated EA/15 Mourlot 990 from Miró L...

Signed, titled and numbered in pencil by the artist. Edition size: 50. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and ...

This contemporary abstract limited edition print by Teodora Guererra features a cool palette, with varying tones of blue layered over top of one another, and warm yellow ochre accent...

This signed and numbered lithograph by Jasper Johns, produced in an edition of 100, is offered by CLAMP in New York City.

A very good impression of this color screenprint on Somerset Satin White paper. Initialed and dated in pencil, and titled and numbered 80/100 in pencil. Printed by Watanabe Studio, N...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Safe Harbor Year: 1988 Medium: Serigraph, signed, titled, dated, and numbered in pencil Edition: 11/100 Size: 22 x 30 in. (55.88 x ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Artist: Arthur Boden, American Title: T Series (Red) Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in...

Max Papart (1911-1994) "The Blue Rider" Original Etching with Aquatint, circa 1973 This is a rare artist proof. The artist proof is pencil signed and titled by the artist. The regu...

A Woman Clothed with the Sun, 1967 is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome b...

"Renee's Breakfast" depicts a simple image of three eggs on a plate with bacon, a breakfast so familiar to many, and serves as a poignant reminder of the passage of time and the transience of even the most ordinary moments. Just as the morning sun rises and sets, casting shifting shadows and changing the hues of the yolks, so does life move forward, never standing still. The sizzling bacon mirrors life's moments, fleeting and ephemeral, yet leaving behind a savory residue of memories. In this seemingly mundane tableau, we find an allegory for the ceaseless march of time, urging us to savor each bite, each moment, for they are as precious as the breakfast on our plate. John Kato...

The He-Goats Of The Wild She-Goats On The Face Of The Earth shows the angel Gabriel hovering on the left side of a tornado. He has come to help Daniel interpret his vision about ...

Myril Adler "Sunscape III" c.1960s Intaglio etching collage, ink on paper 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, R...

Hans Bellmer, Untitled (Two Nudes), engraving and drypoint, 1971, edition 99. Signed and numbered '94/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet wit...

HEART II - is a unique, hand colored lithograph with pastel drawing by the pop culture icon - Peter Max. The image Heart II was printed in 1981 as a limited edition lithograph of 16...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

This abstract landscape limited edition print by Ken Elliott features a predominately cool violet palette, which is offset by the warm yellow trees in the foreground, which are refle...

Myril Adler "Night Magic" c.1960s Intaglio etching collage, ink on paper 3"x6" framed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Be...

Tony Bechara’s abstract composition in red, blue, and green with the issue of visibility and representation in art. Abstracted and hazy, this rendering is emblematic of his works tha...

"Homage to the Square - Portfolio 2, Folder 19, Image 2 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origi...

This abstract landscape limited edition print by Elwood Howell features a vibrant blue palette. Light green and violet accents contrast with the bright blue landscape, which creates ...

Signed and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. He has decided against...

Anique Taylor ( American ) "Martha's Backyard" Edition 65/325, Abstract Serigraph Screen Print signed in pencil, 25 x 20, 21st Century Colors...

Wonderful vintage lithograph titled "Memoria Erotica (2) "by Nicholas Pogany (American, 20th Century). Lithograph on paper. Some wear to over-mat. Signed lower left. Titled "Memoria ...

Klaus Bendixen Untitled Geometric Abstraction Color Silkscreen Year: 1965 Signed and numbered by hand Edition: 100 Size: 10.4 × 8.2 inches COA provided Ref.: 924802-784 Klaus Bendi...

This original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered from the edition of 275, this piece was publi...

The Angel Drove Out The Fiery Flame is based on passages from the Book of Daniel and depicts the fiery furnace in tones of grey. When three men refuse to bow down to a statue of the ...

Vibrant Colorful Abstract-0-14,' a captivating piece of state-of-the-art HAND EMBELLISHED artwork by the talented artist Irena Orlov. This Giclee Reproduction is a true masterpiece,...

This artwork "Astres Egares (Lost Astral)" 1970, is an original colors lithograph on Japan paper by noted Italian artist Berto (Roberto) Lardera, 1911-1989. It is numbered 1/1 in pen...

Set against an emerald green background, the figure in this Pablo Picasso print wears a grey and yellow hat. Fragmented into a series of smaller shapes that create various views and ...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Cuernavaca Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 250 Paper Size: 30 x 22 inches

This abstract limited edition print by Roger Mudre features light, translucent circles layered over one another throughout the composition. The under layers are a deep green and yell...

"Homage to the Square - Portfolio 2, Folder 19, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Raymond Pettibon Black Flag, 1981: Rare early Raymond Pettibon Black Flag Punk Flyer - illustrated by Pettibon on the occasion of: Black Flag, Stains, Youth Gone Mad, Caustic Cause,...

This abstract landscape limited edition print by Ken Elliott depicts an abstracted forestscape, with cool blue and violet trees and a yellow-green forest floor. The cool blues are co...

JOHN CHAMBERLAIN Driver, 2002 Digital monoprint on canvas, mounted on wood. Unsigned. W 59 1⁄4” x H 40 1⁄2” Chamberlain began to explore photography in the late 1960s, but it was...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, n°5, 1955. Published and printed under the direction o...

Abstract Screen print (Serigraph) composition of Japanese fishing boats in two parts by an unknown artist (20th Century). Signed (possibly "Myketo") a...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

Beautiful multi color serigraph by Roy Ahlgren (American, 1927-2011). This piece transitions from a dark magenta to a silvery blue, passing through warm grey shades in between. The s...

Andy Warhol Gagosian Gallery 1992: Rare highly decorative & classic vintage Andy Warhol exhibition poster published on the occasion of: "LATE PAINTINGS AND RELATED WORKS, 1984-1986:...

Artist: Marc Chagall Medium: Original lithograph Title: Frontispiece from the Jerusalem Windows series Year: 1962 Edition: Unnumbered Framed Size: 20...

This contemporary limited edition print by Teodora Guererra features a cool wash of blue and white with an abstracted coastal aesthetic. This print pairs beautifully with Indigo Sea ...

This abstract limited edition print by Roger Mudre features a vibrant palette with small concentric circles composing a larger yellow circle at the center of the composition, and a c...

Hand signed and numbered lithograph in colors on Arches paper. Mourlot 1025. Published by Maeght Éditeur, Paris. Edition of 27/30. Artwork size 91.375 x 47.875 inches. Custom framed ...