Continental US - Abstract Prints

Artist: James Rosenquist (1933-2017) Title: Gravity Feed, State II (Glenn 147) Year: 1978 Medium: Etching & Aquatint on Pescia Italia paper Edition: 12/78, plus proofs Size: 22.75 x ...

Delicate layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. I...

Ross Bleckner (American, b. 1949), "Pathways", Etching and Aquatint in Colors on Paper, 2002, marked "TPD" lower left, signed in pencil and dated lower right, part of a limited editi...

This artwork "untitled #1" 1978 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed,...

"Dropout" is one of the monoprints that Joyce Nagel so enjoyed creating. This monoprint is a one-off abstract print. The arrangement of shapes and colors p...

Beautiful multi color serigraph by Roy Ahlgren (American, 1927-2011). This piece transitions from a dark magenta to a silvery blue, passing through warm grey shades in between. The s...

"Voices IX" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

This abstract portrait limited edition print by Ned Martin blends the artist's signature abstract style with portraiture that is reminiscent of the Old Masters. The softly-executed face and neck of the woman in this painting is contrasted by abstract shapes that compose the rest of the painting, namely, the figure's orange, red, and green clothing...

Vintage French Travel Poster, Air france Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters. He designed posters for Air France and for the French national railways. Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar. Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work. Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud. Select Solo Exhibitions: 1938: Galerie Charpentier, Paris 1950, '53, '55, '57: Galerie Andre Weil, Paris 1953:Wildenstein Gallery, London 1954: Institut Francais, Cologne 1956: Galerie Matarasso, Nice 1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris 1958: Denys-Puech Museum, Rodez 1962: Musee de l'Athenee, Geneva; Chateau Grimaldi, Cagnes-sur-Mer 1966: Galerie des Ponchettes, Nice 1967: Galerie Martel, Montreal 1968: Romanet-Vercel Gallery, New York; Reattu Museum, Arles; Le Corbusier Center, Firminy 1969: Galerie Philippe...

This large-scale abstract limited edition giclee print by Ned Martin features birds in flight. Five white birds with dark feathers on the tips of their wings fly in a formation throu...

Artist: Salvador Dali Title: Frocin, the Bad Dwarf Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4"...

Medium: Screenprint, signed, numbered, dated, and titled in pencil Image Size: 25 x 18 inches Paper Size: 30 x 22 inches

gestural screenprint, number 5 from an edition of 40

Le Point de Non-Retour, 1969 Signed and numbered in pencil Lithograph in colors on wove paper 20 x 28.25 inches Edition 60 of 100

Evelyn B. Johnson was an American Optical artist. Her work specialized in striking geometric abstract forms in bright colors whose shading mimics the effects of neon lighting. These ...

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: Wedding Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 300 Image Size: 13 x 35 inches Size: 18 ...

A limited edition serigraph from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, American ...

Large format photograph of Brutalist architecture in south of Italy ( Sicily ) Modica (2020) by Frank Schott 72 x 48 inches / 182cm x 122cm...

Moderna Museet ( the Red Model ) Oct -Nov ’67 is an original poster for an exhibit of works by renowned surrealist painter, Rene Magritte ( 1898 – 1967 ). It was held at the Moder...

Gray, Tan, Red Landscape Joseph Grippi, American (1924–2001) Monotype Screenprint, signed in pencil lower right Edition of AP Image Size: 18 x 26 inches Size: 22 x 30 in. (55.88 x 76...

16 Green Circles from the Eight Variants series, 1970 This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany. screenprint 28"x28" Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian...

This print by Pablo Picasso utilizes perspective and angles to portray an artist in his studio. In this work, a painter is shown at his easel in profile. With a cooling teal backgrou...

Artist: Hirst, Damien Title: I Get Around Series: Spin Date: 2002 Medium: Etching on 350gsm Hahnmuhle paper Unframed Dimensions: 35.875" x 28" Framed Dimensions: 43.5" x 35.5...

"Abstract in Gold and Black" is a well-balanced calm piece. The placement of the gold and white can be read as a distant landscape giving much imagined space to the heavier black area which contains a linear element and the color blue. Semivan is a Master Printmaker and sculptor. He often breaks his surfaces and extends beyond the perimeters in his sculptures. The particular placement of the black area in this piece suggests such a breakage beyond the edge where one imagines a continuation of the strokes or linear elements. This is an altogether extraordinary print. Born in Detroit, Michigan, Douglas Semivan...

This artwork titled "Poetes, Sculpteurs, Peintres" 1960, is an original color lithograph on Rives paper by renown artist Joan Miro 1893-1983. It is hand signed (monogramed) and numbered II/XV in pencil by the artist. The artwork (sheet) size is 26 x 20 inches, framed size is 39.25 x 32.5 inches. Published by Maeght Editeur, Paris, printed by Fernand Mourlot., Paris. Referenced and pictured in the artist's catalogue raisonne by Mourlot plate #260. Custom framed in a wooden black frame, with black color bevel and fabric matting. It is in excellent condition. About the artist: Joan Miró Ferra was born April 20, 1893, in Barcelona Spain, the son of a goldsmith and watchmaker. At the age of 14, he went to business school in Barcelona and also attended La Lonja's Escuela Superior de Artes Industriales in the same city. Upon completing three years of art studies, and under pressure from his parents, he took a position as an accounting clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Galí's Escola d'Art in Barcelona from 1912 to 1915. Miró's work before 1920 showed the latest artistic influences, including the bright colors of the Fauves* and the geometric forms of Cubism*. It was in Paris through the 1920s-1930s where, under the influence of Surrealist* poets and writers, Miró evolved his mature style. His latest works drew on the Surrealist principles of memory, fantasy, and the irrational to create visual art. Miró's works were also shaped by the flat, two-dimensionality of his native Catalan folk art, Spanish Romanesque...

Vibrant abstract monoprint by Karen Pugay (American, b. 1960). Highly saturated, almost day-glow colors are layered to create deep, richly colored shapes. The abstract shapes hint at...

DAVID SALLE (American, 1952- ) Lucky 1992 Photoengraving heliogravure on Lana paper Edition Julie Sylvester, New York Hand signed and dated in pencil lower right, numbered lower left...

Artist: Jim Bruss, American (1944 - ) Title: Reflection I Year: 1975 Medium: Serigraph, signed and numbered in pencil Edition: 1/25 Image: 23 x 19.5 inches Size: 33 x 25.5 inches

This abstract landscape limited edition print by Ken Elliott features a predominately cool violet palette, which is offset by the warm yellow trees in the foreground, which are refle...

Bold lithograph by Patricia Pearce (American, b. 1948). Numbered ("2/25"), titled ("Kimono 10"), and signed ("Patricia Pearce") along the bottom edge. Presented in a blue-gray mat wi...

Artist: Joe Tilson, British (1928 - ) Title: Eleusis Proscinemi Year: 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP 4/20 Size: 31.5 x 22.5 in. (80.01 ...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the [Braniff International Airways] Flying Colors Collection, 1976....

This Limited Edition giclee print by Roger Mudre features nearly transparent light blue circles, arranged in an overlapping pattern to create a larger circle shape. The outer layer o...

Jose Parla "The Founders" Time Limited Edition of 1368 Dimensions: 20.5in x 32.7in Medium: Archival pigment print on 305 gsm Hahnemühle Photo Rag Ultra Smoo...

Decorative Rosenthal ceramic plate produced in collaboration with artists Otto Piene from 1973. A modern design in Piene's abstract modernist style. Porcelain plate with box and sign...

This is original watercolor over a limited edition woodcut political poster. hand signed, dated and numbered. it bears similarity to works by Alexander Calder. Employing a star and abstract design. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. Early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: Hawaii Year: 1969 Medium: Color Etching on BFK Rives paper, signed and numbered in pencil Edition: 146/200 Image Size: 10 x 7 in...

This abstract limited edition print by Sofie Swann features an off-white background, with textured geometric dark blue rectangles arranged around a white square, pointing out vertica...

“Woman on Arm of Sofa” is an extraordinary lithograph by Arnold Singer. You could say it is representative of his interests in several art styles that ar...

Pablo Picasso (after) "Buste de Petite Fille" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 144/500 lower left From the estate of Pa...

This work is included in the collection of MoMA NY which was donated by the artist. From a limited edition of 2000 Artist’s Remarks:"This is like a snake plant...

Facing the viewer, this likeness of a female figure in this print by Pablo Picasso features several key emblems of Cubism. Represented as a disbodied head, the face of the woman feat...

Donald Sultan Yellow Roses, April from Fruit and Flowers II, 1992 Color Screenprint Signed in Pencil, DS and 34/100 Printed by Watanabe Studio, Brooklyn Published by Parasol Press, L...

An original mid century modern woodblock print. This work is hand signed illegibly and titled "Wedding Party".

Stephan Küthe Untitled I Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 10 Size: 18.7 × 13.4 on 23.8 × 17.6 inches COA provided (gallery issued) ...

A print from John Chamberlain's Suite "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and numbe...

This abstract limited edition giclee print by Ned Martin features birds in flight. Five white birds with dark feathers on the tips of their wings fly in a formation through a primari...

This abstract limited edition print by Ned Martin features a large hummingbird as the central focus. The hummingbird is varying shades of blue and warm orange tones, while an abstrac...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

Screenprint printed in black and white on handmade oatmeal paper. Signed, dated and numbered in white pencil. Date and name lower right, Signed and numbered edition of 85 from ARTISTS PORTFOLIO, a limited edition series of five prints in support of the dance company of Bill T. Jones/Arnie Zane & Company. The other four artists who contributed were Robert Longo, Keith Haring, William Katz and Gretchen Bender. Bill Katz was born in New York, studied at The Art Students League and with Sebastiano Mineo of New York City. He was the studio assistant to Robert Indiana for more than a decade, initiating and arranging print projects for the artist, including Numbers (1968), with poems by Robert Creeley.For five years he worked and lived in the home that was once occupied by the great American sculptor Gutson Borglum. He also spearheaded the project of the cover artwork at Chanterelle with the full roster of distinguished contributing artists, photographers, musicians, and writers — Marisol, Chuck Close, Jasper Johns and Robert Mapplethorpe. Almost all the images were made specifically for the menus In addition, some of the images were made for one night special events, such as annual benefits held for the Bill T. Jones and Arnie Zane Dance Company. He also Curated for the Fisher Landau Center for Art, Painting and Sculpture, Selections from the collection, which included work by Carl Andre, Willem de Kooning, John Duff, Robert Indiana, Neil Jenney...

Houston Artist Margarita Urquiza’s Greek-themed etching done on arches paper. Printed by Hare and Hound Press in a unique impression. The work is signed, numbered and dated in pencil...

Artist: Winfred Gaul, German (1928–2003) Title: May Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: 20 x 18 in...

An original silkscreen poster "avant le lettre" by Victor Vasarely for an exhbition at Editions Lahumiere, Paris.

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...

This artwork "Untitled" 2011 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 7/35 in pencil by the artist. The image (plate mark) size is 9 x 18.5 inches, framed size is 19 x 27.85 inches. Published by Joseph Grossman Fine Art...

Signed, titled and numbered by the artist. Medium: Aquatint Edition: 50 Image Size: 7.87 in. x 5.9 in. Year: 2018 Bozon's prints are often a balance between abstraction and landsc...

Rudolf Belling Title: Design for Sculpture "Metal Plates and Wire" Year: 1994 Medium: Lithograph Signed, dated, numbered or inscribed Size: 15.0 × 14.0 on 19.7 × 25.7 inches COA prov...

Artist: Willem de Kooning (1904-1997) Title: Composition for Lisa Year: 1984 Medium: Color silkscreen on wove paper Edition: 250, plus proofs Size: 17.75 x 23.25 inches Condition: Ex...

Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIe Année, N° 13, Noël 19...