Continental US - Figurative Sculptures

Patinated Bronze Torso after the Antique, 19th/20th Century Bronze Torso: 22 x 13 x 11 inches Including base: 27 inches high

Ahron Ben-Shmuel (American, 1903-1984) Rubenesque Reclining Nude, 1929 Painted plaster Signed and dated 7.5 x 9 x 6 inches Provenance: The Tatti Family Collection Ahron Ben-Shmuel w...

Ruth Asawa Bronze Flower, 1979 Cast Bronze relief plaque with original presentation box 5 1/4 × 6 1/4 × 1/4 inches Numbered from the Edition of 2500 Signed and dated 'Asawa 1979' (lower edge) incised in the bronze; numbered; stamped "Designed Exclusively for Crown Zellerbach Corporation"; foundry copyright Cast at the Berkley Arts Foundry for Crown Zellerbach Ruth Asawa's estate is represented by David Zwirner. This beautiful, limited edition signed cast bronze flower plaque...

Nebraka-based Jamie Burmeister is a sculptor known for his original small bronze figures, standing at just 4 inches tall. His unique figurative sculptures have been showcased in gall...

After Jean-Antoine Houdon (French, 1741-1828) Diana the Huntress Bronze with fine brown green patina 24 x 19 x 10 inches 15 lb. The first, life-size version of this representation ...

Nebraka-based Jamie Burmeister is a sculptor known for his original small bronze figures, standing at just 4 inches tall. His unique figurative sculptures have been showcased in gall...

Painted cast resin sculpture with decorative box, as issued. Sculpture Size: 4 × 3.5 x 3.5 inches. Inscription: ©Yayoi Kusama, as issued. Notes: Published by Fukutake Foundation, Nao...

An impressive French Art Deco sculpture of a semi nude male holding a trident. Cast in patinated French spelter and sits on a marble base. We believe Bezin may be a pseudonym for ano...

William Zorach (American, 1887-1966) Seated Woman Painted plaster Inscribed underside "V" 12.5 x 9 x 5 inches Provenance: The Tatti Family Collection Bill Zorach was born in Lithuan...

Albert Wein was born in New York in 1915 and was the only son of an accomplished woman artist, Elsa Wein. Her influence and intense commitment to nurturing the young Albert's seeming...

Nana Williams' "Delft Frog 2" is a striking, hand-painted resin sculpture measuring 1.50 x 1.25 x 2 inches (3.81 x 3.18 x 5.08 cm). This exquisite piece combines intricate blue flora...

Nayla Saroufim creates installations that challenge the traditional notion of the passive viewer. Nayla’s art is a rich mix of media. She was always captivated by the dialogue betwee...

Yeonsoo Kim, "Be Yourself," Monochromatic black and white clay vessel, White stoneware, black underglaze, 11.5 × 12.5 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blen...

Yayoi Kusama Original Limited Edition hand signed and numbered Pumpkin (Red), 1998 Painted cast resin on ceramic tile in the original wood box, display plate and paper box Signed and...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies+ II PA Fantastic piece of art representing Spanish sculpture Artist well known for his large forma...

"Inky" - Small Glass Pac-Man Ghost Sculpture by Dylan Martinez. Size: 4.5" h x 4.25" w. Signed on the base by the artist. Each sculpture is unique. These whimsical Pac-Man Ghost s...

Contemporary American paper-mache artist Debbee Thibault is a master sculptor in the grand tradition of the WPA sculptors of the early 1930’s. Her belief that “like a fingerprint eac...

Three Skunks of WWII c. 1940s Carved and painted wood Unsigned 8 x 10 in. h. each These skunks are depicted as Adolf Hitler, Benito Mussolini, and Hideki Tojo. Condition: There ...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

18th Century French Terra Cotta Bust of a Young Gentleman Terra Cotta Unsigned 25 x 18 x 10 inches 41 lb.

Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...

A wonderful yet very playful piece depicting Harold, a magpie standing on a short rope from Gillie and Marc's collection which explores all the interesting, complex characteristics o...

Robert Indiana LOVE (Pink), Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright, 2011 Brushed Aluminum (Pink) and Stamped with M...

Max Kalish (American, 1891-1945) Reclining Nude Marble Signed on base 9 x 20.5 inches Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894,...

Yayoi Kusama Pumpkin: Red and White: An iconic, vibrantly colored pop art piece - this small Kusama pumpkin sculpture features the universal polka dot patterns and bold colors for wh...

Nayla Saroufim creates glossy balloon sculptures for display on a table or hanging on a wall or ceiling that challenge the traditional notion of the passive viewer. Saroufim's art is a rich mix of media. She was always captivated by the dialogue between painting, illustration, and graphics. Her work embodies her attraction to colors and interest in all forms of expression, especially installations. Her technique is unique and personalized: a fusion of mixed media and installations in layers of steel, copper, paint, and other elements. Saroufim strives to make her positivity and love of happiness appear in her art, sparking emotion and thoughts in viewers. This sculpture measures 26-inches high by 12-inches wide and has an 8-inch wide steel base. It is signed and dated underneath the base of the artwork. This sculpture is numbered 19 out of 35. This sculpture can be displayed easily on any flat surface and may be viewed from any vantage point. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping are available. A certificate of authenticity issued by the art gallery is included. Nayla Saroufim was born in Beirut, Lebanon in 1982. She graduated from the Académie Lebanese des Beaux-Arts with a degree in Illustration and Art Direction. While working in the publicity field at several multinational advertising agencies, Saroufim began rekindling her interest in art. Creative, a dreamer, and a lover of color and beauty, Saroufim has been engaging in a creative expression of her personality through art for over a decade. She hopes that by looking at her art, people will realize that there is beauty and happiness in the simplest things. Nayla Saroufim’s work has graced the walls of solo exhibitions including a show in London in December 2015 and one in Beirut in October 2013. Her work has been exhibited at the Beirut Art Fair, in Singapore, and at Asia Contemporary Art. Artspace Warehouse Los Angeles has exhibited her sculptural artworks since 2020. REPRESENTATION Artspace Warehouse, Los Angeles, California, USA EXHIBITIONS 2023 LA Art Show, Los Angeles, California, USA Affordable Art Fair Battersea, London, UK Affordable Art Fair NYC, New York 2022 Affordable Art Fair Battersea, London, UK Affordable Art Fair NYC, New York 2021 Affordable Art Fair Battersea, London, UK Design week Marbella, Marbella, Spain, Curator Galería Javier Roman Affordable Art Fair New York Beirut rise from the ashes, La Biennale de Venice, Italy Affordable Art Fair NYC, New York Josephine Clavel Gallery, London, UK 2020 Artsfemin, Gstaad, Switzerland Dessine moi un Cedre, Green Cedar Lebanon...

Ercole Rosa (Italian, 1846 - 1893) Frine (Phryne) Marble Signed 'E. Rosa, Studio O. Andreoni, Roma' on back 34.5 x 12 x 10 inches 80 lb. Phryne was a 4th century BC famous Greek ...

After Antonio Canova (Italian, 1757-1822) Psyche Revived by Cupid's Kiss Marble 24 x 19 x 16 inches 135 lb. The love affair between Cupid and Psyche is one of the best known classic...

Beautiful abstract sculpture depicting a guitar player. Bronze on wood base measuring 15 x 9 x 4 inches. Actual cast piece without base measuring 17 x 7 x 3 inches. Signed indistinct...

"Flight in Attitude, Atelier" by Richard MacDonald captures a dancer mid-ascent, suspended in a moment of pure elevation and grace. The figure’s outstretched limbs and lifted gaze ...

Large Figure of Seated Hermes, Grand Tour Bronze, Early 19th Century 19th Century Continental School After the Antique The large size figure well cast, with brownish green patination...

David Deming (American, 20th Century) Contortion Nude Bronze Signed on base 14 x 12 x 9 inches David Deming is a nationally recognized contemporary Ameri...

TWELVE CHAIRS GALLERY ZURA (Georgian-American, b. 1969) DEMNA BABIES, 2024 Mixed media H. 35 x W. 12 x D. 10 in. (89 x 30 x 25 cm) Clear acrylic plexiglass included Zura’s Demna Bab...

Mercury, circa 1700s. Bronze with green patina. Height with base: 58 cm (22 7/8 in.)

Reflections, bronze female bust sculpture contemplative peaceful Troy Williams Sculptor Troy Williams unites the timeless and the contemporary i...

The Borghese Gladiator, 19th Century Bronze on marble base Musée du Louvre signed on base 15 x 12 x 8 inches Since its discovery in the early seventeenth century, the Borghese Gladi...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

"Saddled Horse Playing with a Dog"  Pierre Lenordez (1815-1892)  Bronze with green marble base, circa 1860 11 x 7 inches Painter and sculptor, professor at the Academy of Fine Arts ...

Figure of a Chanting Warrior Ceramic with bitumen highlights 300-600 CE (Classic Period) Mexico, Veracruz, possibly Nopiloa Veracruz Culture Pre-Columbian, Mexico, Vera Cruz culture...

Robert Indiana LOVE (Official Artist Copyright and Foundation Stamp), 2011 Brushed Aluminum sculpture (Red) Stamped by artist's estate, Stam...

Seated Shaman Colima culture Mexico ca. 300 BCE - 300 CE Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...

Artist: After Guillaume Coustou, French (1677-1746) Title: Cheval de Marly Medium: Bronze Sculpture, signature inscribed Size: 22 x 19 x 9 in. (55.88 x 48.26 x 22.86 cm) This be...

Dana Younger's (US based) "Bighorn Sheep" is an original, handmade Bas-relief sculpture on Maple and Walnut that depicts a Bighorn Sheep's head in profil...

Listening, bronze sculpture, childs portrait, black granite base, green patina 35 lbs

Salvador Dali (1904-1989) – Surrealist bronze sculpture by Salvador Dalí depicting an interpretation of the soul of Don Quiote. The sculpture is mounted on...

After Lysippos (Greek, 390 BC-300 BC) 19th Century Grand Tour Bronze of the Uffizi Wrestlers Bronze J. Chiurrazi & Fils, Naples 17 x 20 x 12 inches 76 lb. The Wrestlers is a Roman m...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals...

Circa Late 1920s - Early 1930s. It is all Bohlin made and marked to include the saddle, the headstall and the breast collar. All made in Hollywood California. The only non-Bohlin item is the bit which appears to also be early California. There is some interesting provenance of the fine saddle. It was commissioned by Charles R. Bell, married to Margaret Vail Bell who was the daughter of Walter Vail. On the Bolin nameplate it has engraved, Vail Ranch as well as made for Charles Bell. Charles Bell Died in 1939. The Vail Ranch has some great Western History which I will go into a little detail. You see, not only am I selling Saddles, but I’m also selling History. If you want to skip the history lesson you can just scroll down past the following info to images of the saddle. It’s no secret that ranching runs in the family blood. There is no greater example of that than California Rangeland Trust CEO Nita Vail. On April 14, 2018 Nita had the opportunity to witness her great-grandfather Walter L. Vail’s induction into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum. This high honor is bestowed by the Museum to “exceptional individuals who have made an indelible impact upon the history of the great West.” A pivotal figure in early California and Arizona ranching, Walter Vail joins just over only 200 individuals who have been inducted into this esteemed hall. The Vail legacy of advocacy and ranching lives on strongly through his descendants, including Nita. All these years later, Nita carries the mantle of advocacy for ranchers in her own work at the California Rangeland Trust. Reflecting on her great-grandfather’s induction ceremony in Oklahoma, Nita says, “Witnessing my great-grandfather’s induction with family and friends was an incredible experience and a reminder of why I do what I do. Ranching plays an integral role in the culture, economy, and quality of life in California. Generations later, I get to honor Walter L. Vail’s legacy in my work with the California Rangeland Trust every day, preserving those open spaces for new generations and partnering with ranchers to continue to sustain life on the range in California.” Walter Vail History A native of Liverpool, Nova Scotia, Walter Vail purchased the 160-acre Empire Ranch southeast of Tucson, Arizona in 1876, along with an Englishman named Herbert Hislop. In 1882, the Empire Land & Cattle Company was formed with Walter L. Vail as principal shareholder. Over the years Vail, along with various partners, expanded the original land holdings to include over one million acres. The year after Walter purchased the Empire Ranch, the Southern Pacific Railroad built a railroad line, which was great news for the Vail family as it provided a means for them to ship their cattle. Edward L. Vail, George Scholefield and Bird at the mouth of Rosemont Canyon ca. 1896-1898 Standing Up for Ranchers In the fall of 1889, the Southern Pacific Railroad announced they would raise cattle freight rates by 25 percent. They ignored loud protests from ranchers who had already been hit hard by depressed cattle prices. In response, the Vails made a plan to drive the cattle overland themselves without the railroad. They knew that, if they were successful, they could break the railroad’s monopoly on the ranchers and force prices down. Walter’s brother Edward Vail and foreman Tom Turner volunteered to drive the almost 1,000 steers on the 300-mile trip to the Warner Ranch in San Diego. The journey ahead would be grueling. Most of their trip was through desert with water sources 15 to 30 miles apart. The ranchers would face a slew of obstacles—a stampede, a chaotic Colorado River crossing, an encounter with a group of horse thieves. In spite of all the dangers and challenges, they reached their destination. Just 71 days after leaving Arizona, the Empire cowboys arrived at the Warner Ranch. They had only lost 30 steers. The historic Empire Ranch Trail Drive of 1890 inspired other Arizona ranchers to make similar drives as a stand against the railroad. That fall, a group of Arizona cattlemen met and agreed to fund improvements to establish a safe cattle trail from Tucson to California. In response to the united stand of the ranchers, sparked by the Vails, the railroad finally agreed to restore the old freight rate—on the condition that the cattlemen would make no more cattle drives. Walter Vail led by example, but he was also an active representative of ranching interests in the legislature. He served in the 10th Arizona Territorial Legislature in 1878 and in 1884 on the Pima County Board of Supervisors. He introduced two significant bills: One proposing the creation of Apache County in the northeastern corner or Arizona Territory, and the other calling for the repeal and replacement of a Pima County fencing ordinance. Elected to the Arizona Stock Growers Association in 1884, Walter L. Vail advocated for levying fines on outfits that brought diseased cattle into the Territory, proposed a system of recording brands and earmarks, and requested the establishment of the livestock sanitary commission to oversee quarantines on infectious diseases, and tighter trespass laws. Moving to California In the late 1880s when a long drought hit Arizona, the Vails began leasing California pastures and shipping increased numbers of their cattle there to fatten. This marked the beginning of Walter’s efforts to purchase land in Temecula Valley. Vaqueros (Mexican cowboys) at the Empire Ranch in Arizona In 1890, with growing corporate holdings in California, Walter Vail established his headquarters in downtown Los Angeles and moved his family there. By this time, he had pieced together four Mexican land grants—Pauba Rancho, Santa Rosa Rancho, Temecula Rancho and Little Temecula Rancho—to form the Pauba Ranch. Eventually, the Vails would own more than 87,500 acres surrounding the little town of Temecula. In 1892 they leased Catalina Island and in 1901-1902 in partnership with J. V. Vickers, they purchased most of the interests in Santa Rosa from the estate of A.P. More. In March of 1894, Vail and Gates joined Vickers in setting up a third cattle company, the Panhandle Pasture Company, with the hopes of expanding new markets in the east. The Panhandle Pasture Company bought seven thousand acres of grassland in Sherman County, Texas, and an equal amount across the line in Beaver County, Indian Territory (later Oklahoma). Walter Vail was tragically killed in a Los Angeles streetcar accident in 1906. After his death, the Empire Land & Cattle Company (later renamed the Vail Company) assumed control of all his ranches and other real estate holdings. Walter had five sons and they would all have a hand in running the various ranches and the Vail Company as whole throughout their lives. The Empire Ranch in Arizona was sold in 1928. The Temecula area ranches continued to operate until it was sold in 1965. Santa Rosa Island, the last of Walter Vail’s holdings, was sold to the National Park Service in 1986, and ranching operations shut down there in 1998. Walter Lennox Vail (May 13, 1852 - December 2, 1906) was an American businessman, cattle dealer, and politician. He is known for his Empire Land & Cattle Company (later the Vail Company), which spanned over one million acres throughout five states.[1] Vail has been called "a pivotal figure in early California and Arizona ranching." Early life Vail was born in Liverpool, Nova Scotia on May 13, 1852, to Mahlon Vail, Sr. and Eliza Vail. Career Empire Ranch The headquarters of the Empire Ranch in the modern day Vail left his family's Plainfield, New Jersey house in the middle of 1875 to pursue riches in the West. He worked for a few months in Virginia City, Nevada as a mine's timekeeper, but in November he wrote of his intention to get involved in Arizona's sheep business. He, along with an Englishman named Herbert R. Hislop, then purchased the Empire Ranch along with its 612 cattle on August 22, 1876. The purchase from Edward Nye Fish and Simon Silverberg cost $1,174 at the time and was only 0.25 square miles (0.65 km2). Vail had met Hislop for the first time in August of that year, at the Lick House in San Francisco. Vail also became the main shareholder of the Empire Land & Cattle Company, which was formed in 1882. Politics Vail additionally served in the House of Representatives on the 10th Arizona Territorial Legislature for two years, starting in 1879. He was one of five representatives from Pima County. There, he proposed the creation of Apache County in the northeast. In 1884, Vail was elected to the Arizona Stock Growers Association, where he introduced many laws relating to cattle farming. California Vail moved his main operations to California in the late 1880s due to a long drought in Arizona. He started leasing Californian land mainly in Temecula Valley, but established his headquarters in downtown Los Angeles. By this time, he had already bought four ranches: the northern half of Rancho Little Temecula, Rancho Pauba, Rancho Santa Rosa, and Rancho Temecula. Later, Vail would own over 135 square miles (350 km2) surrounding the city of Temecula. He also leased Santa Catalina Island and Purchased Santa Rosa Island in 1892 and 1901, respectively. Vail, along with Carroll W. Gates and J.V. Vickers, set up the Panhandle Pasture Company, which bought about 22 square miles (57 km2) in Sherman County, Texas and Beaver County, Oklahoma. Personal life Vail married Margaret "Maggie"[a] Newhall in 1881, with them having five children: Nathan Russel, Mahlon, Mary, Walter Lennox Jr., and William Banning (who used his middle name) together. In 1890, a Gila monster bit Vail on his middle finger, and for years thereafter he experienced bleeding and swelling in his throat, which was thought to be caused by the venom from the bite. Death Vail died at 54 on December 2, 1906, due to complications from a tram (Trolley Car) accident in Los Angeles. He was cremated, then buried at the Hollywood Forever Cemetery on December 6. Legacy Vail's sons took over the company after his death, renaming it to the Vail Company. The Empire Ranch was sold in 1928, and the Temecula ranches were bought by a syndicate of companies, including Kaiser Aluminum, Kaiser Industries, and Macco Realties in 1965. Santa Rosa Island was acquired by the National Park Service in 1986, and ranching ceased in 1998. Vail was inducted into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum in 2018.[2] Various properties have been named after the Vail family including: Vail Headquarters, an outdoor shopping mall, Vail Lake, and Vail, Arizona. In 1867, German immigrant, Louis Wolf, and his Chumash wife, Ramona, built a small adobe trading post next to Temecula Creek. Their Wolf Store helped launch the Temecula community, serving as a saloon, livery stable, legal services, hotel, general store, stagecoach stop, post office, school and employment agency. After Louis and Ramona’s deaths, their land and other Ranchos were purchased by Arizona cattle baron Walter Vail. By 1905, the 87,000-acre Vail Ranch became one of the largest cattle operations in California, stretching from Camp Pendleton to Vail Lake to Murrieta. It operated through the late 1970’s when it was sold to build Temecula’s housing. Some of the ranch’s oldest buildings survived in a cluster around the long-vacant Wolf Store. Together they would wait more than 40 years to be restored and once again become a center for community life in the Temecula Valley. ​ In 1905 after his death, Wolf’s Temecula was purchased by Arizona cattle baron Walter Vail, along with three other Ranchos totaling 87,500 acres. The sprawling Vail Ranch spread from South of Highway 79 to South of Clinton Keith Road, East to Vail Lake Resort and West to Camp Pendleton and continued operations through the late 1970’s when it was sold for housing subdivisions. The remaining buildings that comprised the Vail Ranch Headquarters, several having been demolished, have sat mostly vacant since then awaiting their restoration and re-use. John N. Harvey, Edward L. Vail, Walter L. Vail, 1879 Ned Joins the Partnership - May 1879 In May of 1879 Walter’s older brother, Edward Lang Vail, known as Ned, joined the Empire Ranch partnership. He had no ranching experience but quickly learned. The Empire Ranch herds were finally sufficiently developed for sale, and the Empire Ranch found a ready market in the town of Tombstone and its nearby mines. Walter finally had sufficient funds to begin to pay off some of the loans from his Uncle Nathan and Aunt Anna. North end of the original four rooms of the Empire Ranch House. Empire Ranch Census Records - 1880 The 1880 U.S. Census documents that eight men were living full time at the Empire: the partners, Walter Vail, John Harvey and Ned Vail; John Randolph Vail, Uncle Nathan and Aunt Anna’s son; John Milton Requa, nephew of Isaac Requa who hired Walter in Virginia City; John Dillon, who was instrumental in locating the Total Wreck Mine; Tomás Lopez, a herder; and Mon Ta, the cook. Section of Official Map of Pima County by Roskruge 1893. The Southern Pacific Railroad Arrives in Pantano - April 1880 In 1880 the Southern Pacific Railroad finally reached Tucson and by April it was extended to Pantano, north of the Empire Ranch. The availability of rail transportation was a major boom to the Empire Ranch as it was now possible to sell cattle and beef to markets beyond Southern Arizona. The railroad also increased the availability of goods in Tucson and allowed for much quicker and safer transportation to California and the East. Empire Ranch land acquisitions are highlighted in red. Courtesy of Dave Tuggle Land Holdings Expand-1881-1882 Starting in 1881 the land holdings of the Empire Ranch expanded considerably. They acquired Charles and Agnes Paige’s Happy Valley Ranch near the Rincon Mountains in 1881. 1882 saw the addition of Don Alonzo Sanford’s Stock Valley Ranch totaling over twenty-eight square miles of grassland between the Whetstone and Empire Mountains. Charles Bell Bohlin Saddle. All of the leather has been professionally cleaned and conditioned. All of the sterling has been professionally polished as are all of my saddles. THE BOHLIN BRAND IS AS ICONIC AS THE FAMED WESTERN STARS that wore it. The late actor Richard Farnsworth sported a recognizable gold steer-head Bohlin buckle...

"Couple II" Mid 20th Century Modern Abstract Figurative 1940s European Sculpture Jacques Lipchitz (1891-1973) "Couple II" Bronze signed on the base The sculpture was conceived in 19...

Myanmar (Burma) Mandalay Standing Buddha Title: Standing Buddha Medium: Painted hand-carved wood sculpture with gold and jewel detailing Size: 60 x 26 x 8 in. (152.4 x 66.04 x 20.32...

A fine antique large French Art Nouveau Bronze Figural Sculpture, titled "Prise de Corsaire" by Emmanuel Villanis (1858-1914), circa 1900. This very...

Loet Vanderveen, Dutch (1921 - 2015) - Antelope, Medium: Bronze sculpture, signature and numbering inscribed on bottom, Edition: 408/500, Size: 6 x 7.5 x 3 in. (15.24 x 19.05 x 7...

TWELVE CHAIRS GALLERY “Female Figure” (2023) by Zura is a life-size sculpture measuring 39 × 16 × 12 inches (99.1 × 40.6 × 30.5 cm), crafted in plaster with an option for bronze cast...

TWELVE CHAIRS GALLERY Zura – Life‑Size Female Figure (2023), Plaster Dimensions: 39 × 16 × 12 in │ 99 × 41 × 30 cm Medium: Hand-modeled plaster (also available in bronze) Signature: ...

Ihi (Power), contemporary Maori sculpture, green patina, warrior figure Wi Te Tau Pirika Taepa (born 1946, in Wellington) is a New Zealand ceramicist ...

KAWS The Promise (black): A unique KAWS Companion featuring a blue & green globe being affectionately shared between parent & child. This timeless, highly collectible KAWS art toy wa...

Nana Williams’ "Porcelain Pattern Sphynx 1" is a captivating resin sculpture that merges delicate craftsmanship with intricate surface decoration. This 2024 original work is a resin cast, hand-painted with acrylic gouache, standing at 5.50 x 2 x 3.50 inches (13.97 x 5.08 x 8.89 cm). Inspired by the elegance of fine porcelain, the piece mimics the timeless beauty of blue-and-white ceramic motifs...

This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indoo...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* 'Kobe Bryant Super Basketball' is THE one of a kind original crea...

Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...