England Figurative Sculptures

A patinated bronze figure of a Belgian dancer in classical dress. Signed to base with Batardy Foundarie (1925 - 1945) stamp to base. Dimensions: H 41cm, W 27cm, D 20cm Origin: Belg...

A fine patinated bronze figure of a Native American scout by Carl Kauba. Austrian, circa 1910. Signed in the cast 'Carl Kauba'. The figure cast as an American Native scou...

Antique Angel Painting, Religious Angel Painting, Antique Angel Sculpture, Antique Dummy Board, Antique Religious Painting, Antique Religious Sculpture, Gothic Antique. 19th Century Religious Dummy Board Oil Painting of Angel...

A silver-gilt and enamel Austro-Hungarian horse drawn carriage model Austro-Hungarian, Early 20th Century Case: 28cm high x 89cm wide x 44...

This is a vintage decorated skull. An English marble ornament with hand-finished decoration by Dominic Hurley, dating to the late 20th century. One of one collector appeal Displa...

the first was modelled as a female nude with a robe draped over her shoulder, 44cm high, signed R Cameron Like Asian Yin and Yang, this large erotic sculpture merges masculine Renais...

A fabulous gilded bronze car mascot modelled as a lady golfer and mounted on a marble base. Signed on the base J Dunach; Jose Dunach (1886-1957) was bor...

Figurative cold-painted bronze lamp by Franz Xaver Bergman Austrian, c. 1910 Measures: Height 46cm, width 19cm, depth 29cm This fine bronze la...

A rare C19th English pottery figure of a seated Japanese gentleman in traditional robes, with a nodding head which is lead weighted inside to make his head rock, with a bottle and cu...

The unusual model bronze dating to the late 19th century cast as a patinated bronze cherub holding two large strawberries with the vine looping over the back of the cherubs neck as i...

A Patinated Bronze Figural Group of ‘Gloria Victis’ (‘Glory to the Vanquished’), Cast by Ferdinand Barbedienne from the Model by Marius-Jean-Antonin Mercié (French, 1845-1916). ‘Gloria Victis’ (‘Glory to the Vanquished’). Bronze, gilt and dark brown patina. Signed 'A. Mercié', with foundry inscription 'F. BARBEDIENNE, Fondeur. Paris.' and A. Collas reduction cachet. The integral base titled 'GLORIA VICTIS'. This cast is part of a limited edition by the Barbedienne Foundry. France. Circa 1880. ‘Gloria Victis’ is one of the most recognisable and important works of sculpture of the nineteenth century and a definitive image of France’s historic national identity. The figure of glory, winged and wearing armour, carries a dying young warrior heavenwards towards fame and immortality. The compositional daring of the group must be admired for balancing two figures on the minimal support of one foot, wings spread in the moment before taking flight. Mercié was a student at the French Academy of Rome when the Prussians invaded France in 1870. Shortly after the war had begun, he executed a group depicting the figure of Fame supporting a victorious soldier. When news reached Mercié in Rome that the French had surrendered, he decided to alter his group, replacing the victorious soldier with a defeated casualty, thus transforming an allegory of ‘Glory to the Victors’ into one of ‘Glory to the Vanquished’. Completed in 1872, a year after the defeat of French soldiers against the Prussian army, the statue personifies a defeated but heroic France. The title is also a reversal of the famous formula, ‘Vae Victis’ (Death to the Vanquished), which the Gallic general Brennus exclaimed upon defeating the Romans in 390 BC. The figure of the fallen soldier was thought to represent Henri Regnault, a fellow sculptor of Mercié who was killed on the last day of fighting. Measuring 317 cm. high the original group of ‘Gloria Victis’ was unveiled in plaster at the Salon of 1872. It was bought by the City of Paris for the sum of twelve thousand francs and then cast in bronze by Victor Thiébaut for eight thousand five hundred francs. The bronze was exhibited at the Salon in 1875 and first placed in Montholon Square in the 8th arrondissement. In 1884 it was transferred to the courtyard of the Hôtel de Ville and in 1930, it entered the collection of the Musée du Petit Palais, where it can be seen to this day. The Thiébaut Frères foundry also cast Gloria Victis bronzes for the cities of Niort (requested 1881) Bordeaux (requested 1883), Châlons-sur-Marne (today, Châlons-en-Champagne; requested 1890), and Cholet (requested 1901). In 1905, the Danish brewer and art collector Carl Jacobsen was permitted to have an exact cast made of the original sculpture in Paris, on condition that the base was made 2 cm lower and bore the inscription “Original tilhører Paris By” (The original belongs to the City of Paris). It too was cast by the Thiébaut Frères foundry. Gloria Victis was one of Jacobsen’s most important and his last acquisition. Today it has been returned to its original position in the Winter Garden at Glyptoteket, Copenhagen, Denmark. The full-size plaster was shown again at the Paris Expositon universelle of 1878 alongside a bronze reduction by Barbedienne. By this time Antonin Mercié had entered into a commercial edition contract with the Ferdinand Babedienne foundry to produce bronze reductions of Gloria Victis, his most famous work. Gloria Victis is first recorded to have been produced in three sizes and by 1886 Barbedienne’s ‘Catalogue des Bronzes D’Art’ lists six sizes measuring 3/5, 9/20, 7/20, 3/10, 6/25 and 2/10, of the original. These reductions were produced by an invention of Barbedienne’s business partner Achille Collas. The Collas reducing machine was a type of complex mechanical pantograph lathe that enabled sculpture to be mathematically measured and transcribed to scale, in the round, thus making a reduced size plaster from which a bronze could be cast. Mercié's modern sculpture had become an instant classic, even receiving an entry in the Nouveau Larousse Illustré. The success of the group undoubtedly lay in the fact that it was admired not just on an aesthetic level, but also on a patriotic level, particularly in its commemoration of heroism in defeat. Immediately ‘Gloria Victis’ was recognised as a national artwork, capable of arousing patriotism and casts were ordered from Barbedienne as local memorials commemorating the war’s dead for cities across France. ‘Gloria Victis’ was considered so much a part of France’s national identity that for the 1900 Paris Exhibition, Ferdinand Barbedienne’s nephew Gustave Leblanc, loaned a bronze example to feature as part of l’Exposition centennale de l’art français. Literature: For an interesting account of the process of creating a reduction in bronze of the Gloria Victis by Barbedienne and illustrations of the casting and finishing of the bronze see: 'Ferdinand Barbedienne': Theodore Child; Harper's new monthly magazine, Volume 73, Issue 436, September 1886. ‘Contemporary French Sculptors’: The Century, Volume 33, Issue 3, Jan 1887. ‘Modern French Sculpture’: Harper's new monthly magazine, Volume 76, Issue 452, January 1888. S, Lami, ‘Dictionnaire des sculpteurs de l'Ecole française au dix-neuvième siècle’, Tome III. G.-M., Paris, 1914, p. 432. Peter Fusco and H.W. Janson, The Romantics to Rodin: French Nineteenth Century Sculpture from North...

An antique Minton parian-ware and porcelain sculpture of Ariandne and the panther modelled by John Bell (1811-1895). Dating to the mid 19th century, this sculpture depicts the Creta...

An excellent large late 19th century antique bronze of ‘Le Soldat De Marathon Annoncant La Victoire’, also known as ‘The Soldier of Marathon Announcing the Victory’, cast by Ferdinand Barbedienne after a model by French sculptor, Jean-Pierre Cortot (1787-1843). The Barbedienne foundry produced this model in four editions. This bronze is an example of the second largest. Inscribed ‘Cortot 1834’, it is signed ‘F. Barbedienne Fondeur’ and impressed with the official stamp of the Collas et Barbedienne foundry reading: ‘Reduction Mecanique, A. Collas Brevete’. With its attractive patina and impressive scale, this bronze is a beautiful sculpture for any interior seeking artworks that are particularly exceptional. The Soldier of Marathon Inspiration for this bronze is rooted in ancient Greek mythology. It tells the story of the solider Pheidippides who, following the Greek victory at the Battle of Marathon in 490 BCE, ran 40km from Marathon to Athens to deliver the triumphant news before collapsing from exhaustion. The story inspires the modern-day marathon run...

Antique Saint Sebastian Sculpture, Antique Saint Sebastian Statue, Antique Religious Sculpture, Religious Antique Sculpture, Antique Religious Carving, Antique Church Statue. A larg...

An excellent early 20th Century Art Deco cold painted bronze figure of a young boy in shorts holding a book under his arm with his hands in his pockets. The bronze has excellent cold painted gilt colour and is raised on a rectangular shaped black marble base, signed F Preiss & with original Foundry label. This is the large version of this popular and sought after subject ADDITIONAL INFORMATION Height: 32.5 cm Width: 17 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Ivory Book Ref Ferdinand Preiss by Alberto Shayo Page No 130 SKU: 9274 ABOUT Sonny Boy...

A fine and early to mid 19th century plaster depiction of Flora the Goddess of Spring, possibly by Humphrey Hooper Flora, the Roman goddess of spring, through the chaplet of flowers...

Large antique Austrian cold-painted bronze figurative sculpture by Bergman Austrian, c. 1910 Height 33cm, width 19cm, depth 14cm ...

Large Orientalist bronze group by Bergman Austrian, c. 1910 Measures: Height 28cm, width 18cm, depth 27cm This exceptional bronze group is by Be...

This is an antique decorative piper figure. A Scottish, plaster statue in the manner of a Scots Guard, dating to the late Victorian period, circa 1900. ...

This is a very charming pair of porcelain figures of a stag and a doe, probably cast by Derby in about 1760 and decorated by Bloor Derby in 1820. The figures are a simple white porce...

This striking brass antelope/kudu bust is very reminiscent of noted designer Karl Springer's work. An impressive and heavy brass sculpted antelope's head sits on a double ogee black ...

A Meiji period bronze sculpture of a mother and son by Atsuyoshi, she is shown seated on a gnarled rootwood base, with her arm round a crying boy standing by her knee and offering her breast, wearing a short robe, trousers and a cloth incised with Mount Fuji around her head, and bare feet. Signed Atsuyoshi saku, Maruki Shachu seisaku (??????????? (??????????). Japanese, circa 1880. Footnote: Atsuyoshi is known for a number of finely modelled bronze studies of both wild and domesticated animals, almost all of them made for the Tokyo based Maruki Company. This is therefore an unusual subject matter for him and Japanese bronzes in general , however Oliver Impey and Joyce Seaman, in ‘Japanese Decorative Arts of the Meiji Period’ (in the Ashmolean Museum Collections), pp. 68-69, include a bronze group of a woman who has just finished breast feeding...

This sumptuous sculpture by François Gueneau is a striking piece crafted from porcelain, showcasing a unique design that features four putti heads. Each head reflects exquisite detai...

Large Austrian cold-painted bronze sculpture by Franz Xaver Bergman Austrian, Early 20th Century Height 15cm, width 30cm, depth 15cm Sculpted and made by Franz Xaver Bergman (Austr...

A captivating limited edition Art Deco bronze figure of an elegant beauty wearing a full length gown with a dramatic black and gold shawl draped across her arms with a large decorati...

A mid-20th century French bronze figurine depicting a stylized dancer in a flowing pose, with arms forming a circular shape above the head and a bent knee, capturing the beauty of mo...

This is a small vintage Oriental warrior bust. A Chinese, hand-carved obsidian portrait sculpture, dating to the mid 20th century, circa 1950. Fasci...

A much sought after retired Lladro Eskimo Girl Sleeping, by Juan Huerta. Figure has blue hair and wrapped in a white blanket. A very beautiful and calmin...

A dramatic early 20th century Art Deco bronze study of a muscular male athlete lifting a heavy weight above his head with one arm. The bronze exhibiting stunning rich brown patina an...

A rare and unusual studio pottery head sculpted by renowned ceramic artist Eric James Mellon (British, 1925-2014) and dated 1963. Trained at the Central S...

A sculpture of a ’standing figure in the antique manner' by the acclaimed British sculptor, John W. Mills. Constructed in a patinated resin to resemble stone, this figure is truly a...

A pair of patinated bronze antique plaques of Night and Day French, Late 19th Century 80cm in diameter, 5cm in depth Modelled after Bertel Thorvaldsen's iconic 'Night and Day' relie...

This fantastic and well-proportioned Mexican primitive figure depicts a man seated, covering his mouth with detailed, patterned clothing. The sculptu...

A 19th century plaster head of a woman wearing a bonnet with original worn paint.

An unusual and unique hand crafted English abstract sculptural crucifix made from 15th century hand wrought iron nails recovered during the restoration of an ancient East...

Antique Mannequins, Vintage Mannequins, 1920's Mannequins, Art Deco Antiques, German Youth Mannequins, German Cabaret Mannequins, Antique Artist Lay Figures. Antique Pair of 1920s A...

Roman Marble Fragment of jupiter Circa 2nd-3rd Century A.D. Measure: Height: 19.7 cm This beautiful Roman fragmentary statuette depicts Jupiter, the king of the gods, here recognisable from his two chief attributes, the eagle with outstretched wings - according the Pseudo-Hyginus, singled out by Jupiter because ''it alone, men say, strives to fly straight into the rays of the rising sun'' - and the base of the scepter, which remains at the side of the left foot, an aspect likely borrowed from the statue of Zeus at Olympia, once one of the Seven Wonders of the World. Though much of the original piece has been lost, the subtle anatomical detail in the feet mark this out as a piece of exceptional quality, and the work of an artist of particular talent and patience - as Johann Winckelmann once said of the famous Belvedere Torso, ''if you contemplate this with a quiet eye [...] the god will at once become visible in this stone.'' This fragment once caught the eye of Henry Howard, 4th Earl of Carlisle (1694-1758), a Knight of the Garter and among the most prolific collectors of his day. The piece, acquired during his travels to Rome, was proudly displayed on an alcove of the Western Staircase of Castle Howard...

19th Century Bronze Sculpture of Joan of Arc by Adrien Étienne Gaudez, Signed, 61.5 cm Description: This exceptional 19th-century bronze sculpture, titled Jeanne d’Arc portant son étendard (Joan of Arc Carrying Her Standard), is a masterful work by the renowned French sculptor Adrien Étienne Gaudez (1845-1902). Standing at an impressive 61.5 cm (24.2 inches) in height, this piece captures the heroic essence of Joan of Arc, also known as "The Maid of Orléans," in a dynamic and emotive composition. Gaudez depicts Joan of Arc in full armor, her right arm triumphantly raising a banner inscribed with intricate detailing, while her left hand gestures forward, symbolizing leadership and resolve. The flowing drapery of her skirt and the textured standard add a sense of movement, showcasing Gaudez’s meticulous attention to detail—a hallmark of his work often described as "photographic representationism." The sculpture is signed by the artist on the base, which also features a cartouche with the inscription "Jeanne d’Arc, 1894," adding historical context to this piece. Crafted during the late 19th century, a period when Joan of Arc was celebrated as a symbol of French patriotism, this sculpture reflects Gaudez’s skill in blending classical themes with the emerging Art Nouveau style. Gaudez, a pupil of François Jouffroy at the École des Beaux-Arts, was a celebrated sculptor who exhibited at the Paris Salon and won numerous accolades, including gold medals at the Exposition Universelle of 1889 and 1900. His works are held in prestigious collections worldwide, including museums in Valence, Louviers, and Clermont-Ferrand. Condition: The sculpture is in excellent condition for its age, with a rich, dark patina that enhances its intricate details. Minor wear consistent with age and use, including slight rubbing on the banner, which remains securely attached. The base is stable, with no significant damage or repairs noted. Dimensions: - Height: 61.5 cm (24.2 inches) - Base Diameter: 15 cm (5.9 inches) Provenance: Acquired from a private French estate, this piece has been carefully preserved and comes with a certificate of authenticity. Shipping: Global shipping available. The sculpture will be professionally packaged to ensure safe delivery. Please contact us for a shipping quote tailored to your location. Why We Love It: This bronze is a rare opportunity to own a signed work by Adrien Étienne Gaudez, capturing a pivotal historical figure through the lens of 19th-century French artistry. Perfect for collectors of fine sculpture, historical art, or those seeking a statement piece for a sophisticated interior. Keywords: Adrien Étienne Gaudez, Joan of Arc sculpture...

Perseus (The Victor), patinated brone figure. A standing depiction of the victorious Perseus, holding the shield with the head of Medusa behind him and...

19th Century Folk-art stick handle. Made from a single piece of hand carved pine, detailing a hand holding a cricket ball, with geometric patterns to the shaft section. Likely to ...

French gilt metal sculpture on Neoclassical pedestal by Ernest Rancoulet French, early 20th century Measures: Height 165cm, width 34cm, depth 34cm This fine sculpture group is b...

A very good quality 19th century patinated bronze figure featuring the satyr Marsyas playing the flute. He is standing against a column, partially covered with his own skin, which re...

A Large Patinated Bronze Sculpture of Emperor Napoleon on Horseback, Cast by Susse Frères, Paris, From the Model By Alfred Émilien O'Hara, Comte de Nieuwerkerke (1811-1892). Dark br...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...

An eyecatching limited edition bronze of an elegant woman dressed in an impressive coat lined with fur collars and decoration with gilded flames. The figure raised on an integral ste...

A really novel cold painted bronze of a nodding boy smoking a cigar, I'm told these were used as trade stimulators often selling matches, just the sli...

An Art Deco patinated at metal figural table lighter of Boy Golfer on an Onyx base. Made by the austrian sculpture Joesef Lorenzl. The striker wand is miss...

For your consideration is this very charming Art Deco female spelter figure. The figure depicts a femal in a typical 1920's /30's fashion of the day holding two large feathers. The b...

An almost life size plaster statue after the antique titled 'The Wrestlers". The Two young men are engaged in the Pankration, one of the most ...

An incredibly rare collection of French mannequins by esteemed maker Stockmans. Late 19th century. Original fabric. Rare even individually, these are scarcely found even ...

An unusual patinated resin sculpture titled ’Single Entry’ by the acclaimed British sculptor, John W. Mills. Part of the divers in motion series, this maquette is mounted on an inte...

This alluring bronze depicts the full-length figure of a young lady who, swathed in draped clothing, looks downward toward a basket of flowers hung about her waist. The circular base...

Beautifully stylized figurine with a great balance of harmony stood, portraying the inner world's beauty through pure beauty. This Valuable unique art piece is a great chance to bring your office or home decor and interior an artistic characteristic. Ancient-style Egyptian Dolphin...

Art Deco sculpture in gilded spelter on a solid marble base 'LA JOUEUSE DE FLUTE'. Originates from France and dates to the 1930's. She's unsigned but very much in the manner of Urian...

Art Deco Silvered Bronze Dancer with Outstreched Arms by Josef Lorenzl Circa 1920's Delve into the elegance of the 1920s with this exquisite Art Deco figurine by Josef Lorenzl. Cra...

A very good quality 19th century bronze study of a cupid with gilded highlights, signed Aug. Moreau. Auguste Louis Marthurin Moreau was born in Dijon i...

A Pair Of Napoleon III Patinated-Bronze Figures, Modelled As Classically Robed Maidens Bearing Urns, by Victor Paillard. The models attributed to Albert-Ernest Carrier-Belleuse (French, 1824-1887). Each with oval stamp 'VOR PAILLARD / FANTS DES BRONZE / A PARIS' France, Circa 1865 Victor Paillard (French, 1805-1886) Paillard first exhibited his work at the Exposition des produits de l'industrie in 1839. He had been experimenting with gilt and silvered bronze since...

This is a stunning porcelain figure of Neptune with a dolphin standing on a sea shell, made by Derby around the year 1785. The figure is in beautiful original condition. We have one other Neptune figure from 1765, please see separate listing. The Derby Porcelain factory has its roots in the late 1740s, when Andrew Planché, a Walloon Huguenot refugee, started making simple porcelain toys shaped like animals in his back yard. In 1756 Staffordshire enameller...