Europe - Portrait Paintings

This early 19th-century oil painting by Hungarian artist Joszef Schmidt (1810-1875) depicts the Mater Dolorosa. It’s after a work by Italian artist, Guido Reni (1575-1642). Schmidt w...

Quelques Heures avec Aristote (A few Hours with Aristotle) Diameter 109.5 cm Acrylic on canvas This remarkable circular acrylic on canvas by Grégoire Mathias masterfully captures t...

Spanish School of the 19th Century Santa Justa and Santa Rufina Oil on canvas 40 x 27 cm In quite good condition, the paint surface presents numerous crack...

Circle of Cornelius Johnson (1593-1661), a 17th century portrait of a lady, bust-length oval, wearing an ivory silk gown with blue silk bows and lace c...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

Anonymous, 18th century Inspired by a painting by Petrus Staverenus (1610/1612 – 1654-07-28/1664-07-28) from a series of Five Senses 'Taste: A laughing man...

Alfred Richard Martin Liverpool 1871 – 1939 Johannesburg British-South African Painter 'Portrait of a Zulu Girl, KwaZulu-Natal, South-Africa' Medium:...

Jasper Leadbeater, Caine is Carter, 2024 Mixed media Edition of 12 58 x 70 cm (22.83 x 27.56 in) Sustainability has become the main drive behind the work I create, to make something unique out of what would otherwise be waste. Tens of thousands of shells are used on average per day, per shooting school across the whole of the UK. Due to the cost and lengthy procedure of separating the plastic from the metal, the spent shells are usually burnt, or put into landfill. A powerful homage to Michael Caine in his most iconic role as Jack Carter from the 1971 British gangster classic Get Carter. This bold portrait is crafted entirely from upcycled shotgun shell casings, forming a striking black-and-white image of Carter mid-action, gun drawn, eyes cold with vengeance. Set against a backdrop of gleaming brass shells and punctuated with the film’s bold yellow title text, this artwork is a masterful fusion of cinematic nostalgia and contemporary urban art. The recycled materials lend texture, weight, and meaning — turning weapons of violence into a tribute to British film history. Ideal for collectors of Michael Caine memorabilia, British noir, or industrial mixed media, this piece captures the ruthless charm and cool menace of a screen legend. Related categories: Michael Caine, Get Carter, British gangster film, 1970s cinema, upcycled shotgun shell art...

Jasper Leadbeater, New Management, 2024 Upcycled shotgun shells and spray paint 58 x 70 cm (22.8 x 27.56 in) Edition of 6 This powerful artwork pays tribute to Arthur Shelby, one of the most unforgettable characters from the cult series Peaky Blinders. Created entirely from upcycled shotgun shell casings, the portrait captures Arthur’s intense, brooding energy – whisky in hand, his gaze sharp, his presence unmistakable. The golden brass shell backdrop contrasts with the monochrome figure, lending depth and a raw industrial texture that echoes the grit of 1920s Birmingham and the dark, violent beauty of the Peaky Blinders universe. This piece is both a work of art and a homage to British television’s most notorious gangster family. Professionally framed in a brushed metallic frame, Arthur Shelby is ideal for collectors of urban contemporary art, fans of Cillian Murphy’s iconic series, and anyone drawn to bold, statement pieces. Related keywords: Peaky Blinders art, Arthur Shelby artwork, Thomas Shelby, Cillian Murphy, urban mixed media, shotgun shell art...

Jasper Leadbeater, Be the Chicken, 2025 Upcycled shotgun shells and spray paint 58 x 70 cm (22.8 x 27.56 in) Edition of 6 This vibrant and humorous artwork captures one of the most unforgettable moments from Guy Ritchie’s hit Netflix series The Gentlemen—Freddie dressed as a chicken, mid-rant and shotgun in hand. Painstakingly constructed from upcycled shotgun shell casings, this piece brings bold colour, texture, and attitude to any space. The contrast of vivid reds, yellows, and oranges against a golden backdrop of brass casings adds both visual impact and a playful nod to British dark comedy. Equal parts satirical and cinematic, Freddie the Chicken transforms ammunition into art, perfectly blending urban grit with pop culture charm. A must-have for collectors of contemporary mixed media, urban art, or fans of Guy Ritchie, The Gentlemen, and Freddie's cult-classic chaos. Related categories: The Gentlemen, Guy Ritchie, Freddie chicken scene, shotgun shell art...

William Mason (1906-2002) was a painter born in Newport, Wales, who studied at Newport College of Art and the Royal College of Art. Aside from painting he also taught at Scarborough...

GUIDI Giuseppe (1881-1931) Divertimento in the Music Salon Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 70 X 100 cm Dim frame :...

A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior. Provenance: With Arthur Ackermann & Son Ltd., London. Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284 Private collection, London Samuel John Carter...

The Afghan Hound English artist, mid 20th century oil painting on board, framed in wooden frame (most likely original to the painting) framed: 14.4 x 11.5 inches board: 12 x 9.5 inch...

Jan Meerhoud Gorinchem 1633 – 1677 Amsterdam Dutch School Golden Age 'Traveller in a Dutch Village' Signature: signed lower left Medium: oil on panel Dimensions: image size 21 x 2...

In creating this zebra portrait, I delved deep into the expressive power of oil paints, utilizing a blend of expressionism and figurative styles to capture not just the zebra's strik...

Portrait General George Brinton McClellan (1826-1885), 19th Century Commanding General Of US Army to Abraham Lincoln, Governor of New Jersey American School Large 19th century military portrait...

Turquoise Reflection 2 is painted on board with acrylic paint. It is an abstract sunset over water, finished with a gloss varnish. As well as being a sunset, I see this painting as...

"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...

Great Italian painting from the first half of the 20th century. Artwork oil on canvas, on the first canvas, depicting a religious subject Saint Roch with dog and stick of good pictor...

Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...

Portrait Of Elizabeth Campbell & Daughter, Wife Of Colonel Colin Campbell circle of Margaret Carpenter (1793-1872) Large 19th Century English portrait of Elizabeth Campbell & Daughter, oil on canvas. Seated half length mother and daughter portrait of the wife of Colonel Colin Campbell. Good quality similar to Margaret Carpenters...

Die Arbeit von Albert Bertalan war ein Spontankauf aufgrund der offensichtlichen Qualität der Arbeit, noch bevor ich etwas über den Künstler recherchieren konnte. Das Label „Ecole de...

This superb British Victorian Impressionist portrait oil painting is attributed to circle of William Rothenstein. Painted circa 1890 it is a half length portrait of a blonde haired l...

Oil on canvas

"Future Love", acrylic on canvas, 31x39in, 80x100cm Large original, one-of-a-kind, painting. Shipped rolled in a tube. Free shipping for items over $500 with 1stDibs code FREESHIP T...

This striking nude portrait oil painting is by noted Scottish artist William Crosbie. It is entitled Guapa verso, Spanish for a beautiful woman. Painted in 1981, she is wearing a bla...

Interior with Young Girl

Octave GALLIAN (1855-1918) "Portrait of Elegant" , oil painting on canvas signed and dated 1895 lower right. Magnificent portrait depicting a young woman with deep dark eyes and rave...

"Oil On Canvas, Art Nouveau Portrait By Leon Tirode (1873-1956)" Old oil on canvas, Art Nouveau style, portrait "Autumn" painted and signed by Leon Tirode (1873-1956), French school...

The Artists Model Nude Lady Model French School, circa 1970's oil painting on card, unframed size: 16.5 x 25.5 inches condition: overall very good, a very few light markings to the...

Meyer-Waldeck Kunz Mitau 1859 –1953 Neuburg Fishermen Boats in Harbour of Cascais, Portugal German Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image s...

While working with the publishing houses he continued to work on his paintings and participate in exhibitions. In 1990 Vladimir began traveling to Europe where he earned money by pa...

The Rabbit Family, 19th Century by Henry Barnard Gray (1844-1871) Large 19th Century English Landscape with a family of rabbits, oil on canvas by Henry Barnard Gray. Excellent qua...

French school of the second half of the 19th century, follower of Oudry Blue macaw perched on a branch Oil on canvas 73 x 60 cm

"The significant size difference plays with the perception of the viewer, perhaps confused, one asks oneself the question, if what is shown much larger, is also much more important ....

Portrait of a young woman holding a rose. Oil on canvas signed Grandin and dated 1888. French School XIXth Century Dimensions: 80 x 21.5 cm ( 31.496 x 8.268 inches) Dimensions wi...

John Henry Sylvester (British, fl. late 19th–early 20th century) Self-Portrait Holding Palette and Brush Oils on canvas, monogrammed. Circa 1910–1920. This intimate and distinguishe...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) signed Title: portrait of a man with a moustache Medium: oil on board, unframed Size : 10 x 7 inches Provenance: private coll...

Girls portrait. Oil on canvas, 81x57 cm

Mein Sammlungsschwerpunkt vor Galeriegründung war (und ist es bis jetzt) die Kunst der Neuen Sachlichkeit und die ist vor allem ein deutsches Thema. Mich fasziniert der kühle und dis...

Beautiful pastel on paper laid down on canvas in an oval shape. It depicts a young noblewoman portrayed three-quarter-length with her little dog in her arms. Seated in a gilded armch...

Francesco Fedeli (Venice, 1738 - 1805) called “Il Maggiotto “ great Italian painter and physicist. The “𝗖𝗼𝗻𝗰𝗶𝗮 𝗖𝗮𝗿𝗲𝗴𝗵𝗲” ( Craftsman fixing chairs ) is taken from one of...

Chidy Wayne (b. 1981, Spain) is an artist based in Barcelona. Over the years, he has established himself as a recognized figure in the art world, developing a personal artistic langu...

Sir Henry Raeburn (1756-1823) James Sinclair, 12th Earl of Caithness (1766-1823) Oil on Canvas 30 X 25 inches Unframed 37 X 32 inches framed Sir Henry Raeburn FRSE RA RSA (4 March 1756 – 8 July 1823) was a Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland. Raeburn was born the son of a manufacturer in Stockbridge, on the Water of Leith: a former village now within the city of Edinburgh. He had an older brother, born in 1744, called William Raeburn. His ancestors were believed to have been soldiers, and may have taken the name "Raeburn" from a hill farm in Annandale, held by Sir Walter Scott's family. Orphaned, he was supported by William and placed in Heriot's Hospital, where he received an education. At the age of fifteen he was apprenticed to the goldsmith James Gilliland of Edinburgh, and various pieces of jewellery, mourning rings and the like, adorned with minute drawings on ivory by his hand, still exist. Soon he took to the production of carefully finished portrait miniatures; meeting with success and patronage, he extended his practice to oil painting, at which he was self-taught. Gilliland watched the progress of his pupil with interest, and introduced him to David Martin, who had been the favourite assistant of Allan Ramsay the Latter, and was now the leading portrait painter in Edinburgh. Raeburn was especially aided by the loan of portraits to copy. Soon he had gained sufficient skill to make him decide to devote himself exclusively to painting. George Chalmers (1776; Dunfermline Town Hall) is his earliest known portrait. In his early twenties, Raeburn was asked to paint the portrait of a young lady he had noticed when he was sketching from nature in the fields. Ann was the daughter of Peter Edgar of Bridgelands, and widow of Count James Leslie of Deanhaugh. Fascinated by the handsome and intellectual young artist, she became his wife within a month, bringing him an ample fortune. The acquisition of wealth did not affect his enthusiasm or his industry, but spurred him on to acquire a thorough knowledge of his craft. It was usual for artists to visit Italy, and Raeburn set off with his wife. In London he was kindly received by Sir Joshua Reynolds, the president of the Royal Academy, who advised him on what to study in Rome, especially recommending the works of Michelangelo, and gave Raeburn letters of introduction for Italy. In Rome he met his fellow Scot Gavin Hamilton, Pompeo Girolamo Batoni and Byers, an antique dealer whose advice proved particularly useful, especially the recommendation that "he should never copy an object from memory, but, from the principal figure to the minutest accessory, have it placed before him." After two years of study in Italy he returned to Edinburgh in 1787, and began a successful career as a portrait painter. In that year he executed a seated portrait of the second Lord President Dundas. Examples of his earlier portraiture include a bust of Mrs Johnstone of Baldovie and a three-quarter-length of Dr James Hutton: works which, if somewhat timid and tentative in handling and not as confident as his later work, nevertheless have delicacy and character. The portraits of John Clerk, Lord Eldin, and of Principal Hill of St Andrews belong to a later period. Raeburn was fortunate in the time in which he practised portraiture. Sir Walter Scott, Hugh Blair, Henry Mackenzie, Lord Woodhouselee, William Robertson, John Home, Robert Fergusson, and Dugald Stewart were resident in Edinburgh, and were all painted by Raeburn. Mature works include his own portrait and that of the Rev. Sir Henry Moncrieff Wellwood, a bust of Dr Wardrop of Torbane Hill, two full-lengths of Adam Rolland of Gask, the remarkable paintings of Lord Newton and Dr Alexander Adam in the National Gallery of Scotland, and that of William Macdonald of St Martin's. Apart from himself, Raeburn painted only two artists, one of whom was Sir Francis Leggatt Chantrey, the most important and famous British sculptor of the first half of the 19th century. It has recently been revealed that Raeburn and Chantrey were close friends and that Raeburn took exceptional care over the execution of his portrait of the sculptor, one of the painter's mature bust-length masterpieces. It was commonly believed that Raeburn was less successful in painting female portraits, but the exquisite full-length of his wife, the smaller likeness of Mrs R. Scott Moncrieff in the National Gallery of Scotland, and that of Mrs Robert Bell, and others, argue against this. Raeburn spent his life in Edinburgh, rarely visiting London, and then only for brief periods, thus preserving his individuality. Although he, personally, may have lost advantages resulting from closer association with the leaders of English art, and from contact with a wider public, Scottish art gained much from his disinclination to leave his native land. He became the acknowledged chief of the school which was growing up in Scotland during the early 19th century, and his example and influence at a critical period were of major importance. So varied were his other interests that sitters used to say of him, "You would never take him for a painter till he seizes the brush and palette." In 1812 he was elected president of the Society of Artists in Edinburgh; and in 1814 associate, and in the following year full member, of the Royal Scottish Academy. On 29 August 1822 he was knighted by George IV and appointed His Majesty's limner for Scotland at the Earl of Hopetoun house. He died in Edinburgh. Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting effects, and swift and broad handling of the most resolute sort. David Wilkie recorded that, while travelling in Spain and studying the works of Diego Velázquez, the brushwork reminded him constantly of the "square touch" of Raeburn. Scottish physician and writer John Brown wrote that Raeburn "never fails in giving a likeness at once vivid, unmistakable and pleasing. He paints the truth, and he paints it with love". Raeburn has been described as a "famously intuitive"portrait painter. He was unusual amongst many of his contemporaries, such as Reynolds, in the extent of his philosophy of painting directly from life; he made no preliminary sketches. This attitude partly explains the often coarse modelling and clashing colour combinations he employed, in contrast to the more refined style of Thomas Gainsborough and Reynolds. However these qualities and those mentioned above anticipate many of the later developments in painting of the 19th century from romanticism to Impressionism. Sir Henry Raeburn died in St Bernard's House (17 St Bernards Crescent), Stockbridge, Edinburgh. He is buried in St. Cuthbert's churchyard against the east wall (the monument erected by Raeburn in advance) but also has a secondary memorial in the Church of St John the Evangelist, Edinburgh. James Sinclair, 12th Earl of Caithness was born at Barrogill Castle (Castle of Mey) on 31 May 1766. He was the son of Sir John Sinclair of Mey, Baronet who he succeeded in the baronetcy in 1774. He succeeded as 12th earl of Caithness in 1789. He was lord-lieutenant of the county of Caithness and lieutenant-colonel of the Ross-shire militia. He married at Thurso Castle on 2 January 1784 Jane, second daughter of Alexander Campbell...

A Family Walk, 19th Century Imre Gergely (1868-1914) 19th century Hungarian Impressionist scene of a family walking through a summer garden, oil on can...

The First Time Of Asking, 19th Century by WILLIAM HEMSLEY (BRITISH 1817-1906) similar works to $25,000 Large 19th Century English church interior scene of young man and his fiancé...

Daniel Ludwig. Residue of Yesterday- this work of art is an original oil painting on linen. Size: H:76 cm x W:61 cm Daniel Ludwig is an American figurative artist who lives and wor...

"The Boxer" series is an on-going body of work by Apostolos Chantzaras. As a practicing boxer himself, the artist has a passion for the sport and it shows in his bold yet whimsical w...

Eugène Louis Boudin Honfleur 1824 – 1898 Deauville French Painter 'Etude de jeunes Bretonnes' Signature: signed lower right, revers named and defined 'Studies of young Breton women...

Florentine painter, 16th-17th century Saint John the Baptist Oil on canvas 67 x 56 cm - In frame 98 x 83 cm In bringing out the sculptural figure of this young Saint John the...

Oil on canvas 2017 Signed Unique work Julien Wolf is a French painter born in 1981 in Strasbourg, France. In 2007, he graduated from the DNSEP Art section at the Strasbourg Decora...

This wonderful original oil painting by Paul S. Brown depicts a wild turkey, with its glorious feathers spread across the table. Brown's extraordinary attention to detail and impecca...

Charles Cooper Henderson (English, 1803-1877) Windsor Mail Coach Oil on canvas With chalk inscriptions verso Property of a gentleman From the collection of Peter Roe Dimensions: (F...

Oil painting on canvas “portrait of an Elegant woman with fan” dated 1890 Additional info: Title: Elegant with a fan Style: Art Nouveau style painting Medium: oil on canvas Signatu...

Jacob Huysmans Flemish 1633 - 1696 Portrait of a Lady Oil on canvas Image size: 49 x 40 ¼ inches Gilt frame Huysmans was born in Antwerp and came to England during the reign of Charles II where he became one of the fashionable painters of the court.. The diarist Samual Pepys noted the artist as capable of a more exact likeness than Lely. Certainly the diarist records that by August 1664 in the circle of Queen Catherine...

Madonna with baby. Paper, watercolor, 85,5x62,5 cm Dzemma Lia Skulme (born 1925 20 IX - 2019) Skulme graduated from the Academy of Arts of Latvia, Department of Monumental Painting ...

Giovanni Battista Beinaschi (Fossano, Italy, 1636 - Naples, Italy, 1688) Title: Saint Bartholomew Medium: Oil on canvas Dimensions: without frame 9...

Jan Kupetsky (1667 - 1740) Czech School An artist grinding colours, possibly a self-portrait Oil on canvas Signed, verso : "Joseph Prinzig" Provenance: Private Collection, Hungary ...

Acrylic on Masonite board, signed and dated (lower middle), 70cm x 70cm (91cm x 91cm framed). Price on request This work depicts Alan and his dog, Bella, on Michael Leonard’s balcon...