Europe - Abstract Prints

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Lithograph, 1959 Handsigned by the artist in pencil and numbered 234/275 Publisher : Maeght (Paris) Catalog : [Maeght 1036] 20.00 cm. x 30.50 cm. 7.87 in. x 12.01 in. (paper) 10.00 ...

"Amazing day in Paris II". Inspired by my trip to Paris, the museums, the Eiffel Tower and the metro... We feel the diversity of cultures everywhere, a light Parisian atmosphere... I...

Alexander CALDER Les Travestis du Reel, 1979 Original vintage lithograph poster Printed in Atelier Arts-Litho Printed signature in the plate 82 x 57 cm (c. 32.2 x 22.4 in) Excelle...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In ...

Maggi Hambling Gainsborough's Gold, 2016 Original giclée print on paper Signed and numbered by the artist 33.8cm x 37.5cm 36.8 x 41.5 cm - Framed Edition of 250 Maggi Hambling is a ...

Etching and aquatint, 1958 Handsigned by the artist in pencil and numbered 5/100 Publisher : Jacques Goldschmidt, Paris Printer : Jean Signovert, Paris Catalog : [Schneider III] 5...

Edition of 300. Murakami signed and numbered in silver marker pen along the lower right edge. Offset lithograph with cold foil stamp and high gloss varnishing on UV paper 60 x 60 cm ...

Wu Zetian [H10-1], 2022 Laminated Giclée print on aluminium composite, screen printed with glitter.
 100 x 100 cm Edition of 2853 Signed and numbered on the ...

Composition is an interesting b/w lithograph realized by the Italian artist Pietro Annigoni in 1973. Hand-signed and numbered.Edition,77/100. Good Co...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Grosse Prostituée, Sorcière à la Chouette et Voyageur en Sabots ( Ref: Bloch 1760) etching on wove paper, Edited in 1968 Limited edition of 50 copies Current copy numbered: 37/50 on...

Damien Hirst, The Currency Poster (Set of 4) (Framed), 2022 High quality digital print on 170gsm paper 4 x 59 x 89 cm (23.23 x 35.04 in) 4 x 63 x 93 cm (24.8 x 36.61 in) Poster de...

18OC1G-2018 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contrib...

Untitled is a contemporary artwork realized by Aldo Turchiaro. Black and white etching. Includes frame. Hand signed and numbered on the lower margin. Edition of IV/XXV

Harriet Hoult At-ha Limited Edition Giclee Print Edition of 50 Sheet Size: H 91cm x W 63cm x D 0.1cm Signed by the Artist This is a signed, Limited Edition Giclée print of the origi...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Uprising is a  contemporary artwork realized by Arthur Secunda in 1979. Mixed colored etching. Hand signed on the lower margin. Numbered and titled on the lower left margin. Edit...

Lithograph, 1997 Handsigned by the artist in pencil and numbered XXXI/L Corneille, a Belgian-born artist who belonged to the CoBrA group, presents a panorama of his imagination in th...

Composition is a splendid lithograph realized by Raoul Ubac in 1965. The artwork is from Derriere Le Miroir. Fondation Maeght - Inauguration., n.155. Printed by Ateliers de Maeght, Paris, 1965 Special issue of the magazine, published on the occasion of the inauguration of the Marguerite et Aimé Maeght Foundation...

Festival di Spoleto 1987 is an original lithograph on paper, realized by Emilio Vedova. The incredible action of the Italian artist is clear in the abstract composition. In excell...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Late Night Adventurous Duo (of Silks) + Year: 2022 + Edition Size: 20 + Stamped and Certificate of Auth...

Archival pigment ink print on archival paper, Edition of 20 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Scienc...

Mixed media on white card Edition of 20 50 x 30 cm (19.7 x 11.8 in) Signed, numbered, dated and titled on the back Artwork in excellent condition. Under close inspection there is min...

Hand signed. Edition of 125 prints of which 100 in Arabic numbers and 25 in Roman numbers.

André Lanskoy (1903-1976) - Abstract Compositon Lithograph from 1959. Edition of 25/80. Dimensions of work: 56 x 44 cm The work is in Excellent condition. Fast and secure shipment.

Screenprint on Rives paper, Edited in 1969 Limited Edition of 250 copies Signed and dated in pencil by artist in lower rith corner , numbered as 88/250 in lower left corner Paper siz...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-light. Details: + Title: Art Deco Geometry...

A Hahnemuehle Fine Art Print, attributed to Roy Lichtenstein. Editioned of 25.

Kenny Scharf Bluester, 2023 15-colour screen print on Mohawk Superfine UltraWhite, 160 lb cover paper. Signed by the artist, numbered and stamped by the publishers, JRP Editions. 61...

Screenprint Printers proof 2 of an edition of 5, aside from the main edition of 100 88.8 x 58.4 cm (34.9 x 23 in) Framed: 101 x 70.5 cm with Acrylic Signed and dated on the front Ar...

Hothead, 2016 Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp 82 x 78 cm - Framed 80 x 75 cm - Sheet Edition of 250 It comes with COA from t...

Piet MONDRIAN (after) Composition II in Red, Blue and Yellow Lithograph (8 colors) Printed signature in the plate Justified HC (Hors commerce) Blind stamp of the editor in the marg...

Image dimensions: 26.8 x 32.3 cm. Donne Dannate is a beautiful original colored serigraph on paper, realized by the Italian artist and one of the pioneer of the Abstract art, Mario ...

Raoul UBAC (1910-1985) Abstract Composition in Black and Red, 1950 Original color lithograph (Mourlot workshop) Printed signature in the plate On art paper 66 x 51 cm (c. 26 x 20 in...

Marc CHAGALL Couple with a goat Original stone lithograph (atelier Mourlot) Edition size: 3,000 (plus the signed and numbered edition of 50 with larger margins) Unsigned On light ve...

Screenprint in colours on BFK Rives wove paper Edition 94 of 100 50.6 x 50.6 cm (20 x 20 in) 65 x 65 x 3 cm, 25.5 x 25.5 x 1.2 in Signed and numbered on the back Artwork in excellent...

Etching and aquatint in colours on Arches paper Signed by the artist in pencil, lower right on recto Image: 47.5 x 36.3 cm, Sheet: 67.5 x 52 cm, Framed: 87.9 x 71.7 cm Edition of 46 ...

Pierre Soulages - Original Lithograph Published in the deluxe art review "XXe siècle" 1970 Unsigned as published Dimensions: 32 x 24 cm Pierre Soulages or the "painter of black" as ...

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", recently presented in the Danubiana Meulenstein Art Museum in Bratislava.

Etching with aquatint and embossing on Fabriano Rosaspina paper. Hand signed and numbered Edition of 8/170 prints aside from 15 artist's proofs Printed by Stamperia 2RC – Rome. Publ...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

“Plate I,” from “Oda à Joan Miró,” by Joan Brossa Lithograph in colors, 1973 Signed in pencil and inscribed “H.C.” (presumably one of 10; the total edition was 525) Published by La...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

"Le Lézard aux Plumes d'Or" is an original lithograph realized by Joan Miró in 1971, and part of the famous homonym series. Hand signed and numbered, it is an H.C. (out of commerce)...

Salvador Dali - The Atomic Era - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : printed in the image LIMITED : 19...

Oval is a color etching and aquatint on paper, realized in 1987 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Dorazio ...

Offset print, cold stamp and high gloss varnishing Edition of 300 Signed and numbered on the front Mint Our mission is to connect art collectors to opportunity. Whether it be figura...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

Patrick Heron was a painter, textile designer and writer on art. He was born in January 1920 in Leeds, the son of T.M. Heron, founder of Cresta Silks and a Christian sociologist. ...

Abstract Composition  is a lithograph realized by Piero Sadun in the 1970s. The state of preservation of the artwork is good.

Pierre SOULAGES (1919-2022) Serigraph n°12, 1979 Original serigraph Signed in pencil Numbered 27/75 copies On Arches vellum 52 x 37 cm (c. 21 x 15 in) REFERENCE: Catalogue raisonné of the original prints of Pierre Soulages, BNF #104 INFORMATION: This serigraph is part of the series "On the wall opposite", published by Bernard Frize...

Patrick Heron was a painter, textile designer and writer on art. He was born in January 1920 in Leeds, the son of T.M. Heron, founder of Cresta Silks and a Christian sociologist. Fr...

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5351

The visible of the invisible - Red composition is an original contemporary artwork realized by Italo Bressan in 1989. Mixed colored screen print. Hand ...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower ma...

Lithograph, 1952 Handsigned by the artist in pencil and numbered 6/75 Publisher : Maeght (Paris) Printer : Mourlot (Paris) Catalog : Saphire E 14 37.00 cm. x 55.50 cm. 14.57 in. x 2...

Composition is an original contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut on cardboard. Good conditions. Image Dimensions: 14 x 12.5 cm Lojze Spacal, also known as Luigi Spacal, was born on the Trieste Karst, at the time of the Austro-Hungarian Empire, from a family of Slovenian nationality.In 1930 he was arrested on charges of anti-fascism and confined for some time to Accettura, in Basilicata. Here he discovered his artistic vocation. In 1934 he graduated in Venice. He began to exhibit his first works in 1937. In 1942 he was again sent to confinement, this time in Abruzzo and, later, assigned to a special working battalion in Forte dei Marmi. Nevertheless, he managed to continue to exhibit his works so much that, in 1944, he set up his first solo show. In 1948 he participated for the first time in the Venice biennial. In 1958 he won the International Grand Prix "for a draftsman and engraver" at the Venice Biennale. In 1959 he received the 2nd prize at the International Biennial of Graphic Art in Ljubljana. In 1974 he was awarded the Prešeren prize, the highest Slovenian artistic recognition, and the “San Giusto d'Oro” in 1977. In 1998 a museum was dedicated to him in the castle of San Daniele...

Conrad Marca Relli - Composition VI Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and ...