Europe - Abstract Prints

18OC1G-2018 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contrib...

Color Lithograph on Arches paper realized by Sonia Delaunay in 1972. Hand signed in pencil, dated 72 and numbered 43/90. Prov. Private Collection, Milan. Very good condition.

Sonia Delaunay (after) Composition in colour, 1956 Lithograph and stencil (Jacomet workshop) On wove paper 31.5 x 23.5 cm (c. 12.4 x 9 in) Edited by San Lazaro...

Etching with aquatint and embossing on Fabriano Rosaspina paper. Hand signed and numbered Edition of 8/170 prints aside from 15 artist's proofs Printed by Stamperia 2RC – Rome. Publ...

"Day For Night-Summer Night" captures a view from the east side of Shizico Yi's long garden, looking towards the west gate where the 130-year-old lime trees canopy frames her summer ...

8 Colour Screenprint on Somerset Satin White 410gsm Paper 78 x 61 cm hand-signed and numbered by the Artist Eelus is a contemporary British artist known for his striking use of colo...

Hothead, 2016 Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp 82 x 78 cm - Framed 80 x 75 cm - Sheet Edition of 250 It comes with COA from t...

Composition is an lithography artwork realized by Eugène Ionesco ( 1909-1994). In very good condition. Sheet dimension: 22.5 x 28 cm. The artwork rep...

Alexander CALDER (1898-1976) Red, blue and black balloons Original lithograph, 1973 Signed in the plate On Arches vellum size 78 x 59 cm (c. 29 x 23 in) Very good condition

Ochre Composition is an original artwork realized by Luigi Montanarini in the 1970s. Original colored serigraph on paper. Hand signed by the artist on the lower left. Numbered on lo...

Abstract Composition is a lithograph realized by Antonio Sanfilippo in 1973.. Hand-signed and dated in pencil on the lower right. Numbered, edition of 100 prints. Good conditions....

Lithograph, 1995 Handsigned by the artist in pencil and numbered 27/250 Publisher : GKM (Suède) 96.00 cm. x 76.00 cm. 37.8 in. x 29.92 in. (paper) Arches Paper Lying under an inc...

This Fortunato Depero wionderful serigraphy is a multiple of 250 specimens printed by the authorization of Museum of Depero in Rovereto (Italy). This i...

Rare vintage original poster published by the famous Paris Gallery Claude Bernard pour an historic exhibition of Jean Dubuffet in the sixties (1964) about the Hourloupe series. Jean ...

Untitled is an original print realized by Antonio Calderara in the 1970s. Colored serigraph. Edited by La Nuova Foglio. Good conditions except for ...

Amsterdam IX is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...

Collotype in colours with collage and hand-colouring Edition 24 of 98 75.8 x 55.8 cm (29.8 x 22 in) Signed with initials and numbered on the front Condition upon request Published by...

Damien Hirst Fruitful (large), 2020 Laminated Giclée print on aluminium composite panel digitally signed by the artist on the back 78 x 78 cm Edition of 1928 The editions titled Fr...

Silksreen, 2014 Handsigned by the artist in pencil and numbered 28/50 Publisher : Galerie-F Edition 84.50 cm. x 61.50 cm. 33.27 in. x 24.21 in. (paper) 65.50 cm. x 50.00 cm. 25.79 ...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Love By Robert Indiana Robert Indiana (1928–2018) was an American artist known for his bold, typographic pop art, particularly his iconic "LOVE" sculpture and print. His work ofte...

Maravillas con variaciones acrósticas en el jardín de Miró IV Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In very good con...

The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...

lithograph on wove paper, Edited in 1960 Limited edition of 200 copies Current copy numbered: 12/200 on the lower left corner signed in pencil by artist in lower right corner Plate ...

Color lithograph realized by Calder in 1969. Edition of 20/75. Hand signed and numbered in pencil. Includes a contemporary white frame. Very good condition.

Bianchi e Neri II (Acetates) - Plate A  is a wonderful Contemporary artwork realized by Alberto Burri in 1969. Hand-signed in pencil on the lower right margin. Hand-numbered in pen...

Hand signed and numbered. Edition of 100 prints. On headed paper.

The Night is original etching realized by Jean Fautrier. Hand-signed on the lower right in pencil. Numbered on the lower left, edition of 22/50 prints. This formidable print repre...

Etching and aquatint in colours on Arches paper Signed by the artist in pencil, lower right on recto Image: 47.5 x 36.3 cm, Sheet: 67.5 x 52 cm, Framed: 87.9 x 71.7 cm Edition of 46 ...

Joan Miro Surrealist Birds (Sculptures), 1974 Original lithograph Printed signature in the plate On heavy paper 28 x 57 cm (c. 11 x 23 inch) REFERENCE : catalog raisonne Mourlot / ...

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5351

Affiche n°87 is a beautiful lithograph realized by Eduardo Chillida in 1964. Hand-signed and numbered by the artist on the lower left in pencil. Edition 11/25.Editions Maeght, Pari...

Round Dance is an original etching contemporary artwork realized by Marino Marini in 1963. Good conditions. Edition of 100 copies. The artwork is depicted in a well-balanced compo...

"Amazing day in Paris II". Inspired by my trip to Paris, the museums, the Eiffel Tower and the metro... We feel the diversity of cultures everywhere, a light Parisian atmosphere... I...

Edition of 300. Murakami signed and numbered in silver marker pen along the lower right edge. Offset lithograph with cold foil stamp and high gloss varnishing on UV paper 60 x 60 cm ...

Spring is my favorite time of year. My garden is filled with flowers and colours I'm so inspired to observe it daily! So much beauty in this season, birds singing, leaf dancing with...

Hand signed. Artist's proof. Good conditions. Image Dimensions: 16 x 31 cm

Composition is a contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut print on cardboard. Image Dimensions: 18 x 14 cm Good conditions. Lojze Spacal...

Lithograph, 1965 Handsigned by the artist in pencil and numbered 38/75 Publisher : Pierre Matissse (New York) Printer : Mourlot (Paris) Catalog : [Maeght 384, p. 79] 42.00 cm. x 55.0...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Paintings and Drawings, by Agnes Martin 1974-1990 (Stedelijk), 1991 Additional information: Medium: complete set of ten lithographs on transparent vellum paper each, 30 x 30 cm 11 3/4 x 11 3/4 in Agnes Martin was an American painter who was born in Macklin, Saskatchewan, Canada, in 1912, and became a US citizen in 1940. Martin is perhaps most recognised for her evocative paintings marked out in subtle pencil lines and pale colour washes. Although restrained, her style was underpinned by her deep conviction in the emotive and expressive power of art. Martin believed that spiritual inspiration and not intellect created great work. ‘Without awareness of beauty, innocence and happiness’ Martin wrote ‘one cannot make works of art’. In a career spanning five decades, Martin became known for her square canvasses, meticulously rendered grids and repeat stripes, though her lesser-known early works consist of experiments with mixed media and works on paper. Martin thought of her works as studies in the pursuit of perfection. Martin spent many years working in New York, where she was part of a contemporary of artists such as Sol LeWitt, Ann Truitt, Donald Judd and Ad Reinhardt – with whom she was close friends. In 1967, shortly after Reinhardt died and just as Martin’s art was gaining acclaim, she left the city and continued her investigations into Buddhism and meditation. She wished to experience true solitude and used this period of quiet reflection to produce some of her most significant writing, whilst situated in sparsely populated and remote areas of the United States and Canada. In 1968 Martin resettled in New Mexico and began building an adobe and log house in a remote mesa. She lived there alone and without modern conveniences for several years. In 1973 she began creating work again. Agnes Martin’s influence reaches globally and plays a hugely significant role in 20th Century art history. Whilst known as a pioneer of abstract painting, her work as well as her reclusive lifestyle have served as an inspiration to creative practitioners in diverse disciplines. Painters, photographers, writers – and many devotees from the words of fashion, architecture and graphic design revisit and rephrase her perspectival studies and fascination with geometry, the legacy of which can be seen in investigations into brevity of line and muted colour palettes. Artists such as Richard Tuttle, Ellen Gallagher...

Flower is an original colored lithograph print, hand retouched realized by Tomaso Binga. On the back, the label of the certificate of authenticity by the...

Screenprint on Arches 88 paper , edited in 1975. Limited edition of 100 copies plus 30 HC signed in pencil by artist in lower right corner , numbered 17/100 and dated 75'. Paper siz...

MAN RAY (Emmanuel Radnitsky, known as) (1890-1976) Menton Biennale, 1970 Original lithograph (Mourlot workshop) Signed on the plate On paper, 67 x 47 cm (c. 27 x 18 in) INFORMATION...

The Route is an original lithograph realized in 1970s by Italian artist Armando Pizzinato. Hand-signed on the lower right in pencil, numbered on the...

Etching Handsigned by the artist in pencil and annoted EA 90.00 cm. x 63.00 cm. 35.43 in. x 24.8 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (image) Annoted "EA" LCD4559

"Dark Cloudy Shapes" is a blue tones stunning handmade monotype that features an intricate interplay of mid-century modern shapes, all rendered in shades of blue. These shapes are ex...

A bold and vibrant reproduction of Andy Warhol’s iconic 1964 Flowers series, this striking artwork is printed on heavy art paper, showcasing the enduring brilliance of Pop Art. The c...

Lithograph, 1964 Handsigned by the artist in pencil Edition : /500 Publisher : Les Peintres Témoins de leur Temps, Paris Printer : Charles Sorlier, Paris Catalog : 206 72.50 cm....

Composition in red is a colored screen print realized by the contemporary artist Giulio Turcato. Hand-signed in pencil on the lower right. Numbered on the lower left margin, editi...

Colored etching on paper. Image Dim: cm 32 x 44; Dim: cm 50 x 65. Embossed stamp on paper. Hand-signed on lower-right and hand-numbered with pencil on lower-left. Title at the cent...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 128/190 LCD5080

Original lithograph by Miro', printed signature without numbering.

Cin Cin is an original etching artwork realized by G. I Brook, Signed on the plate. In very good condition. Included a White Passepartout: 49 x 34 cm. The a...

Dark Composition is an original artwork realized by Henry Goetz in the 1970s. Colore etching on paper. The print is hand-signed in pencil on the lower ri...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Lithograph realized by Nicolas Carrino in 1970. Edition of 150 pieces plus 30 pieces in Roman Numbers. One of the 30 specimen in roman numbers. Excellent condition.

Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...