Florida - Art

Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s A...

Theresa Bernstein Meyerowitz (Polish / American, 1890-2002) Landscape, Oil on Canvas mounted to board. Hand signed lower right Provenance: Estate of Arie Halevi, former CEO of Orde...

Raspberries by George Henry Hall is a striking and beautifully refined still life painted in 1865, demonstrating the artist’s extraordinary attention to texture, color, and compositi...

Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...

Signed, dated and titled verso. Gelfman is often praised for using unconventional approaches during the creation process. This intricate mixed media piece is no exception. Her use ...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

Hand signed lower left Oil on canvas A Bar Mitzvah boy Yeshiva Cheder test Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rar...

Salvador Dali (1904-1989) - Bucéphale Lithograph from 1972 The edition of 187/250.. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Referen...

Don Clausen American (b. 1930) Untitled (1974) Oil on board Hand signed lower left and verso Framed 11.25 X 13.5 sight 9 x 11.25 inches Don Clausen is an American Postwar & Contem...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Hans Weingaertner (1896-1970). Oil on canvas measures 8 x 10 inches; 14 x 16 inches in a frame of the period. Signed lower right. Excellent, clean condition with no damage or restoration. Signed with monogram and dated 1966 en verso. Biography: Birth place: Krailburg, Germany Addresses: Lynhurst, NJ; Belleville, NJ Profession: Painter Studied: Royal Acad., Munich, Germany, and with Ludwig Klein, Moritz Hyman, A. Jank. Exhibited: Soc. Indep. Artists, 1929-40; BM, 1932; New Haven PCC, 1934-39; AIC, 1936; traveling exhib., 1936-37; Corcoran Gal biennial, 1939; Montclair AM, 1938, 1939; New Jersey State Mus., Trenton, 1939; Newark Mus., 1940, 1944; Carnegie Inst., 1941; VMFA, 1946; Penn. State Teachers College, 1944, 1946; PAFA Ann., 1951; WMAA; NAD; CAFA; Salons of Am. Awards: prizes, Montclair AM, 1949, 1950; New Haven PCC, 1950; Newark Art Club, 1951; Bamberger purchase, 1964 Member: Mod. Artists, New Jersey; Soc. Indep. Artists; New Haven PCC; New Jersey AA; Audubon Artists; New Jersey WCS Work: Newark Mus.; Rutgers Univ.; Jefferson H...

Portrait of the iconic Coney Island Cyclone Roller Coaster. Limited edition 200, archival pigment print on Sateen white paper, signed & numbered. Image depicts the rush and pure exhi...

Joseph Kardonne (1911-1985). Boothbay Harbor, Maine, 1967. Watercolor on paper, sheet measures 8.5 x 11 inches. Signed, dated and titled lower center. Excellent condition. Unframed. Born in Newark, New Jersey in 1911, Joe Kardonne...

This vintage poster advertises the Éclair brand of stove polish paste, a product in high demand during a time when almost all stoves were made out of cast iron. The winged wheel is a...

Circus scene with cat, lithograph. (possibly colored with watercolor painting. I am not sure) Sakti Burman (born 1935 in Kolkata) is a contemporary Indian artist of Indian parentag...

Framed 21 X 18 canvas 13 X 10 Henri Maurice D'Anty, listed French artist,Henry d'Anty 1910-1998 Born 1910 in Belleville France. Died in December 4 1998. Educated at the Académie de...

"Untitled" abstract screenprint (Encrevé/Miessner Kat. N° 113) by artist Pierre Soulages from the "Kinderstern" portfolio published by Edition Domberger to raise money to house famil...

Neo-Expressionist painting depicts a young woman in luminous light. Encaustic on canvas, 14 x 17 inches. Unsigned. Minor paint loss along edge.

Vintage tropical air brush painting on paper with palm trees, elephants and figures, executed in a dramatic art deco style. Presented under glass in a wood frame.

Harry Bertschmann (Swiss American, born 1931). Acrylic painting on paper. Artist signature to lower right. Provenance: Joy Moos Gallery (this was exhibited at the Outsider Art Fair) ...

die-cut, lithograph, colored with guoache CASTILLO, Jorge (Pontevedra, 1933). Since childhood, Jorge Castillo is passionate about drawing, and takes only ten years, with crayons, yo...

Single twin reclined by Efren Isaza Size: 40.5 x 29 inches Framed image printed on an archival canvas, intervened with paint, ink and intentionally scratched by the artist Signed, ti...

ARTIST: Salvador Dali TITLE: La Venus aux Fourrures Complete Suite MEDIUM: 16 Etchings SIGNED: Each etching is Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: ...

Myriam Bat-Yosef Surrealist abstract lithograph print in colorful abstract shapes and shades Hand signed and dated 1971. sheet measures 9.25 X 9.25 inches The envelope and the Peter Buch poster is just for provenance and is not included in this sale. Myriam Bat-Yosef, whose real name is Marion Hellerman, born on January 31, 1931 in Berlin, Germany to a Jewish family from Lithuania, she is an Israeli-Icelandic artist who paints on papers, paintings, fabrics, objects and human beings for performances. Myriam Bat-Yosef currently lives and works in Paris. In 1933, her family fleeing the Nazi Holocaust, Miriam Bat-Yosef emigrates to Palestine and settles in Jaffa. In 1936, she suffers a family tragedy, her father, militant Zionist, is called to fight, still recovering from an operation of appendicitis. The incision will become infected, antibiotics did not exist yet, and her father will die in the hospital after 9 months of suffering. Myriam and her mother leave Palestine to live in Paris for three years. French is Myriam's first school language. In 1939, still fleeing Nazism, she returned to Palestine, leaving France by the last boat from Marseille. She moved to Tel Aviv with her mother, aunt and maternal grandmother. In 1940, she began attending the Academy of Fine Arts in Tel Aviv and took her name as an artist, Bat-Yosef, which means Joseph's daughter in Hebrew, as a tribute to her father. In 1946, Myriam graduated as a kindergarten teacher but wanted to be an artist. Her mother enrolled her in an evening school to prepare a diploma of art teacher. At 19, she performs two years of military service in Israel. In 1952, with a pension of $50 a month that her mother allocated, she went to study at the Beaux-Arts in Paris. To survive, she has several activities while studying. In 1955, she had her first solo exhibition, at the Israeli Club on Wagram Avenue in Paris. Many artists, such as Yaacov Agam, Yehuda Neiman Avigdor Arikha, Raffi Kaiser, Dani Karavan and sculptors Achiam and Shlomo Selinger attended the opening . In 1956, she enrolled at the School of Fine Arts in Florence. This is where she meets the painter Errô. They share an icy studio in winter. Myriam moves to Milan with friends. She organizes a joint exhibition with Erro, one room each, at the Montenapoleone gallery. Her works are admired by the sculptor Marino Marini and the painters Renato Birolli and Enrico Prampolini. Myriam and Erro exhibit in Rome, Milan, Florence and meet many personalities: Alain Jouffroy and his wife, the painter Manina, Roberto Matta and his wife Malitte, textile artist who was one of the founders of the Pompidou Center. Back in Paris, Myriam and Erro get married, which allows Myriam to avoid being called into the Israeli army during the Suez Canal War. In 1957, Myriam and her husband went to Iceland. Myriam works in a chocolate factory. Having enough money, she starts producing art again. She exhibited in Reykjavik's first art gallery. She meets the artist Sigridur Bjornsdottir, married to the Swiss painter Dieter Roth . In 1958, Myriam and her husband leave for Israel. They exhibit in Germany, then in Israel. Back in Paris, the couple became friends with artists of the surrealist movement, such as Victor Brauner, Hans Bellmer, the sculptor Philippe Hiquily, Liliane Lijn, future wife of Takis and photographer Nathalie Waag. Erro and Myriam have a daughter on March 15, 1960, named Tura, after the painter Cosmè Tura, but also close to the Icelandic Thora or the Hebrew Torah. Bat-Yosef’s complex trajectory throughout the 20th century is linked as much to the transnational history of what was for a time called the School of Paris as it is to a certain legacy of Surrealism. Her work features the same idea of resolving antinomies that also defined the spirit of surrealism, and is enhanced with her readings of the Kabbalah and her spiritual grounding in Taoism. However, while there are reasons for her approach to be associated with the process of the ready-made, it is important to consider the immediate intrication of these works with her practice of performance, during which the body itself is also painted – a feminist response to Yves Klein’s Anthropometries (1960) and an echo of the happenings which Jean-Jacques Lebel organised at the time in Paris. In 1963, Erró told Myriam that if she wants to be a painter, she can not be his wife. Myriam chose to be a painter and the couple divorced in 1964. Since that time, Myriam Bat-Yosef has exhibited in many countries: Europe, United States, Japan, etc. Although long in the shadows, the work of Myriam Bat-Yosef has been greeted by many artists and personalities: Anaïs Nin, Nancy Huston, André Pieyre of Mandiargues, José Pierre, René de Solier , Jacques Lacarrière, Alain Bosquet, Pierre Restany, Sarane Alexandrian and Surrealist André Breton who, after a visit to her studio, confided to having been intrigued by its phantasmagorical dimension. She was included in the book Pop Art and Beyond: Gender, Race, and Class in the Global Sixties by Mona Hadler and Kalliopi Minioudaki. Extract "World Citizen, Artist of the Pop Era Sarah Wilson; Why do we know so little of Myriam Bat-Yosef, the most important female Israeli artist of the Pop era? Issues of identity and sexuality feature constantly in her work. She exhibited internationally from Reykjavik to Tokyo; she had two shows at Arturo Schwarz’s famous Dada/surrealist gallery in Milan; she participated in feminist art events in Los Angeles. Above all, in 1971, she conceived Total Art, a Pop Gesamtkunstwerk inside and outside the Israel Museum, Jerusalem. Painter, performer, and installation artist, she was also a lover, wife, and mother. Of Lithuanian-Jewish descent, she was close to the family of philosopher Emmanuel Levinas. An émigré in Paris she would repudiate a national passport, participating in Garry Davis’s short-lived “World Citizens” movement. She continues the lineage of women surrealist artists: Valentine Hugo, Leonor Fini, Dorothea Tanning, Leonora Carrington, Unica Zürn, Jane Graverol...

About the Artist Antonio Ugarte (b. 1961, Valencia, Venezuela; lives and works in Miami, FL) Antonio Ugarte began his artistic career in Venezuela, where he studied drawing, painting...

ROBERT KENNETH WHITE – "GOLDEN ROWS, TUSCANY" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display SUNLIT VINEYARDS OF TUSCANY “Golden Rows, Tuscany” captures the luminous ...

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1794-1812 (First-second ser...

John Levee (April 10, 1924 – January 18, 2017) was an American abstract expressionist painter who had worked in Paris since 1949. His father was M. C. Levee. John Harrison Levee rece...

Omaggio To Picasso Murano Glass Sculpture Artist signed and titled 16"h15.5wx15d Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a f...

Demian Flores (Mexico, 1971) 'Defensa Personal', 2005 engraving on paper Guarro Super Alpha 250g. 27.6 x 39.4 in. (70 x 100 cm.) Edition of 99 Unframed ID: FLO-101 Hand-signed by author

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

ARTIST: Salvador Dali TITLE: Conquest of Cosmos The Last Comer of The Last Planet MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 27.5" x 39.5" YEAR: 1974...

Cv upon request Karla Walter is an American artist who explores similarities between the social interactions among crows and that of individuals in our society. Karla Walter went to ...

“Apocalypse: Lost Soul Catcher” – Original Painting by Serg Graff (2022) Step into the blazing vision of the apocalypse with this powerful and surreal original acrylic painting by Bo...

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unify...

Post Dogmatist Painting on Canvas, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagos...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches. It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation. After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter. The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...

This work is the result of an artistic residence outside his "study”.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Pablo Picasso A.R. 172 Bird With Worm 1952 6” round Edition of 500 White earthenware clay, oxidized paraffin decoration, white enamel. Ramie 172 is a Madoura...

Mirtha Moreno Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to th...

Words Jimi Hendrix Music is Magic. Magic is Life. When the Power of love overcomes the love of power the world will know peace. Knowledge speaks, but wisdom listens. Before yo...

Salvador Dali (1904-1989) - Dragon Apple from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Han...

Artist: Jack Graves III (American, 1988-) Title: "Dog Watches People at a Pumpkin Patch" Series: Abstract *Signed by Graves lower left. It is also signed, titled, and dated on verso...

Andres Segovia: 1929-1996. Well listed Spanish and Argentinian painter. He has had auction results as high as $35,000. This fabulous modern still life is an oil on board. It measures...

Igor Gabor 'Arquitectura', 1989 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 25 ID: GAB1057-001-025 Unframed Hand-signed by author

Up for sale is a beautiful antique oil painting on canvas by Scandinavian Artist F. SJOSTEDT The painting depicts a Still life composition. Signed and dated in the lower-left corner...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Carlos Enrique Alvarez Untitled, 2024 Oil on canvas 47 x 47 in

Artist: Henri Matisse Country: France Title: Untitled – 'Figure Study' Medium: Lithograph on Vellum paper Size: 15 x 11 inch Published: 1952 in France Provenance: Derriere le Miroir...

JERUSALEM, Vielle du David, (City of David) Oil painting on canvas Hand signed in Hebrew (Perlman, Pearlman or Perelman. There are numerous artists with this name. we are unsure wh...

Artist: Keith Haring Title: The King Size: 23 3/8 × 29 7/8 in 59.4 × 75.9 cm Medium: Lithograph Edition: of 50 Year: 1989 Notes: Hand Signed, Numbered & Dated in Pencil. Custom F...

Beautiful still life drawing by American artist, Lloyd Raymond Ney (1893-1964). Ink on paper, 14.5 x 21 inches; 25.5 x 31.5 inches framed. Excellent condition with no damage or restoration. Signed lower right. Birth place: Friedenburg, PA. Addresses: New Hope, PA, 1925-64 Profession: Painter, lecturer, teacher Studied: PAFA with H. McCarter, 1914 -18 (Cresson Scholarship; traveled in Europe 1918-21; Paris in 1924) Exhibited: AIC, 1937; Guggenheim Museum, 1941-56; PAFA Ann., 1941, 1951; numerous group shows in Europe. Work: Guggenheim Museum, NYC. WPA commission, 1941, mural for New London, Ohio Post Office (Citizens of New London petitioned WPA administrator Edward Bruce to allow Ney to paint the mural) Comments: Abstract painter. He spent many years in Paris, where he was friendly with Pascin, Foujita, Frieske, H.O. Tanner, W. Pach and Roger Fry...

Artist: Dan May (American, 1955-) Title: "Waiting" *Signed and numbered by May in pencil lower left Year: 1986 Medium: Original Screenprint on unbranded soft-cream wove paper Limited...

Original colored lithograph by the Argentina born artist Zule Moskowitz. Signed “Zule” bottom right. Condition is excellent. Circa 2000. Gallery label verso. Under glass. Beautifull...

"Roberto Fabelo (Cuba, 1950) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: FAB-301"

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Beautiful composition by the Italian artist Mixed technique and combustion on wood. Perfect state.