Florida - Art

Wang Ming "Enter the World of Infinity" Acrylic paint on Japon paper mounted on canvas Dimensions: H: 39 inches: W: 25 inches WANG MING WANG Artist Ming Wang, born November 4, 1921, died peacefully on Sunday, June 26, 2016 in Bethesda. Ming Wang was born in Tianjin, China and was a pilot in Chinese Nationalist Air Force during WWII. Artist Wang Ming's journey began in the 1940s. As he worked as an air traffic controller in Taiwan, he became interested in the beauty of the sky. He was a young man then, having fled from Japanese-occupied China in 1939 at age 18. He came to the US for further military training where he met his first wife, the late Suen Chin. In 1949, Wang went Taiwan to escape the Communist takeover of China. He rejoined his wife and young son in Washington DC in 1951. To support a growing family, Wang founded the National Art and Frame shop in Washington DC. He studied art independently and developed his unique artistic style melding modern art with traditional Chinese calligraphy. His paintings, done with a mixture of inks and acrylics on fine paper, are a happy marriage of traditional Chinese disciplines with Western art as it has been handled by Joan Miro and Paul Klee. His works are minimalist and abstract, marked with good design and extremely sensitive use of color. The influence of 1950s American art and abstract expressionism is also clear in his work, and he exhibited with such Washington Color School luminaries as Kenneth Noland and Gene Davis in the 1960s. He later taught calligraphy at George Washington University. Years before the Hubble Telescope began broadcasting images of rainbow clouds and blood red stars, Ming used art to convey what he imagined space to be. His work captured the attention of James Dean, the National Air and Space Museum's first art collector, who purchased two of his pieces. In the 1960's and 1970's, Wang was represented by the Franz Bader Gallery in Washington DC. 1980: Brooklyn Museum, Brooklyn, New York American Drawing in Black & White: 1970-1980, by curator Gene Baro. “The visitors are invited to enjoy the rich variety of marks and means used in attacking subjects that range from meticulous representational rendering to extemporaneous gesture.” Included among many other artists, were Anni Albers, Jasper Johns, Willem De Kooning, Robert Rauschenberg, Jack Tworkov, Robert Motherwell and Andy Warhol. 1982: The Washington Post, by Jo Ann Lewis “His show at the Marvin Center at George Washington University, where he teaches calligraphy, should help clarify the unique nature of his art . ... ‘Independent Reality,’ in which dramatic curves dance across an opened scroll, taking on a life of their own-in any language. The show is filled with the artist’s very special of visual poetry.” He was included in the exhibition American Drawing in Black & White: 1970-1980, by curator Gene Baro at the Brooklyn Museum, Brooklyn, New York. Included among many other artists, were Anni Albers, Jasper Johns, Willem De Kooning, Robert Rauschenberg, Jack Tworkov, Robert Motherwell and Andy Warhol. Wang Ming was also included in the show Asian Traditions/Modern Expressions Asian American Artists and Abstraction, 1945 – 1970 at the Jane Voorhees Zimmerli Art Museum Rutgers, The State University of New Jersey New Brunswick. The senior curator Jeffrey Wechsler reviewed each artist for this traveling group exhibition, including C. C. Wang, Chen chi, Kenzo Okada...

From a limited edition. an abstract elongated art deco form of a mother with child. signed on bottom of wooden base and etched into bronze. Victor Halvani no doubt had an enchanted childhood. A warm loving Jewish family. His father a judge, his mother, descendent from a rabbinic family, was a great storyteller who transformed the heroes of the Bible into her child’s best friends. A small village at the base of the pyramids of Giza, school trips to the Valley of the Kings in Aswan. Ancient Egyptian art looking at the dreamy child from every corner. Given the chance to look back, it becomes clear that Victor’s lifelong dream – to become an artist, had it’s beginnings right there – in the child dreaming at the Nile. Victor Halvany was born in 1930 to Bella and Yitzchak (OBM). Soaked in that enchanted childhood atmosphere, Victor found himself spending hours and days in the Cairo museum of art, looking at the exhibits and drawing them with intensity and enthusiasm. His inspiration filled drawings caught the eye of his teachers and with there encouragement he entered a national competition in which he won first place. This lead to him winning a full scholarship at the art faculty in Zamalek and at the Cairo University. Full of hopes and dreams he began his studies, only to be interrupted after one year. The Israeli war of independence began and subsequently the pogroms, and the urgent need of Egyptian Jews to emigrate, going first to France and than to Israel. Victor’s first years in Israel were years of struggle for survival, but simultaneously years of activity and progress. In 1950, while serving in the army, Victor met Margalit, the women at his side, mother of his children and the most present character in his career of activity and art. With Margalit’s encouragement and support he not only raised a family, fathering two boys and a girl, but also fulfilled his dream and was fortunate to have a full and inspiring career- as a person, artist, and teacher. Today, in his advanced age, Victor continues his daily activities: creates, plans, exhibits, and as always – open-minded, curious, learning, getting updated. 1953 – Received scholarship and year of study at Bezalel School of art and design in Jerusalem. 1956 – Finished education studies and received BA in education. Tel Aviv art teachers college. 1969 – Scholarship to study abroad for a year at Hammersmith College of art & building in London, graduating cum laude. 1970 – Received MA in art education and sculpture. 2015 – Participation in the sculpture exhibit at the Mamilla mall promenade in Jerusalem. Sculptures exhibited: “David with harp”, “Mother playing with child”, “Yuval father of harp players” 2014 – Participation in sculpture exhibit at the Mamilla Mall Promenade in Jerusalem, sculptures exhibited: “Ruth and Naomi” “David playing harp”, “Girl with gazelle” 2013 – Ein Hod, Yemini sculpture garden, at main entrance to artist’s colony, sculpture exhibited “David playing the harp”. 2012 – Opening of “Art exhibit- Victor Halvani”. At the Halvani residence in Ein Hod, exhibits large collection of sculptures and prints. Visits by appointment. 2011 – Safed, “The Shofar” art project, exhibited at “Safed liberation square”, at main entrance to the city, in the presence of the mayor and representatives of U.S. donors. 2010 – Safed, “The Spies” art project placed, and square named Halvani, at southern entrance to the city of Safed, in presence of the Mayor, Ilan Shochet, and representatives of U.S. donors. 2001 – Participation in international exhibit in San Francisco, U.S. 2001 – Katzrin, Ramat Hagolan, Exhibit of sculptures “Mother playing with child”, “Hope for peace”, and “David with slingshot”, around the city. 2000 – New York, U.S. – International millennium art expo – exhibited “The Hope”. 1999 – Safed, completion of phase 2 of Victor Halvani sculpture garden in Oranim neighborhood. 1998 – Bennington, U.S. – Solo exhibit with collection of bronze sculptures at Bennington art center. 1997 – Stillwater, Oklahoma, U.S. – Placement of sculpture “David playing the harp” at the entrance to Seretean art center at the University of Oklahoma. 1996 – Miami, Florida, U.S., Center for international exhibits – solo exhibit, selection of bronze sculptures. 1995 – West Bloomfield, Michigan, U.S. – Placement of sculpture “David playing harp” at the Reform Jewish Cultural Center park. 1995 – Boston, U.S. – placement of sculpture “David playing harp” at Stanley & Barbara Young...

Artist: Robert Motherwell (American, 1915-1992) Title: "Greenwich Arts Council" *Issued unsigned, though signed by Motherwell in the plate (printed signature) center right Year: 1976 Medium: Original Lithograph, Exhibition Poster on Strathmore paper Limited edition: 700. (There was also a signed and numbered edition of 42) Printer: Tyler Graphics, Ltd., Mount Kisco, NY Publisher: Greenwich Arts Council, Greenwich, CT Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap Appendix: No. 28, page 282; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 202 Sheet size: 37.25" x 23" Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Rare Notes: Printed in three colors: black, green, and cream. Poster produced for a special exhibition "Sculpture 76" at The Greenwich Arts Council, Greenwich, CT from June - October, 1976. The image featured on this poster is Motherwell's 1972 acrylic painting on paper "Greenwich Sculpture". Artist's copyright lower left and printer's imprint lower right. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Les Demoiselles Takes a Stroll 36 X 48 Acrylic on canvas Viewing Patricia Forelle’s work offers a look into her world of fantasy and reality with freeform and whimsy. Her work holds...

Lundberg Studios Art Glass Vase. Every piece of glass that bears the Lundberg Studios signature represents the finest in contemporary art glass. Crafted by master glass blowers, trad...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Lotus" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued unsigned Year: 1982 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown Printer: Imprimerie Moderne du Lion, Paris, France Publisher: Maeght Editeur, Paris, France Reference: "The Prints of Ellsworth Kelly - A Catalogue Raisonné: 1949-1985" - Axsom No. Ic, page 179 Sheet size: 15" x 11" Condition: In excellent condition Rare Notes: Produced for Kelly's collaboration with the August, 1982 No. 250 "Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght" portfolio. Text on verso as issued. Kelly produced the drawing for "Lotus" in Spencertown, New York, and sent the transfer-paper study to Paris for proofing. It was included in the final memorial issue of 'Derriere Le Miroir' with prints by Eduardo Chillida, Takis, Pierre Alechinsky, Joan Miro, Marc Chagall, Shusaku, Arakawa, and Saul Steinberg, to name only a few of the 24 artists who provided original graphic work for this issue. "Lotus" was based on the ink drawing "Lotus" (EK No. P74.65). In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery. Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them are (in alphabetical order): Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Artist: John James Audubon (American, 1785-1851) Title: "American Anhinga - Snake Bird" (Plate 420, No. 84) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10" x 6.69" Image size: 6.63" x 4.63" Condition: Minor toning to sheet and some faint discoloration in margins. Old glue staining along right binding edge as normal. It is otherwise in very good condition with strong colors Notes: Provenance: private collection - Cleveland, OH. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. The preceding 1836 Havell edition of this work has a different title: "Black-bellied Darter", (Plate: CCCXVI - 396, No. 64). Based on a drawing inscribed "New Orleans 1822 - redrawn ... 1836". This conspicuous bird had various names including "water turkey" and "Bec à Lancette". The Anhinga, sometimes called snakebird, darter, American darter, or water turkey, is a water bird of the warmer parts of the Americas. The word anhinga comes from a'ñinga in the Brazilian Tupi language and means "devil bird" or "snake bird". To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Artist: Sam Francis (American, 1923-1994) Title: "Untitled (SF-229P) (Fondation Maeght)" Year: 1983 Medium: Original Offset-Lithograph, Exhibition Pos...

"Flowers in Tender Bloom" From the Four Ages of Love Suite by Norman Rockwell Media: Lithograph on Paper Image Dimensions: 21" x 22" Year Produced: 1977 Edition Size: 200 Numbered (1-200), 60 Artists Proofs (1-60) Edition Number: A/P (Artist proof) Signed and Numbered in pencil by the artist Condition: In excellent condition Norman Rockwell was an American painter and illustrator known for his iconic depictions of American culture created for The Saturday Evening Post. With a range of favorite subjects that included nuclear families, mischievous children, and small-town life, his work has achieved an iconic status: the 1943 painting of a Thanksgiving dinner, Freedom from Want, has been reproduced and parodied countless times in contemporary culture. As an artist, Rockwell has had a lasting effect on US society beyond any singular work, with his paintings seen as indelible images that went on to inspire American directors such as George Lucas, Steven Spielberg, and particularly Robert Zemeckis, whose 1994 film Forrest Gump recreates several of Rockwell’s paintings as scenes throughout the film. Though he enjoyed success throughout his career, Rockwell’s idyllic and sentimental outlook on American society was not necessarily embraced by art critics, though his later politically activist work garnered praise for its tackling of controversial subjects. Born on February 3, 1894 in New York, NY, he went on to study at the National Academy of Design and the Art Students League. Rockwell notably had a longstanding relationship with the Boy Scouts...

Poncho viernes 27 de mayo 2016, by Celso Castro Crayon Pastel on archival paper Image size: 59 H in. x 39 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each...

In this painting by Judith Shahn, the artist renders a boat and dock in a series of lines. The artist takes a naive approach at depicting the subject by simplifying the elements in t...

Stormy Bay in California Impressionist Oil Painting Artist signed lower left. Belinda Vidor Holliday (American, 1930-2023). An ...

This is an original oil painting on board depicting a vibrant Mediterranean garden landscape leading toward a picturesque seaside view. A stone pathway lined with lush greenery and b...

ARTIST: Salvador Dali TITLE:Hommage aux Petites Lits Blancs MEDIUM: Lithograph done for Wally Findlay Gallery SIGNED: Hand Signed PRINTER: Mourlot Printers EDITION NUMBER: 87/2...

Duchándome, May 22nd / Duchandose, May 27th-Duchandome/Duchandome En Cuerpo Ajeno 2018 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Overall Size: 39 in. H x 27.5 in. W Both works are one of a kind Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Eye catching pair of mid century oil paintings on board of palm trees with plenty of decorative appeal, presented in bamboo frames with reed wrapped joints.

Paris street scene oil painting in original vintage hand carved frame, showing some wear. Signed l.r. and dated 1953. Inscribed on reverse with title. 28.50 in. by 33.50 in. include frame. Unframed 19.75 in. by 24 in. Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. His work bears the influence of the mid century school of Paris in particular Jean Carzou. He was a regular exhibitor at the Sidewalk Art...

a mid century Judaica painting of a Rabbi wearing a Tallit prayer shawl. In the Modernist manner of Maurice Kish, Tully filmus or William Gropper. ...

"Pop Wall" silkscreen and mixed media on canvas artwork with paint-splashed frame by Mr. Brainwash. Fingerprint, Mr. Brainwash signature, numbered No 430581846A and dated 2024 on bac...

This is an original antique oil painting on canvas depicting a country landscape with a Woman and Ducks. Signed and dated 1876 in the lower left by listed Artist George Whitton Jo...

This is an original vintage oil painting on canvas depicting a nautical scene, with a large sailing ship in a choppy ocean. This is a classic maritime style, one that is so rarely ...

Duchándome, by Celso Castro From the Duchándome Series Watercolor, ink, and pastel archival paper. NUDES 2D Individual size: 19.5 in. H x 13.75 in. W 2018 Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

Mountain Lanscape of Gerona original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, ...

"To Days of Childhood That are Still Unexplained". It depicts six female silhouette figures in long dresses or coats against a blue and pastel purple background. From the Rainier Ma...

Artist: Hirst, Damien Title: Bromphenol Blue Date: 2005 Medium: Etching and Aquatint in Colours on Hahnemühle Paper Unframed Dimensions: 30" x 36.5" Framed Dimensions: 35" x 42...

Vegetables from my garden #6 by Zoltan Gerliczki From the Vegetables from my garden series Archival Pigment Print Image size: 39 in H x 48 in W. Edition of 9 + 2AP Unframed 2021 "W...

This charming rural winter scene of ice skaters fully displays Norman Rockwell's America, but it was painted by female artist Charlotte Joan Sternberg. She combines the mid-century A...

Cadaques. original abstract mixed media acrylic painting composition of the artist Spanish Toni MAT. Mixed technique on wood. Perfect state. Antonio Amat studies Art in Barcelona, ...

Fruits from my garden #1, by Zoltan Gerliczki From the Vegetables from my garden series Archival Pigment Print Image size: 39 in H x 48 in W. Edition of 9 + 2AP Unframed 2021 "We e...

This is a one-of-a-kind original acrylic painting on canvas board in a fantasy abstract style. This piece has a wonderful color scheme with a modern contemporary feel. Presented in...

Lofty group of three mid century palm frond sculptures or wall decor handcrafted in perforated metal having a worn gilt gold tone finish and plenty of decorative appeal. From left ...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Pop Art & Nouveau Réalisme Moderna Museet (Finger Pointing)" *Signed by Lichtenstein in...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 15 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Otto Fenn (1913-1983). Andy Warhol, 1956. Gelatin silver print, 9 7/8 x 10 inches; 11 x 14 sheet. Studio stamp, verso. Biography: Otto Fenn photographed fashions, decorations and food for Harper’s Bazaar, Town & Country, Good Housekeeping, Ladies’ Home Journal, McCall’s, House Beautiful and House and Garden magazines. Among the celebrities he photographed were Tallulah Bankhead, Jackie Gleason, Sid Caesar, Bette Davis, Yves Montand and Rosalind Russell. He also did Lord & Taylor’s advertising photography. Mr. Fenn served as chairman of the Sag Harbor Historic Landmarks District. He lived in the Nathan P. Hand house, which dates to the 1600′s and is named for a whaling captain who once owned it. Since 1964 Mr. Fenn and Mr. Krug operated the 1964 Sag Harbor Antiques Shop. Born in Manhattan, Mr. Fenn grew up in Lincoln Park, N.J. He studied at the New York School of Design and taught painting there. Early in his career he made sets for summer theater and backgrounds for fashion sittings and painted murals for the 1939 World’s Fair and the passenger ship America...

Unititled male nude by Luis Caballero Lithography on paper Limited edition print Edition 8/75 Size: 15 in H x 10.7 in W Signed in the lower right corner. Numbered in the lower left ...

Esteban Vicente (1903-2001). Untitled, #36, 1955. Gouache on paper, image measures 8 x 11 inches, 16.5 x 19.5 inches framed. Signed, dated and numbered on verso. Excellent condition....

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "Morning Rush" *Signed and dated by Yamazaki in pencil lower right Year: 1984 Medium: Original Monotype on Arches pape...

This is a unique original acrylic/oil painting on canvas in a fantasy abstract style by Serg Graff Titled "Optimistic Creativity". It comes signed, dated, and with a COA (Certificat...

ROSS BLECKNER (American, b. 1949) "D Loop," 2002 Limited Edition Print : Color Aquatint With Spit Bite Aquatint And Gampi Chine-Collé on Somerset Paper Approximate dimensions - Frame 29.5 X 28,.5 inches, sheet 27 x 26 inches. Edition lower left: 2/20, Hand signed lower right. Publishers blind stamp lower right margin: Paulson Press. Ross Bleckner draws inspiration from science, psychology, and his own personal experience. The title of this print, D Loop, refers to molecular biology and DNA repair abstracted in vivid blue and yellow. Ross Bleckner (born May 12, 1949) is an American artist. He currently lives and works in New York City. His artistic focus is on painting, and he held his first solo exhibition in 1975. Bleckner grew up in Brooklyn, New York and he grew up Jewish. In an interview, Bleckner commented that he was fortunate to have supportive parents. In 1961, Bleckner and his family moved to a more affluent town in Hewlett Harbor, New York, where he attended George W. Hewlett High School. In 1965, Bleckner saw his first art exhibition, The Responsive Eye, at the Museum of Modern Art, which went on to have a huge impact on his artwork. Eventually, this was a time when he realized that he wanted to become an artist. Bleckner went on to study at New York University, where he studied alongside fellow artist Sol LeWitt and Chuck Close. During college, Bleckner worked in an art supply store and drove a taxi. He received his Bachelor of Fine Arts (B.F.A) from New York University (1971), and later received his Master of Fine Arts (M.F.A) at California Institute of the Arts. In 1974, when Bleckner moved back to New York, he moved into a Tribeca loft building. Three of the floors were rented to the painter Julian Schnabel and from 1977 to 1983 the Mudd Club, a nightclub frequented by musicians and artists, was in the same building. In 2004 Bleckner sold the building. He held his first solo exhibition in 1975 at Cunningham Ward Gallery in New York. Then In 1979 he began what was to become a long association with Mary Boone Gallery in New York. In 1981 Bleckner met Thomas Ammann, who was an influential Swiss art dealer who went on to collect Bleckner's work. Early 1990s, Bleckner did his first abstract painting called Cell painting which showed an example of human body cell diseases. Since either the 1980s or 1990s as an openly gay artist, his art has been largely an investigation of change, loss, and memory, often addressing the subject of AIDS. Bleckner uses symbolic modernist imagery rather than direct representation, and his work is visually elusive, with forms that constantly change focus. While much of Bleckner's work can be divided into distinct groups or series with motifs repeated from painting to painting, he is also in the habit of redeploying and combining old motifs. Bleckner has posited that a painting is never finished, provided it is still in his studio, because it can always be improved. In 2009, Bleckner published a book of his theoretical art statements entitled Examined Life: Writings, 1972-2007 that was published by Edgewise Press. In 1995, the Solomon R. Guggenheim Museum had a major retrospective exhibition of his works from the last two decades of exhibitions at acclaimed institutions such as San Francisco Museum of Modern Art, Moderna Museet in Stockholm, and the Carnegie Museum of Art. He was one of the youngest artists to be featured at the Guggenheim. Bleckner's works are held in collections around the world including Museum of Modern Art, New York, (he was included in the show Contemporary Works from the Collection, MoMA along with Carl Andre, Richard Artschwager, Marcel Broodthaers, Jim Dine, Howard Hodgkin, Jasper Johns, Donald Judd, Anish Kapoor, Ellsworth Kelly, Robert Mangold...

Body Paint tribute to the Afro and pre-Columbian cultures, taking erotic and suggestive poses such as reading among others. Jose Sierra work is deeply influenced by themes of self-r...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark Sheet size: 35" x 21.5" Image size: 24.75" x 19" Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition Rare Notes: Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209). Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris...

ARTIST: Salvador Dali TITLE: The Fisherman MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 44/150 MEASUREMENTS: 39.87" x 23.75" CONDITION: Excellent AUTHENTICATION: ...

He Always Fancied Himself as a Ladies Man, 2014 Mixed Media on %100 Cotton Paper Image size: 15 in. H x 11 in. W Frame size: 19 in H x 15 in W x 1 in D Found images transferred to ac...

Cresta Roja is a stunning original oil painting by renowned Argentine artist Raúl Conti, celebrated for his expressive use of color and dynamic compositions. This captivating piece s...

Abstract Universe Composition In Red Artist signed verso, oil on canvas 60hx48w JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at scho...

Nicholas Maravell. House in Snow, 1989. Ink and watercolor on paper, 10.5 x 13.75 inches; 18 x 21.25 inches framed. Signed with artist monogram lower right. Gallery label affixe...

Pastel or Tempera on paper. Judaica Shtetl scene of village. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. h...

Artist: Jozza Title: "Super Punch" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbered on the ...

ARTIST: Salvador Dali TITLE: Shakespeare II Timon of Athens MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art/Loinel Praeger/Berggruen EDITION NUMBER: 155/250 MEAS...

"BUTTON" Wall Sculpture 22" x 25" x 22" in by Shawn Kolodny Medium: Stainless Steel Creating art to reflect the times we live in, Kolodny creates art for our short attention spans...

"Starstruck" by Norman Rockwell Media: Lithograph on Paper Image Dimensions: 30" x 24" Year Produced: 1976 Edition Size: 200 Numbered (1-200), 60 Artist proof Edition Number: 140/200 Signed and Numbered in pencil by the artist Condition: In excellent Norman Rockwell was an American painter and illustrator known for his iconic depictions of American culture created for The Saturday Evening Post. With a range of favorite subjects that included nuclear families, mischievous children, and small-town life, his work has achieved an iconic status: the 1943 painting of a Thanksgiving dinner, Freedom from Want, has been reproduced and parodied countless times in contemporary culture. As an artist, Rockwell has had a lasting effect on US society beyond any singular work, with his paintings seen as indelible images that went on to inspire American directors such as George Lucas, Steven Spielberg, and particularly Robert Zemeckis, whose 1994 film Forrest Gump recreates several of Rockwell’s paintings as scenes throughout the film. Though he enjoyed success throughout his career, Rockwell’s idyllic and sentimental outlook on American society was not necessarily embraced by art critics, though his later politically activist work garnered praise for its tackling of controversial subjects. Born on February 3, 1894 in New York, NY, he went on to study at the National Academy of Design and the Art Students League. Rockwell notably had a longstanding relationship with the Boy Scouts of America...

Very intricate silhouette cut out of black paper over white paper background by the Czech artist, Frederich Kaskeline. Signed lower right. Bearing inscription lower left. Circa 1920...

"EXPOSITION DE CÉRAMIQUES, VALLAURIS, PÂQUES, 1958" BY PABLO PICASSO (1881-1973) Linocut on Paper ⚜ Signed ⚜ Numbered ⚜ Framed A RARE HAND-SIGNED LINOCUT BY PICASSO This striking or...

La liebre pretendiente, 2013 Acrylic, graphite, oil pastel, and paper & are transferred on tempered wood pegboard Image size: 47.6 in. H x 48 in. W Mix media One of a kind _________...