Florida - Art

Planet X Large Red Metal Sculpture Aluminum, and urethane car paint, Edition 2/5 artist signed base. The sculpture is in three seperate parts dis...

Artist: SSUR Manufacturer: Medicom Toy Type: Bust Color: Hot Pink. (this also came in bronze and a glow in the dark fluorescent neon green) Signed in the mold Material: Vinyl sculpture There is no box or bag. Founded by visual and conceptual artist Ruslan Karablin...

A rare discontinued Ceramic Vase from Supreme's 2018 Release Schedule. The Supreme Alphabet Vase White is a stylish and functional home decor item that is perfect for any Supreme fa...

20th century Jewish Rabbi Portrait, Judaica Oil Painting

ARTIST: Salvador Dali TITLE: Portrait of Picasso MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: a/b 66/200 MEASUREMENTS: 19" x 31" YEAR: 1970 FRAMED: No CONDITION: Exc...

Artist: Jack Graves III (American, 1988-) Title: "John Lennon Icon VII" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2024 Medium: ...

Pablo Picasso (after) "Portrait de Marie Therese" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 274/500 lower left From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate Collection. The lithographs were meticulously created after the original works (Oil Paintings, Watercolors, Pastels, Charcoal Drawings, etc.) by Master Chromist Marcel Salinas, who worked closely with Picasso in his lifetime. They are printed in an edition of 500 on Arches paper. Embossed with the estate and chromist's stamp seals, along with the legend on the reverse "Approved by the heirs of Pablo Picasso". Image: 19 1/2" x 15". Paper: 28" x 20 3/4". Pablo Ruiz Picasso (1881 – 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian air forces during the Spanish Civil War...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

Victor Vasarely (1908-1997) Axo This piece is hand signed and numbered circa 1972-1977 I have seen it described as enamel on steel and enamel on aluminium. it is a serigraph on meta...

Original drawing painted in wax by Joan Miro. Certified by Jacques Dupin, official certifier of the artist's work. The work is a wax painted on two continuous pages of a book publish...

Up for sale is this amazing antique 19-th century original oil painting on canvas depicting a charming rural scene, capturing a moment of everyday life in the countryside. On the le...

"Femme de luxe" (Bronze) by Erte Type: Sculpture Media: Patina on Bronze Dimensions: 13 3/4" High Year Produced: 1986 Edition Size: 500 Numbered, 35 AP Edition Number: 13/500 In Exce...

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

Simon Bull, British (Born 1958) Hand Embellished Giclee on Canvas "Whisper" (white flower) Hand signed Lower Left, Numbered 283/350 on Obverse side. Measures 16" x 16" image, frame measures 24-1/8" x 24-1/8" Simon Bull (born in March 1958) is an English-born artist living in America. Early years and education. Simon Bull was born in Bedfordshire, England. The second of four children. His father, Ian Bull served as an officer in the Royal Army Chaplains’ Department of the British Army. Ian’s extensive military postings stationed the family around the world in Guyana, Hong Kong, Germany, and Northern Ireland. Simon went to boarding school in Yorkshire, attending Ripon Cathedral Choir School from 1965 to 1969 and in Surrey, at the Royal Russell School from 1969 to 1976. In 1976 he took a one-year Foundation course at Gloucestershire College of Art and Design and went on to graduate in 1980 from Leeds Polytechnic with a BA (Hons) degree in Fine Art. He studied printmaking and Fine Art under Norman Webster and Norman Ackroyd RA. His time at Leeds was marked by his interest in and study of the masters, such as Henri Fantin-Latour, Jean-Baptiste-Simeon Chardin, and Rembrandt; he wrote his dissertation on watercolorist John Sell Cotman. In his graduating year he exhibited his etching Jackie at the Royal Academy Summer Exhibition and his works were acquired by Leeds City Art Gallery. His art is currently represented exclusively, by his own company Simon Bull Studios of Carmel CA and MEUSE gallery on Carmel’s Ocean Avenue. Simon Bull Studios contracts with and supplies a network of fine art galleries around the world including Cutter & Cutter Fine Art, Park West Gallery and others. He has been represented in the UK by, London Contemporary Art and DeMontfort Fine Art; as well as in the USA with Media Arts Group. His worldwide licensing agent is Art Brands Group. In 2007 he was invited to create a series of paintings that celebrated the life of Muhammad Ali. Many of these works are now on permanent display in the Muhammad Ali Center in Louisville, Kentucky. He has spoken on behalf of the Muhammad Ali Center at the Vancouver Film Festival for the premiere of the movie Facing Ali. In 2009 he was commissioned to paint US President Barack Obama by boxing legend Muhammad Ali. His two joint portraits of Barack Obama and Muhammad Ali were unveiled at the Kentucky Bluegrass...

The Boys by Celso Castro-Daza Carbon Pencil on archival paper Image size: 47.5 in. H x 39 in. W Sheet size: 59 in. H x 42.5 in. W Unique 1996 Drawing on paper is his basic work to...

Joseph Kardonne (1911-1985). Night Club New York, ca. 1960s. . Watercolor on paper, sheet measures 8.5 x 12 inches; 11 x 17 in matting. Excellent condition. Born in Newark, New Jer...

Cadaques original expressionist acrylic painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barc...

Artist/Designer; Manufacturer: Andy Warhol (American, 1928-1987) Marking(s); notes: signed; ed. 236/250; 1974 Materials: screenprint hand-colored with Dr. Martin's aniline watercolor...

horse. 19th century bronze sculpture measurements with the base are 37.5 x 17.5 x 31 cm

Oil on canvas painting by the Polish born artist, Ernest Kosmowski. The painting is done with palette knife and brush typical of his style and children theme in the 1960’s. Soft, pa...

Artist: Rene Portocarrero, Cuban (1912 - 1985) Title: Ciudad de la Habana, 1961 Medium: Oil on Canvas Size: 34 x 24 inches Provenance: Private Cuban Collection in South Florida....

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1923 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Joni Mitchell “Green Flag Song,” Published by Lev Moross Gallery. Los Angeles, CA From an exhibition of 60 large photographic triptychs. When Mitchell’s television set broke, it b...

Artist: Jack Graves III (American, 1988-) Title: "Piano Bar" Series: Abstract *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 Medium: Original...

Artist: Andy Warhol. Title: Mick Jagger F&S II.142 Framed Announcement card. Medium: Lithograph Hand Signed Size: Image size: 6" x 4", Framed: 10" x 8 Year: 1975 Edition: Limited Re...

Artist: Keith Haring (American, 1958-1990) Title: "National Coming Out Day" *Signed and dated by Haring in the plate (printed signature) lower right Year: 1988 Medium: Original Offse...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

Up for sale is a beautiful antique oil on canvas painting depicting a bouquet of peonies and asters in a gold jar and a decorative small figure. Signed in th...

This vibrant mixed media painting by Serg Graff bursts with whimsical energy and textured detail, portraying a fantastical maritime scene. A pirate ship adorned with both American an...

Artist: Jack Graves III (American, 1988-) Title: "Kathryn Abbey Hanna Park (Park Your Car)" Series: Abstract *Signed by Graves lower right. It is also signed, titled, and dated on ve...

Artist: Ralph Steadman Title: Up, Up and Up Your's Medium: Three color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes:...

Susumu Kamijo The Sinner At Dusk Sculpture, 2021 Material: Walnut wood and oil paint with matt protective oil coating Dimensions: 13.78 x 8.27 x 11.02 in 35 x 21 x 28 cm Edition: 50

PABLO PICASSO (1881-1973) Chouette femme (A. R. 119) Terre de faïence vase, 1951, from the edition of 500, partially glazed and painted, with the Edition Picasso and Madoura stamps.

Artist: Keith Haring Title: Plate 5 from Story of Red and Blue (L. pp. 128-133) Medium: Screen print in colors on wove paper Sheet Size: 22 x 16.5 inches Frame Size: approx 28.5 x 22...

Basket full of flowers, Artist signed, mixed media, oil on canvas. RAFAEL SALDARRIAGA was born in Medellin, Colombia in 1955. Arrived in the United States in 1993. After living in Ne...

Pablo Picasso (after) "Le Bouquet" Bouquet of flowers, abstract floral arrangement. limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 244...

This painting portrays a refined 19th-century interior scene, where a group of elegantly dressed individuals gathers in an opulent drawing room. The richly decorated space, adorned w...

Tom Alan Lieber, (American, born 1949), GTW TL-11 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, N....

Title: James Jean "Kindling III" Limited Edition Print Description: Step into the enchanting narrative woven by visionary artist James Jean with his mesmerizing limited edition prin...

Bolero Mallorquin original expressionist watercolor painting. virtual frame Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrista...

Pablo Picasso (after) "Pigeons" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 327/500 lower left From the estate of Pablo Picasso wit...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

This one is unsigned. the second one is signed. Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at a very early age. Jacques completed his formal artistic training at the prestigious Ecole Nationale Superieur des Arts Decoratifs (Paris) in 1971. While there, he received the highest peer recognition in European Arts; the coveted Prix de Rome award for painting. Jacques Lamy’s career as an artist, designer and art teacher took him from his native France to life abroad in Spain, Africa, and the United States. His broad artistic interests and his classic training in art and design have enabled him to enjoy a wide variety of artistic experiences from designing furniture, lamps, tapestries, and elegant garden statuary to creating large scale murals for public viewing and enjoyment. in addition to his renowned mural work, Jacques received international recognition for his decorative fresco paintings. Jacques personal artistic style is very much a melding of old and new – a merging of a classically trained artist with a modern artistic vision. The medium is multi-media and the composition has a modern, abstract quality but the Old World training in design and composition lends the whole an air of classical grace. Examples can be seen in his studio-gallery in Dallas, Texas. ​Art Education Ecole National Superieure des Arts Decoratifs – Paris Art Teaching Casa de Velasquez – Madrid, Spain. National Institute of Art, Dakar, Senegal. Has taught art in France, Spain, and Africa Art Awards Prix de Rome de Peinture – Casa de Velasquez - 1971 Silver Medal for Industrial Creation - 1981 ​Museums Musee D'Art Roger Quillot, Clermont-Ferrand, France Jesuit Art Museum – Dallas, TX Exhibits 2012-current Represented by Wall Gallery – Dallas, TX, USA 2004 Jesuit Art Museum – Dallas, TX, USA ​ 2001-current Galerie Fine Art – Nantes, France 2000 City Hall, Chamalieres – France 1998 Ivanffy – Uhler Gallery – Dallas, TX 1994-1996 Jacques Lamy Fine Art Gallery 1995 Neiman Marcus- Dallas and Atlanta 1981-1984 Gallery Frederic Mechiche...

This is an original oil painting on canvas - a seascape featuring a sailing ship in the stormy ocean depicts a dramatic and turbulent scene with the ship battling against the forces ...

Artist: Josef Albers (German-American, 1888-1976) Title: "JHM - II" Portfolio: Josef Albers Honors the Hirshhorn Museum and Sculpture Garden *Monogram signed and dated by Albers in p...

Salvador Dali (1904-1989) – The Two Nikes, Lilith, The Double Victory of Samothrace, Homage to Raymond Roussel Literature: Descharnes, Robert, Salvador Dalí, and Nicolas Descharnes. "Dalí, the hard and the soft: spells for the magic of form : sculptures & objects." (Azay-le-Rideau: Eccart, 2004), p, 114 (entry 270). Rare original bronze from edition of 6. This is exceedingly rare as most of his editions run into the hundreds. this is a true authentic Dali original sculpture. This was recently authenticated and comes accompanied by a Report of Authenticity from Frank Hunter, the Director of the Salvador Dalí Archives. Löpsinger 270 Executed in 1966, this bronze statue is incised with the artist’s signature and numbered ‘5/6’ on base. Published by Berrocal Foundry, the work measures 7 3/8 inches in height. Salvador Dalí (Spanish, 1904-1989) A leading proponent of Surrealism, Salvador Dalí is perhaps as well-known for his flamboyant personality as his superb technical skill. Dalí became acquainted with André Breton, a key figure of the Surrealist movement, in 1929. “The Persistence of Memory” is often cited as the most important work of this style. The Museum of Modern Art, New York, held a retrospective of the artist’s work in 1941. The next year, he began a more classical series of paintings, incorporating history, science and religion. In addition to painting, Dalí also made prints, photographs, films, jewelry and sculpture. His works can be found in collections worldwide, including the National Gallery, Washington, DC and the Salvador Dalí Museum. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Carlos, 2001 by Celso José Castro Daza From The series Buscando Mamá One of a kind photo collage Sheet Size: 39.5 in. H x 27.5 in. W 2001 Unframed The root of these unique photograp...

LA CAGE LÀ OÙ LES GENS PLEURENT Ed. of 100 Polystone Engraved signature 12 x 9 x 7 in 2018 ''One of the fastest rising stars on the contemporary pop art scene, Sandra’s stellar ri...

Valentin Samarine started doing abstract painting in the 60s, and abstract photography in the 70s. He moved fairly easily from one to the other. It is in a perfectly logical sense: ...

Peter D. Cole (Australian, b. 1947) Symbols of Landscape, 1987 Mixed metal, enamel and marble signed P.D. Cole and dated 21 x 6 1/2 x 6 in (53 x 16.5 x 15cm) Provenance: Macquarie Galleries, Sydney, Australia, 1987. Sculptor Peter D. Cole was born in Gawler, South Australia and trained at the South Australian School of Art between 1965 and 1968. Since the 1980’s Cole has been based in the Kyneton District of Victoria, where he has established himself as one of Australia’s senior and most renowned contemporary sculptors, drawing on the landscape as a source of inspiration and recent research trips to Japan and India have added to his rich source material. As a public artist, Cole has made a significant contribution to the urban landscape and public spaces of Australia receiving the Australian National Trust Heritage Award and the Australian Institute of Landscape Architecture Award of Merit for Foundation Park, a permanent work at The Rocks, Sydney. He is highly sought for commissions and his work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport and recently Windsor Railway Station precinct. He was awarded the H.P. Gill medal for top student and the Contemporary arts Society award for drawing in 1968 and has exhibited regularly since 1969 with exhibitions in Australia and America, with notably a solo exhibition in 1995 at The Carpenter Centre, Harvard University USA. Peter D. Cole ranks as one of Australia's senior and most renowned contemporary sculptors. Graphic, minimalist and refined, his uncompromising aesthetic vision encompasses both large-scale structures, aerial works, and more intimate, witty ruminations. An accomplished water-colourist and draughtsman, Cole's vision translates easily into works on paper, valued by collectors for the insight they provide into his practice. Cole's robust materials- brass, bronze, painted steel and aluminium- vibrant colours and precise shapes articulate spatial, intellectual, and philosophical concepts. He is also interested in the notion of 'diagrammatic' landscapes, ones that express the transition between the flat plains of the Australian bush, and a more city-centric urban cacophony. Cole's work observes and recognises the boundaries of modern life without limiting its scale, or its scope. Cole is the recipient of the Australian National Trust Heritage Award (1996), the Australian Institute of Landscape Architecture Award of Merit (1995), and is highly sought for commissions. His work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport. Hs work bears similarities to Peter Shire, Charlie Hewitt and Brad Howe. Cole lectured in sculpture between 1975 and 2001 and has worked continuously on his practice encompassing sculpture, painting, drawing, printmaking, design and architecture. His work is represented in many collections both private and public throughout Australia, America, Japan and Europe. SOLO EXHIBITIONS 2017 A Modern Narrative, Australian Galleries, Sydney 2016 PLACE AND SPACE, Australian Galleries, Melbourne 2013 Australian Galleries, Roylston Street, Sydney 2012 Lister Gallery, Perth 2011 New Sculptures, John Buckley Gallery, Melbourne 2006 New works, Australian Galleries Painting & Sculpture, Sydney 2004 Primary Structure, Calder Lister Gallery, Perth 1997 Steele Gallery, New York, USA 1995 Carpenter Centre for the Visual Arts, Harvard University, Massachusetts, USA 1990 William Mora Gallery, Melbourne SELECTED GROUP EXHIBITIONS 2021 This is Gippsland, with works by Sidney Nolan, John Wolseley, Anne Montgomery Trevor Vickers, Ann Greenwood, Tony Newsom, Peter Cole, Nick Mount, John Woollard, Cheryl Burgess, Kiyoshi Ino and more. 2019. Australian Galleries: The Purves Family Business. The First Four Decades, Book Launch and Group Exhibition, Australian Galleries, Melbourne 2019. papermade, Australian Galleries, Melbourne 2017. Painting, sculpture and works on paper – Group exhibition, Australian Galleries, Melbourne 2017. Sculpture: medium and small scale – Mixed Sculptors, Australian Galleries, Sydney 2016. Impressions, Australian Print Workshop, Melbourne 2014. one of each, Australian Galleries, Derby Street, Melbourne 2011. large exhibition of small works, Australian Galleries, Roylston Street, Sydney 2006. Stock Show, Australian Galleries Painting & Sculpture, Melbourne 2005. End of Year Group Exhibition, Australian Galleries Painting & Sculpture, Sydney 2003. This was the future: Australian Sculpture of the 1950s, 60s, 70s + Today, Heide Museum of Modern Art, 2002. Tokyo Designers Block Idee, Tokyo, Japan PUBLIC COMMISSIONS Arts Victoria; Shepparton lake sculpture, Shepparton VIC 19 October 2019 Bank of Melbourne; in consultation with Bates Smart McCutcheon; large freestanding sculptural screen, Melbourne Brisbane International Airport; in consultation with Bligh Voller architects and Jean Battersby Art Consultants; large suspended sculptures...

Artist: Josef Albers (German-American, 1888-1976) Title: "Variant I" Portfolio: Ten Variants *Unsigned edition Year: 1967 Medium: Original Screenprint on Rives BFK paper Limited edit...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Rose Art Museum (Open Wall)" Year: 1981 Medium: Original Offset-Lithograph, Exhibition Poster on light wove paper Li...

This is a hand painted copy of the New Yorker Magazine cover image from September 25, 1978. It is not signed. I was told it is not by the artist. I am selling it as in the style of Gretchen Dow Simpson...

Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

This exquisite antique English School oil painting captures the poised elegance of a young woman from the early 19th century, dressed in a richly hued burgundy gown adorned with a fi...

Beautiful Mid-century painting depicts what is probably a Mexican of Latin American market scene. Oil on canvas glued down to panel measuring 9.75 x 15.25 inches; 11 x 16.5 inches fr...

Mid sized. Absinthe Green Metallic keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract ...