Florida - Art

MATT SMITH (BRITISH) Aiden (Spout with pearls), 2021 Black Parian, Freshwater pearls 20 x 12 x 6 cm 7 3/4 x 4 3/4 x 2 1/4 in. (MS210) UK-born Matt Smith is well known for his site-...

All Roads Lead To

paper measures 26.5 x 30 inches. Edition PP 4/4 Painter, sculptor, poet, and musician Larry Rivers was an established figure in the New York School, recognized for creating large pa...

Mixed-media on wood

"The Great Man Comes to Take His Oath" Life Magazine Spread, July 4th, 1960, This epic narrative depicts the celebration of George Washington's inauguration, en route to Federal Hall...

Ovalos

Signed on base. This was exhibited at the Goldscheider Pavilion at the 1925 Paris Exhibition Marble base has loss to right edge and very small lose to center edge. , Bronze is in ve...

Since 1974, Oliva has had individual and collective exhibitions in Cuba as well as internationally. His works can be seen at the National Museum of Fine Arts of Cuba and in collections in Canada, France, Italy, Spain, Brazil, Switzerland, Mexico, Germany and United States. In 1998 Oliva founded and funded the House-Workshop of Pedro Pablo Oliva...

"From the Umbrage of a Master Poet (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200. The prints ...

Artist: Robert Motherwell (American, 1915-1992) Title: "Greenwich Arts Council" *Issued unsigned, though signed by Motherwell in the plate (printed signature) center right Year: 1976 Medium: Original Lithograph, Exhibition Poster on Strathmore paper Limited edition: 700. (There was also a signed and numbered edition of 42) Printer: Tyler Graphics, Ltd., Mount Kisco, NY Publisher: Greenwich Arts Council, Greenwich, CT Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap Appendix: No. 28, page 282; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 202 Sheet size: 37.25" x 23" Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Rare Notes: Printed in three colors: black, green, and cream. Poster produced for a special exhibition "Sculpture 76" at The Greenwich Arts Council, Greenwich, CT from June - October, 1976. The image featured on this poster is Motherwell's 1972 acrylic painting on paper "Greenwich Sculpture". Artist's copyright lower left and printer's imprint lower right. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

TECHNICAL INFORMATION Prefab77 Amsterdame Gold 2015 8 color screenprint on black plike paper 32 7/8 x 23 in. Edition of 50 Pencil signed and numbered, accompanied with a certificate...

Archivally Matted to 17.75 x 16.75 inches Signed lower left

Half Length Portrait of Mr. Robertson Sir. Henry Raeburn ( Scottish 1756 - 1823 ) Half Length Portrait of Mr. Robertson 29x 24 Purchased, J Leger & Son,...

TECHNICAL INFORMATION Roberto Matta Archer, from Transports 1976 Etching aquatint 18 x 23 in. Edition of 100 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed ABOUT THE ARTIST The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

JM Rizzi (aka JMR) is a New York artist. His work has roots in Abstract Expressionism yet favors a Neo Contemporary flair. JMR has catapulted his vision by painting bold curves and l...

Zen of Venn

Jigsaw

Eleven Minors and You high polished Chrome metal elements Zammy Migdal 2018- Comprised of 11 high polished stainless steel elements, this interactive installation can be displayed i...

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped and hanging from a tree. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged and three-headed serpent who symbolizes evil - wraps himself around the tree that physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...

Born in La Habana, Cuba Ramon Alejandro is prominently featured in the new book "Memoria- Cuban art of the 20th Century", and the noted author Guillerm...

TECHNICAL INFORMATION: Alex Katz Ariel (set of 3) 2016 Baked archival UV inks on shaped powder-coated aluminum 60 x 28 in. (overall dimensions) Edition of 40 Engraved signed and n...

Lithograph

Lithograph after a gouache decoupee from Verve 35/36

Whether obscured by the smoky nightclub lighting or enlivened by the strong color of the Mardi Gras dancers, David Remfry’s life-size watercolors evoke a kaleidoscope of movement. M...

Fabry's captures the hight of elegance in his loose style. Conte crayon, watercolor on watercolor paper Signed lower right Private collection Other works by this artist: ca. 1940 - ...

Signed and dated on lower right, numbered on verso, 4/15, other size available, unframed

TECHNICAL INFORMATION Keith Haring Pop Shop IV (C) 1989 Screenprint 13 1/2 x 16 1/2 in. Edition of 200 Pencil signed, dated, and numbered Condition: ...

Late afternoon light from Manhattanhenge skims across the asphalt of East 72nd Street. The circular shape of a manhole cover in the foreground echos the ...

An animated original painting by this well known California artist, "Suess on the Loose" is an energetic and vibrant work that is both fun and painterly. The cool blues and greens w...

A magical Manhattan moment is captured with divergent light sources and supernatural color. A singular figure, front and center walks among the colorful cars. Chromogenic archiva...

A pushcart street vendor selling hot dogs is somehow transformed into something bigger. Street Photographer Mitchell Funk captures the scene in extreme golden light. As a result, ...

The aluminum and polyurethane painted outdoor sculpture undulates and flows with three red bands each in a different shade of red. From the artist's Levitation series, this sculptu...

A leading abstract painter in his lifetime, Dan Christensen drew from a range of Modernist sources to produce colorful, luminous compositions that featured giant dots, whirling loops...

United Nations wrapped in Divine Light while a man on a Jet Ski passes glides in front on the East River Bright golden light rushes down 42nd street and cloak...

Fu Wenjun, 1955, is a famous Chinese contemporary artist. He creates principally through the art media of photography, installation, sculpture and oil painting, and has put forward t...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Anthropometry)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edi...

Roller Coaster Triptych (Aerial Photography) by Jill Peters Overall size: 34 in. H x 147 in. W 2015 Edition 1/2 Archival Pigment Print Print Unframed A...

"Key Lime Pie" 2020 Oil on linen 20 in x 20 in "Key Lime Pie" is an original oil painting by Contemporary Realist Megan Eisenberg. This photorealist painting was made with high qu...

BORN JULY 31, 1979 IN NEW JERSEY, USA CURRENTLY LIVES AND WORKS IN WEST PALM BEACH, FLORIDA BIO: As an artist based in the vibrant community of West Palm Beach, my work is an expl...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Not framed, but matted with 100% cotton rag matting from Holland, gold filet from Italy, and foam board backing. All archival Matted size: 17" x 14.5" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...

Basic Information: Made in Kernersville, Completion date - April/2024 Dimensions: H: 6.5" x 6.5 x 9.5 H Inches Condition - Mint Item Description: Titled "Winter Moon" Signed "Jon K...

Artist: (after) Robert Motherwell (American, 1915-1992) Title: "Art 1981 Chicago" *Issued unsigned, though signed and dated by Motherwell in the plate (printed signature) upper right Year: 1981 Medium: Original Lithograph, Exhibition Poster on Dove paper Limited edition: 2,000. (There was also a signed and numbered edition of 150 on Arches Cover paper without margins or text) Printer: Roger Campbell and Lee Funderburg of Tyler Graphics Ltd., Mount Kisco, NY Publisher: Lakeside Group, Chicago, IL Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap No. 249, page 247; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 282; "Tyler Graphics - Catalogue Raisonné, 1974-1985" - Tyler No. 410:RM29, page 246 Sheet size: 39.5" x 27.5". Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Notes: Printed in four colors: light tan, orange, deep red, and black. Poster produced for a special exhibition of various artists' work at the Chicago International Art Exposition, Chicago, IL from May 14-19, 1981. The image featured on this poster is Motherwell's 1977 collage "Untitled". This poster was the official poster for the 1981 Chicago International Art Exposition. Printer's imprint and artist's copyright lower center. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

"California Bug" 2021 Oil on Panel 16 in x 20 in "California Bug" is all about the unbounded cheerfulness of the vintage Volkswagen Bug. A residential street in Southern Californi...

Artist: (after) Keith Haring (American, 1958-1990) Title: "Best Buddies" *Issued unsigned, though signed and dated by Haring in the plate (printed signature) center right Year: 1989 ...

Auguste HERBIN (1882-1960) Unité, c.1959 - Denise Rene Editeur (with blindstamp) Lithograph in colors on heavy paper 25.6 x 19.7 inches / 65 x 50 cm (Plate) Signed lower right and nu...

Artist: Philip Pearlstein (American, 1924-2022) Title: "Small Nude" *Signed and dated by Pearlstein in pencil lower right Year: 1976 Medium: Original Soft-Ground Etching on German Et...

Muller Frères Boudoir Lamp with Roses, 1910 Acid-etched cameo glass, wrought metal 20h x 8d in Signed at the arm and the shade cover. Provenance: Private Collection, Midwest Litera...

Carlos Cruz Diez Three element transchrome 2011 Plexiglass Sculpture Editions La Difference Paris 49 of 75 21 x 5 x 5 in Signed, dated, and numbered at the publisher label at the bot...

Trio On Red Geometric Abstract Oil Painting Artist signed verso, oil on canvas 48x24 JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at...

Artist: Kenny Scharf Title: Felix on a Pedestal Year: 1998 Medium: Screenprint Edition: XXX /150 Image Size: 36 x 40 inches PaperSize: 39.5 x 43 in. (100.33 x 109.22 cm) Publisher: B...

Artist: Gene Davis (American, 1920-1985) Title: "Royal Curtain" *Signed by Davis in pencil lower right Year: 1980 Medium: Original Screenprint on Arches paper Limited edition: 250, (the number may differ from what is shown in the photos) Printer: Alpha Omega...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

The complete portfolio of 4 individual pieces. Each with the Keith Haring Estate stamp verso, signed in pencil by the Executor for the Estate, Julia Gruen, and numbered 26/200. Publi...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Helen Frankenthaler: Reflections (Catalog of 12 Prints)" Series: (after) Reflections *Issued unsigned Year: 1995 Med...

"The In-Between" Wall Sculpture 24" x 24" x 8" in by Shawn Kolodny Medium: Mirror, Steel Full name: Reflections of the Inner Cosmos Creating art to reflect the times we live in, Ko...

"Octopus" Oil painting 33" x 26" inch by Alina Shimova PURE SOUL series Shimova cares about the conservation of the fauna. She draws public attention to the problems of animals, e...