Florida - Art

Laddie John Dill (American, b. 1943) Untitled Oil painting on canvas mounted on panel Hand signed Laddie Dill (verso) 36 x 72 inches. (with frame 37 X 73) Laddie John Dill was born ...

Artist: Jack Graves III (American, 1988-) Title: "Aura IV" Series: Aura *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acryli...

Stunning large vintage seascape oil painting by Gerhard Lukas Larsen (German, 1911–1965), celebrated for his dynamic maritime works and atmospheric coastal scenes. This impressive co...

Nuria Gussinyer (Spain, ) 'Bodegón azul', 1999 silkscreen on canvas 28.8 x 21.3 in. (73 x 54 cm.) Edition of 75 ID: GUS1071-001-075 Unframed Hand-signed by author

Artist: Gene Davis (American, 1920-1985) Title: "Yankee Doodle" *Signed and numbered by Davis in pencil lower right Year: 1972 Medium: Original Screenprint on wove paper, laid down t...

Garden Of Eden Landscape with Flowers Unsigned, oil on canvas 21"x26 in Gold Leaf Frame Ivan Rabuzin was born in Novi Marof in 1921 as the sixth...

This painting is a master reproduction of Johannes Vermeer's the "The Girl with the Pearl Earring" created using the same process that Vermeer used to paint his famous Dutch Masterpi...

From the series Cuerpos Magnéticos (Magetic Bodies) Cuerpos Magnéticos was born searching for the relationship between nature and our bodies, attraction and rejection. We see rocks,...

The Ideal Power print was inspired by the need to address gender inequality regarding both wages and basic respect. I believe power should come from the quality and merit of one’s wo...

Artist: Josef Albers (German-American, 1888-1976) Title: "Arrived" Portfolio: Soft Edge - Hard Edge *Signed and dated by Albers in pencil lower right Year: 1965 Medium: Original Scre...

ARTIST: Salvador Dali TITLE: The Lucky Number of Dali MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali PUBLISHER: Sidney Lucas, New York EDITION NUMBER: 102/300 MEASURE...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

Artist: Maurice Eliot (French, 1862-1945) Title: "Parisienne" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned, though signed by Eliot in the plate (printed signature)...

Up for sale Original Abstract Acrylic Painting on canvas in a fantasy abstract style. A unique technique, very colorful. An unusual combination of colors, a flow from sharp to soft s...

This charming original painting on canvas by Joyce Roybal features a whimsical group of musicians joyfully playing instruments in Roybal’s signature naïve style. With bold colors, pl...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg exhibition Deutsche Kunst nach 45 (German Art after 1945) at the Stedelijk Museum Amsterdam: for the first time after World War II, Contemporary German Art is shown abroad. 1955: Participates in the exhibition Peintures et sculptures non-figuratives en Allemagne d’aujourd’hui in Paris. This is the first time, 10 years after the war's end, that René Drouin shows contemporary German art at the Cercle Volney in France. 1956: While searching for new media and materials, Schumacher creates his first 'Tastobjekte' (tactile objects). Conrad von Soest Preis (Conrad-von-Soest Award), Münster, Germany. 1958: Travels to Spain, Italy and Tunisia. Participates in the XXIX. Venice Biennale, Italy. 1958–1960: Professorship at the Hochschule für bildende Künste Hamburg (University of Fine Arts) in Hamburg, Germany. 1959: Participates in the documenta II in Kassel, Germany, as well as the V. São Paulo Art Biennial, Brazil. First solo exhibit in New York at the Samuel M. Kootz Gallery. 1962: Travels to Libya and Tunisia. Summer stay in Anguillara, Lago di Bracciano, Italy. 1963: Solo exhibit as German contribution to the VII. São Paulo Art Biennial, Brazil. Travels to Brazil, Argentina, Uruguay, Peru and Bolivia. Once again summer stay in Anguillara, paintings that originated during the stay are shown in the Galeria La Medusa in Rome. 1964: Participates in the documenta III in Kassel, Germany. 1965: Travels through Yugoslavia, to Montenegro, the Herzegovina, and Bosnia. 1966–77: Professorship at the Academy of Fine Arts, Karlsruhe. 1967–68: Guest professorship at the Minneapolis School of Art, Minneapolis, USA. In Minneapolis, a series of works on paper are created. This series called Minneapolis Suite was exhibited at the Lefebre Gallery in New York and at the Galerie de Montréal in Montréal, Canada. Extensive travels through the USA. 1969: Winter stay on the Island of Djerba in Tunisia. Here, the Djerba gouaches were created over the course of the following years. 1971: Since 1971, frequent stays on Ibiza during spring and summer. 1974: Autumn stay in Cunardo, Lago Maggiore where the first ceramic works are created in Ceramica Ibis. 1983: Travels to Morocco where Suite Maroc, encompassing 36 pages, is created. 1985: Guest of Honor of the German Academy of Rome, Villa Massimo, Italy. 1988: In October 1988, a 10-day stay in Iraq. Design and creation of a 20 m long ceramic wall mural in the new building of the Landtag of North Rhine-Westphalia. 1991: Guest professorship at the Concorso Superiore Internazionale del Disegno of the Fondazione Antonio Ratti, Como, Italy. 1996: Schumacher designs a 20 m long and 3 m high mosaic wall for the Colosseo (Rome Metro) in Rome, Italy. 1998: Commission for mural in the Reichstag building, Berlin (executed in 1999). 1999: Member of the Academy of the Arts of Saxony (Sächsische Akademie der Künste), Dresden, Germany. Publication of the Israeli book 'GENESIS' with 18 Serigraphies in the edition Har-El, Jaffa/ Jerusalem / Israel. Awards 1948: Kunstpreis junger westen from the city of Recklinghausen, Germany. 1955 Art award from the city of Iserlohn, Germany. 1958: Karl Ernst Osthaus Preis (Karl-Ernst-Osthaus Award), 1958: Guggenheim Award (National Section), New York. 1959: Award from the Japanese Cultural Minister in celebration of the V. International Art Exhibition, Tokyo. 1962: Premio Cardazzo, XXX Venice Biennale, Italy. 1962: First prize silver medal, Bang Danh-Du Award in celebration of the 1st International Arts Exhibition, Saigon, Vietnam. 1963: Großer Kunstpreis (Great Art Award) of North Rhine-Westphalia, Düsseldorf, Germany. 1966: Prize of the Governor of Tokyo, in celebration of the 5th International Biennale Exhibition of Prints, Tokyo, 1968: Member of the Academy of Arts Berlin, Germany. 1974: Award of the city of Ibiza in celebration of the Graphic-Biennial 1974. 1978: August Macke Prize of the city of Meschede 1983: Receives Grand Cross of Merit with Star from the Order of Merit of the Federal Republic of Germany. French art critic Michel Tapié named the influential European movement that during the 1950s paralleled Abstract Expressionism in the U.S, Art Informel. Art Informel is and expressionist, artist-oriented abstraction rooted in the works of Wassily Kandinsky, Paul Klee, Jean Dubuffet, and Tachiste and Surrealist automatism. A style primarily of painting that developed in 1945/46 as reaction to geometric abstraction prevailing in post war Paris in the following of the École de Paris. Informel painting emphasises the spontaneous act of painting, the unconscious side of artistic creativity. The process of painting is often more important than what comes out of it. Informel is an international style and can be subdivided into various schools. Tachism [French: "tache" = blot], Action painting, Abstract Expressionism and Art Brut [French = "raw art"] are also considered Informel. By that definition, leading exponents of Informel in the US were Jackson Pollock and Willem de Kooning and in France Wols, Jean Fautrier and Jean Dubuffet. In Germany Informel was at its height in the 1950s and 1960s. The leading exponents of German Informel are Hans Hartung, Emil Schumacher, Karl Fred Dahmen, K.O. Götz, Gerhard Hoehme...

Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...

Yaacov Agam, Israeli (b. 1928) Hand signed, and numbered. Limited edition lenticular lens kinetic Agamograph Titled 'Sea Fathom'. Hand-signed and numbered edition 24/99, size of w...

Genre: Modern Subject: Abstract Medium: Other Surface: Paper Country: United States Dimensions w/Mat: 20" x 21" Bas relief on hand-made paper; Visual statement of society’s role in...

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

ARTIST: Salvador Dali TITLE: Lincoln in Dalivision Platinum Bas Relief MEDIUM: Bas Relief SIGNED: Embossed Signature. The Bas Relief bears the artist signature toward the bottom...

ARTIST: Salvador Dali TITLE: La Quete du Graal The Pass og Gadalore MEDIUM: Etching EDITION NUMBER: XV/XXV SIGNED: Hand Signed by Salvador Dali PUBLISHER: Pamela Verlog MEASUR...

Up For Sale is an Original Oil Painting On board, depicting an urban scene, capturing the everyday life of a town or city's older quarter. The artist has chosen a loose, expressive s...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies+ II PA Fantastic piece of art representing Spanish sculpture Very popular artist in Europe and Lat...

Elhanan Halpern Abstract cityscape Northern Israel, Kinneret Lake, Galilee, Tiberias Hand signed lower left in Hebrew Bears label in Hebrew verso, handwritten English inscription. Ci...

Louise (McClure) Schatz (1916 – 1997) Born in Vancouver, Canada, Louise Schatz moved with her family at age three to Minnesota. Her father, a stage director, was part of the local Bohemian culture and traveled the theater circuit around the U.S. She earned a Master’s Degree in Fine Arts at the University of California, where she became a skilled water colorist. “My Japanese instructor showed me how to preserve several colors together on paper,” she noted. “Water colors can bleed into the paper, and the paper plays with the colors – some of which can even disappear. I have a great love of texture and what materials do to color. I was very excited to discover what happens to colors and how to achieve what I wanted.” Her interest in astronomy also led Louise to study science at the university. Louise joined the “California Seven” artists in 1945 and for the next three years created prints and textile patterns. During WWII, she earned her living as a sketch artist for ship builders in San Francisco Bay, and it was there she met her future husband, Bezalel. “Then, it was very avant-garde to hire women in ship-building,” she once recounted. “We used to take dimensions from engineers and make sketches. It was very trailblazing and exciting, and the ships were constructed very quickly and launched very quickly. Besides the fact that we contributed to the war effort, it was really beautiful art.” The Bohemian society developing in San Francisco at the time included the novelist Henry Miller, who was then married to Louise’s sister, Eve. “There was a group of artists in Big Sur, all of them poor,” according to Bezalel Schatz’s sister, Zohara. “They were a group of Beatniks before the hippy era of the 1960s. There were novelists, poets, and painters there who lived communally under primitive conditions and were close to nature.” Bezalel and Louise were married in 1948 and moved to Israel. There, together with Zohara, they founded the arts and crafts workshop, “Yad,” with the goal of creating and selling alternative art objects that differed in style from those of the Bezalel School of Art. The couple divided its time between the family home in Jerusalem and a residence in Ein Hod designed for them by the architect David Resnik. Despite her connection to the Schatz family and her active involvement in the Israeli art world at the time, Louise guarded her privacy and rarely granted interviews. As Henry Miller wrote, “Her paintings reflect and reveal the extent of her sensitivity, shyness, and gentleness…” Scenes of Israel were a source of inspiration for Louise, and, in addition to her abstract Bauhaus geometric works, she also painted landscapes, flowers, and other elements of the environment in which she worked. Louise worked mainly in water colors but also created collages, book illustrations, and applied art. Among her outstanding works are murals for Zim’s “Shalom” and “Theodore Herzl” ships (together with Bezalel), El Al’s London office, and Jerusalem’s tenth anniversary exhibition, as well as ceramic walls for Jerusalem’s Midreshet Amalia and Beit Ha’am Library. She was awarded the Silver Medal in 1954 at the tenth Triennale in Milan for her copper designs, and in 1952 she received the “Above Competition” prize for her textile designs at the Bezalel National Museum. She was also awarded the Shen Beit Haomanim Prize in 1970 and the Jerusalem Prize for painting in 1973. Louise took part in many art exhibitions in Israel and abroad. Her works are held by the Israel, Tel Aviv, and Haifa Museums, and in private collections in Israel, the U.S., England, Switzerland, France, and Italy. Following her husband’s death in 1978, Louise continued to live with her sister-in-law, Zohara, at the family home in Jerusalem on Schatz Street. Louise died in Jerusalem in 1997. She has been called in the pages of the Jerusalem Post " the greatest Schatz of all" and "Israel's finest watercolorist" Parts of her work summon up affinities with Paul Klee and Julius Bissier and occasionally even Joan Miro. But she never copied any of them. Her work also bears affinities for Lyonel Feininger and Wassily Kandinsky Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray recorded his observations about the two, noting that “I have never encountered such smooth cooperation…” Bezalel produced silkscreen prints for Miller’s novel, Into the Night Life, an innovation for both the art and publishing worlds. In Florence, New Mexico, New York, San Francisco, and other locations, Bezalel exhibited his own work and participated in group shows with some of the greatest artists of his era – Picasso...

Red original abstract acrylic canvas painting Original work by the Spanish painter Rafael RUZ. Acrylic on canvas . Perfect state RUZ, Rafael (Barcelona 1956) While contemplating the ...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

This is a one-of-a-kind original acrylic painting on canvas board in a fantasy abstract style. This piece has a wonderful color scheme with a modern contemporary feel. Presented in...

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst ...

8.-Maria de las Mercedes 115 x90 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production compan...

Charles Levier (French, 1920-2003) Two Women with European Street Scene La Terasse du Restaurant Oil on Canvas Hand signed lower left Dimensions: Frame size: 51 in. x 40.5 in. Canva...

This authentic 19th-century oil portrait depicts a young European woman in traditional attire, painted with refined academic realism and quiet emotional restraint. The sitter is shown in three-quarter view, wearing a straw hat with a blue ribbon, a lace-trimmed blouse, and a dark bodice, delicately holding a small basket of flowers. The soft transitions of light across the face, gentle blush tones, and composed expression reflect mid-19th-century European portrait traditions, closely aligned with Biedermeier and early Realist aesthetics. The background is intentionally subdued, allowing full focus on the sitter’s character and presence. Brushwork is controlled and confident, with careful modeling of facial features and textiles. The composition suggests a formal studio portrait rather than a genre scene, typical of European academic painting of the period. 📏 Measurements: Painting approx. 19.5" × 24"; Framed approx. 30" × 26" 🎨 Medium: Oil on canvas 🖋️ Artist: Signed and dated 1868 in the lower right (signature partially legible) 🖼️ Frame: Original period gilt wood frame; minor wear, losses, and age-related surface imperfections ✔️ Condition: Stable age-related craquelure throughout. Frame shows minor historical damage consistent with age. This is a genuine antique European oil painting...

Victor Simonin (Belgian, 1877-1946). An antique oil painting on board titled "Still Life of Flower and Fruit." This abstract still life work depicts a colorful botanical bouquet of f...

James Brooks (1906-1992). Plantlike, c.1945. Oil on canvas measures 18 x 24 inches; 24 x 30 inches in a painted wood frame of the period. Signed "J. David Brooks" lower right, Signed...

Genre: Latin American Subject: Children Medium: Mixed Media Surface: Paper Country: Mexico Dimensions include Frame: 36X26 The sweetness that characterizes the work of Mexican pai...

"Summer Blue", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted ...

Roy Nuse (1885-1975) Children Fishing by a Creek, 1923 Oil on panel measuring 12 x 16 inches. Overall measurement with frame 17.5 x 21.5 inches. Signed and dated with monogram low...

The image is an original drawing of Wile E. Coyote and the Road Runner by Virgil Ross. Graphite, colored pencil on animation paper. Untrimmed. Circa 1990. Condition is excellent. P...

The painting depicts a dramatic seascape featuring a large sailing ship battling through turbulent waters. The ship is painted with dynamic, sweeping lines that convey motion, and it...

Robert Vernet-Bonfort (French, 1934-2017) LA VIEILLE MAISON Oil painting on canvas Hand signed lower right, signed and inscribed on verso In a heavy carved frame Dimensions: 19 ¼ x 23 ¾”, frame 29 x 33 Provenance: Cambridge Art Gallery, Brentwood, California. Born in Marseille, France in 1934, he began his life as a healthy, happy child. Rendered deaf by an early childhood illness, Vernet-Bonfort embraced visual arts in study and practice as a refuge from the silence of the outer world, permitting elaborate expression through a vivid and colourful visual language. He studied at L'école des Beaux-Arts in Marseille from 1948 to 1957. A frequently exhibited and lauded French artist active since the 1950's, Vernet-Bonfort's work demonstrates the intersection of old and new masters' technique, with a strong personal sensibility with an element of surrealism. Upon completion of his studies he was awarded the Prix Claverie, the first of many future accolades. The year of his graduation also marked his first gallery exhibition at the Galerie Reboul in Marseille. In the next decade Vernet-Bonfort exhibited in many French cities, earning many honours, including the Prix de l'U.N.A.M., for Young Mediterranean Artists He has exhibited over the years with Albert-Ernest De Carrier-Belleuse, Maximilien Luce, Jean Pesce, Lucien Guerber, Honore Jacquet, Georgette Nivert...

Isabelle Graham Reese (1927-2005). Floral Still Life, ca. 1950s. Oil on canvas measuring 16 x 20 inches; 22 x 26 inches in period frame. Signed l...

Original oil on canvas laid down on board by the well known American artist, Jean Paul Selinger. Signed top right by the artist along with “Florence” where the artist visited in the...

Adam, drunk from fermented juice, nods off beneath the Tree of Knowledge. No longer under Adam’s surveillance, Eve contemplates a heavy bounty of fruit overhead. She seeks the pure f...

Mark Drew is an acclaimed artist known for his unique fusion of music and visual art. Hailing from a background deeply rooted in the world of hip-hop and urban culture, Drew brings h...

Circa 1890-1920. This Neoclassical, Judaic, Egyptian revival, Orientalist Mizrach sign, was produced in British Mandate Palestine by the chromolithograph process at the beginning of ...

French Large Abstract Expressionist Oil on Canvas Painting by Willy Mucha 1963 Frame: 39.5 X 52.5 Image: 38 X 51 Willy Mucha (1905 - 1995) was active/lived in France. Willy Mucha ...

Milia Laufer, born Romania. From 1951 lived and worked in Safed. Together with her husband opened one of the earliest galleries in Israel, in Tiberias. Worked in watercolors and oils...

Antonio Diaz Cortes (Mexico, 1935) 'Primavera/otoño', 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DIA-106 Unframed

Miguel Rasero (Spain, 1955) 'Vinas', N/A carborundum, chine colle on Heavy weight handmade paper 52.6 x 40.6 in. (133.5 x 103 cm.) Edition of 18 ID: RAS-301 Hand-signed by author

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

“Cubist Reverie” is an original abstract composition by contemporary American artist Alena Kalen, executed in oil and mixed media on canvas. The work explores the relationship betwee...

Bo Bartlett (b.1955). Untitlrd, 1991. Charcoal and pencil on paper, 18 x 18.5 inches, 28.5 x 28.5 inches framed. Non-reflective museum glass. Signed and dated lower right. Artist seal in red ink lower left. Excellent condition. While Bo Bartlett’s paintings pay homage to an art historical tradition that has long been rooted in Philadelphia, Boston, and New York, his work highlights the American South—a place he refers to as both the “center of the art world” and the “center of the real world.” After graduating from high school in Columbus, Georgia, Bartlett traveled to Florence, Italy, to pursue an artistic career. There, he studied under North Carolina painter Ben Long...

Bertha G. Davis (1911-1997) Untitled, ca. 1960's Oil on cradled masonite panel. 16 x 20 inches; 24 x 28 inches framed. Signed lower left. Artist estate stamp on verso. Vintage custom wormy chestnut frame. A painter of cityscapes, landscapes, and abstracts in Texas, Bertha G Davis was primarily a self-taught artist whose style was influenced by her early life experiences in pre-World War II Lithuania and later Mexico. Her style is expressionistic*, relying on color to denote her profound feelings. She works primarily in watercolor and acrylic with some mixed media*. She is the daughter of Abraham and Dvora Germaize of Vilna, Lithuania and grew up in Jewish ghettos in Vilna, Alita, and Kovno. Davis was influenced by her father who was a decorative wood-worker and carpenter in Lithuania. The family of five daughters and a son escaped to Mexico City in the late 1920’s because of Jewish oppression. The images and emotions she experienced had no outlet. She was known as a beauty, and at age 17 was named Jewish Miss Mexico, barely able to speak Spanish having just emigrated from Eastern Europe. Irving Davis, a merchant from Texas who had also come from Eastern Europe via Cuba, saw her at this event where she was crowned Jewish Miss Mexico, and three days later asked for her hand in marriage. They moved to a small town in Texas, raising a family. Her daughter, Sylvia, was born when Davis was 20 and they were inseparable. As Sylvia became an actress, painter, and sculptor, Davis was amazed at the capacity for creativity. Davis didn’t begin her own artistic journey until she was 47, when her daughter Sylvia Caplan encouraged her to try. She was inspired by this daughter who gave her a drugstore palette of watercolors, paper and brushes and told her to “just try.” Davis did not put down her palette and brushes until her death in 1997. Bertha G Davis was primarily self-taught but maintained a style oriented toward color and texture that reflected her strong feelings. Most of her early work was done while she lived in McAllen, Texas where she was known for her contribution to art and showed her work and the work of other artists at the Bertha Davis Gallery. She studied with Stewart Van Orden, at Pan American College in 1960-61; and was a student at the Art Institute San Miguel Allende, Mexico, 1965. She was also a student of Harold Phenix...

Color Lithograph on wove paper, 1896. Artist's orange-red and black signature stamps, numbered in pencil (#12), from edition of 100 published by A. Vollard in the 2nd "Album des esta...

This impressive oil on canvas, signed Davis in the lower right, depicts a majestic tall ship navigating the open seas under full sail. The artist captures the grandeur of maritime tr...

“Totem” is an original abstract composition by contemporary American artist Alena Kalen, executed in oil and mixed media on canvas. The work presents a symbolic, vertically structure...

Birds in Flight, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Joseph Kardonne (1911-1985). Night Club New York, ca. 1960s. . Watercolor on paper, sheet measures 8.5 x 12 inches; 11 x 17 in matting. Excellent condition. Born in Newark, New Jer...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...