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Julian Stanczak16 Green Circles from the Eight Variants series, 19701970
1970
About the Item
16 Green Circles from the Eight Variants series, 1970
This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany.
screenprint 28"x28"
Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian Suprematism and Constructivism, Stanczak creates abstract compositions full of vibrating colors and optical illusion. Shapes pulsate, colors glow, and vertical lines shuffle and dance across his intensely energetic canvases.
Solo shows
2022 Julian Stanczak: The Light Inside, Diane Rosenstein
2019 Julian Stanczak: The Eighties, Diane Rosenstein
2017 Julian Stańczak : Don't Talk, Just Look, The Mayor Gallery
2016 Julian Stanczak: DUO, Diane Rosenstein
2015 Julian Stanczak, Diane Rosenstein
2015 Color and Form: The Works of Julian and Barbara Stanczak, The Bonfoey Gallery
Group Shows:
2022 The Mid Century Modern Aesthetic, Alpha 137 Gallery
Répétitions, The Mayor Gallery
On View, McClain Gallery
2021 Wild and Brilliant: The Martha Jackson Gallery and Post-War Art, Hollis Taggart
In Real Life, The Mayor Gallery
Three Colours, The Mayor Gallery
Hope for Bluer Skies : Abstract Exhibition, The Mayor Gallery
Red Celebrating Chinese New Year : Abstract Exhibition, The Mayor Gallery
2020 Abstraction: Hot and Cool, DANESE/COREY
2019 The Seven Year Itch, Diane Rosenstein
- Creator:Julian Stanczak (1928, American)
- Creation Year:1970
- Dimensions:Height: 29 in (73.66 cm)Width: 29 in (73.66 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lake Worth Beach, FL
- Reference Number:1stDibs: LU192211862882
Julian Stanczak
Julian Stanczak was born in Borownica, Poland in 1928. At the beginning of World War II, Stanczak was forced into a Siberian labor camp, where he permanently lost the use of his right arm. He had been right-handed. In 1942, aged thirteen, Stanczak escaped from Siberia to join the Anders' Army in Persia. After deserting from the army, he spent his teenage years in a hut in a Polish refugee camp in Uganda. In Africa, Stanczak learned to write and paint left-handed. He then spent some years in London, before moving to the United States in 1950. He settled in Cleveland, Ohio. He became a United States citizen in 1957, taught at the Cincinnati Academy of Art for 7 years. The Op Art movement was named after his first major show, Julian Stanczak: Optical Paintings, held at the Martha Jackson Gallery in New York in 1964. His work was included in the Museum of Modern Art's 1965 exhibition The Responsive Eye. In 1966 he was named a "New Talent" by Art in America magazine. In the early 1960s he began to make the surface plane of the painting vibrate through his use of wavy lines and contrasting colors in works such as Provocative Current (1965). These paintings gave way to more complex compositions constructed with geometric rigidity yet softened with varying degrees of color transparency such as Netted Green (1972). In addition to being an artist, Stanczak was also a teacher, having worked at the Art Academy of Cincinnati from 1957–64 and as Professor of Painting, at the Cleveland Institute of Art, 1964-1995. He was named "Outstanding American Educator" by the Educators of America in 1970. (Wikipedia)
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