Florida - Art

Untitled Diptych, painting by Suzanne Law. Framed Overall size: Image size: 12.6 in. H x 34.2 in W Frame size: 18.1 in. H x 44.8 in W x 1 in D Individual size: Image size: 12.6 in. ...

Roland Ayers (1932-2014). Readiness, 1971. Pen and ink drawing. 4 w. x 6 h. inches, Signed and dated lower right. Artist and art educator, Roland Ayers was born on July 2, 19...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Ultra Surrealist Corpuscular Galutska MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: A XX...

Modern Head #5, from Modern Head Series (C. 95). Hand signed, numbered and dated by the artist. Embossed graphite with die-cut paper overlay. Image size 20 x 11.5 inches. Sheet size ...

Julio Le Parc Untitled (Rainbow I) from La Longue Marche, 1974 Screenprint Ed 81 of 200 29 x 29 in

The mat measures 21 X 16 the images are around 12 X 9 inches. They bear the blindstamp of the American Colony Jerusalem. I am not sure if these are hand colored but they are from th...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Spectacles with Holograms & Computers for Seeing Imagined Objects MEDIUM: Etching SIGNED: Hand Signed by...

John von Wicht (American, 1888-1970) Oil on Japanese Rice Paper. Hand signed and dated in pencil lower right. Sheet Size: 21 x 29.25 in. Johannes Von Wicht was born in Holstein, ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Boomerang, 1974 Lithograph in colors on Arches paper Published by Transworld Art, New York, printed by Mourlot, Paris 29.5 x 43.3 inches Signed in pencil, "A.P." apart from the edit...

Geometric Abstraction Artist signed on reverse, oil on canvas JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at school the most. Almo...

Roland Ayers (1932-2014). Aery Kingdom, WIngs of Cloud, 1971 Ink on illustration board, panel measuring 19.5 × 25.5 inches. Artist label on verso. Signed and dated. Artist and a...

Charming pair of petite decorative seashell prints presented in bone inlaid frames.

Paulo Behar Available sizes: 27 x 41 inches - Edition of 9 40 x 60 inches - Edition of 7 47 x 71 inches - Edition of 5 Archival Pigment Print - Unframed

Handsome couple in a bucolic setting rendered masterfully with post-impressionistic brushstrokes. Watercolor, and pencil, wash on heavy paper, Signed and dated lower left . Framed ...

Christo (Bulgaria, 1935-2020) 'Galería Ciento', 1975 lithograph on paper 28 x 22.1 in. (71 x 56 cm.) Unframed Ref: CHR1038-P001 Condition: Not previously owned, and no signs of use....

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Grapefruit MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 187/200 MEASUREMENTS: Paper: 2...

Roland Ayers (1932-2014). Homecoming, 1971. Ink on paper, 4 1/8 × 6 7/8 inches. Signed and dated. Small toning stain left margin. Artist and art educator, Roland Ayers was ...

Justo Barboza (Argentina, 1938) 'Sin título (verde rosa)', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 15 Unframed ID: BAR1437-020-015 Hand-signed ...

Frame Size: Height: 23.25″ x Width: 26.75″ Frame Thickness: 4″ Picture Size: Height : 16″ x Width: 19.75″ Immerse yourself in the enchanting beauty of nature with this exquisite Italian Antique Micro Mosaic Picture depicting pigeons in a serene moment of drinking water. Crafted with meticulous artistry, this captivating artwork showcases the intricate micro mosaic technique, capturing the elegance and allure of these birds in stunning detail. The micro mosaic picture presents a remarkable depiction of pigeons, with countless gold-colored metal bowl tesserae meticulously arranged to create a lifelike image. The shimmering effect of the gold tesserae adds an extra dimension of elegance and sophistication to the artwork, enhancing the visual impact of the pigeons in their tranquil activity. The artwork is accompanied by an antique frame that adds to its allure, measuring at a height of 23.25″ and width of 26.75″. With a thickness of 4″, the frame provides depth and prominence, enhancing the overall presentation of the micro mosaic picture. The picture itself measures 16″ in height and 19.75″ in width, allowing for a closer appreciation of the intricate mosaic details and the graceful movement of the pigeons. This Italian Antique Micro Mosaic Picture of Pigeons serves as a testament to the rich heritage of Italian micro mosaic art...

Roland Ayers (1932-2014). The Bird Told Me (Who Told You?), 1972. Ink on paper, 5 × 7 inches. Signed and dated. Artist and art educator, Roland Ayers was born on July 2, 1932, ...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Crutches MEDIUM: Etching on Japon Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: A XXX/XL MEASUREMENTS...

Big Ben, House of Parliament with Union Jack flag, Thames River, boats, barges, airplane and double decker red bus. Classic London street scene. 24 inches by 11 inches in a frame 24....

Artist: Philip Lutley Sclater (English, 1829-1913) Titles: "Francolinus Hardwoodi (Harwood's Spurfowl)", "Phlogoenas Keayi (Negros Bleeding-Heart)", "Theristicus Branickii (Andean Ib...

Gardani announces a new Pop Art Limited Edition, Giclée printed on Canvas. Each print is Hand signed and numbered by Gardani, with a signature, thumb print and registration number o...

Artist: Margaux Halloran (American, 1999-) Title: "Love and Rage" *Monogram signed by Halloran lower right. It is also signed, dated, and titled on verso Year: 2021 Medium: Original ...

Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission to the moon in 1971. Gittle...

Genre: Israeli Batia Adith Subject: Biblical Medium: Print Surface: Paper Dimensions w/Frame: 30 1/2" x 21 1/2"

Judaica Oil Painting, Portrait of a Rabbi.

Jimmy Lee Sudduth was born on March 10, 1910. He was raised on a farm at Caines Ridge, near Fayette, Alabama. He began making art as a child, surrounding the porch of his parents' ho...

See images for Quotes within painting handwritten by artist This painting is also sold in a diptych combo with a second piece but in this listing sold individually As an undergrad...

Beautiful still life drawing by American artist, Lloyd Raymond Ney (1893-1964). Ink on paper, 14.5 x 21 inches; 25.5 x 31.5 inches framed. Excellent condition with no damage or restoration. Signed lower right. Birth place: Friedenburg, PA. Addresses: New Hope, PA, 1925-64 Profession: Painter, lecturer, teacher Studied: PAFA with H. McCarter, 1914 -18 (Cresson Scholarship; traveled in Europe 1918-21; Paris in 1924) Exhibited: AIC, 1937; Guggenheim Museum, 1941-56; PAFA Ann., 1941, 1951; numerous group shows in Europe. Work: Guggenheim Museum, NYC. WPA commission, 1941, mural for New London, Ohio Post Office (Citizens of New London petitioned WPA administrator Edward Bruce to allow Ney to paint the mural) Comments: Abstract painter. He spent many years in Paris, where he was friendly with Pascin, Foujita, Frieske, H.O. Tanner, W. Pach and Roger Fry...

Alex Balaguer. Sam Posey & Milt Minter Le Mans 1973 Ferrari 365 GTB/4. original painting During early childhood, Àlex Balaguer began to sketch motorcars symbolic of Maranello’s t...

Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi and Fantasia and UPA’s Gerald McBoing-Boing, he is best known as a mentor to literally hundreds of students. Engel was also one of the original members of United Productions of America (UPA), where, during the ’50s, he worked on classics such as Mr. Magoo, Gerald McBoing-Boing and Madeline. According to his biographer, Dr. Janeann Dill, Engel has created more than 33 personal films and received five Golden Eagle awards, an Annie Award, a Winsor McCay Award, the Fritz Award, a Jean Vigo Award, and the Norman McLaren...

This captivating black and white artwork portrays Coco Cha nel reclining gracefully on an ornate chaise longue. Her profile exudes elegance, accentuated by intricate jewelry that dra...

María Gallo (Nicaragua, 1954) 'S/T 1', N/A silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 25 ID: GAL1401-001-025 Unframed Hand-signed by author

This is one of a series of 6 signed and numbered prints created by the great French poster artist, Gerard Courbouleix, known as Razzia. This print measures 10.5" x 14.5" and is from...

Roses Portrait of a Young Girl Mary Beich (American artist 1917-2002), Oil on canvas 23"x19", portrait painting depicting a young girl wearing a yellow su...

Hildegard Rath, (1909-1994) painter, author, teacher, and lecturer, Born in Wurttemberg, Germany, in the Black Forest region of Germany. Hildegard Rath became a painter of landscape, portraits, still lifes, and marine subjects and also a muralist. Her father was a bank president, her mother a sculptor, writer, and illustrator of children's books. At the age of 15, Miss Rath painted her first portrait in oil as a birthday present for her father and thereafter every opportunity for study was given to her. She went to art school at the Atelier House in Stuttgart, Germany and at the Akademie der Bildenden Kunste in Berlin. She studied with Lotte Laserstein...

Manuel Rivera (Spain, 1927-1995) 'Tela metálica en color', 1990 engraving on paper 23.7 x 19.7 in. (60 x 50 cm.) Edition of 20 ID: RIV1303-001-020 Hand-signed by author

Galerie Beyeler Exhibition Poster Signed in plate Jean Philippe Arthur Dubuffet (French, 1901 – 1985) was a French painter and sculptor of the École de Paris (School of Paris). His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art brut movement, and for the collection of works—Collection de l'art brut—that this movement spawned. Dubuffet enjoyed a prolific art career, both in France and in America, and was featured in many exhibitions throughout his lifetime. His childhood friends included the writers Raymond Queneau and Georges Limbour. He moved to Paris in 1918 to study painting at the Académie Julian, becoming close friends with the artists Juan Gris, André Masson, and Fernand Léger. Six months later, upon finding academic training to be distasteful, he left the Académie to study independently. During this time, Dubuffet developed many other interests, including free noise music, poetry, and the study of ancient and modern languages. Dubuffet also traveled to Italy and Brazil, and upon returning to Le Havre in 1925, he married for the first time and went on to start a small wine business in Paris. He took up painting again in 1934 when he made a large series of portraits in which he emphasized the vogues in art history. In 1942, Dubuffet decided to devote himself again to art. He often chose subjects for his works from everyday life, such as people sitting in the Paris Métro or walking in the country. Dubuffet painted with strong, unbroken colors, recalling the palette of Fauvism, as well as the Brucke painters, with their juxtaposing and discordant patches of color. In 1943, the writer George Limbour, a friend of Dubuffet from childhood, took Jean Paulhan to the artist's studio. Dubuffet's work at that time was unknown. Paulhan was impressed and the meeting proved to be a turning point for Dubuffet. His first solo show came in October 1944, at the Galerie Rene Drouin in Paris. This marked Dubuffet's third attempt to become an established artist In 1945, Dubuffet attended and was strongly impressed by a show in Paris of Jean Fautrier paintings in which he recognized meaningful art which expressed directly and purely the depth of a person. Emulating Fautrier, Dubuffet started to use thick oil paint mixed with materials such as mud, sand, coal dust, pebbles, pieces of glass, string, straw, plaster, gravel, cement, and tar. This allowed him to abandon the traditional method of applying oil paint to canvas with a brush; instead, Dubuffet created a paste into which he could create physical marks, such as scratches and slash marks. The impasto technique of mixing and applying paint was best manifested in Dubuffet's series 'Hautes Pâtes' or Thick Impastoes, which he exhibited at his second major exhibition, entitled Microbolus Macadam & Cie/Hautes Pates in 1946 at the Galérie René Drouin. His use of crude materials and the irony that he infused into many of his works incited a significant amount of backlash from critics, who accused Dubuffet of 'anarchy' and 'scraping the dustbin'. He did receive some positive feedback as well—Clement Greenberg took notice of Dubuffet's work and wrote that '[f]rom a distance, Dubuffet seems the most original painter to have come out of the School of Paris since Joan Miro...' Greenberg went on to say that 'Dubuffet is perhaps the one new painter of real importance to have appeared on the scene in Paris in the last decade.' Indeed, Dubuffet was very prolific in the United States in the year following his first exhibition in New York (1951). After 1946, Dubuffet started a series of portraits, with his own friends Henri Michaux, Francis Ponge, George Limbour, Jean Paulhan and Pierre Matisse serving as 'models'. He painted these portraits in the same thick materials, and in a manner deliberately anti-psychological and anti-personal, as Dubuffet expressed himself. A few years later he approached the surrealist group in 1948, then the College of Pataphysique in 1954. He was friendly with the French playwright, actor and theater director Antonin Artaud, he admired and supported the writer Louis-Ferdinand Céline and was strongly connected with the artistic circle around the surrealist André Masson. In 1944 he started an important relationship with the resistance-fighter and French writer and publisher Jean Paulhan who was also strongly fighting against "intellectual terrorism", as he called it. Reception in America Corps de dame jaspé [Marbleized Body of a Lady] (1950) at the National Gallery of Art in 2022 Dubuffet achieved very rapid success in the American art market, largely due to his inclusion in the Pierre Matisse exhibition in 1946. His association with Matisse proved to be very beneficial. Matisse was a very influential dealer of contemporary European Art in America, and was known for strongly supporting the School of Paris artists. Dubuffet's work was placed among the likes of Pablo Picasso, Georges Braque, and Henri Rouault at the gallery exhibit, and he was one of only two young artists to be honored in this manner. A Newsweek article dubbed Dubuffet the 'darling of Parisian avant-garde circles,' and Greenberg wrote positively about Dubuffet's three canvases in a review of the exhibit. In 1947 Dubuffet had his first solo exhibition in America, in the same gallery as the Matisse exhibition. Reviews were largely favorable, and this resulted in Dubuffet having at least an annual, if not a biannual exhibition at that gallery. His reception in America was very closely linked to and dependent upon the New York art world's desire to create its own avant-garde environment. Specific examples of American artists interested in Dubuffet’s art were Alfonso Ossorio and Joseph Glasco. At the end of 1949, while Pierre Matisse was preparing Dubuffet’s January 1950 show, Alfonso Ossorio had traveled to Paris to meet Dubuffet and buy some of his paintings. Then in 1950, at Ossorio’s urging, his young friend Joseph Glasco left New York for Paris to meet Dubuffet. Glasco credited this encounter as having had an influence on his own art, and Dubuffet frequently asked about “Jackson Pollock and Glasco” in his letters to Ossorio. Between 1947 and 1949, Dubuffet took three separate trips to Algeria—a French colony at the time—in order to find further artistic inspiration. In this sense, Dubuffet is very similar to other artists such as Delacroix, Matisse, and Fromentin. However, the art that Dubuffet produced while he was there was very specific insofar as it recalled Post-War French ethnography in light of decolonization. Dubuffet was fascinated by the nomadic nature of the tribes in Algeria—he admired the ephemeral quality of their existence, in that they did not stay in any one particular area for long, and were constantly shifting. The impermanence of this kind of movement attracted Dubuffet and became a facet of art brut. In June 1948, Dubuffet, along with Jean Paulhan, Andre Breton, Charles Ratton, Michel Tapie, and Henri-Pierre Roche, officially established La Compagnie de l'art brut in Paris. This association was dedicated to the discovery, documentation and exhibition of art brut. Dubuffet later amassed his own collection of such art, including artists Aloïse Corbaz and Adolf Wölfli...

Juan Carlos Alom (Cuba, 1964) 'Sólo tu cabes en la palma de mi mano', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ID: ALO1...

Hand signed and dated lower left. Andre Vignoles (French, 1920-2017), oil on canvas still life painting, dated 1960, depicting a tabletop arrangement with lemons on a white dish, a ...

Mirtha Moreno Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to th...

Roland Ayers (1932-2014). Untitled, (Aerial Circus Series), 1968. Ink on Strathmore illustration board, 27 × 30 inches. Signed and dated. Artist and art educator, Roland Ayers ...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Nicolas de Largillierre painted Elisabeth Marguerite in oil on canvas. A larger version of this work was offered by Sotheby's for $500,000 and is now in a French Museum - Palais ...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 3 sheets, each measuring 18 x 24 inches. Each vertical edge is hinged with mounting tape, resulting in a triptych presentation. Entire measurement: 24 x 54 inches w. Unsigned. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

Roland Ayers (1932-2014). Peaceful Island, 1968. 17 inches diameter on a panel measuring 19 × 23 inches. Signed and dated. Artist and art educator, Roland Ayers was born on Jul...

Werner Bronkhorst is a contemporary artist based in Australia. He is recognised for his two distinctive styles, with the first involving abstract sculptural backgrounds with hyper-re...

Milton Hebald (American, 1917-2015) Lion of Judah menorah bronze on a white marble plinth base signed in bronze 12" H x 10.5" W x 2.5" D Milton Elting Hebald (1917 – 2015) was a s...

Harry Dunn (1929-1998). Acrylic on board painting Sleeping Matilda Hand signed lower right Mid 20th century Dimensions: Sight: 19" x 27". Overall: 20.5" x ...

A miniature antique Indo Persian Mughal Art mixed media painting on paper depicting a hunting scene in a landscape painted in bold colors and with fine details with a background of colorful mountains, blooming trees and Cypress trees. Antique Miniature Persian Paintings...

Offset lithograph in colors on wove paper. Hand signed, dated and numbered by Roy Lichtenstein. Inscribed "HC." (there is also an edition of 300 signed and numbered copies plus an ...

Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in ...

This enchanting mid-century composition by Jean Calogero exemplifies the artist’s celebrated fusion of fantasy, theatricality, and refined decorative detail. Set against an ethereal ...

Justo Barboza (Argentina, 1938) 'Sin título III', 1998 silkscreen on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 30 Unframed ID: BAR1437-015-030 Hand-signed by author

ARTIST: Salvador Dali TITLE: Crazy Horse MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 223/250 MEASUREMENTS: 30.5" x 22.25" YEAR: 1968 FRAMED: No CERTIFICATE OF AUT...

​Whether they are symbols, dreams or marks of the life of each of us. The artist's work often features heads, floating bodies, trees, dollar signs, cars, laurel branches, and symboli...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion ...