Florida - Paintings

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. ...

MARC JESUS ​​VIVES - Ibiza 1966 Since 1984, he lives and works in Ciudadela de Menorca. (Balearic Islands) Between 1985 and 1988 he studied design in Ciudadela and the Mahon Costume...

The Fast The Furious & The Nothing : Real Racing Ducati 900 motorcycle Artist signed, title on the back. Federico Brondi Zumino (UMA) is an Italian artist, born in Genoa on March 24th, 1972. At the age of five he took his first music lessons in guitar and piano. Federico received his first painting classes from hi mother, Laura De Micheli, the Genoes painter. Upon the age of eleven he began to draw and paint. At the age of 18 he obtained his high school diploma from the Nicolo Barbino artistic High School in Genoa with exemplary marks. At the age of 19 he devoted himself to the study of piano for many years becoming an excellent composer. At age 21 he attended La Linguistica Academia Delle Belle Arti in Genoa, whose president at the time was the artist Raimondo Sirotti...

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

Hane paints a dreamy nocturne - a fusion of earthy and celestial bodies with circling birds around a central vertical axis. Created on assignment for De Beers' highly published A Diamond is Forever" campaign. "A love by the stars was important. Until the right man of the wrong sign put his star on my finger. And I entered his house with my love. The artist created the painting to be the night ... so it appears a little dark in natural light. Best viewed with a top and key light to bring out the colors. For example if you bring the painting outside on a bright day.. the colors will pop. If you view inside of a dark hallway.. it will look sombre with less detail. Again, it's a nocturne. Hane painted the covers of the Collier-Macmillan editions of C.S. Lewis's Chronicles of Narnia books, as well as such Simon & Schuster publications as Carlos Castaneda's The Teachings of Don Juan and A Separate Reality. In 1963, Hane was hired to do a full-page illustration for Esquire magazine; he moved to New York in 1965. He married Elaine Miller...

James Floyd Clymer (1893-1982), ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin. James Floyd Clymer ( 1893-1982 ) known for his Regionalist st...

Lotus, 2023 by Yunior Manino Acrylic paint on canvas Signed back by the artist _______ Yunior Marino completed his studies at the Instituto Superior de Artes de Cuba before settlin...

Screenprint, on Stonehenge paper, with full margins. Unsigned. Warhol Foundation stamp on verso. Sheet size 30.25 x 22 inches. Image size 22.5 x 18.125 inches. Custom framed as p...

Original mixed media painting on wood. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be cons...

Provenance: Private Collection Atlanta, GA Estate sale Everard Gallery, Savannah, GA, Private Collection Callen Estate, Savannah GA 2018 Description: The painting is signed on the lower right side. Francesco Beda (1840-1900) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Italy, Beda displayed a natural talent for art from a young age and received formal training in painting. He developed a distinctive style characterized by meticulous attention to detail, vibrant colors, and a keen eye for capturing the essence of his subjects. One of Beda’s notable oil paintings on canvas is titled “Musical Interlude.” This masterpiece measures 24×36″ and bears the artist’s signature. The painting showcases Beda’s exceptional skill in depicting textures, colors, and architectural details with stunning realism. In “Musical Interlude,” Beda transports the viewer to a scene of musical entertainment in the 19th century. The bold and vibrant colors of the dresses and period-style clothing evoke the richness and elegance of the time. Beda’s attention to fabric texture allows the viewer to almost feel the weight and flow of the garments through their eyes. The interior architecture depicted in the painting reveals Beda’s mastery in capturing delicate details. The beautifully painted marble column and intricately carved wood chair...

The Painting is Signed Description: Fabbio Fabbi (1861-1946) was an Italian painter renowned for his Orientalist artworks and his ability to capture the beauty and allure of Eastern...

Genre: Realism Subject: Family Portrait Medium: Oil Surface: Canvas Dimensions: 12X14 includes frame

Roger Van Ouytsel (American, b. 1941) Title: "The Things I liked About Larry Wise," 1987. Oil painting on canvas, signed and dated. Framed. Provenance: Exhibited at Allan Stone Ga...

A finely rendered oil by the nautical artist Brian Coole. The scene shows various vessels entering and leaving the Boston harbor with an iconic display of an American flag, including...

MELISSA MEYER (American, b. 1946), ''Bleeding Heart'', 1982, Oil and wax (encaustic) on canvas, Signed to canvas verso. Canvas 39-1/4''h, 31-3/4''w. Melissa Meyer (born May 4,...

This is a unique original abstract oil painting on canvas by Meyer Kupferman(1926-2003) depicting a portrait of a young boy. Good condition. Unframed. Measures 30" x 40". Signed and dated 1974 in the lower right corner. Please see the photos. Meyer Kupferman(1926-2003): Was a versatile and eclectic composer who incorporated diverse elements in his works, from aleatoric music and jazz to Impressionism, from serial music and atonality to Romanticism. He wrote works in most genres, including opera, ballet, symphonies, concertos, film scores, chamber, vocal, and choral music. Kupferman was born in New York City on July 3, 1926. He exhibited talent as a child, first showing interest in the violin but then taking up the clarinet at age 10. He soon taught himself piano, as well, and then later studied music at New York's High School of Music and Art. Though he pursued music studies at Queens College, he learned composition on his own. Around the mid-'40s Kupferman served as an arranger for several jazz bands. His first opera, In a Garden (1948), drew considerable attention at its first performances at the Tanglewood Festival and later at the Edinburgh Festival. In 1951 he joined the faculty at Sarah Lawrence College, teaching composition and chamber music. He eventually became chairman of the music department...

A beautiful painting of two young girls at the beach. One picking flowers and the other gazing out onto the beach. The painting is oil on wood panel and the condition is good. The s...

Original Painting Op Art Zebras in a field of daisy flowers in a lush tropical jungle setting. Titled "Dreamland". Gustavo Novoa, Born 1941 in Santiago, Chile, He attended the Acade...

Dimensions: 32"h, 25"w canvas; 38.5"h, 32"with frame Work is titled "Two Lillies" Elsie Stevenson (1890–1965) was an American painter and printmaker. Beulah Stevenson, (1875-1965...

Original Signed Oil Painting by Antoniou – Mediterranean Coastal Scene Vintage Framed Artwork Sailboats, Mountains, Palm Trees & Coastal Cottage This vibrant original oil painting ...

Raphael Abecassis 1991 Chanukah painting Hand signed and dated Frame: 32.5 X 21.5 Image: 23 X 11.5 This is a rare, unique, original artwork. A one ...

Spring Scattering Stars is a 1927 Neoclassical painting by American artist Edwin Blashfield. It depicts a nude female allegory of spring on a w...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

Artist: Thomas Sidney Cooper (English, 1803-1902) Title: "Cow and Chickens in Stable" *Signed and dated by Cooper lower left Year: 1871 Medium: Original Oil Painting on Wood Panel Fr...

Jose antonio, Martes 7 de julio 2016, by Celso Castro Crayon Pastel on archival paper Image size: 60 H in. x 38 in. W Unframed On The back of the painting: Abstract, 1986 Pencil a...

Sometimes, the most celebrated artists are not the most original. Such is the case with Jean-Michel Basquiat, known for bringing into mainstream abstract yet representational street ...

Original oil on canvas painting of a Parisian street scene done in post impressionist style by the Portuguese artist, Hilario Roberto. Street scene complete with iconic Parisian flo...

Algodón de Seda, 1978 by Amelia Cajigas Image size: 3 H x 2.75 W inches. Frame size: 12 Hx 11.5 W x 1 D inches. White Frame ___ Amelia Cajigas. Artist. He was...

Beautiful winter landscape by American artist, J. Philip Richards (1906-1991). Maine Morning, 1974. Casein on paper, 16 x 26 inches; 26 x 36 inches framed. Signed lower right. Signed, titled and dated on verso. Excellent condition. Born in Moosic, PA, and graduated from the College of Fine Arts of Syracuse University in New York, J Philip Richards worked and studied with such artists of international reputation as William Von Schlagell, James Fitzgerald, David Porter, and John Taylor.He was professor emeritus of Fine Arts at Wilkes College in Wilkes-Barre, PA. Member of the American Watercolor Society, NYC, NY; York Artists Association, York, ME; Ogunquit Art Association, Ogunquit, ME; Wyoming Valley Art League, Wilkes-Barre, PA; National Society of Casein Painters, NYC, NY; Director Ancestor's Art Workshops, Searsport, ME; Gallery Director, "Gallery 164," Kennebunk, ME; Professional Artists League of America, NYC, NY; Art Guild of Kennebunks, Kennebunk, ME; Maine Artists...

"The Kitchen Garden" by Giovanni Boldini stands out for several reasons. Boldini was known for his dynamic and fluid brushwork, which imbued his paintings with a sense of movement an...

Abstract painting, ca. 1970s measures 25 x 30 inches. Oil on canvas, unsigned. Stunning modernist custom carved picture frame by Newcomb Macklin. ca. 1950 production. Long, elegant...

Liquid Life N5, 2024 by Rosario Briones From the series “Liquid Life” Mixed technique (inks and acrylic paint) on 118gr Ahlstrom absorbent paper. Dimensions: 106 Height x 106 Width c...

Artist: Pál Fried (Hungarian, 1893-1976) Title: "Intermission (Ballerina)" *Signed by Fried lower left Circa: 1940 Medium: Original Oil Painting on Canvas Framing: Recently framed in a gold Louis XV style frame Framed size: 39" x 33" Canvas size: 30" x 24" Condition: In excellent condition Notes: Provenance: private collection - Port Orange, FL; acquired from Herbert Arnot Gallery, New York, NY in the early 1970's. Titled by Fried on verso. Herbert Arnot Gallery's dealer reference number, "D1942E", and artist's copyright stamp in center on verso. Biography: Pál Fried was born in Budapest in 1893. He received his art education at the Académie hongroise des arts (Hungarian Academy of Arts) where he was a pupil of Hugo Pohl who became one of his major influences. While under Pohl's direction, he executed many portraits of female nudes and Orientalist works. Later he studied in Paris at the Académie Julian, where he was the pupil of Claude Monet and Lucien Simone. In Paris, he was greatly influenced by the French Impressionists, especially Pierre-Auguste Renoir and Edgar Degas. This inspired him to prepare many paintings of ballerinas...

Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in a glassworks. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...

Liquid Life N6, 2024 by Rosario Briones From the series “Liquid Life” Mixed technique (inks and acrylic paint) on 118gr Ahlstrom absorbent paper. Dimensions: 106 Height x 106 Width c...

They were created as an investigation into the beginnings of the current human social conditions with a focus on materiality and evolutionary information gathered from Paul Shepards ...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

You Got to be a Football Hero to Get Along with a Beautiful Girl. Masterfully composed and dynamic illustration that show a player getting punched in the jaw. During this period, there were no face...

Artist: Jack Graves III (American, 1988-) Title: "Canyon" Series: Abstract *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2021 Medium: Original Ac...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

An artwork inspired by a love of dance and nature. The beautiful ballet dancer is in a dream of nature with her wings hinted in the shadow of her dance below. The butterflies both gu...

Pablo O’Higgins (1904-1983). Portrait of Don Nieves, 1960. Watercolor on paper, 18 x 24.5 inches; 19 x 25.5 inches in original frame. Signed lower righ...

Konstanty Szewczenko (1910-1991), signed oil Judaica Oil Painting, Chassidic Rebbe, Polish. Frame: 17 X 15.25 Image: 11.5 X 9.5 Konstantin Shevchenko studied at the Institute of Fine Arts in Warsaw in the years 1927 - 1928. Then, in 1932 he studied painting under the guidance of Kowarski and Pruszkowski at the Warsaw Academy of Fine Arts. Practiced easel painting, mostly judaic hassidic rabbi portraits, genre scenes. Among others, a portrait Moscicki, Rydz - Rydz, and after the war Rokossowski.He worked as a set designer. In the years 1934 - 1935 was production designer Variety Theatre. He collaborated with publishing houses with illustrations. He exhibited in Warsaw, Poland, Vienna, Austria and New York. In 1947 he took part in Exhibition Independent Artists Group) and abroad (solo exhibition at the Gallery G. Tomalsky in New York, 1964) . He is one of many great Jewish Polish artists that included Leopold Gottlieb, Maurycy Gottlieb, Henryk Hechtkopf, Leopold Pilichowski, Isidor Kaufmann, Lazar krestin, Alois Heinrich Priechenfried and Itshak Holtz. His works are in the collection of the Museum of the Polish Army. He was an Polish, Austro-Hungarian painter of Jewish themes...

Original oil on canvas painting in very heavy impasto of a cityscape by the Serbian/French artist, Nicolas Markovitch. Signed Philippe lower left, one of the pseudonyms used by the artist. Dated to the right of signature 1960. Condition is very good. Bourg-la-Reine is the likely subject matter of the painting and was where the artist had made his home until his death in 1964. The painting is housed in its original frame in fine condition. Overall framed measurements are 28.75 by 25.25 inches. Provenance: A Ellenton, Florida collector. Bourg-la-Reine is a commune in the southern suburbs of Paris, France. It is located 9.1 km (5.7 mi) from the center of Paris. Nicolas Markovitch (Serbian-French, 1894-1964), artist, watercolorist, architect and block printer. Markovitch used more than a few pseudonyms over the course of his career, such as; A. Marc or just Marc, and J. Philippe or Jean Philippe. Alternate sources state other pseudonyms with the full name listed as Andre Marc or Andre Marc Rothenburg, which are both still incorrect for the artist. Markovitch was an architect who worked and lived in France, and is primarily known for his architectural paintings of city buildings, cathedrals and monuments, along with Swiss, Italian, German, English and Belgian landscapes, cityscapes, mountainscapes and seascapes, lake and marine scenes, and many scenes in the U.S. especially cityscapes of New York City and other places such as Gloucester, MA. Markovitch painted watercolor illustrations for several books (Paris, Editions, Alpina) from the late 1920's-early 40's, and is credited for the watercolors in the Editions with his real name Nicolas Markovitch or N. Markovitch. He was one of the best watercolorists of the time and went on to do a lot of work with the Stehli Brothers company Stehli Frères, Editeurs, Zurich, Switzerland throughout the 1930's and 40's. Stehli Frères published many different watercolor series of his works, and they were printed in various sizes, typically from about 9" x 12" to 12" x 16", and others as large as 18" x 24".?? For his original watercolor paintings, he always signed them with his true name Markovitch. For the reproduction lithographs of his landscapes and architectural series he signed them with the name A. Marc or just Marc. For his flower/botanical lithos...

«A WORK WILL ONLY HAVE DEEP RESONANCE, IF THE KIND OF LIGHT I’M TRYING TO GENERATE IS SOMETHING THAT IS ALREADY IN ME» - Hyun Ae Kang Hyun Ae Kang is an internationally renowned Ko...

Description: The Painting is signed and dated Constant Troyon born on August 28, 1810, and passing away on February 21, 1865, Constant Troyon was a French painter associated with the...

53.-Things. 180 x 120 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa ...

Keith Haring. 1958-1990. The iconography of his drawings includes dancing animals and figures, dogs, crawling babies, pyramids, televisions, telephones, and flying saucers. The idea ...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Rinzen, 2021 by On Hansen Oil stick, wax, acrylic, and organic handmade ink on different layers of handmade Washi paper. Image size: 98 cm. H x 65 cm. W Unfr...

10 color screen print on coventry rag 290 gsm paper with deckled edges. Hand signed and dated lower front by John 'Crash' Matos. Hand numbered 6/50 lower left front. Artwork size ...

Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to the United State...

Artist: Jack Graves III (American, 1988-) Title: "Forest Exit" Series: Abstract *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2021 Medium: Original Acrylic Painting on Canvas Canvas size: 36" x 36" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves Jr., who founded 'The Collector's Exchange' in St. Augustine, FL in 1978, (today Graves International Art...

Winter Killed Five Paths, 1983 Mixed Media Abstract, signed and title on revers. No frame needed for this work at the top is attached to plank of wood and ready to be hang, it will be rolled up for shipping. Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student at Hochscule fur Bildende Kunste in 1964-65 he went on to receive a Master of Fine Arts degree from Cornell University. In addition to the Fulbright Foundation fellowship, La Noue has twice received grants from the National Endowment for the Arts and the Guggenheim Foundation. He has had extensive teaching experience at Trinity College 1967-72, the City University of New York 1972-85 and at New York University in 1987. He lives between Arizona, Paris, France and Vermont. Terence La Noue, who has created powerful, compelling paintings for the last four decades, is considered one of the outstanding talents of 20th century American abstract art. Layering canvas, fabric, gauze, acrylic paint and cast elements forming a lively melding of many different materials, symbols and colors to create tapestry-like paintings, he conjures up colorfully rich abstractions that reveal a sense of myth, magic and mystery. His extensive world travels serve as inspiration for works that are abstract mixtures of Western and non-Western traditions and histories. India, South America, Morocco, Mexico and Nepal have been favorite destinations. Terence La Noue’s unique approach to painting and printmaking has achieved worldwide recognition. Beginning in Berlin in 1965 he has had over a hundred and thirty acclaimed solo exhibitions in London, Paris, Tehran, Stockholm, Hamburg, Dusseldorf, Cologne, New York, Washington, DC, Los Angeles, Houston, Chicago, Palm Beach, Dallas, Atlanta, Tucson and Scottsdale. His work is represented in the permanent collections of major museums including: The Museum of Modern Art in New York, The Metropolitan Museum of Art, The Whitney Museum of Art, The Corcoran Gallery, The Guggenheim Museum, The Brooklyn Museum, Brooklyn, New York, The Tate Modern in London in Japan, Singapore, France and Australia including the Center for Contemporary Art, Kitakyushu, Japan, the Power Institute of Fine Arts, Sydney, Australia, The Musee d'Art et Archeologie, Paris, France. Walker Art Center, Minneapolis, Minnesota, United States Carnegie Institute, Pittsburgh, Pennsylvania, United States Corcoran Gallery of Art, Washington D.C., United States Albright-Knox Art Gallery, Buffalo, New York, United States National Gallery of Australia, Sidney, Australia Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts United States Embassy, Beijing, China His work is also included in numerous university and city art museums throughout the US as well as major corporate collections. Terence la Noue worked extensively at Tyler Graphics from 1987 to 1993 and is represented in the National Gallery’s Kenneth Tyler Collection by a large body of work made in 1987 and 1991. La Noue’s work is characterized by an intensive layering process, which was well accommodated by the Tyler workshop. The artist found that through collaboration with Ken Tyler...

"By the Sea, By the Sea, By the Beautiful Sea" by C.E. Ross is a 48x48 original acrylic painting on canvas. This contemporary abstract painting is composed with beautiful blues and ...

Paris original expressionist mixed media painting RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barce...

When you gaze upon "Yacht Wanderer (Slave Ship)" by William Gay Yorke, you're not just looking at a maritime painting; you're peering into a fragment of history with profound and com...

:: Painting :: Photorealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signature Location: bottom...