Florida - Paintings

IDF Tzahal Fighter Pilots Dimensions: framed 31 X 25.25 canvas 30 X 24 inches Moshe Katz ( Romanian, Israeli ) Moshe Katz was born March 2 1937 in Bucharest, Romania. With his pa...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

Almazan Realistic Still Life Acrylic Painting virtual frame MIQUEL was an artist focused on the art of realism. His structured works on his great mastery of drawing, are romantic an...

Original oil on canvas painting. Hand signed on front by Ivan Guayasamin. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All rea...

Genre: Modern Subject: Marine Landscape Medium: Oil Surface: Canvas Country: United States Dimensions w/Frame: 20.5" x 24.5" The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

Marianne Kolb (born 1958 in Bern) is a self-taught Swiss painter currently living in the United States. She is known for her emotionally-charged figurative paintings that address the human condition. Kolb paints directly onto canvas with her hands, placing her figures in isolation on a monochromatic...

This is a unique original acrylic painting on canvas in a fantasy abstract style by Serg Graff Titled "Loop". It comes signed, dated, and with a COA (Certificate of Authenticity). ...

This original acrylic painting, titled "Curly Curls" by artist Serg Graff, bursts with kinetic energy and vibrant color. Executed in a textured fantasy-abst...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

still life. jug of flowers. original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, ...

Original acrylic and spray paint on canvas. Hand signed, titled and dated on verso by John Crash Matos. Canvas is stretched. Artwork is in excellent condition. Certificate of Aut...

Endless Light 30.0 x 20.0 x 1.5, 8.0 lbs Acrylic on canvas Hand signed by artist Artist's Commentary: "Picture a stunning acrylic painting on a gallery-wrap textured canvas that ...

This is a large colorful, bold, vibrant original oil painting on canvas, hand signed and dated 1989. It is titled Crete. Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist woman artist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has been compared to Elizabeth Murray work. It is colorful and has a 1980's, Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fischbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofen Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991 Andre Emmerich Gallery, "Abstract Painting of the 90's", curated by Barbara Rose. New York Stock Exchange, Invitational 1989 Graham Modern, "Synthesis" 1986 Graham Modern, "Diptychs, Triptychs, Polyptychs" Sidney Janis Gallery, "American Women Artists", New York City, NY Nina Freudenheim Gallery, Buffalo, NY N.Y.C.W.C.A., "Abstract Painting: Painting by Women Artists...

without frame it is 28X42 inches. Jacques-Enguerrand Gourgue (Port au Prince, 1930–1996) was one of Haiti's most renowned painters of the 20th century. A Port-au-Prince native, Gourgue began painting at an early age and eventually had his works exhibited throughout Europe and the Americas. His father was a French psychiatrist, and his mother said to be a Haitian vodou priestess. He typically painted scenes of rural Haitian life and vodou ceremonies. Gourgue, who had no formal training, often combined flowers, mountains, skeletal trees, peasants and their huts and vodou symbolism, in a personal style that managed to combine surrealism and naive art. "He is beyond dispute the leading figure in modern Haitian painting." After a turbulent and troubled childhood, Gourgue came to Centre d'Art in Port-au-Prince in 1947. The following year his painting "The Magic Table...

Dogwood 48 X 36 Acrylic on Canvas Viewing Patricia Forelle’s work offers a look into her world of fantasy and reality with freeform and whimsy. Her work holds a spirit of freshness ...

Yuri Larin (1936-2014). Landscape, 1982. Watercolor on paper, 17 x 18.5 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur...

The mermaid who couldn't climb the iceberg painting by Suzzane Law Image size: 12.6 in. H x 17.1 in W Framse size: 18.1 in. H x 22.4 in W x 1 in D W...

Las Tablas de JC. From "La Música Ausente" series. Painting Acrylic on canvas Image Size: 57 7/8 H x 83 7/8 W in. Unframed _______ The paintings of Sergio Bazán have a strong gestu...

Cleo

Artist: Jack Graves III (American, 1988-) Title: "Diamond XXXII" Series: Diamond *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2021 Medium: Original Acrylic Painting on Canvas Canvas size: 36" x 36" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves Jr., who founded 'The Collector's Exchange' in St. Augustine, FL in 1978, (today Graves International Art...

Framed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill, Augustin Lesage, Fleury-Joseph Crépin...

"Yellow/Green" 2004. Oil/Acrylic on Canvas. Signed lower right Image: 34.5" x 47". Framed: 49" x 37". Rigoberto Mena Santana (Cuban, born 1961) was born in Artemisia, Havana in 1961, where he currently lives and works. He attended the Instituto Politecnico de Diseno Industrial, La Habana, and continued his studies at San Alejandro Fine Art Academy, Havana. He traveled extensively throughout Europe to study the great masters. Mena has had Solo Exhibitions in China, Germany, Netherlands, Mexico, Cuba, Spain, France, and Holland, and in the U.S. in Miami, Massachusetts, Washington, D.C, and California. Following the inauguration of his exhibition “Hablando en Lenguas”. In 2011, Rigoberto’s work was chosen to be a part of the permanent collection of the National Museum of Fine Art in Havana, Cuba. Through the eyes of an abstract expressionist, he draws inspiration from his home’s urban landscapes and the spirit of the people and the city. The start of the Cuban Abstract movement was through a group called Los Once or The eleven. Though Mena was not an original member the influence by this new outlet began to spread ideals that put his own practice into fashion. Rigoberto is considered an important painter of his generation. He is one of the few artists in Cuba who has to have a private art gallery. Mena's private gallery at the Plaza de Armas is adjacent to the neighboring government art gallery. His work has been exhibited in Mexico, Belgium, Germany, France, Spain, and Holland. Contemporaneous with the controversial, "La Generacion de los 80s" - The 80s Generation of Contemporary Cuban Art also referred to as New Cuban Art. This new Cuban plastic arts movement, with an expression of conceptual and non specific conscience manifestation, addressed many burning issues of the time and unveiled what these artists felt was the true reality of Cuba. It was more than a moment of artistic inspiration; it was a reflection of critical self-awareness and the new social role of art - the fundamental essence of the movement. They included Rubén Torres Llorca, Jose Bedia Valdes, Ricardo Rodriguez Brey, Juan Francisco Elso, Rogelio López Marín (Gory), Gustavo Pérez Monzón, José Manuel Fors, Leandro Soto Ortiz, Israel León, Tomás Sánchez and Carlos Alfonzo. In the second half of the decade, other artistic groups were formed, including 4 x 4, Grupo Hexágono, Arte Calle, Grupo Provisional, the duet René Francisco Rodríguez and Eduardo Ponjuán González and ABTV. Grupo Puré, another new wave of young artists, graduates of the Instituto Superior de Arte (ISA) included Ana Albertina Delgado Álvarez, Adriano Buergo, Ciro Quintana, Ermi Taño and Lázaro Saavedra, all greatly influenced by the German Kitsch art movement. Additionally, a large number of talented creators excelled independently, such as Florencio Gelabert (sculptor), Arturo Cuenca Sigarreta, Rigoberto Mena, Humberto Castro, Gustavo Acosta, Kcho, Antonio Eligio Fernandez (Tonel), Adriano Buergo, Flavio Garciandía, Tania Bruguera, Juan Francisco Elso, Carlos Rodríguez Cárdenas, Quisqueya Henríquez, Glexis Novoa, José Toirac, Carlos García, Heriberto Mora, Segundo Planes and Pedro Vizcaíno, among others. Select Personal Exhibitions 2015 RBK 4200 ,La Cabaña,fortress. Bienal de La Habana, 2014 The shape without shape. Visual Arts Development Center, Bayamo, Cuba 2013 Allegro Ma Non Troppo. Lloyd’s Register, Havana. 2012 Spirit. Dennis Rosenthal Gallery, Chicago, U.S.A. 2011 Speaking in languages. Fine Arts National Museum, Havana. 2010 The places of time (with Alan Kleinmann). Orígenes Gallery, Havana’s Great Theater. 2009 The writing and the limit. 23 y 12 Gallery, Havana. 2007 The pleasure of absorb yourself. RAC Gallery, Veracruzan University, Xalapa, México. 2006 Coexistence. Public space, during the Ninth Havana’s Biennale. 2005 Ball change. La Casona Gallery, Havana, Cuba Das Unbestimmbare Selbst. Refugium Gallery, Berlin. 2004 From the nothing to the infinite. La Casona Gallery, Havana, Cuba 2003 The visual poetry of life. Refugium Gallery, Berlin. Rigoberto Mena. Recent Work. Habana Gallery, México DF. Recent graphic work (with Jo Ann Rothschild). Graphic workshop, Havana. Rigoberto Mena. Recent Work, Boston Art Institute, Lesley Boston University, 2001 Two plus one doesn’t make three (with Julio Girona and Angel Rivero), L Gallery, 2000 Cuba I, Space 12 Gallery, Boston, Massachusetts, United States. Three abstract painters (with Jo Ann Rothschild and Julia Valdes...

BORN JULY 31, 1979 IN NEW JERSEY, USA CURRENTLY LIVES AND WORKS IN WEST PALM BEACH, FLORIDA BIO: As an artist based in the vibrant community of West Palm Beach, my work is an explor...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a watercolor and gouache beach scene three young men bathing...

Signed and titled with Yiddish inscription verso. 9 X 12 inches board size. beng sold unframed. Painter, New York, N.Y. Samuel David Lev-Landau was born in Warsaw, Poland and emigr...

With dramatic simplicity, this large oil painting on canvas of a dog or Pit Bull, certainly gathers your attention, executed in a tongue in cheek Victorian pa...

Attributed to Hin Qua (Chinese, 19th Century) Signed in pencil to the verso Marine Arts Company attribution label to verso Stamp referring to restoration treatment by Gustav D. Kli...

Masterfully executed 19th century British oil on canvas. This fabulous piece depicts a possible battle scene at Medway, which in the 1600s the Dutch had a huge victory against the Br...

"Candy Stash" 18"x24" Original Oil Painting by Contemporary realist Megan Eisenberg. Made with high quality Gamblin oil paints on a 1” deep hardwood panel and framed in a birchwood ...

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

Tom Alan Lieber, (American, born 1949), GTW TL-11 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, N....

Artist: Jack Graves III (American, 1988-) Title: "Elizabeth Taylor Icon VIII" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Me...

American, b. 1952 Frank Corso was born in Syracuse New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscape of the Finger Lakes r...

Jean Chaleye, French (1878 - 1960) Oil on canvas "Still Life of Roses". Hand signed Brass name plate attached to frame, Provenance: Wally Findlay Galleries, bears label verso. Measures: 56-1/4" x 37", frame measures 61-1/4" x 42" This is a very large piece Jean Chaleye (French 1878 - 1960) was active, lived in France. Jean Chaleye is known for Landscape, still life and coastal view painting. Considered one of the most important Post Impressionist painters. Jean-Baptiste Chaleye, known as Joannès Chaleyé, was born to working class parents in Saint Etienne in the middle of the 19th Century. He began his career as a commercial engraver at the age of fourteen, which he continued until 1899 when he took a trip to England. He returned the following year to do his military service and on completion returned to the city of his birth. He began his artistic training in Saint Etienne and then at the School of Fine Arts in Lyon in 1896. He was then offered the opportunity to complete his training in Paris. In 1899, he joined the class of Louvrier de Lajolais at the École Nationale Supérieure des Arts Décoratifs in Paris and was also a student of Fernand Cormon at the École Nationale Supérieure des Beaux-Arts. Through Cormon he me Andre Derain, Mary Cassatt and Dunoyer de Segonzac and a number of ther Barbizon painters influenced by Edouard Manet. Jean Chaleye's life is divided between his attraction for painting and his passion for the art of lace. As early as 1902, he exhibited at the Salon des Artistes français and the Salon des indépendants. As a renowned painter of flowers, several museums acquired his paintings such as the cities of Puy-en-Velay, Lyon, Clermont-Ferrand and Saint-Gall in Switzerland. In 1903, Louvrier de Lajolais offered him to go to the provinces to teach the art of lacemaking at the École pratique de commerce et d'industrie du Puy-en-Velay. He then set out to replace the traditional geometric and repetitive designs by creations with supple and light forms, inspired by local flora. He devoted his entire life to highlighting the delicate art of lace making, participating in various competitions and international exhibitions during which he won several awards. Appointed director of the National Superior School of Arts and Textile Industries of Roubaix in 1930 but also artistic director of the school of laces of Bailleul, he favors the obtaining by this last one of the Grand Prix at the Exhibition of Brussels in 1935. Promoted to the rank of officer of the Legion of Honor in 1937, his involvement in the recognition of the know-how of the Velay lace industry is recognized. A renowned painter, one recognizes in his paintings as in his lace drawings all the delicacy and the love which he carries to the flowers and to the nature in general. He died in 1960 in Puy-en-Velay. After his death, the house in which he had lived in Puy was turned into the Musée Chaleyé. International exhibitions In 1904, he had the "Lace" section participate in the exhibition at the Galliera Museum in Paris, which presented the lace made according to his ideas. In 1905, he created the fan leaf for the lacemaker Oudin, which was purchased by the Saint-Gall Museum in Switzerland. He participated in various international competitions and exhibitions, during which he received several awards: International Exhibition of Liège (1905): he created a fan leaf decorated with Virginia creeper which took part in this exhibition. French Lace Competition (1907): the “Lace” section, the work of which he directed, won three distinctions: first prize (1000 Francs), second prize in collaboration, and for his personal work, the prize of the Under-Secretary of State for Fine Arts. Franco-British Exhibition in London (1908): gold medal for a braid of fuchsias signed by Chaleyé. Brussels World's Fair (1910): a grand prize was won by three laces signed by Chaleyé (landscape with grisaille effect, a cockfight in colour and a cushion with chestnut decorations with spider webs). Chaleyé also won a gold medal for his collaboration. International Exhibition in Turin (1911): he had produced new drawings which had earned him a gold medal for his collaboration. International Exhibition of Lyon (1914): he was awarded a medal for his collaboration. Participation in the “Lace” and “Cabinetmaking” sections, of which Chaleyé directed the work and designed the models for this exhibition. Painting by Jean Chaleyé exhibited at the Crozatier Museum in Puy-en-Velay Alongside his artistic involvement in lacemaking, he exhibited his paintings at the Salon des artistes français from 1902. At the Salon des indépendants, one of his works was selected by the Commission des beaux-arts de la Ville de Paris and several museums have acquired his paintings: the cities of Le Puy, Lyon, Clermont-Ferrand, Saint-Gall (Switzerland). Seven of them are still exhibited at the Musée Crozatier in Puy-en-Velay. A renowned painter of flowers, he enjoyed his main successes in the Lyon and Saint-Etienne regions where he exhibited mainly. He exhibited with Gaston Sebire, Louis Valtat, Leon-Alphonse Quizet...

Sam Sigaloff (1895-1987) signed in the lower right. Vibrant market scene oil on canvas.

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (Ahn Dong Kuk) was born in Seoul, Korea. He studied at Seoul University (BFA), graduate student at Miami University, Oxford Ohio 1962...

Original painting on canvas. Hand signed and dated on front. Hand signed, titled and dated on verso. Painting is stretched and framed as pictured. Please note there is a loose thr...

Hand signed, dated and numbered by the artist. Sheet size: 30.125 x 29.875 in. Edition of 60. Published by Gemini, G.E.L., Los Angeles. Artwork is in excellent condition. Certifica...

ROBERT KENNETH WHITE – "ISLAND GOATS" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A SUNLIT HERD IN A ROCKY GROVE This compelling 2018 composition by Robert Kenneth ...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Artist: Jack Graves III (American, 1988-) Title: "Tibetan Flame" Series: Abstract *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 Medium: Orig...

Jean Louis Hamon artfully presents the mythological subject: Aurora the Goddess of Dawn. She is dressed in a flowing toga, standing on a large leaf and smelling the sweetness of a flower in bloom. Surrounded by lush plants in an idyllic setting of pinks and blues, one would not think that this peaceful and beautiful work was painted in 1864 at the time of the American Civil War. Hamon meticulously renders the scene with the academic precision of Bouguereau. The closer you get, the more detail you discover. Two butterflies sit atop Aurora's head. Droplets of water gracefully roll down her hair. There was a hand colored steel plate...

"Anubis" Figurative Animal Oil Painting 36" x 36" inch by Alina Shimova ABOUT Alina Shimova is a young and ambitious artist Russian born, Miami based. Her creative journey began at ...

The painting is signed on the bottom left side. Angelo Asti, a renowned Italian artist, established himself as a true maestro of portraiture during the late 19th and early 20th centu...

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There exists no living artist today who can paint and draw on a level as Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in ...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

Barbara Shermund (1899-1978). Society Satirical Cartoon, ca. 1940s. Gouache on heavy illustration paper, image measures 17 x 14 inches; 23 x 20 inches in matting. Signed lower left. Very good condition but matting panel should be replaced. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral...

Ya'acov Kaszemacher, well-known artist and photographer whose unique images of Hassidic festivities are fascinating to view, and offer one an opportunity to peek into the community...

One-of-a-kind Pop Art Original Painting on Canvas by Gardani, hand signed by the Artist front and back, comes with official Gardani Certificate of Authenticity with a unique dollar b...

signed lower left . The French artist Claude Hemeret was born on May 23, 1929. After classical studies at the lycée du Parc Imperial in Nice, he started at the l'Ecole National des A...

blue and pink drops abstract. original.acrylic paper painting.. framed Artwork by Spanish artist ISIDRO CAHUE. The personality of the artist is reflected in different fields of art...

Moises Zabludovsky (Mexican, 1959-) Bull Fight Mixed Media Work on paper, watercolor; ink and pastel on paper 1979 Hand signed and dated. Dimensions: Frame: 28.5 X 36.5. Image: 22....

Les Demoiselles Takes a Stroll 36 X 48 Acrylic on canvas Viewing Patricia Forelle’s work offers a look into her world of fantasy and reality with freeform and whimsy. Her work holds...

Genre: Avant-Garde Subject: Abstract Medium: Oil Surface: Canvas Country: Mexico Dimensions: 25 3/4" x 19 3/4" x 3/4" Dimensions w/Frame: 27" x 21 1/4" THE VICTIM Yonia Fain Oil, 1947 Although this oil painting’s subject is predominantly abstract, there is a faint echo of a figural shape at its center. A figure wearing Tefillin, An organic form appears to be pinned to a hammer shaped object, reminiscent of a crucifix. This tool may be a reference to one of the Soviet Union’s symbols. Moreover, it is likely a direct reference to the persecution Fain faced as a Russian Jew in Bolshevik Russia. The contrast between colors, geometric lines, and organic curves is indicative of Fain’s collaboration with Diego Rivera, as well as the time he spent in Mexico. The primary hues communicate the hardship the artist underwent and his cathartic ability to reproduce those emotions through paint. In addition to being a renowned artist and award-winning poet, Yonia Fain is among the few survivors to triumph over the turmoil of the 20th century. Fain’s abundant body of artwork and poetry pays tribute to the hardship many experienced during the Russian Revolution, Nazi invasion of Poland, and World War II. The persecution Fain experienced forced him to immigrate to several countries including China, Mexico, and the United States. Yonia Fain was born in Russia in 1914. When he was only 10-years-old, he and his family fled from the Bolshevik Revolution to Poland. There he pursued his studies at the Academy of Fine Arts and hoped to continue his education in Paris. He was awarded B.A. and M.F.A. degrees from the University of Poland. In 1939, the artist and his wife Helen moved to Warsaw when the town they lived in, Vilna, became occupied by the Soviet Union. Although they managed to escape the Nazis, Fain was apprehended by Soviet military...

A dramatic painting of a seaside town done in bright colors. The abstract American scene style captures the moody sky, and the reflection of water captures the viewer's attention. ...

Genre: Judaica Subject: Portrait Medium: Oil Surface: Canvas Dimensions: 20" x 16" x 3/4" Dimensions w/Frame: 24" x 19 1/2" Portrait of a Hasidic man in full traditional garb holdin...

This is a unique original textured acrylic painting on canvas in a fantasy abstract style by Serg Graff Titled "Freeddy is Back". It comes signed, dated, and with COA (Certificate ...

"Six Breasts No Waiting" showcases Haitian Master Salnave Philippe-Auguste's whimsically fruitful imagination. He executes it in a distinctive painting style of simplified compos...

This striking acrylic mixed-media painting on board by Serg Graff presents a wild, expressionist portrait of Andrew Jackson (American lawyer, planter, general, and statesman who ser...