Samuel David Lev-Landau

WPA Period "Coastal Village" American Modernist Realism Oil Painting Lev Landau

Jerusalem Israeli landscape cityscape with the Har Habayit, The Temple Mount. Size includes frame. canvas is 37.5 X 42.5 Edward Ben Avram (born 1941) is an Indian - Israeli artist w...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...

Framed oil on linen, ''Lower Rhine,'' by Carl Barth (German, 1896-1976), signed ''Barth'' lower left, bears Hearst Art Gallery, Moraga, California label verso, overall: 26''h x 30''w. Provenance: Deaccession of Hearst Art Gallery, St. Mary's College, Moraga, California Carl Barth was a German visual artist who was born in 1896. Carl Barth has had several gallery and museum exhibitions, including at the Galerie Remmert und Barth. Many works by the artist have been sold at auction, including 'Mythos' sold at Ketterer Kunst Munich 'Old Masters & Modern Art/ Marine Art ' in 2003. There have been many articles about Carl Barth, including 'Getty Brings Together Over 40 Drawings Selected Solo Exhibitions 2017 Carl Barth: Works 1920 - 1970, Galerie Remmert und Barth, Germany, Düsseldorf Selected Group Exhibitions 2016 Overview 2016, Galerie Remmert und Barth, Germany, Düsseldorf 2014 Überblick 2014, Galerie Remmert und Barth, Germany, Düsseldorf Watercolors: Emil Nolde to Otto Dix and Beyond, Galerie Remmert und Barth, Germany, Düsseldorf 2011 Spirit of an Age: Drawings from the Germanic World, 1770–1900, J. Paul Getty Museum at the Getty Center, USA, Los Angeles Overview 2011, Galerie Remmert und Barth, Germany, Düsseldorf which included artists August Macke,Carl Barth, Conrad Felixmuller, George Grosz,Hannah Hoch, Oskar kokoschka and others CARL BARTH 1896 to 1976 The Rhine painter CARL BARTH has created a work rich in developmental stages that stretches from the 20s to the 70s of the last century. After late-Expressionist beginnings in the 20s, he created in the early 30s, probably the most-respected part of his work, those strictly built, color-sparing tempera images that are the New Objectivity and the Magic Realism assigned, Barth's paintings of the early 1930s seem to express the loneliness of man in the face of a colder and more threatening social situation. The constructivist rigor of these works is transformed in the American paintings of 1936 into a more painterly style with a richer modeling of the subject matter, without abandoning the theme: the images reflect the loneliness and emptiness of the not only American "way of life" - they became repeatedly compared to works by Edward Hopper. Select Exhibitions: 1925 First exhibition of watercolors and printmaking in Munich. Return to the Rhineland. Initially own studio in his parents' house in Haan. In the fall admission to study at the Kunstakademie Düsseldorf. 1926 Exhibition with the group "The New West". 1927 First study trip to southern France (via Paris and Chartres). Master student with Heinrich Nauen. 1928 First exhibition with the artist group "Das junge Rheinland" 1933 Solo exhibition in the Kunsthalle Düsseldorf. 1936 Travel to the USA at the invitation of his uncle Ferdinand Kortlücke. Origin of the series of "American" images based on motifs in New York and Long Island. 1940 Solo exhibition of the "Roman pictures" at Galerie Alex Vömel in Düsseldorf. 1948 The monograph "The Painter Carl Barth" by Hans Peters appears. Exhibition at the Kölnischer Kunstverein together with Gerhard Marcks and Peter Herkenrath. 1951 Solo exhibitions in Wuppertal, Marl and Duisburg. The Museum Münster shows the exhibition "Carl Barth - Otto Pankok...

Genre: Modern Subject: Landscape with figure of horse, driver and wagon Medium: Oil Surface: wood Board EMANUEL ROMANO Rome, Italy, b. 1897, d. 1984 Emanuel Glicen Romano was born in Rome, September 23, 1897. His father Henryk Glicenstein was a sculptor and was living in Rome with his wife Helena (born Hirszenberg) when Emanuel was born. His father obtained Italian citizenship and adopted the name Enrico. Emanuel was brought up in Italy, Switzerland, Germany, England and Poland. In 1926 Emanuel Glicenstein Romano and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later. Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame. In 1936 Romano was worked for the WPA Federal Art Project creating murals. ( there were many jewish artists active with in the WPA period. notably Chaim Gross, Ben Shahn, Isaac and Moses Soyer, Abraham Rattner and many others. During and immediately after World War II, Romano created a series of allegorical works depicting graphic holocaust images that were held closely by the family until after his passing. One of these works is now on permanent display in the Florida Holocaust Museum in St. Petersburg Florida. Emanuel's father died in 1942 in a car accident before they could realize their shared dream of visiting Israel. In 1944 Romano, having completed his degree at the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, began teaching at the City College of New York. Romano moved to Safed, Israel in 1953 and established an art museum in his father's memory, the Glicenstein Museum. COLLECTIONS Indianapolis Museum of Art Metropolitan Museum of Art Boston Fine Arts Museum Fogg Museum Musée Nacional de France Recently his work has been added to the Florida Holocaust Museum collection. His notable works include his holocaust themed allegorical paintings as well as portraits of Marianne Moore, his father and William Carlos Williams...

John Wenger (1887-1976) celebrated easel painter and stage set designer whose career included 25 solo shows in the USA, Canada, and Europe. He created set designs for such plays as "Ile", "Petrushka", "Funny Face", and Rhapsody In Blue". John Wenger's art is included in many museums in and out of the USA. John Wenger was born on June 16, 1887 in Elizabethgrad, Russia. Wenger was born an artist, and at the age of three was painting (playing) with brushes and paint while his father, a local artist who painted scenery for the traveling theater, worked on drop scenes. His mother disapproved of this and tried to keep her son from playing with these "toys." When John Wenger was several years older, he attended Gihnazia, which is equivalent to high school but on a college level. Throughout his education Wenger excelled in visual arts. The staff at the Gihnazia school encouraged him to apply to the Imperial Art Academy of Odessa for a scholarship. At the age of thirteen, John Wenger became a student at the academy. For Wenger, this was his first time away from home and he found it to be difficult for several months. When he came to America in 1903, John earned his living by designing ladies costumes and jewelry at his uncles store in Newark, New Jersey. He then resumed his art studies at Cooper Union and The National Academy of Design. While in New York, Wenger found an interest in how music and theater connected to art. He rebelled against the heavy sets and hard lines of stage scenery...

Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of art...

A fine oil by Bengy Hansson ( Danish) circa 1974. Landscape with a quarry . An extensive natural landscape interupted by mans activity scaring the natural topography creating artific...

Claude Muncaster ( 1903-1974) PRSMA, RWS, ROI, RBA British. Chap Wells and Chap Fell, Cumbria (The Lake District). Oil on board circa 1936. Signed , and old London...

here is an original work by Francis X Pavy. The work was done in 2014 and is part of his 3rd coast suite of paintings and multimedia work. the piece is mixed media on paper (unframe...

This small work, entitled flocks of houses measures 7 inches tall by 5 inches wide. It is oil on canvas on wood sketchers. It's signed on the reverse. The writing on the reverse rea...

this is a small 9" diameter painting on canvas mounted on Plywood, This piece is entitled Earth Eye with Marshgrass. It's work #37 in the year 2022. THE stock number is #0322022. t...

Here is a small paper piece produced in 2019 by Louisiana artist Francis X Pavy . About Francis X Pavy In the vast tapestry of the art world, Art collectors are attracted to the ...