France Abstract Sculptures

Unique piece born from the artistic exploration of Jeremy Maxwell Wintrebert. An innovative exploration of glass through shape and colour making this piece a truly singular work. ...

Superbe sculpture murale brutaliste vintage des années 1960/70 et terre cuite agrémentée d'une pièce de forme libre en relief. Travail d'artiste d'une incroyable qualité et très dé...

Kubkub was created in 2022 by French designer Eric de Dormael. Handcrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from the ...

1970's tall crushed ice "egg sculpture" attributed to Pierre Giraudon France

Abstract post modern polychrome pyramid sculpture, Memphis movement 1980 . Wood Signed and dated 80s . Dimensions : . As you can see in the photos, there are many gaps which in no ...

Espalier was created in 2022 by French designer Eric de Dormael. Hancrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from the...

Tour was created in 2022 by French designer Eric de Dormael. Handcrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from the be...

Wave Sculpture by Twenty Second Factory Created by Alexander Volosenko Dimensions: D 23 x W 90 x H 42 cm Materials: Wood. Founded in 2017 by Bogdan Kryvosheya, a creative director f...

Interesting sculpture "Totem" in carved wood partially colored in red. Directly handcarved in a dead tree trunk.

Tray, footprint, original designed by Piero de Vecchi, 1935. This piece is in silver metal, not solid silver, it is signed on the back by de Vecchi 1935. Authentic piece, modernist ...

Dazed Sapiens by Twenty Second Factory Created by Roman Shcherbakov aka Dase X Vladislav Volosenko X Bogdan Kryvosheya Dimensions: D 52 x W 35 x H 60 cm Materials: Bronze. "Sapiens"...

Superb French manufacture matrix for the Worthington company, from the 1960s. Very interesting work that doubles as a sculptural piece. Good condition. Signed. Dimensions in cm ( H x L x l ) : 43 x...

Horizontal sculpture in grey ceramic Mounted on White marble base Signed by the artist Spain circa 1970

The Gallery collection showcases exclusive designs by Reda Amalou. The pieces are crafted by some of the best artisans around the world and are edited as a series of 8 and 4 artist’s...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2007. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Set of 2 Bas Relief Sconces by Olivia Cognet Dimensions: W 25 x D 25 x H 50 cm Materials: Ceramic. Each of Olivia’s handmade creations is a unique work of art, the snapshot of a pre...

Bronze an glass abstract sculpture Numbered 1/1 Foundry BBC Circa 2010

Albert Chubac, Modular TOTEM, Iron and Plexiglass, circa 2008, France. Measures: Width 80 cm x Depth 30 cm x Height 200 cm. Albert Chubac was born in Geneva in 1920. After studying...

Zero Sculpture by Jérôme Pereira Dimensions: D 80 x W 200 x H 120 cm. Materials: Ash, oak tree Jérôme Pereira creates lighting sculptures with a rough and gracious presence. Coming...

Mandron Femme à la toilette Bronze sculpture with green patina Signed and numeroted 1/8 Blanchet Foundry.

OSVALDO RODRIGUEZ, né en 1946 JEUNE FEMME, 1982 PROVENANCE : Atelier Atila du 22 octobre 2012. Œuvre originale en terre cuite représentant une jeune femme, signée en bas à dro...

Marisha Falkovich grew up in Moscow, Russia and lives and works in New York. She primarily works with ceramics and animation – her ceramic pieces are...

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Three luminous sculptures « Planets » in resin. Unique pieces by Pauline Couble, Paris, France. Biography Pauline Couble (1979) Born in 1979, Pauline Couble is a visual artist livi...

Unique piece born from the artistic exploration of Jeremy Maxwell Wintrebert. An innovative exploration of glass through shape and colour making this piece a truly singular work. Cl...

Shelter I Decorative Object by Dora Stanczel One of a Kind. Dimensions: D 10 x W 18 x H 12 cm. Materials: Porcelain, colored glaze and gold. Dimensions are variable. Please contact ...

OTOMA_03 Vase by Emmanuelle Roule Unique piece. Dimensions: Ø 8 x H 38 cm Materials: Stoneware. Vase made of white stoneware, partially glazed. Not...

Huge resin sculpture with Flytox inclusions. Resin is almost perfect turning to the yellow due to age.     

Yves Rhayé (1936-1995) large terracotta sculpture, circa 1970.

Guylaine Guy (1929) "Faux Et Usage De Faux ". Metal Assembly. Height 154 Cm. Guylaine Guy, whose real name is Guylaine Chailler, is a Quebec singer and...

Bronze with yellow and green patination, Lalloz Foundry, 1/8, signed. Bibliography : - 17th International Impact Art Festival, 1996, Kyoto (Japon), p.15 - Pierre Descargues, Cathe...

Liptay Mathias. Born in Kalocsa (Hongria) in 1936. Direct carving in Carrara marble, signed Mathias L, unique piece. Measures: Height 67 cm Width 27 cm Depth 17 cm Height 5 cm Diameter 33 cm Biography Came to Paris at the age of twenty, he entered the Ecole des Beaux Arts. Formed through different experiences and different materials : iron, metal , plastic. He creates transparent sculptures before tackling the woods and find finally in stone his preferred medium . Since 1972, Mathias Liptay lives and works in Carrara in Italy where , through the marble , he seeks to achieve the essence and unity of things. He is concerned with specific topics for some years, allowing to divide his creative activities in several successive periods : - "Les Eclosions" 1977-1982 - "Les Têtes" 1984...

Very original French sculpture, small proportions, made with a technique of assembly of wood and white lacquered metal the whole coated with plaster in a modernist style. Unknown art...

Large terracotta sculpture, circa 1950/1960 to identify.

Marie Claude de Fouquières Resin Egg France 1970 Diameter : 16 cm Height : 20 cm

Sculpture in polished bronze by Perrin & Perrin 2016, French Glass Artists represented by Galerie Negropontes. H 24 X l 20 X P 20 cm Martine and Jacki Perrin sculpt together as one,...

Impressive aluminum sculpture on a steel base by Bertil Englert Sweden 1970 Was in a garden

Very large and originale ceramic sculpture of impressive finesse in its execution. This artist only created one piece per year. Interior and exterior enamel. Unique piece made in 1...

Bronze Carafe lips by Rick Owens 2019 Dimensions: L 14.5 x W 14.5 x H 27.5 cm Materials: Bronze Weight: 4.5 kg Rick Owens is a California-born fa...

Unique bronze coupe by Rick Owens 2007 Dimensions: L 20 x W 20 cm Materials: Bronze Rick Owens is a California-born fashion and furniture has developed a unique style that he d...

Sculpture by French Sculptor Alain Descombes born in 1942 The " Bird", circa 1980s.

Yann Liébard, signed. Tripartite sculpture entitled “waves”, colored and in altuglass, in a wavy shape. Work realized in 1971.

Very rare and collector Door handle / sculpture for the Omega watch brand shops. Lava stone and brass Signed and dated lower right 1960 20 x 20 x 7 cms Perfect original condition...

Bronze sculpture by Perrin & Perrin, Galerie Negropontes, 2021 Measures: H 22.5 x L 19 x P 7 cm / H 8.7 x W 7.5 x D 2.7 inch Martine and Jacki Perrin sculpt together as one, forming ...

'Citadelle' by Bertrand Créac'h, 2010 Material: Carrara marble, unique piece signed. Dimensions: H 100 x 48 x 26 cm Type: Unique piece signed, made in France. Bertrand Créac’h is a ...

Alfredo Rossi, signed. Murano glass sculpture, volute shape and smoked glass, standing on a black lacquered base. Italian work realized in the 1970s.

Interesting sculpture "Totem" in carved wood partially colored in blue. Directly carved in a dead tree trunk.

Unique piece born from the artistic exploration of Jeremy Maxwell Wintrebert. An innovative exploration of glass through shape and colour making this piece a truly singular work. ...

Unique piece 1980's sculpture by Swedish artist Lasse Brander (1930-2 008) Impressive glass and stone sculpture on a pedestal Total hight 17...

Sandstone sculpture by Pierre Digan with 2 compartments. In very good condition, a beautiful piece. LP3181

Stunning Brown-Patinated Lap Plaque by Jean & Joël Martel, 1930s A magnificent lap plaque with a brown patina by Jean and Joël Martel, dating from the 1930s. This delicate creation...

Handcrafted 011 coupe by Lovebuch Dimensions: Ø 23 x H 18 cm Materials: Sandstone, handcrafted piece. Katia works with wood and clay, these raw, powerfully expressive materials are shaped to create a poetry of objects that inhabit our daily lives. Sculptural ceramics...

Arkhè I sculpture by Lea Munsch Signed and numbered on 5 Dimensions: W 38 x 30 x H 46 cm Materials: Stoneware Each piece is unique with its own personality and marks. Dimensions ...

Vase sculpture in frosted glass and marble base by Georges Stahl With a bronze tree branch.

Jorgen Stening, a bronze sculpture, signed and dated 89. Sweden Patinated “vert de gris” oxydated sculpture in solid bronze on a glass base. Very good condition Measures: Height 46 ...

White and Gold Sculpture covered with leather with its flowerbed in copper plated metal. Hot gilding. Its seat is in full brass, varnished and...

Really nice French ceramic from 1960s.