France Abstract Sculptures

"Pomme bouche" : Good quality patinated massive bronze sculpture showing an apple with lips on the front of it Bears an illegible signature underneath Note that the stem of the ap...

Glazed ceramic & stone base Signed

Guy de Rougemont Untitled. Lacquered PVC, unique piece. France 1970 L. 56 cm, W. 34 cm, D. 20 cm

Sculpture Soaring Bronze all in solid bronze in green finish. on metal base. Base dimensions: L21xD21xH1cm. With optional high metal base available on request, with up-charge for s...

Black marble of Belgium and bronze sculpture. Carlo Nicoli Workshop, Carrara. Unique piece. Date of creation: 1985. Japanese artist. ...

Rare and unique sculpture ceramics (sandstone and porcelain) made in 1960 by Jean-Paul Brunet / Atelier Palègre Good dimensions.

Large sphere on a pedestal in fractal resine. The pedestal is champagne-colored, the sphere slightly pink. Unique piece. Biography : Pierre Giraudon, France (1923-2012) Pierre Gira...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A Painted Wood Sculpture by Louis Sala France 1970s In Pine Painted Wood Signed. In good original condition, minor scratch.

Alex Berdal (Perpignan, 1945) Phoenix, 1980 Bronze with brown patination. Stone base. Signed along the side. Numbered 4/8 Foundry mark « Fonderie de la Plaine » Height : 15,5 cm Total Height : 28 cm Width : 51 cm Depth : 10 cm Bibliography : Berdal, sculptures, Editions Le Chardon...

Glazed ceramic wall lamp with geometric relief made by the Jean Roger workshop in Paris. Available in green, yellow, blue, pink, brown, and matte white colors and in two sizes. Made...

Embers by Perrin & Perrin, 2008 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a decade t...

Jean Campa, by. Abstract patinated metal sculpture. Triangular shaped base. French work realized in the 1980s. Dimensions: H 73 x W 63 x D 27 cm Reference: LS6217809C

Sculpture Alma Head Bronze all in solid bronze in brown finish. On base with iron stand and black wooden base. Base dimensions: L15xD15xH3cm.

Claude Viseux est un peintre, sculpteur et graveur aquafortiste et lithographe français né le 3 juillet 1927 à Champagne-sur-Oise et mort le 9 novembre 2008 à Anglet. 'est dans les années 1959-1960 que la sculpture de Claude Viseux, qualifiée de « protéiforme, onirique, fantastique » — ami de Max Ernst, Man Ray, Francis Ponge et Henri Michaux, il ne désavoue pas une parenté avec le Surréalisme9 — se substitue à la peinture, ses premières réalisations étant les objets trouvés en bord de mer qu'il pétrifie dans la cire10 d'une part, les empreintes de pierres et d'algues coulées en bronze d'autre part. En 1960, il signe le Manifeste des 121 titré « Déclaration sur le droit à l’insoumission dans la guerre d’Algérie ». En 1961, ses expérimentations s'orientent vers les corps organiques, notamment avec sa série Ostéales constituée d'assemblages d'os fossilisés qu'il patine ou au contraire décape, qu'il visse, scie, assemble et plastifie. Les Concrétudes ou Coulées directes qui suivent en 1961-1962 sont obtenues à partir de coulées de métal en fusion dans le sable, générant des reliefs qu'il soude sur des plaques d'acier. Il va cependant adopter rapidement l'acier inoxydable — qu'il est avec Pol Bury parmi les premiers à employer en sculpture — comme matériau de prédilection. « Il assemble divers rebus industriels — tuyaux, écrous, boulons, cuves… — pour créer des sculptures à mi-chemin du mécanique et du biologique » restitue ainsi Sophie Serra11. Claude Viseux, qui fréquente alors Jean Tinguely, Piotr Kowalski, Michel Guino, Takis et César, confirme : « Ma récupération de l'élément industriel s'élargit vers les aciers spéciaux, avec un essai de vocabulaire formel : des barres, des profilés, des sphères, des rotules, des fonds de cuves, des chambres à combustion de Boeing, des tubulures, des soupapes de navire »9. « L'artiste entre au cœur de la réalité industrielle, prospecte dans les chaînes de montage de Renault et rôde dans les terrains vaques autour des usines », restitue donc l'encyclopédie Les Muses : « il récupère ferrailles, pièces détachées, débris de voitures, vieux châssis, toute une série d'éléments devenus inutiles. Ils les assemblent, tels quels, sans les modifier. Des créatures agressives ou pathétiques vont surgir de ce combat physique et dialectique que l'artiste livre avec la matière et entrer dans le domaine d'une poétique étrange, surnaturelle5 ». Dans les années 1967-1970, Les « structures actives » en acier inoxydable procèdent ainsi de la production industrielle de série. Elles se répartissent en familles de formes combinatoires composées par addition, soustraction, multiplication, division. Il confirme : « le monde industriel est ma nature, mon bouillon de culture, où je cherche des corps, des familles de corps, des genres, des espèces, dans un aller-retour de l'artificiel au naturel pour confondre les règnes, pour en inventer d'autres selon une géométrie organique qui féconde les différents types de structures, qui aménage la forme concernée par la forme à venir »9. En 1968, Claude Viseux s'installe à la villa Baudran à Arcueil, atelier qu'il conservera jusqu'en 1992. Si des corps imaginaires naissent ainsi des pièces mécaniques que Claude Viseux emprunte à l'automobile, à l'avion et au bateau, en 1972, « la symétrie de ces formes pures en inox », constate Lydia Harambourg, « l'amène à s'interroger sur la notion d'équilibre instable »12. Ses Instables sont de la sorte exposés à la Biennale de Venise en 1972 où, rappelle encore Lydia Harambourg, une salle entière est consacrée « aux dessins qui reprennent son vocabulaire mécanique identitaire de sphères, toupies, hélices, anneaux, astrolabes et balanciers »12. Les Instables sont de même, en 1973, présentés à la galerie Le Point cardinal à Paris où Claude Viseux avait déjà exposé en 1968 avec Henri Michaux et Joaquin Ferrer...

Sculpture Inca 4 Marble made with carved and polished marble, pole in solid bronze.

Cristal 1, 2023 by Laurent Dufour Glazed stoneware. Unique piece. Signed at the base. This piece can be put indoor and outdoor.

Antonine de Saint Pierre, by. Sculpture entitled “Le baiser” in green lacquered metal. French work by a contemporary artist. Dimensions: H 50 x W 20 x D 20 cm Reference: LS6245487Y

Light sculpture in enameled stoneware by Agnes Debizet, France 2020. Agnes Debizet is a French contemporary ceramic sculptor. Unique piece, signed and dated by the artist.

Antonine de Saint Pierre, by. Sculpture entitled “Tauride”, in blue lacquered metal. Work of a contemporary French artist. Dimensions: H 50 x W 20 x D 20 cm Reference: LS6240489P

Glazed ceramic wall lamp with geometric relief made by the Jean Roger workshop in Paris. Available in green, yellow, blue, pink, brown, and matte white colors and in two sizes.

Installation composed of 14 steel blades and painted metal, on cut cement bases This installation was created for the Venice Biennale in 1988, for the Cure exhibition, by Alfredo Pir...

José Luis Sanchez (Spain, 1926-2018). José Luis Sanchez, a signed and numbered 383 sculpture. Fantastic abstract Brutalist shaped sculpture made and designed by Jose Luis Sanchez, ...

Carlo Ramous (1926-2003) Bronze sculpture, with a brown patina. Signed ‘C Ramous’ and numbered 1/3. Measures: Height : 78 cm Width: 86 cm Depth: 24 cm Inside, there ar...

Golden Bronze Coupe by Rick Owens 2007 Dimensions: L 20 x W 20 cm Materials: Bronze Weight: 3 kg The gold edition is an exclusivity of Galerie Philia Rick Owens is a Californ...

Fermo Doorstop by Rampinelli Edizioni Designed by Martinelli Venezia Dimensions: D 11.5 x W 30 x H 25.5 cm, Materials: Metal. MARTINELLI VENEZIA Fermo is a metal doorstop, character...

Constantin Andréou 1917 (Sao Paolo, Brésil) – 2007 (Athènes, Grèce) Momie Darling 1997 Œuvre en laiton doré Pièce unique Signée Hauteur...

Patinated bronze sculpture Signed and numbered 4/8.

Unique bronze bowl by Rick Owens 2007 Dimensions: L 14 x W 14 x H 8 cm Materials: Bronze Weight: 1.5 kg Available in black, gold, and Nitrate finish. Rick Owens is a Califo...

Sculpture Dolmen bronze All in green solid bronze.

Sculpture Connect Bronze all in solid bronze in brown finish, Base dimensions: L40xD17xH1,9cm.

Robert Fachard (1921-201, France) : "Abstraction" Abstract welded and patinated bronze sculpture Unique piece Signed : "RF", monogram of the artist Circa 1970-75, France Dimens...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Ceramic sculpture plate by famous Italian artist Arnaldo Pomodoro Born 1926 Signed and numbered.  

Aglae Liberaki (1923 – 1985). Bronze sculpture. Lost wax. Foundry’s mark Valsuani. Monogram et dated 72.

Important sculpture in black lacquered curved/welded round steel bar by the American artist John Hollister Risley (1919-2002), titled "Lily Pad" United States 1965. Unique piece. Me...

Guido HAFNER Born in 1968 Title : Mensch mit Mensch Technique : Bronze sculpture Biography : Guido Häfner is a sculptor and graphic artist who completed his studies i...

A ceramic sculpture signed Alistair Danhieux. Signed and dated under the base. 2013. Perfect original conditions.

François Stahly (1911-2006, Germany/ France) : "Les Trois Bourgeons" Original black patinated bronze sculpture 1939, France Signed : "F.Stahly" Numbered : "1/8", engraved underneat...

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Lipsanothèque by Elsa Foulon Unique piece Dimensions: D 25 x W 48 x H 73 cm. Materials: Ceramic, cristal di aqua, black lacquered wood, brass mirror, bismuth. Inconsistency in textu...

1995. Roland Phelps Étude - maquette sculpture cinétique rotative diamètre 30 cm

Glass sculpture, dated and signed by Marc Lepilleur. France, 2016

Bronze Sculpture Lalloz Foundry, Signed and Numbered : 1 / 8 Bibliography: Pierre Descargues, Catherine Val la Clandestine, Paris, Area/Descartes & Cie, 2011.

Glass sculpture "Build in glass" by Perrin & Perrin, French Glass Artists, represented by Galerie Negropontes in Paris, France Measures: H 80 x L 50 cm - H 31.4 x W 19.68 inch Pièce ...

Set of five Jacques and Dani RUELLAND ceramics, Ceramics in warm tones, of various sizes: (from the smallest to the tallest) Height: 9 cm Diameter: 10 cm ----- Height: 13 cm Diameter...

Corps Céleste III unique sculpture by Awaré Dimensions: L 35 x H 54cm Materials: Plane tree, naturel dyed silk, pigment, oxidation Awaré is the meeting of the sculptor Jérôme Pereira and the artist Sylvia Eustache...

Totem N°3, monumental sculpture by Michel Lucotte. Unique piece. Bears M Lucotte’s “L” stamp. Dated 1975 on the underside. Welded and fire-blackened steel. Sold with certificate. H...

A beautiful sculpture by Elisabeth Joulia. La Borne France 1960's Signed under. Strong presence, nuance of colours stoneware because of wood fired ( Brown, purple ) In very good ...

Golden bronze bowl by Rick Owens 2007 Dimensions: L 14 x W 14 x H 8 cm Materials: Bronze Weight: 1.5 kg The gold edition is an exclusivity of Galerie Philia Rick Owens is a C...

J S B by Perrin & Perrin, 2013 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a decade...

Suzanne Tribu 27.22 Sculpture by Léontine Furcy Unique piece. Materials: Raw white sandstone. Dimensions: L 29 x H 35.5 cm. Léontine Furcy, ceramic artist, tells about herself ...

Lacs, by Perrin & Perrin, 2008 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a decade ...

Wooden sculpture by MILOSEVIC. Dragoljub D.A, MILOSEVIC (1939-2019), is an artist born in 1939. He showed early gifts for the drawing and plastic modeling of busts. He thus obtain...

Perpetual by Perrin & Perrin, 2019 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a deca...

Névé by Perrin & Perrin, 2022 Build in glass sculpture One-off Martine and Jacki Perrin sculpt together as one, forming a duo enriched by their individualities. For over a decade th...

Large illuminating sculpture by Richard Faure, composed of a block of gypsum arrows from the Sahara set in a hand-crafted patinated brass frame. France circa 1980. Unique piece. Bio...

Moeraki Hybrid Sculptural Room-Divider - Albane Salmon Solid sycamore wood, partly dyed, oil finish H. 195 x L. 186 x P. 180 cm. One of a kind. Variations possible on demand Inspire...