France - Table Lamps

Vase, table lamp, in porcelain. It has been made in china, circa 1940. The decorative pattern are flowers and leaves.

Pair of table lamps in travertine and patinated brass. This exceptional lamp features a round travertine base that celebrates the distinctive beauty of natural stone. This table lam...

Gae Aulenti - Fontanat Arte Production Large "Giova" model table lamp - circa 1970 Chromed metal base supporting three blown glass elements. The last pink soaped element can be use...

Golden Olive Ombrellina Renaissance Rose Table Lamp by Mattina Moderna Dimensions: D 35 x H 50 cm Materials: Earthenware. Renaissance Rose + Oxblood checkerboard pattern & Plein Air ...

Pair of table lamps in patinated brass with black granite base. Pair of lamps in patinated brass resting on a black granite base. Its curly lampshade enhances its look by projecting...

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

Handmade cute mini-version of rattan coconut lamp. Easy to fit on your table, sidebord or even bedside table. Each comes with 2 bulbs in the coconuts and 6 removable/ adjustable leav...

This beautiful French Art Deco table lamp, designed by Daum (Croismare) in France during the 1920s, features a stunning blown double glass shade paired with an elegant wrought iron b...

Muller Frères art deco lamp circa 1925. Wrought iron base stamped Fag. Glass paste shell signed Muller Frères Luneville. Electrified and in perfect condition. Total height: 35 cm Sh...

Mid-Century Modern Space Age pair of table or bedside lights lamps model LT230 in clear and white textured kinetic murano glass by Carlo Nason for the manufacture Mazzega. Famous ita...

Poul Henningsen. Table lamp, 'PH 3½-2½ Kobber Bord' - Limited Edition from 2014. Glossy polished copper stem. Solid copper upper shade. Opal glass middle and lower shades. H. 45 cm. Ø 33 cm. Light signs of wear. Sold in its original box with the 2 large shades...

LT328 table lamp designed by Carlo Nason for Mazzega in the 1970s. This lamp is made of a metal circular foot and a stack of four glass parts forming a large globe diffusing the lig...

Pair of contemporary table or bedside lamps full brass. Few exclusive production from a small italian design workshop. Demonstration shades not incl...

MULLER FRERES, Lunéville, Art Nouveau table lamp in marbled sandblasted glass, wrought iron base. Production is around 1900 which is contemporary with the times and the Art Nouveau p...

This table lamp is in crackeled Ceramic. The color is blue. It has been done circa 1980, in France. US PLUG ADAPTATOR WILL BE FURNISHED FOR FREE TO THE US BUYERS Shade is not Furni...

This elegant French Art Deco table lamp, designed by Charles Schneider, was crafted at the Schneider glassworks in Épinay-sur-Seine, Paris, between 1924 and 1928. It features a beaut...

A large table lamp crafted from a substantial block of light green glass features an asymmetrical shape with rugged edges, adorned with a contemporary lampshade.

Large Art Deco night light circa 1925, signed Le Verre Français, dahlia design. Wrought iron base. A second one is available, so it's possible to make a pair. Electric, E14 socket. I...

1970s Italian Table Lamp - Marble & Brass - Brutalist Design - Linen Shade Sculptural organic modern marble and brass lamp crafted in the 1970s. The base is carved from a solid blo...

Marian Zawadzki, a floor light, Tilgmans keramik 1961. Ceramic ware, polychrome glaze handprinted with animal and plant decoration. A highlight. Pleated textile shade. Signed and dat...

Large modern geometric plaster lamp in the style of Diego Giacometti - MM007 Large modern plaster lamp in the style of the work of Diego Giacometti. Quality craftsmanship, hand-sculp...

Table lamp bank office with structure in antique brass finish. Two bulbs, lamp holder type E14, max 40 watt. Bulbs not included.  

French Art Deco Night-light or Mood Table Lamp by Muller Freres (Lunéville) and Marcel Vasseur (Paris) and edited by ROBJ (Paris), France, 1920s. Glass and wrought-iron. Thick mottle...

This exquisite pair of Japanese table lamps from the early 20th century showcases timeless elegance with classic floral and vegetal motifs. Their vibrant orange and blue colors are i...

A very stylish 19th century Empire style 'Bouillotte' table lamp in gilt bronze, lit by three curvaceous 'swans head' arms and topped with a green lacquered metal (tole) shade adorne...

This elegant ceramic lamp by Jean Roger is a stunning example of the artist’s mastery in decorative lighting. Inspired by tropical motifs, the lamp features a sculptural pineapple re...

Large French modernist Art Deco Rod table lamp, France, ca.1930 by Maison Petitot (Paris). The pair is available. White double glass cone lampshade on a base made up of 9 large glass...

Plein Air Ombrellina Olive Branch Table Lamp by Mattina Moderna Dimensions: D 35 x H 50 cm Materials: Earthenware. Olive Branch + Plein Air stripped pattern & Syrah contrastant top. ...

Ceiling light model 2049/4 designed by Massimo Vignanelli and made by Gino Sarfatti's Arteluce in 1964. Made of four aluminium square frames from where hang fabric fringes surroundi...

Moroccan Tamegroute Ceramic Lamp This vintage handcrafted green enameled lamp is a mere sculpture from Southern Moroccan village of Tamegroute, wher...

White Travertine Small Roma II Dodecagon Table Lamp by NASSI Dimensions: W 30 x D 30 x H 44 cm. Materials: Fine cotton lining, pure linen fabric in white. Base: White Travertine, n...

Thierry and Chantal Robert - Vieux moulin atelier Architectural stoneware ceramic table lamp or lantern lamp Original perfect condition Realise...

A beautiful zoomorphic lamp signed H.O... France 1950's In a beautiful satin black. Signed under. Very good original condition. A masterpiece by an unkown ceramist... the mistery...

A ceramic lamp by Hervé Taquet with blue glaze decoration. Unique piece. Artist monogram at the base. Sold with an new European electrical system. D...

Large French Art Deco Table Lamp by André Delatte (Jarville, Nancy), France, 1920s. This stunning lamp features a blown double glass shade created by Delatte, elegantly suspended fro...

Ceramic lamp with two faces by Roger Capron and Jean Derval, stamped

Very beautiful vintage table lamp from the 70s in aluminum, two-tone. . Can be attributed to Poul Henningsen for Louis Poulsen. . Diffuses a very beautiful light. . Height 52 cm Lamp...

Tall Mush Lamp by Kilzi Dimensions: Top shade: D 35 x W 29 x H 28 cm, Lower shade: D 29 x W 21 x H 31 cm. (Total height 55 cm). Materials: Fiberglass, ...

Large Table Lamp Model 625, Designed by Elio Martinelli for Martinelli Luce, Circa 1970s This stunning table lamp features a painted metal base that supports three light sources, cro...

A thoroughbred French 1960's lamp, design by Longchamp Paris for your writing table. A solid brass stirrup mounted and wrapped in saddle-stitched leather with brass buckle. Very ...

Majorelle lamp representing a flower, around 1900 in bronze and alabaster. Not signed. Electrified and in very good condition. Measures: Diameter: 26 cm (base) 30 cm (shell) He...

This nice pineapple table lamp is made of black lacquered and gilt metal. This is a French work in the Style of Maison Charles. Circa 1970

Pair of table lamps in patinated brass with bamboo decor. Pair of table lamps with bamboo-inspired legs finished in patinated brass. The metal shade emits a soft glow. Perfect for t...

André Bodin Large 20th century design ceramic table lamp brown and black ceramic glazes colors Original perfect condition Signed under the base Electrical system is ok Ceramic ...

French Art Deco table lamp by Jean Gauthier (Paris), France, 1920s. Thick opalescent semi-crystal shade with an Art Deco pattern. Depending on the exposure to light, opalescent blue ...

We are pleased to offer an exceptional and rare lighting piece, emblematic of the Art Deco period: A large sculptural lamp/nightlight crafted in patinated bronze, depicting a majesti...

Cork & Paper Fulcrum Table Lamp by Resident Dimensions: W 30 x D 15 x H 53.5 cm Materials: Bronze or Cork, Paper. Weight: 2.6 Kg. About: Founded by Simon James & Scott Bridgens in ...

This table lamp is a 19th century Famille rose vase lamp, it has been made in china circa 1880. The mount is in brass, and the porcelain in hand painted. USA PLUG ADAPTATOR WILL BE ...

French Art Deco table lamp by Charles Schneider & M. Voutier, 1920s. Blown molded glass shade on wrought-Iron base. This French Art Deco table lamp, created in the 1920s, features a ...

Pair of B102 Table Lamps by Hans Agne Jakobsson These exquisite lamps feature a brass construction paired with a molded glass shade. A notable highlight is the crown decor piece sur...

This lamp is a rare wrought iron piece dating from 1955, created by Francis Dewaele for Les Artisans de Marolles under the direction of Jean Touret. It is distinguished by its elegan...

André Bodin Unique handmade piece Realised circa 1970 Blue and grey stoneware ceramic table lamp Original perfect condition Signed under the base BODIN Sold without...

Sculptural lamp in the shape of a pyramid. Assembly of glass blocks. Lamp entirely handmade. Lighting and light diffused with total softness. French design from the 1960s. free ship...

Pair of table lamps with the colour of patinated brass, linen shade. A pair of table lamps with a silhouette that resembles a knotted fabric, paired perfectly with the environmenta...

Lamp `` Electra '' - Giuliana Gramigna Artemide edition, Italy 1960 Glass and steel Measures: H38 x D50.   

Joseph Talbot, La Borne. Rare and decorative stoneware ceramic table lamp by Joseh Talbot, circa 1950. Exceptional original conditions. Signed under the base. Elegant bro...

Art Deco table lamp with nickel finish and glass rods.

Art Deco lamp circa 1925. Wrought iron base with ginkgo biloba decoration, stamped A. Moyens (Marseille ironworker). Glass paste tulip signed Daum Nancy. In perfect condition and ele...

Superb "Atossa" model crystal lamp designed by Marie-Claude Lalique for the Lalique manufacture, France 1980s. Signed. In excellent condition, with its original lamp shade. Dimensi...

Pair of vintage steel table lamps in great condition with the base covered in leather. New made to measure shades. Two sources of light per lamp. Dimensions with the shades: ø39 H89cm.