Majorelle Exceptional and Rare Art Nouveau Bronze and Alabaster Lamp

Majorelle Art Nouveau lamp Large lamp around 1900 foot in gilded bronze and lampshade in alabaster. Very good quality of bronze and pretty floral m...

Large pair of art nouveau sconces circa 1900. Gilt bronze mount with floral decoration. Opalescent blown glass tulip globe. In the taste of Majorette. In perfect condition and electr...

Art Nouveau lamp circa 1900. Patinated regula representing a nymph, signed L. Bessin for Paul Lucien Bessin. Glass paste tulip signed Daum Nancy. Electrified and in perfect condition...

Art deco floor lamp circa 1925 attributed to Louis Majorelle. Wrought iron with bronze applications. Very good quality wrought iron. Electrified and in perfect condition. The basin w...

Large Art Deco lamp around 1930. Alabaster shell and wrought iron foot. In very good condition and electrified. Diameter: 30 cm (obus) Diameter: 17 cm (base) Height: 53 cm.

Gilt bronze lamp around 1900, probably by Majorelle executed by Victor Saglier. Stamped on the foot VS. Glass paste tulip signed Daum Nancy. Lamp electrified and in perfect condition. Total height: 38.5 cm - 15.15 in width: 15cm depth: 13cm weight: 2.3kg Victor Saglier (1809 - 1894) Victor Saglier is a ceramist and goldsmith known in particular for his creations in the Art Nouveau style of the late 19th century. He produces, among other things, objects in enamelled glass, gilded metal and numerous pieces of silverware. On his death, the company was bought by his brothers who continued production until 1948. Victor Saglier's objects are signed by the "VS" brand. Known for his Art Nouveau work, Saglier made several pieces for Louis Majorelle, Daum and Émile Gallé. Its style is typically French Art Nouveau in the language of the École de Nancy. He often drew inspiration from nature for his work, the logic of which helped design both forms and settings. The sign of master goldsmith Victor Saglier is an oval-shaped three-master sailboat surrounded by the letters V and S in a rectangle. Saglier made everyday objects such as glass vases, bowls and pitchers with metal mounts, planters, tea and coffee services and candlesticks in bronze or silver-yellow metal or cast zinc. On his death, the Victor Saglier company at 12 rue d'Enghien in Paris became Saglier Frères. It was run by his brothers Eugène and André until his death in 1948. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects.

Bronze lamp with nickel patinated finish and purple glass. (glass color can be change by dark blue, amber, sanded, red or green).

An Art Nouveau table lamp cast in bronze with 3-arm spider and single Edison socket. The Art glass shade is 13" diameter with gold finish and white interior. Base is cast after the o...

A Louis Majorelle and Daum Nancy Gilt Bronze and Pink Glass Table Lamp, Circa 1900 Introducing an exquisite piece of Art Nouveau mastery – the Louis Majorelle and Daum Nancy Gilt Br...

This exceptional uniquely sculpted decorative pair of Art Nouveau period lamps are designed in dire' bronze. The craftsmanship is such that only an artisan of superb skill would have produced them. A tulip shape alabaster shade rests atop each bronze lamp. The images of the lamps lit are with a 25 watt bulb. These doré bronze lamps...

A figure of a standing young lady finely carved in white alabaster. She is shown dressed in an almost ‘flapper’ style skirt as she leans with her elbows against an ochre mottled rectangular alabaster column on a further stepped base. Her eyes are almost closed as if she is dreaming. The lower rectangular column supports a fluted round column which holds a hollowed white alabaster bowl...

France, circa 1900 A fine large desk lamp by Majorelle, the wrought iron base decorated with incised dots and diagonal lines, of tripod form with large circular wrought iron shelf d...