Hudson - Art

charcoal and carbon on Arches cotton paper 7 x 10 inches unframed This contemporary finely detailed charcoal drawing on Arches paper was completed in 2016 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees...

Abstract mixed media painting with green spurge plant material and neutral encaustic on panel 12 x 12 x 1.5 inches, ready to hang as is Sturdy d-ring is on the back for installation ...

17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Venice, Italy amongst a backdrop of g...

35" x42" fine art photograph, hand signed by the artist. This color photograph depicts a basketball court in Harlem, at Rutger Park NYC, with beautiful fall foliage with orange, yell...

Exhibited: 1973 San Francisco Museum of Art 2003 Oakland Museum of California "Fred Martin Retrospective" A native Californian, Fred Martin was born...

Painting measures 22" x 28" and framed 26" x 32" x 2" Hand-signed "J.E. Costigan NA 1952" lower left. About this artist: John Costigan was a self-taught painter distinguished by h...

One of a group of over 100 works personally selected by the artist and gifted to a close personal friend in 1969, this work was never matted, framed, glued, taped or exposed to light...

Skunk (Halo Lighting Surrounding a Wandering Skunk in a Field) Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas Signed verso Excellent condition NATURAL TH...

Feather (Blue Toned Contemporary Still Life of Feather in Small Jar) Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas Signed verso Excellent condition NATU...

Yorik (Skull and Orb Vanitas Still Life Oil Painting in Cool Colors) Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas Signed verso Excellent condition NATU...

Shadow of Her Former Self Photograph of Found Objects Printed in Cyanotype Panel is 10 x 8 inches, 12 x 10 inches framed Wire backing, ready to hang Signed, verso (lower right) Sok...

Peter Robert Keil painting on stretched thick canvas. Lovely colorful portrait.

Artwork measures 29" x 43" and framed 30 3/4" x 44" x 2" Signed "Stanley Twardowicz" verso. Stanley Twardowicz's poured enamel and oil breakthrough works of the mid-1950's came as ...

Fauvist-style, Modigliani inspired, abstract portrait of a man in a dark brown antique wood frame with linen inlay "Portrait III" by Hudson Valley based artist, David Dew Bruner 20 ...

This piece was created expressly for the purpose of being photographed for a photo series. Created of a sculpted brass metal mesh screen material mounted upon a solid wood base and c...

40”x29.5” (artwork size) watercolor on paper, signed on reverse framed (presented in a black finish, shadowbox frame) In this original watercolor painting, a leopard sits on a Red,...

Large scale painting by Steve Balkin titled “Entre Nous”. Balkin is known as being the creator of “Lyrical Impression” which is clearly displayed and defi...

Tlaloc and the Tiger (1939) Oil on panel 16" x 12" 23 ¾" x 18 ¾"x 2 ½" framed Signed and dated (and inscribed) "de Diego 39" lower left. Provenance: The artist; private collection Ch...

12"x9" mixed media collage: acrylic, metallic watercolor and papers, ink, collage dressmaking patterns, framing options available. Linda Ganjian's artwork captivates with its ornat...

17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Springfield, Massachusetts - where ba...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

Signed lower right: "Atherton", inscribed "John Atherton Original Tempera 7/28/50" on verso. Artwork measures 16" x 20" and framed 20" x 24" x 2 ½" About this artists: John Atherton (1900-1952) did not show an early aptitude for art; rather, his first love was nature and the activities he relished there, mainly fishing and hunting. Born in Brainerd, Minnesota in 1900, he learned to fish with his father from the age of four. Later the family moved to Spokane, Washington, and when he was old enough, Atherton worked at a variety of jobs to help support his family. One such job, in the sorting plant of a lead and silver mine, paid $4.25 a day—a good wage, though he never had time to spend his money, since he worked seven days a week. After serving in the Navy for a year during World War I, Atherton was determined to get an education. He worked as a sign painter and played the banjo in a dance band, finally accumulating enough money to enroll in the California School of Fine Arts in San Francisco. Once there, he worked like a fiend, attending classes both during the day and at night, getting the best training available. Though he had always intended to be a fine artist, Atherton’s first jobs were for commercial art firms. In 1929, using the prize money won for a painting he entered in an art competition, Atherton and his wife moved to New York City. Though the economic situation was difficult in those years, he managed to keep going by taking commissions for magazine illustrations, and over the years he would paint more than forty covers for The Saturday Evening Post. In 1938, an artist friend suggested that he use the same flat, decorative style as his commercial work for his gallery paintings. This was a breakthrough for Atherton; soon afterwards he held a one-man show at the Julien Levy Gallery in New York, and his paintings began to be collected by museums including the Museum of Modern Art in New York and the Metropolitan Museum of Art. Atherton’s reputation increased to a national scale when he designed the art deco stone lithograph poster for the 1939 World’s Fair that strikingly depicted Earth and its atmospheric layers in the lap of Liberty. Atherton was highly influenced by the magic realist...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a roller coaster that was built in 1925, abandoned in 1980, and demolished in 2000. Behind is the Pa...

Organic, abstract bronze sculpture by Yulla Lipchitz of a woman lying down with a tree. About this artist: Yulla Lipchitz, née Halberstadt, was born on April 21, 1911 in Berlin, Ge...

Hans Burkhardt frequently used live models for his figural pastels, which he maintained an interest in throughout his long career. Untitled (1972) Pastel on paper, 25" x 19" 28" x 2...

Realistic oil painting of New York City edifice by Richard Britell oil on linen 10 x 8 inches Framed, hangs flush to the wall Signed on ...

A modernist coastal/dock scene by Edward Christiana. This painting is hand-signed "Edward Chrstiana '52" lower right. Exhibited: 1946 Munson-Williams-Proctor Institute; 9th Annual Exhibition 2004 Jameson Gallery, Portland, Maine; Edward Christiana (1912-1992) More about this artist: Edward Christiana was born in White Plains, New York in 1912. After high school the artist enrolled at Pratt Institute in Brooklyn, New York, graduating in 1933. After returning to the Mohawk Valley and obtaining work he enrolled in the School of Related Arts and Sciences at Munson-Williams-Proctor Arts Institute. In 1940, noted WPA artist William Palmer came to MWPAI to establish the School of Art, forerunner of the current Pratt at MWPAI. Mr.Christiana became involved with the School almost immediately and studied from 1941 until 1943 under Mr. Palmer, at which point he became an instructor himself and remained in this capacity until 1982. It was apparent at a very early stage in the development of Ed Christiana as an artist that he had a tremendous facility in the difficult medium of watercolor. By 1945, he had exhibited with the American Watercolor Society and did so again in 1947, 1949, and 1950. Mr. Christiana was even awarded the coveted William Church Osborne Purchase Prize in 1949 and 1950. He had his first one-man show at the Munson-Williams-Proctor Arts Institute in 1946, and would be so honored twice more; in 1954, and culminating with a major retrospective in 1989. By 1949 he was elected to the American Watercolor Society. He was represented in a group show at the Kraushaar Galleries in New York in 1951 and in another major one-man show at the Albany Institute of History and Art in 1956 where he received a purchase prize in oil. Strangely, after all of his early success in watercolor, he abandoned the medium in the early 50's to concentrate on oil painting. For over two decades he painted primarily in oil ranging from cubist inspired studies to his Marsden Hartley-inspired paintings of Mount Katahdin in the 1970's. By the mid 70's he had returned to watercolor. He was once quoted as saying "those who are familiar with my old paintings will be aware, I am sure, that in fact, they were not so far removed from watercolor, my technique in oils deriving positively from the aqueous medium." In the 1970's his watercolor style changed from the more wet and spontaneous style of the 40's to a dryer, slightly more controlled style, where the artist would often paint on dry paper, without wetting it prior to the application of paint. In the early 80's he returned to a wetter style, even more spontaneous than his method in the 40's. This culminated in his abstract work of the late 80's inspired partly by John Marin. Also, like Marin, Christiana painted representational work alongside very abstract work during the same period. Fellow artist Easton Pribble once said of Ed Christiana "If there were to be an honorary title -Painter Laureate- of the Mohawk Valley, Edward Christiana would certainly be the prime qualifier for that distinction." Christiana is known for his landscape views of the Mohawk Valley, her wild natural beauty as well as the architectural beauty of her towns and cities. He has also painted extensively in the Adirondacks as well as New Hampshire, Vermont, and especially Maine, which can almost be considered the artist's second home. He loved to paint the pastures, valleys, rivers, and waterfalls of the area as well as children playing on the grounds of his beloved Munson-Williams-Proctor Arts Institute and the neighborhoods surrounding it in Utica, New York. Edward Christiana painted almost right until his death in 1992. He was and still is a beloved man. No one I have talked to has had an unkind word to say about Ed Christiana, either as a teacher, artist, or friend. He was a prolific artist and was known to hand paint Christmas and Birthday cards...

Gestural, abstract expressionist oil painting on canvas in tones of blue and taupe, with pops of ochre and mauve Painted by Hudson Valley based artist, James O'Shea in 2021 Oil on c...

large scale contemporary surrealist watercolor painting depicting a graceful white swan on a green leather armchair, with a stack of books piled high to its side. A silver designer mid-century modern pole...

Abstract landscape painting of a gestural blue cloud over an olive green field "Hayfields" painted by David Konigsberg in 2015 oil on wood panel, 23 x 24 x 2 inches Ready to hang, s...

Abstract geometric encaustic painting in patterned ochre on white "Centuries Spliced Open" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & monotype mounted on panel 30 x 41 x 2 inches, sides reveal raw wood sides Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with pattered ochre monotypes on an encaustic white background. The paper, which is adhered to a light wood Birch panel and layered with a subtle layer of encaustic, is arranged in a geometric motif that accentuates the play of negative space. The layered paper and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wil...

graphite, conte crayon and charcoal on Arches paper 30 x 22 inches, 37.5 x 26 inches framed Custom frame with Natural wood molding, white 8ply mat, AR non glare glass Signed BEARD 20...

Signed and dated "Biederman 4-35" lower right. About this artist: Charles Joseph Biederman was a twentieth century abstract American artist best known for his constructivist, cubist...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

India Sachi is a contemporary, female painter and photographer who's mythologically inspired works explore concepts of power, vulnerability, and folklore. With work evocative of Raus...

India Sachi is a contemporary, female painter and photographer who's mythologically inspired works explore concepts of power, vulnerability, and folklore. With work evocative of Raus...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Pelican Finn...

Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon. The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 10. CURRENT EXHIBITION - runs through October 29th, 2017. Any framed photographs purchased during the show will be available after October 29th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.” ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...

Hayfield and Catskills, NY , 2018 pigment print on watercolor paper, signed dated and numbered on face Available in 2 sizes: 13 X 16 1/4 edition of 25 $1,500.00 20 x 24, edition of ...

Framed flower still life photograph of a pale pink rose on a solid black background “Untitled 11” by Chad Kleitsch, this image is part of the...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Vertical, abstract expressionist oil painting on canvas in blue, stone blue, green and midnight blue, with pops of green, peach, and yellow on an off-white background 'What Do I know of This Place (1)' painted by Hudson Valley artist, Jenny Nelson, in 2021 Oil on canvas 20 x 16 x 2 inches, with white painted sides Excellent condition, ready to hang Signed, verso This vertical abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2021. The colorful abstract composition is completed in an expressionist style with loose and gestural brushstrokes in calming tones of stone blue, teal, and midnight blue. The contrasting patches of dusty yellow, peach, and green beautifully pop against the subtle pale beige-grey background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting is unframed, with white painted sides so framing is optional. The artist's signature is located on the back of the painting. Artist Statement: My work has always been anchored in drawing. I spent years drawing and painting from life. This instilled a strong sense of space and structure. At some point I became more interested in the negative space surrounding the objects I was observing and modifying the objects themselves. I began to organically develop an abstract language, but the sense of structure and organization remained constant in the painting. I apply paint in layers using palette knives, brushes and oil sticks. I initially draw loose gestures and a variety of spontaneous marks. Often traces of previous layers remain visible, allowing colors to interact in ways I could not have anticipated. This process leaves me feeling quite lost a lot of the time, and I have had to learn to become comfortable with that feeling. This sometimes builds to frustration, and I will scrape off much of what was applied, but the result of doing this is often something wonderful that moves the painting forward. I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole. This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact. About the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Modern landscape oil painting reminiscent of Hudson River School painters oil on canvas 48 x 48 inches Romantic (yet modern) Hudson River oil landscape painting of rolling, hilly fa...

"Natura Locum", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of figures strolling down the lane in Harlem Park 39.5 x 50 inches, archival watercolor and go...

Abstract encaustic painting with a green, earth toned palette. Made with natural plant material (Northern Sea Oats) "Chasmanthium Insignias I" made by Allyson Levy in 2021 encaustic and plant material on wood panel, 24 x 24 x 1 inches Lightweight, hangs with one d-ring, Signed, verso This modern abstract encaustic painting by Allyson Levy is made with Northern Sea Oats and green encaustic, sealed with a layer of neutral wax on a wood panel. The artist begins by finding the organic material in her 4-acre garden in upstate New York which she then arranges and embeds with encaustic on a wooden panel. The brown, earth toned sea oats are laid in a linear pattern on a wood panel with a surface of green encaustic and then sealed with clear wax. The encaustic wraps around to the sides of the panel, revealing some bumps and downward drips, accumulated during the natural drying process. The piece is lightweight and hangs on one d-ring. About the artist and her work: After moving to the rural town of Stone Ridge, NY seventeen years ago and starting a 4-acre botanical garden with her husband, mixed media artist, Allyson Levy, has found endless inspiration in the plant kingdom that surrounds her. The garden itself, named “Hortus Conclusus”, consisting of thousands of rare plants and edibles, remains at the epicenter of Levy’s art making. A fascination with earth’s bounty is expressed with her works in encaustic. Assorted organic material such as leaves, seeds, branches, insect wings...

"Central Park", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of figures resting in Central Park on a misty afternoon with a cool grey blue palette 7 x 24 i...

Big Little #146 (Small, Square Abstract Painting with Linear Patterns) by Vincent Pomilio acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed signed, verso Th...

Photorealist still life painting on canvas of a light pink lotus flower with brown lotus pods and green petals against a light grey background "Lotus Number Sixty-Five" oil on canvas, 48 x 48 inches, 49 x 49 x 2 inches with a dark wood frame Signed lower left Excellent condition and ready to hang Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPietro features a light pink lotus flower, with lush green leaves on a pale grey background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

"A Way in Light" by Susan Hope Fogel oil on canvas panel 9 x 12 inches, 14.5 x 17 inches in gold leaf frame wire on reverse for easy installation signature in lower left Susan Hope...

Detailed abstract geometric painting inspired by city grids in light grey, blue, and yellow "Specifically Nowhere", made by Hudson Valley based artist, Donise English, in 2023 gouach...

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...