Hudson - Art

Marc Chagall Lithograph, Poster for Chagall Works Exposition issued in 1969 by Maeght Galleries, Paris. Sheet 15.25x11.25 Entitled "Le Pientre, Derrier le Miroir" The piece is is Ver...

Abstract black-and-white still life drawing of bottles on a surface by David Dew Bruner graphite on paper 19.5 x 38.5 x 1.75 inches Framed in vintage frame, hangs flush to the wall ...

Edition 1 of 5 Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring...

Figurative chalk drawing of grey, black, and teal clouds and birds silhouetted on collaged vintage music pages 'Black Bird Tours Around the World ' by Louise Laplante in 2022 silhouettes made with chalk on vintage collaged music pages 24 x 30 inches unframed, 27.5 x 33.5 inches in natural light wood frame with non-glare plexi Louise Laplante bridges the past and present with mixed media drawings made with figurative charcoal silhouettes juxtaposed on collaged sheets of vintage paper. Finding beauty in forgotten or discarded sheets of ephemera, Laplante uses it as a guide for playful compositions of stenciled birds in mid-flight, drifting feathers, or taxidermized deer heads in rich pastel. A final burst of wistful linework glides over the pastel forms, accentuating her subject’s movement while adding another layer of texture. In this particular work, the artist using a palette of black, grey and shades of blue and teal to compose a balanced graphic of fluffy clouds extending above a single black bird. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. The drawing is framed with a light wood frame and has non-glare plexi glass galzing. About the artist: Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years. Artist Statement: My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not. It is informed by my love for old paper, letters, books and images, both as reminders of the past and as bits of pattern, tone, line and shape. The text on them acts as both content and visual device. With each work, I select, arrange and collage these pieces creating both a support and pattern building on it with motifs that are suggested by words on the papers. Although I often start with an agenda I always allow each work to build its own image. Artist Resume: Education MA in Fine Art, State University of New York at Albany, New York BFA, College of New Rochelle, New Rochelle, New York Studied, Art Institute of Boston, Boston, Massachusetts Exhibitions 2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York 2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York Shelter, A.P.E. Gallery, Northampton, Massachusetts Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont 2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island Blanche Ames National, Borderlands, North Easton, Massachusetts Five Points Biennial, Five Points Gallery, Torrington, Connecticut A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens Cultural Center, Athens, New York 2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York 2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts Drawing, Carrie Haddad Gallery, Hudson, New York Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut 2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut New England Collective V, Galatea Fine Art, Boston, Massachusetts Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts 2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York 2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York Drawing, b.j. spoke gallery, Huntington, New York Strange Glue, Thompson Gallery, Weston, Massachusetts Silhouette, A.P.E., Northampton, Massachusetts The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island 2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York Paperworks, Paper City Studios, Holyoke, Massachusetts Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts 2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery, Springfield Technical Community College, Springfield, Massachusetts 2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York 2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts Interaction: Louise Laplante and Liz Chalfin, Wunderarts Gallery, Amherst Massachusetts Artists and Books, Art Complex Museum, Duxbury, Massachusetts One Night, Pivot Gallery, Florence, Massachusetts 2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire Salon, Clark Gallery, Lincoln, Massachusetts 2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts Salon, Clark Gallery, Lincoln, Massachusetts 2004 On Paper, Carrie Haddad Gallery, Hudson, New York Encaustics, Carrie Haddad Gallery, Hudson, New York New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts 2003 Hart Gallery...

Edition 1 of 5 Carolyn Monastra's series "Lovely, Dark and Deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring landsc...

Fantastic mixed media collage, created by Fred Martin as a thank you to gallery owners for their interest and support of his work. Untitled (2014) Mixed m...

30.5 x 30.5 inches framed 15" x 15" edition of 10, unframed, $1,800 30" x 30" edition of 10, unframed $3,450 Please allow at least 2 weeks for the photograph to be printed and shi...

39 x 39 inches framed Please allow at least 2 weeks for the photograph to be printed and shipped.

Gorgeous example of Walter Darby Bannard's use of acrylic mediums which came out in the 1970s. It is richly colored example of his work from that period. An American abstract painter...

17 x 21 inches framed

Eugenie Schein was both a dancer and an artist. Her artwork subjects revolved primarily around dancers and dancing, though she also captured everyday scenes in New York. Both Midto...

Realistic, ornate oil painting of New York City edifice by Richard Britell oil on wood panel 10 x 8 inches Framed, hangs flush to the wall Signed o...

Realistic, richly colorful oil painting of New York City edifice by Richard Britell oil on wood panel 10 x 8 inches Framed, hangs flush ...

17 x 21 inches framed

Poland (Glider) by Andrea Moreau colored pencil and postage stamp on paper 22 x 30 inches 25.25 x 32.5 inches framed To create her mixed-media artworks, Andrea Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. This artwork, "Poland (Glider)," centers on a stamp that depicts an aircraft flying above a glacial horizon. Building on the style and environment established by the stamp art, Moreau extended this scene across land and sea in vibrant blue pencil. A statement by the artist: My drawings function as personal interpretations of political or commercial propaganda. I begin with imagery found on postage stamps or printed advertisements and, using the visual logic and graphic language of the image, I attempt to tease out a larger framework from which to consider it. Finished pieces often incorporate printed matter and cultural detritus, which gives them an immediate and tactile connection to the world of objects. I am particularly interested in the postage stamp as a geographical artifact, and through my drawing process I attempt to learn something about a place by studying its official imagery and then creating a world beyond the borders of its fragmentary scenes. The finished drawings and paintings are a record of this study; they are a dialogue between the printed and the drawn, the official and the personal, the real and the imaginary. They are a metaphor for the way in which we conjure the places we hear about on the news and read about in books, using the tiniest pieces of information to construct a reality that most likely bears little resemblance to any actual place. Andrea Moreau’s mixed-media works, on the other hand, walk a tightrope between context and isolation. Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. These stamps may become lost in a frenzy of Moreau’s mark-making, as with “Mexico (Flowers) #15,” or left comically obvious, like in “USA (Barbershop...

Abstract Geometric wood three-dimensional wall sculpture in light blue, white, and light grey Painted wood and collaged paper on panel 36 x 36 x 2.5 inches Hangs flush to the wall wi...

Realistic oil painting of New York City edifice by Richard Britell oil on linen 10 x 8 inches Framed, hangs flush to the wall Signed on ...

Hand-signed and dated "H Burkhardt 1972" lower right. Provenance: The artist to his daughter Elsa. By descent to her son. Chronology of the artist: 1904 Hans Burkhardt was born in...

The rich red background of Naohiko Inukai's painting seems to glow under good lighting, with the floating dots adding a touch of whimsy to this minimal...

A great strong-edge painting by Naohiko Inukai, No. 16 is part of a series the artist created in the mid 1960s. Many from this series were shown at Inuk...

Conflict (1941) Gouache on paper 20" x 12" 27 ½" x 19 ¼" x 1 ½" framed Signed "V. Wicht" lower right. An important work from the artist's "Force" series, which were executed in hom...

An early work by Julio De Diego embodies the love he had for his homeland of Spain, as well as strong emotions against war. The peacefulness of the couple holding hands looking down ...

Budd Hopkin's Mahler's Castle paintings exemplified a shift away from his holistic single image paintings of 1971 and 1972 to a new hieraticism. Both Mon­drian and Newman, for instan...

Hillside (1918) Pastel on grey paper 8 ½"x7 ¾" 23 ½" x 19 ½" x 1 ½" signed "Allen Tucker March 1918" lower right. Provenance: Gift from the artist to his friend Una Brage, USA/Switz...

Academic life drawing of two nude males with charcoal and graphite by Mark Beard, "MB 827" graphite, Conte crayon and charcoal on Arches paper 29.75 x 21.75 inches unframed Signed, l...

O.P. 88 (1988) Pencil, ink, enamel and collage on paper 46" x 30" 48 ½" x 32 ½" x 2" framed Stamped "GG88" lower right by artist with his signature stamp. Provenance: M. Knoedler &...

The Lonely Road (1940) Tempera on panel 12" x 16" 19 1/2" x 23 1/2" x 1 1/2" framed Hand-signed "Palmer '40" lower center. Provenance: Midtown Galleries, New York, NY (labels verso...

Academic style life drawing of female nude with charcoal and graphite by Mark Beard, "MB 017" graphite, Conte crayon and charcoal on Arches paper 30 x 22 inches unframed Signed, lowe...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Romantic, tonalist style landscape drawing by Sue Bryan charcoal and acrylic on Arches paper mounted on wood wood panel 36 x 48 x 1.5 inches Hangs flush to the wall Signed on verso C...

Hudson River School inspired landscape in oil pastel of a countryside sunset "Spring Thaw" by Judy Reynolds 24 x 36 inches, 30 x 43 inches framed Signed, lower left This landscape ...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Romantic, tonalist style landscape drawing by Sue Bryan charcoal and acrylic on Two Rivers Paper mounted on panel 16 x 20 x .5 inches Hangs flush to the wall, with nail notch on back...

Soft Sky (Landscape Influenced by Hudson River School) by Judy Reynolds, 2023 5 x 7 inches, oil on canvas, gold frame, 6.5 x 8.5 inches framed In a style reminiscent of the Hudson Ri...

Hudson River Sunset (Square Landscape Influenced by Hudson River School) in a modern silver frame by Judy Reynolds, 2023 8 x 8 inches, 13.75 x 13.75 inches framed Signed, lower left ...

Washington Square Arch pigment print on watercolor paper 18 x 13, edition of 25 $1500 24 x 20, edition of 25 $2500 50x40, edition of 25, $6,500 ...

Tonalist style, abstract figurative watercolor by Susan Hope Fogel watercolor on Arches heavy-weight paper 30 x 44 inches, diptych of two sheets measuring 30 x 22 inches each 35.5 x...

Sepia-tone still life photograph of a fern forest pigment print on watercolor paper, signed and editioned The photograph is unframed and made to order (print lead time is typically 2...

Sepia-tone still life photograph of a fern forest pigment print on watercolor paper, signed and editioned The photograph is unframed and made to order (print lead time is typically 2...

Sepia-tone still life photograph of a fern forest pigment print on watercolor paper, signed and editioned The photograph is unframed and made to order (print lead time is typically 2...

Modern en plein air landscape oil painting on canvas of countryside mountains and blue sky 'Midsummer' by Joseph Rapp 16 x 20 inches, acrylic on canvas 17....

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 085A" graphite, Conte crayon and charcoal on Arches paper 30 x 18.5 inches unframed Signed, lower rig...

Modern en plein air landscape oil painting on canvas of a snowy winter countryside 'Solstice' by Joseph Rapp 16 x 20 inches, acrylic on canvas 17.75 x 21....

Modern en plein air landscape oil painting on canvas of countryside mountains and grey sky 'Clearing Storm' by Joseph Rapp 18 x 24 inches, oil on canvas 19...

Oil on cradled wood

Oil on cradled wood

Modern en plein air winter landscape oil painting on canvas of a white snow-blanketed countryside 'Midsummer' by Joseph Rapp 16 x 20 inches, acrylic on ca...

MB 702 (Contemporary Life Drawing of Male Nude by Mark Beard) graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Con...

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

Catskills from Claverack (Plein Air Hudson Valley Landscape Painting, Framed) 14 x 11 inches, 15.75 x 12.75 inches framed, white stained wood floater frame This landscape painting by the artist and carpenter Joseph Rapp...

View from the Train, 2019 24" X 40" x 1", oil on canvas This contemporary oil painting depicting a metropolitan view is the work of realist painter Patty Neal. The painting offers an intimate view of the city, as seen from a window, as it peeks from behind two metal structures. The dark browns and bright golds beautifully compliment the dusty blue, gray sky. Neal works highlight everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

Oil on canvas

Rescue (c.1945) Oil on panel 14" x 17" 19 ½" x 22 ¼" x 1 ½" framed Signed "M. Golubov" lower right, titled "Rescue" verso. About this artist: "If you can imagine a point moving, i...

Abstracted still-life painting on panel of a striped flower on a striped collaged background. David Konigsberg Fleur, 2023 9" x 12" oil on panel This contemporary still-life paintin...

"Stoli" oil on panel 5 x 7 inches 2022

One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...

Oil on canvas