Hudson - Mixed Media

O.P. 88 (1988) Pencil, ink, enamel and collage on paper 46" x 30" 48 ½" x 32 ½" x 2" framed Stamped "GG88" lower right by artist with his signature stamp. Provenance: M. Knoedler &...

From December 30, 1979, a small mixed media piece by the Swiss/American artist Hans Burkhardt. Gifted from the artist to his daughter, by descent to her son, this work is now availab...

Realistic still life painting of bright flowers on dark blue Hand-painted cyanotype by Julia Whitney Barnes "Picturesque Botany (Rose, Morning Glory, Hellebore, Crocus, Pollinators, ...

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

Realistic still life painting of bright flowers on dark blue Hand-painted cyanotype by Julia Whitney Barnes "Nocturnal Nature (Poppies, Clematis, Fennel)" made in 2023 Image dimensio...

Realistic still life painting of pastel pink lilies, roses, and foxglove on dark blue Hand-painted cyanotype by Julia Whitney Barnes "Picturesque Botany (Lily, Rose, Cherry Blossom, ...

Linda Newman Boughton, Yield and Overcome, 2022 Framed dimensions: 59.5 x 47.5 inches / Image dimensions: 58.5 x 46.5 inches Landscape drawing of trees in ballpoint pen on Arches pap...

Picturesque Botany (Tondo/Rose, Cornflower, Queen Anne’s Lace, Moonflower, Delphinium, Vines, etc.) Botanical cyanotype painting of various flora and fauna by Julia Whitney Barnes Im...

Realistic still life painting of colorful flowers and hummingbird on dark blue Hand-painted cyanotype by Julia Whitney Barnes "Nocturnal Nature (Magnolia, Dogwood, Ferns, Hummingbird...

"Fern" — mixed-media painting of a fern isolated against a textural blue background by Donise English Oil and encaustic on paper Image size: 16 x 20 inches / Frame size: 21.25 x 25 ...

Realistic still life painting of colorful flowers on blue, made with cyanotype, watercolor, India ink, and gouache "Picturesque Botany (Octagon/Foxglove, Gingko, Dusty Miller, Forget...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

Realistic still life painting of pastel colored flowers on dark blue Hand-painted cyanotype by Julia Whitney Barnes "Nocturnal Nature (Anemone, Passionflower, Buttercup, Ferns, Polli...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note this painting was never matte...

Geometric, colorful Modern wall sculpture by Stephen Walling painted wood on panel 24 x 36 inches Hangs flush to the wall Signed on vers...

Poland (Glider) by Andrea Moreau colored pencil and postage stamp on paper 22 x 30 inches 25.25 x 32.5 inches framed To create her mixed-media artworks, Andrea Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. This artwork, "Poland (Glider)," centers on a stamp that depicts an aircraft flying above a glacial horizon. Building on the style and environment established by the stamp art, Moreau extended this scene across land and sea in vibrant blue pencil. A statement by the artist: My drawings function as personal interpretations of political or commercial propaganda. I begin with imagery found on postage stamps or printed advertisements and, using the visual logic and graphic language of the image, I attempt to tease out a larger framework from which to consider it. Finished pieces often incorporate printed matter and cultural detritus, which gives them an immediate and tactile connection to the world of objects. I am particularly interested in the postage stamp as a geographical artifact, and through my drawing process I attempt to learn something about a place by studying its official imagery and then creating a world beyond the borders of its fragmentary scenes. The finished drawings and paintings are a record of this study; they are a dialogue between the printed and the drawn, the official and the personal, the real and the imaginary. They are a metaphor for the way in which we conjure the places we hear about on the news and read about in books, using the tiniest pieces of information to construct a reality that most likely bears little resemblance to any actual place. Andrea Moreau’s mixed-media works, on the other hand, walk a tightrope between context and isolation. Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. These stamps may become lost in a frenzy of Moreau’s mark-making, as with “Mexico (Flowers) #15,” or left comically obvious, like in “USA (Barbershop...

abstract three-dimensional wall sculpture, acrylic and wood on panel carved strips of painted wood in shades of pastel blue, green, pink, and purple 22 x 19 x 2 inches, can be oriented vertically or horizontally Dynamic and graphic wall sculpture...

Fantastic mixed media collage, created by Fred Martin as a thank you to gallery owners for their interest and support of his work. Untitled (2014) Mixed m...

Abstract Geometric wood three-dimensional wall sculpture in light blue, white, and light grey Painted wood and collaged paper on panel 36 x 36 x 2.5 inches Hangs flush to the wall wi...

Abstracted still-life painting on panel of a black vase with a flower and a seed pod David Konigsberg Black Vase, 2023 11" x 9" oil and monotype collage o...

Abstracted still-life painting on panel of a striped flower on a striped collaged background. David Konigsberg Fleur, 2023 9" x 12" oil on panel This contemporary still-life paintin...

Green Nocturne (Charcoal Landscape Drawing with sky tinged in acrylics. 8 x 10 inches Charcoal and Acrylic on Two Rives Paper mounted on wood panel by Sue Bryan This mixed-media wor...

Abstract geometric, minimalist wall sculpture in white and grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the sculpture weighs abo...

Abstract, minimalist three-dimensional wood wall sculpture in a soft off-white "It's a Puzzlement", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made i...

C22-9 (Abstract Geometric Color Field Multi panel painting in shades of green) by Ginny Fox Painting is on three panels measuring 36 x 12 x 2 inc...

Small still-life painting on panel of a black poppy flower on a pastel yellow and slate grey background Black Poppy, made by David Konigsberg, in 2023 monotype, oil, and collage on p...

Acrylic, coffee, ink, pumic, soft pastel, transfer on paper

Acrylic, graphite, transfer, spray paint on linen

Acrylic, coffee, ink, pumic, soft pastel, transfer on paper

Painting measures 18" x 24" and framed 22 ⅝" x 28 ¾" x 1 ¾". Frame is original and all original labels are intact. This piece was likely exhibited in the artist's first show at Willa...

Acrylic, soft pastel, graphite, coffee, india ink, transfer on paper

Flour, Sugar, Cornmeal, Tea (Contemporary Still Life Painting of Kitchen Jars) Contemporary monotype, oil and collage still-life painting on pane...

Acrylic, coffee, ink, pumic, soft pastel, transfer on paper

Acrylic, transfer, oil, spray paint on linen

Abstract encaustic painting with a green, earth toned palette. Made with natural plant material (Northern Sea Oats) "Chasmanthium Insignias I" made by Allyson Levy in 2021 encaustic and plant material on wood panel, 24 x 24 x 1 inches Lightweight, hangs with one d-ring, Signed, verso This modern abstract encaustic painting by Allyson Levy is made with Northern Sea Oats and green encaustic, sealed with a layer of neutral wax on a wood panel. The artist begins by finding the organic material in her 4-acre garden in upstate New York which she then arranges and embeds with encaustic on a wooden panel. The brown, earth toned sea oats are laid in a linear pattern on a wood panel with a surface of green encaustic and then sealed with clear wax. The encaustic wraps around to the sides of the panel, revealing some bumps and downward drips, accumulated during the natural drying process. The piece is lightweight and hangs on one d-ring. About the artist and her work: After moving to the rural town of Stone Ridge, NY seventeen years ago and starting a 4-acre botanical garden with her husband, mixed media artist, Allyson Levy, has found endless inspiration in the plant kingdom that surrounds her. The garden itself, named “Hortus Conclusus”, consisting of thousands of rare plants and edibles, remains at the epicenter of Levy’s art making. A fascination with earth’s bounty is expressed with her works in encaustic. Assorted organic material such as leaves, seeds, branches, insect wings...

Pitcher (Contemporary Graphic Black & White Still Life Collage of Kitchen Jug) David Konigsberg Pitcher, 2023 15" x 15" monotype and oil on panel This con...

Contemporary Impressionist Encaustic Landscape Painting "The Marsh in Early Spring", made by Regina Quinn in 2022 Encaustic, oil with wax, and India Ink over watercolor on panel 8 x...

Abstract, three-dimensional standing sculpture in colorful shades of aqua blue, blood orange, green, blue, yellow, and pink "Play Tower #6", made by Hudson Valley artist, Donise Engl...

Abstract encaustic and fabric painting in off-white and light blue with accents of green, beige, and navy blue "Enfolding Form II" made by Hudson Valley artist, Alaina Enslen, in 2023 Encaustic (beeswax) and cloth on cradled Birch panel 48 x 48 x 2 inches Excellent condition, ready to hang Signed, verso Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Contemporary Impressionist Encaustic Landscape Painting "Calm Amidst Tumult", made by Regina Quinn in 2023 Encaustic and India Ink on wood panel 16 x 12 inches, 17 x 13 x 2 inches in a brown wood float frame Excellent condition, ready to hang Signed, verso This landscape painting was made by upstate New York based artist, Regina Quinn, in 2022. Typically know for her dark and beautifully moody landscape paintings...

abstract three-dimensional wall sculpture, acrylic and wood on panel carved pieces of wood painted in shades of white, grey and beige with an accent of mint green. 18 x 20 x 2.5 inches, can be oriented vertically or horizontally Dynamic and graphic wall sculpture...

Impressionist style winter landscape painting of dramatic white clouds in a blue sky over a serene countryside "Winter Sky", made by Regina Quinn in 2023 Made with encaustic, oil, an...

Abstract encaustic and fabric painting in off-white and light blue with accents of orange and navy blue "Enfolding Form I" made by Hudson Valley artist, Alaina Enslen, in 2023 Encaustic (beeswax) and cloth on cradled Birch panel 48 x 48 x 2 inches Excellent condition, ready to hang Signed, verso Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

Contemporary Impressionist Encaustic Landscape Painting "Spring Snow", made by Regina Quinn in 2023 Encaustic, oil with wax, and India Ink on panel 16 x 12 inches, 17.25 x 13.25 x 2...

Contemporary Impressionist Encaustic Landscape Painting "The River Swept Away All Traces", made by Regina Quinn in 2022 Made with encaustic, oil, and India Ink over watercolor on wo...

Abstract minimalist three-dimensional wall sculpture in black and white "Snakish II", made by Hudson Valley artist, Donise English, in 2022 hand-stitched paper, beeswax (encaustic) and thread 36 x 10 x 3 inches hangs with a small thread notch on back extremely lightweight, weighs no more than 1.5 lbs. Excellent condition and ready to hang This abstract minimalist three-dimensional wall sculpture was made by Hudson Valley artist, Donise English, in 2022. The playful motif of hand-stitched paper, layered with black and white acrylic paint and coated with encaustic, is inspired by the artist's interest in architecture and blueprint drawings. The winding segments of white and black encaustic layered paper are assembled in a curving, snake-like formation, which are then hand-sewn by the artist. The lightweight wall sculpture hangs with a small thread notch, installed by the artist on the back of the piece. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY.Donise English has received numerous awards including a 2018 New York Foundation for the Arts Fellowship in Painting; the Invitational Award for Outstanding Contemporary Talent from the University of Bridgeport, Connecticut; Purchase Prize from the “11th National Juried Exhibition” at the College of Notre Dame of Maryland; 1st Prize, “Women in the Visual Arts,” Erector Square Gallery, New Haven, Connecticut; the Joseph A. Cain Memorial Purchase Award for Sculpture, Del Mar College, Texas, Honorable Mention; and others. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Abstract, three-dimensional standing sculpture in colorful shades of aqua blue, blood orange, green, black, gray, and beige "Play Tower #3", made by Hudson Valley artist, Donise Engl...

Large, brightly colored abstract geometric painting in various shades of red, pink, and peach with accents of mint green, teal, blue, yellow, white and black. "Memory Wall #6" made ...

Vertical, brightly colored abstract painting in various shades of red and pink with accents of light yellow, orange, white, and black "It's Not You It's Me" made by Hudson Valley art...

Abstract minimalist three-dimensional wall sculpture in light grey and black "Please Leave Us Alone" by Dai Ban, 2020 29 x 24 x 10 inches Precision board, Venetian Plaster, Beeswax, Pigment Lightweight sculpture (weighs about 5 lbs.) and hangs on the wall with a French cleat Excellent condition and ready to hang as is Signed, verso This contemporary, abstract horizontal wall sculpture...

Gestural abstract expressionist style encaustic painting on panel Encaustic on panel 8 x 15.5 inches, ready to hang as is This contemporary abstract painting on panel was made by Rh...

Abstract encaustic painting with dyed teal, indigo, beige, and white dyed fabrics "Blue Ochre & White Lies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 16 x 20 inches, 17 x 21 inches framed Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

"Building Boom" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a pastel palette acrylic, pigmented plaste...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

Brightly colored abstract mixed media painting with a gradient grey-blue background and multi-color detail "What Endures" by Hudson Valley based artist, Gina Occhiogrosso, made in 2020 acrylic and oil on piece and sewn muslin 48 x 36 inches Signed Verso Gina Occhiogrosso expands the boundaries of painting as she explores a preoccupation with the materiality of painting itself. Wet acrylic is applied to a stretched muslin surface where biomorphic shapes are formed using a combination of neon and pastel palettes. What follows is a process of disassembly and realignment when the artist cuts and sutures the painted surfaces back together. The act of cutting leads to new forms, dynamic connections, and illusions of depth. Slightly raised stitched seams act as a geometric disrupter to create both linear and sculptural elements, suggesting ties that are fragile yet unified. Her process and choice of materials are a nod to the female tradition of needlework (both of her immigrant grandmothers were seamstresses) and to commonplace materials like cotton muslin, yarn and thread used to craft something truly fine. Extremely tactile in nature, the artist has perfected a technique to make paintings that are full of suggestive qualities abstraction can create, and that allows her to “explore anxiety, loss, humor and heroic femininity.” Gina Occhiogrosso’s national group exhibition experience includes group exhibitions at The Painting Center and The Tang Teaching Museum. She served on the arts faculty at the College of Saint Rose and was the previous gallery director for the Arts Center of the Capital Region. Artist Statement: In my work, the hallowed and often masculinized tradition of painting is subverted through the cutting and sewing together of painted surfaces. The act of cutting leads to new forms, dynamic connections and illusions of depth, and the seams disrupt colorful forms that are carefully rendered and then sutured together. Intention and chance fuel this process of alignment and repositioning. Spaces and forms interact ambiguously, seemingly in flux and in conversation. I compose through the application of wet color on a surface and through the process of disassembly and realignment. Throughout the paintings, slightly raised seams are made where freshly painted edges join, creating both linear and sculptural elements. The seams suggest ties that are tenuous yet sturdy, fragile yet unified. Bright colors, shifting shapes and the visibility of seams connect to notions of pattern, fashion, crafts, and the history of “women’s work.” The toughness and thinness of the fabric is a reminder of the tension inherent in that history. Resume: SOLO EXHIBITIONS 2022 Surfacing, Gina Occhiogrosso, The Arts Center of the Capital Region, Troy, NY 2020 Gathering and Easing, ZINC contemporary, Seattle, WA 2020 The Absence of Presence, Wilson Art Gallery, Le Moyne College, Syracuse, NY 2013 “Nobody wants to be here, nobody wants to leave,” Roos Arts Rosendale, NY 2010 The Road, Nicole Fiacco Gallery, Hudson, NY 2007 Someday, Amrose and Sable Gallery, Albany, NY GROUP EXHIBITIONS 2022 Big Little Color, Donise English, Gina Occhigrosso, Vincent Pomilio, Stephen Walling, Carrie Haddad Gallery, Hudson, NY Artists of the Hudson Mohawk Region, Hyde Collection, Glens Falls, NY Lazy, Hazy, Crazy Days of Summer, Elisa Bertaglia, Gabriele Grones, Leslie Kerby, Gina Occhiogrosso, David Syre, Dov Talpaz,Osaretin Ugiagbe, Sasha Vinci Curated by Sara Carona, The Yard, 60th Street Lazy, Hazy, Crazy Days of Summer, Elisa Bertaglia, Gabriele Grones, Leslie Kerby, Gina Occhiogrosso, David Syre, Dov Talpaz,Osaretin Ugiagbe, Sasha Vinci, curated by Sara Carona, SARAH CROWN gallery, NYC, NY Spring Mix, William Bullard, Gina Occhiogrosso, Tia Maggio, The Gallery at Spencertown Academy, Spencertown, NY 2021 Sunrise/Sunset, Albany International Airport Art & Culture Program, Albany, NY 2020 Never Done: 100 Years of Women in Politics and Beyond, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, organized by Rachel Seligman, Assistant Director for Curatorial Affairs and Malloy Curator, and Minita Sanghvi, Assistant Professor of Management, Marketing, and Business, Skidmore College. Cut and Color, Paolo Arao, Melissa Dadourian, Jean Feinberg, Beth Humphrey, Michael Milton, Gina Occhiogrosso, Ruby Palmer...

"Shuffle" (Abstract Geometric Painting of Colorful Orbs on Muslin Fabric) by Gina Occhiogrosso oil and acrylic on pieced and sewn muslin fabric 32 x 32 x 1 inches "Shuffle" is a del...