Hudson - Paintings

16 x 16 x 2 inches encaustic (wax) on wood panel HERD is a square, abstracted painting in rich encaustic (pigmented wax) on wood panel. The background is a creamy, olive green with...

16 x 23 inches $2,500 oil on canvas Modern, horizontal landscape oil painting of a statue of the Lady of Guadalupe on a high mountain in Colombia. The oil painting is very color...

Abstract ceramic wall sculpture on panel of black birds and mosaic blue and teal tile 13 x 13 inches Earthenware, ceramic glazes on panel This contemporary ...

Acrylic and oil pastel on canvas

Abstract encaustic painting with dyed teal, indigo, beige, and white dyed fabrics "Blue Ochre & White Lies" made by Hudson Valley artist, Alaina Enslen, in 2022 Encaustic & dyed fabrics mounted on panel 16 x 20 inches, 17 x 21 inches framed Excellent condition, ready to hang Lightweight Signed, verso This abstract minimalist painting is made with repurposed pieces of found fabrics in complementary tones of teal, indigo, and beige on an encaustic white background. The fabrics, which are adhered to a light wood Birch panel and layered with a subtle layer of encaustic, are arranged in a whimsical motif that accentuates the spontaneous dyed patterns. The layers of fabric and encaustic create a textured, impasto surface. About the artist: Alaina Enslen expresses her artistic vision through repurposed fabrics infused with beeswax. The Cornwall-On-Hudson based artist collects pieces of textile that evoke memory, tradition, or experience like cherished worn heirlooms, discarded clothes, and religious garments, which are then assembled on panel in an abstract patchwork. Favoring fabrics with a neutral or subtle cool palette, she flattens and frays the material to explore color, form, and lines, reimaging used cloth...

11 x 25.5 inches $2,500 oil on canvas, unframed Modern, horizontal landscape oil painting of Lake Guatavita in Colombia which inspired the lege...

Abstract mixed media encaustic painting, blood orange encaustic with dark red saffron fibers on wood panel 14 x 14 x 1.5 inches, ready to hang as is Sturdy d-ring is on the back for...

Burst (Contemporary Cosmic Abstract Painting on Canvas in Black and Fire Orange Red) painted by Cinda Sparling 16 x 20 x 1.5 inches oil on canvas, unfra...

Abstract painting with assorted neutral toned golden tree bark and purple violet encaustic "Barking Betula", by Hudson Valley artist, Allyson Levy, mad...

Abstract encaustic painting with green and neutral toned plant leaves on white encaustic over wood panel "Euphorbic 15", made by Hudson Valley artist, Allyson Levy, in 2018 Encaustic...

16 x 16 x 2 inches encaustic on square wood panel HOSTESS is an abstracted painting in rich encaustic (pigmented wax) on wood panel. A dark, cross-hatched pattern is overlaid with ...

Foreign seeds and encaustic on wood panel 24 x 24 x 1.5 inches This work on panel is being offered by Carrie Haddad Gallery, located in Hudson, NY. This modern encaustic painting by...

Nature-Inspired Minimalist Abstract Color Field Painting on 2 Panels in light blue and white with details of earthy brown Acrylic on 2 wood panels Each panel is 36 x 24 x 2 inches Su...

Cityscape painting on muslin of iconic New York City water towers against an abstract maroon, silver, and blue rooftop skyline "41st & 10th" by Hudson, NY based artist, Ricardo Muler...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Acrylic and oil pastel on canvas

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

Vertical photo-realist painting on canvas of pale pink ball with steel colored hook on a bright sky blue background 72 x 36 x 1.5 inches oil on canvas, thin wood stripping signed "Richards" on bottom right corner in yellow paint wire is installed on the back for easy hanging This precisely detailed photo-realist painting was made by Joseph E. Richards in 1981. The artist painted this piece when he was 60 years old during a successful career painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, close up views of industrial equipment against a vivid blue sky. With a photo-realist approach to the subject, Richard was able to capture detailed changes in light and shadow, shape and form. The pale pink colored ball and steel colored hook, down to each screw and bolt, is completed with extreme focus and precision. One could easily confuse this painting with a photograph since it was completed with a very smooth application of paint, with no texture built upon the surface. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with wire installed on the back.The artist's signature is located on the front and back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Impressionistic, en plein air landscape oil painting on linen with a bright yellow palette of a rural country farm during a winter sunset #5540 New Year's Day, in Late Day Light, 201...

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...

Horizontal minimalist abstract acrylic painting in color fields of aqua, deep blue and black. oil and alkyd on canvas in a Larson Juhl black wood recessed framed Inspired by stones, stains from nature, erosion and artists such as Rothko and Sam Francis, Snow produces meditative fields of brilliant aqua, blue and black color by layering oil paints with a fast drying alkyd medium. The network of layers are bound to a complex under-painting with broad bands of pigment while the rapid drying alkyd allows Snow to continue the succession quite quickly, revealing beautiful boundaries of color. With his painting Snow strives for purity, seeking depth without illusion, using horizons of colors as a harmonious language to create chords, scales and tones. The artist has exhibited extensively in the New England region and has shown with Carrie Haddad Gallery for more than ten years. Surface texture of this painting is incredibly smooth due to the combination of paint and chemicals used. Palette is a brilliant aqua and...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

Geometric and gestural abstract painting on canvas in earth tones of green, beige, tan, green, light brown, and blue. Plan for Spring #2, by Jeanette Fintz in 2018 24 x 24 x 2 inche...

Oil on canvas 44 x 55 x 2 inches Contemporary white artist made floater frame This listing is available from Carrie Haddad Gallery, based in Hudson, NY. A lush shade of dark raspber...

Abstract encaustic work on panel 20 x 20 x 1.5 This square contemporary pattern-based abstract encaustic work on panel was created by San Francisco-based artist Susan Stover. Stover...

Large, vertical photo-realist painting on canvas of industrial red ball and steel grey crane on a sky blue background by Joseph Richards oil on canvas,...

Encaustic on board 10 x 12 inches This monochromatic encaustic landscape on board was created by Hudson Valley-based artist Leigh Palmer. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. The main image is bordered by white to give the impression of a window. About the artist: In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception of Carrie Haddad Gallery in 1991. Today, the artist continues to work with both encaustic and oil paint. He is currently developing a new series in his studio right across the street from the gallery. We hope to reveal his new work to the public sometime in 2021. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

Abstract landscape painting of a white cloud in a light blue sky over a dark country field "Hayfield Two Thirty," painted by David Konigsberg in 2019 oil o...

Graphic, abstract fruit still life painting in a bold palette of green, orange, and blue Oil on canvas 54 x 44 inches This vertical, abstract-style still life painting was created by Hudson Valley-based artist Christopher Engel in 2010. The composition features broad, confident brush strokes in crimson, royal blue, black, emerald and orange against a varied light and dark green background. Some strokes are bold and crisp, while others appear drizzled on the canvas, resulting in a varied, almost tactile surface texture. About the artist and work: Calm and confident brush strokes sweep over each canvas in a selection of abstract paintings by Christopher Engel. His work vibrates with the energy of bold, gestural lines that intersect at points between the foreground and background. These fields are bridged together in a web of kinetic, interconnecting lines which create a remarkable sense of three dimensionality. The close examination of space, or how we create it and replenish a void, is a study that Engel has pursued since he started as a landscape painter in the early 70s. “I was deeply affected by the relationship between the elements of the landscape; trees, shrubs, bushes, and elements on the periphery,” he states, “everything worked to define the space that contained and moved me.” Engel currently works out of a studio near Roxbury, NY, where a pellet stove warms the high ceilings and sunlight penetrates through sky-lights. Nestled in the Catskill mountains, he continues to honor the influence of the natural landscape and remain enamored by the impact of color. With several canvases standing over four feet tall, the surfaces are rich in a sophisticated palette of earth tones; greens, browns, blacks, blues and occasional use of bright red and orange allude to an aesthetic that straddles both landscape and abstraction. Yet despite representational titles such as “Canyon,” Ice Storm”, and “Clear Skies”, Engel’s vision immerses the viewer in suggestions of horizon lines or tree branches rather than orient them directly toward a conventional depiction. Tensions of push and pull are achieved with both opacity and transparency, as well as the natural flow of the medium. Ultimately, the point of departure is radically transformed and the end result is nothing short of powerful. SOLO SHOWS: 2017 Carrie Haddad Gallery, Hudson, NY 2016 Carrie Haddad Gallery, Hudson, NY 2014 Commons Gallery Margaretville, NY 2014 Zoom Gallery, Fleishmanns, NY "Selections" 2006 Erpf Gallery, Arkville, NY “A Selection of Works” 2004 The Commons, Margaretville, NY “Survey from the 1980s to 2004 1991 Roxbury Arts Group, Roxbury, NY 1987 Soho Gallery, Seattle, WA, “Selected Works” 1986 Hundredwaters Gallery, Seattle, WA, “New Works” 1982 Hallwalls Gallery, Buffalo, NY, “Rites of Passage” GROUP SHOWS: 2017 WAAM Woodstock, NY “Abstract Evocative” 2014 Zoom Gallery, Fleishmanns, NY "Summer Show" 2011 Byrdcliffe Members Show 2010 Byrdcliffe Members Show 2010 Byrdcliffe Small Works Show 2010 Woodstock Artist Association and Museum Show 2008 Woodstock Artist Association and Museum Gray Matter Show 2008 Woodstock Artist Association and Museum Inside/Outside the Box 2008 Woodstock Artist Association and Museum Small Works on Paper 2004 Roxbury Arts Group, Roxbury, NY, “Now, Then and Before” 2003 Roxbury Arts Group, Roxbury, NY, 1994 Hallwalls Gallery, Buffalo, NY, “Men in Suits” 1989 Print Show, Ward-Nasse Gallery, NY 1988 Hundredwaters Gallery, Seattle, WA, “Art and Religion” 1987 New York Print Fair, Eldindean Press 1986 Summit Show, Seattle, WA 1986 Pierot Gallery, Seattle, WA 1985 Donnally Books Gallery, Seattle, WA, “Woodcuts” 1985 Fourwalls, Hoboken, NJ 1983 Sharpe Gallery, NY, “Self-Image” RESIDENCIES: 2012 and 2011 Byrdcliffe June Artist’s Residency Programs HONORS: Elected to the board of Woodstock Artist Association and Museum AWARDS: 2011 Woodstock Artist Association and Museum 3rd Annual Regional Show Honored for Best Abstract Painting in Show 2011 Woodstock Artist Association and Museum March Group Show Honorable Mention 1985 Grant from Change, Inc. Full Tuition Scholarship, Art Center College of Design COLLECTIONS: Bruno Bischofberger, Zurich, Switzerland Carol Pulin, Print Curator Smithsonian, Washington, DC Elizabeth Hahn, Print Specialist Christies, NYC Mary Lou Knode, Print Department MOMA, NYC Kathy Caraccio, Print Maker and Publisher of Etchings, NYC Leslie and Stuart Reiser, Wayne, NJ. Rouse Corporation, New York, NY Robert Heller...

Photo-realist oil painting of a classic brick building exterior in New York City 28 x 50 inches, oil on canvas painting Wire backing for easy hanging Unframed with white painted sides This contemporary, realistic oil painting of a New York City brick building exterior was painted by Richard Britell in 2019. Employing his mastery of the troupe l'oeil technique, Britell paints the smooth red colored stone building in extreme detail assuming a three-dimensional quality with close attention paid to shadow and perspective. This building is reminiscent of neo-classical architecture, popularized in the mid-late 1800's and the striking red exterior contrasts against the white stone window trim, further accentuating the painting's troupe l'oeil qualities. The painting on canvas is complete with wire on reverse for seamless hanging. About the artist: Richard Britell, a career painter, studied at Pratt Institute with Philip Pearlstein and Walter Erlebacher. His first show in NYC at Staempfli Gallery was sold out, and reviewed in the New York Times. Britell’s new works revolve around large, dreamy cityscapes tending toward abstraction. The artist currently lives in Pittsfield, MA. Born Utica, New York, 1944 Education 1962 – 1964 Pratt Institute, Brooklyn, NY 1964 – 1966 Syracuse University, Syracuse, NY B.F.A. 1970 – 1972 University of Massachusetts, Amherst, MA, M.F.A. Solo Exhibitions 2011 “Measuring the Universe” Lauren Clark Fine Art, Housatonic, MA 2010 “And Now For Some things Completely Different” Lauren Clark Fine Art, Housatonic, MA 2010 “The Figure, The Figure, The Figure and The Figure” Lauren Clark Fine Art, Housatonic, MA 2009 “A nest of robins in her hair” Lauren Clark Fine Art, Housatonic, MA 2007 “NY, NY” Lauren Clark Fine Art, Housatonic, Ma 2003 “Image and Text” Tokonoma Gallery, Housatonic, MA 1999 “From Architecture to Abstraction” Tokonoma Gallery, Housatonic, MA 1998 “New Work” Carrie Haddad Gallery, Hudson, NY 1998 “New Figures” Ute Stebich Gallery, Lenox, MA 1995 “Richard Britell, New Work” Katharina Rich Perlow Gallery, New York, NY 1993 “New Work on Gilded Panel” Phyllis Kind Gallery, New York, NY 1985 “Fresco Panels...

36 x 48 inches oil on canvas, unframed (thin wood stripping only) Contemporary Hudson River winter landscape oil painting, horizontally oriented. A snowy, iced over river is lined ...

acrylic and graphite on original lenticular Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting...

Abstract gouache on paper painting in earth green tones created by Hudson Valley based artist, James O'Shea in 2017. 12 x 12 x 1.5 inches in handmade white wood frame with 8-ply whit...

White What's Left (Contemporary Abstract Painting with Colorful Paper Collage) 20 x 20 x 2 inches encaustic, collage on wood panel Signed on rev...

8 x 8 inches oil paint on wood panel This contemporary, abstract oil painting in graphic black, white, & red was completed by Vermont based artist, Paul Katz, in 2016. Studying li...

Oil on canvas 44 x 55 x 2 inches Contemporary white artist made floater frame This listing is available from Carrie Haddad Gallery, based in Hudson, NY. Golden color fills the canva...

30 x 40 inches horizontal photo realist oil painting on canvas of neo-classical architecture Mr. Britell's subject matter is drawn from the world of pre-modernist architecture. Wha...

C18-13 (ABC), 2018 16" x 20" x 1" each acrylic on three panels 16" x 64" x 1" (hung horizontal) 48" x 20 x 1 (hung vertical) Abstract triptych made of three horizontal, rectangula...

24 x 24 inches oil paint and sand on canvas This contemporary, abstract oil painting in graphic black, white, grey & red was completed by Vermont based artist, Paul Katz, in 2015. S...

Abstract landscape painting. Frame included.

Abstract painting on curved canvas in dark brown palette oil on canvas on unique artist made stretcher 36 x 74 inches This vertical, curved canvas was painted by abstract artist, Ch...

70 x 40 x 1.5 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of r...

8 x 8 inches oil paint and sand on canvas This contemporary, abstract oil painting in graphic black, white, grey & red was completed by Vermont based artist, Paul Katz, in 2016. St...

18 x 14 inch drawing on 20 x 16 inch Aquarelle Arches Paper 24 x 20 x .5 inches framed Thin profile black metal frame, 8 ply white mat Ralph Stout's works on paper reveal a drau...

Allison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an experience that has greatly im...

Contemporary, abstracted landscape reminiscent of Hudson River School & Romanticist painters oil on canvas 40 x 48 inches Romantic (yet modern) Hudson River oil landscape painting of a vast field in the foreground with a red and blue sunset sky in the background. This painting is of a horizontal orientation and is finished with an olive green border painted directly onto the canvas. The edges are finished with the same color, so no additional frame required here. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception in 1991. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

86 x 48 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of romance...

Geometric and gestural abstract painting on canvas in earth tones of green, beige, tan, green, light brown, and blue. Plan for Spring #1, by Jeanette Fintz in 2018 24 x 24 x 2 inches...

Minimalist gestural abstract drawing on paper with black ink "Energy Clearing #1", by Jeanette Fintz, 2019 22 x 30 inches, 28 x 35.5 inches in natural wood frame Wire and d-rings for...

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

Baby Face (16 x 16), 2011 - Abstract Contemporary Painting on wood panel 16" X 16" , encaustic on board A pale blue encaustic painting with abstract white a...

Abstract ceramic tile painting of striped and polka dot teal birds against a black background with teal and green mosaic accents. 18 x 18 inches...

Abstract encaustic work on panel 36 x 24 x 1.5 This vertical contemporary pattern-based abstract encaustic work on panel was created by San Francisco-based artist Susan Stover. Stov...

Acrylic on wood panel 15 x 16.5 x 1.5 inches This minimalist, non-objective painting is the work of Ginny Fox, whose process is based on overlapping streaks of paint. Working with r...

Swept Away 3 (Gestural, Abstract Black and Gray Monoprint on Photographic Paper) Unique chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood, 8 ply mat, n...

oil on vellum 8 x 8 inches, 13.25 x 13.25 in white frame This work on paper is offered by Carrie Haddad Gallery, located in Hudson, NY. This contemporary abstract blue painting with...

18 x 14 inch drawing on 20 x 16 inch Aquarelle Arches Paper 24 x 20 x .5 inches framed Thin profile black metal frame, 8 ply white mat Ralph Stout's works on paper reveal a drau...

oil on canvas blue, green, with pink accents abstract painting in thin white wooden frame abstract painting, gestural abstract painting, abstract painting with brush strokes, b...