Hudson - Landscape Paintings

Contemporary landscape painting of Monserrate in South America, neutral palette with light white mist over a dark green mountain 36 x 60 inches oil on canvas, unframed (thin wood stripping only) Painting is wired on the back for installation Magnificent contemporary landscape painting of "Monserrate", a mountain near Bogota in Columbia that rises 3.152 meters above sea level. All downtown Bogotá, south Bogotá and some sections of the north of the city are visible facing west, making it a popular destination for watching the sun set over the city. Bill Sullivan expertly paints wispy clouds that settle down around the mountain's peak. About the work by John Ashbery: With only a tinge of irony, Bill Sullivan makes new the vast spaces and swooning optimism of nineteeth-century Luminist painting. Reaffirming the contemplation of nature as its own reward, he also sets new tasks for painting and undertakes them with compelling eagerness. While there has been a tendency among some contemporary artists to present a revisionist view of the "great outdoors" of nineteenth-century landscape painters, Sullivan has no satirical agenda. After spending several years in South America amid the landscapes that attracted Frederic Edwin Church and Martin Heade, among others, he refined and strengthened this awesome imagery after returning to New York. A certain surreality floats though these vaporous visions of Columbia, though this may just be the result of Sullivan's careful documentation of scenes that looked unreal to begin with. About the Artist: Sullivan attended Silvermine College and earned an M.F.A. from The University of Pennsylvania, where he studied with Fairfield Porter, Neil Welliver, Jane Freilicher, John Button and Rudy Burckhardt. He also studied privately with Josef and Annie Albers. In the late 1960s, Sullivan joined Bowery Gallery, an artist-run gallery that was dedicatedto figurative art. Later, when the Alliance of Figurative Artists was starting, Sullivan organized weekly panels and discussions at The Educational Alliance. Sullivan's first solo show at Bowery Gallery in 1970 included paintings depicting people, New York cityscapes and still lifes. After this show, Sullivan developed an interest in landscape painting. New York City, the Hudson River and Manhattan's West Side highway became his main subjects. He had several shows of these paintings at Bowery Gallery and continued to paint the Hudson River until the end of his life. At one of these shows he met art collector G. W. Einstein, who became his friend and represented him for many years. Sullivan had his first solo show at G. W. Einstein Company in 1978. In 1977, Sullivan met Colombian writer Jaime Manrique; they traveled to Colombia, where Bill painted the places that Frederick Edwin Church and Martin Johnson Heade had painted in the 1850s. In Colombia he had a solo show in the Bogotá Museum of Modern Art in 1978. The years following his return from South America was the period when Sullivan's work was most in display in New York City. Sullivan remained in New York City until 2001 where he had several solo shows. In 2002, he settled in Hudson, New York, where his two nineteenth-century heroes, Frederick Church and Sanford Robinson Gifford, had lived. He painted many of the sites Church and Gifford rendered on canvas. Resume: 2009 Carrie Haddad Gallery, Hudson, NY 2008 BCB Gallery, Hudson, NY 2007 BCB Gallery, Hudson, NY 2006 The Autobiography of Bill Sullivan: A Landscape Retrospective, The Albany Institute of History and Art, Albany, NY 2005 Roxbury Art Group, Roxbury, NY Hudson River Views, Bonnie Andretta Fine Arts, Hudson, NY 2004 Indelible, Gallery 2/20, New York, NY Workshop Exhibition, Dannette Koke Fine Art, New York, NY 2003 The Gallery at The St. Charles, Hudson, NY Paintings of South America, Hudson, NY Painted City, Carrie Haddad Gallery, Hudson, NY Juried Art Show, Columbian Council on the Arts, Hudson, NY Made In Hudson, Artwalk, Hudson, NY 2002 Musselman Gallery, Hudson, NY 2001 HHA Gallery, Riverdale, NY The Landscape That Changed America, The Albany Institute of History and Art, Albany, NY 1999 Silas-Kenyon Gallery, Provincetown, MA Greenwoods and Crystal Waters: The American Landscape Tradition, Philbrook Museum of Art, Tulsa, OK 1998 Suitcase Will Travel, Conductor’s Gallery, London, UK 1997 House/Scene, Kunsthaus, Hamburg, Germany Selected Prints, Atrium Gallery, Long Island City, NY Contemporary Selections, Albany Institute of History and Art, Albany, NY 1996 Uptown Gallery, New York, NY Eight Realists: Realism Then and Now, K & E Gallery, New York, NY Recent Acquisitions, Albany Institute of History and Art, Albany, NY Pencilvanians Drawn to New York, Pennsylvania Alumni Exhibition, Roger Smith Gallery, New York, NY New Acquisitions, Museum of the City of New York, New York, NY 1995 Five Aspects of American Landscape Painting, Creiger Dane Gallery, Boston, MA New York City Views, Owen Gallery, New York, NY Increased Visibility, Leslie-Lohman Gallery, New York, NY American Realism, Gallery Bijutsu Sekai, Tokyo, Japan Group Show, G.W. Einstein Co., New York, NY 1994 25th Anniversary Exhibition, Bowery Gallery, New York, NY Pride in Our Diversity, 24 Hours for Life Gallery, New York, NY Paint Props and Process, Castle Gallery, College of New Rochelle, New Rochelle, NY 1993 Celebration, G.W. Einstein Co, Inc., New York, NY Far Away Places Artists Who Travel, SSC&B Lintas Worldwide, New York, NY Group Show, John Szoke Gallery, New York, NY Art & Fantasy, Amos Eno Gallery and The Puck Building, New York, NY Organization of Independent Artists Benefit, Brook Alexander Gallery, New York, NY 19th & 20th Century Works of Art, Friends of OLANA Benefit, Hudson, NY 1992 New York Icons, Michael Ingbar Gallery, New York, NY Group Show, John Szoke Gallery, New York, NY Shanti Foundation Benefit Exhibition, Tatistcheff Gallery, Santa Monica, CA Contemporary American Landscape, World Art Collection in conjunction with Quatre Pieces Gallery, Yokohoma, Japan The Scarf, Bergdorf Goodman, New York, NY 1991 Urban Icons, Klarfeld Perry Gallery, New York, NY City Edge of Night, The Muckenthaler Cultural Center, Fullerton, CA Spirit of Place Dada Gallery, Fukuoka, Japan Group Show, Tatistchieff, Santa Monica, CA Group Show, John Szoke Gallery, New York, NY American Images, Crane Art Gallery, Tokyo, Japan; World Art Collection, Yokohama, Japan; Daimon Art Gallery, Sapparo, Japan; Beersheba Gallery, Osaka, Japan 1990 Susan Schreiber Gallery, New York, NY Tatistcheff Gallery, Santa Monica, CA Invitational Exhibition, American Academy of Arts and Letters, New York, NY Plein Air Painting: Capturing the Moment, Tatistcheff Gallery, Santa Monica, CA Land/Sea/Air, Steven Scott Gallery, Baltimore, MD Penn Prints: 30 Years of Printmaking at the University of Pennsylvania, Arthur Ross Gallery, University of Pennsylvania, Philadelphia, PA A Little Night Music...

Abstracted realist gridded landscape showing the change of seasons with a blooming yellow forsythia bush in front of the artist's home "Forsythia Blooming" by Hudson Valley based art...

60 x 72 x 1.5 inches acrylic on canvas being offered by CARRIE HADDAD GALLERY in Hudson, NY. Large, horizontal abstract painting with a palette of turquoise, saffron orange, teal an...

Abstracted cityscape painting on paper in blue, black, grey and white oil wash of an industrial New York City rooftop "Untitled I," painted by Ricardo Mulero in 2018 7.5 x 5 inches, oil wash on paper 16.5 x 13.5 inches in a soft white wood frame with an 8-ply window mat and non-glare glass Excellent condition, ready to hang as is Ricardo Mulero is fascinated with capturing the brilliance of light and the contrast of natural beauty with utilitarian landscapes. Here, Mulero focuses on an abstracted New York City rooftop where water towers stand in the distance. Contrasts in light and shadow accentuate the urban landscape's geometric forms and highlight bold color palettes of blue, black, and grey. The piece is in excellent condition and ready to hang. About the Artist: Growing up in Puerto Rico, I observed how people and nature could co-exist in harmony. Today, that principle guides my design and artistic work. My paintings are expressions that draw upon my life experiences, traditions, and surroundings. These unique environments inspire my oil paintings: Puerto Rico, where I grew up, New York City, Fire Island Pines...

Byron Browne On the Beach (1959) Oil on canvas, 20" x 26" 26" x 32" x 1" frame size - likely original Inscribed verso "On the Beach / 1959 / Byron Browne" Provenance: Private collection, Berkley, California About this artist: Through an oeuvre displaying the re-envisioning of figural subjects and the formation of an abstract expressionist style, Byron Browne stands out among the American abstractionists of his generation. Born in Yonkers, New York, in 1907, the artist was a bright talent at the National Academy of Design in his teens. From 1924 to 1928 Browne studied at the Academy under notable artists Robert Aitkin, Charles Courtney Curran, Charles Hawthorne, Alice Murphy...

Acrylic and collage on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is ...

Lovely genre scene by American impressionist Henry Bacon (1839-1912). The Beekeeper's Daughter (1881) Oil on canvas 35" x 36" 42.5" x 33" x 3" framed Signed and dated "Henry Bacon ...

Romantic, tonalist style landscape drawing by Sue Bryan charcoal and acrylic on Two Rivers Paper mounted on panel 16 x 20 x .5 inches Hangs flush to the wall, with nail notch on back...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

landscape oil painting on linen on homasote board, unframed 13.75 x 18.25 inches Harry Orlyk is celebrated for his ability to capture an rural country landscape with impressionistic...

Encaustic, abstracted, impressionistic landscape of a wintry forest at evening "Snow at Dusk" made in 2024 by Regina Quinn encaustic, India ink, and oil with wax on panel 24 x 24 x 2...

Exhibited at the Pennsylvania Academy of Fine Arts (1947) and the University of Illinois Exhibition of Contemporary Painting (1948), this painting by Philip Evergood exemplifies the ...

Realistic, Modern Still-Life Painting of Watermelon and a Pine Forest Made is 2022, by Berkshire based artist Ann Getsinger oil on linen 11 x 14 inches 16 x 13 inches in a walnut fl...

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey that challenges our perceptions and stirs our imagination. Exploring themes of impermanence and mystery, Cohn challenges the viewer to reimagine the familiar and question the boundaries between reality and representation. Her inspirations are blending the imaginary essence of Rene Magritte’s clouds...

Eclipse (Contemporary Cosmic Abstract Painting on Canvas in Black and White) painted by Cinda Sparling 20 x 16 x 1.5 inches oil on canvas, unframed (no frame required) Cinda Sparlin...

86 x 48 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of romance...

Modern landscape oil painting reminiscent of Hudson River School painters oil on canvas 48 x 48 inches Romantic (yet modern) Hudson River oil landscape painting of rolling, hilly fa...

Impressionistic, en plein air landscape oil painting on linen with a bright yellow palette of a rural country farm during a winter sunset #5540 New Year's Day, in Late Day Light, 201...

Signed lower right: "Atherton", inscribed "John Atherton Original Tempera 7/28/50" on verso. Artwork measures 16" x 20" and framed 20" x 24" x 2 ½" About this artists: John Atherton (1900-1952) did not show an early aptitude for art; rather, his first love was nature and the activities he relished there, mainly fishing and hunting. Born in Brainerd, Minnesota in 1900, he learned to fish with his father from the age of four. Later the family moved to Spokane, Washington, and when he was old enough, Atherton worked at a variety of jobs to help support his family. One such job, in the sorting plant of a lead and silver mine, paid $4.25 a day—a good wage, though he never had time to spend his money, since he worked seven days a week. After serving in the Navy for a year during World War I, Atherton was determined to get an education. He worked as a sign painter and played the banjo in a dance band, finally accumulating enough money to enroll in the California School of Fine Arts in San Francisco. Once there, he worked like a fiend, attending classes both during the day and at night, getting the best training available. Though he had always intended to be a fine artist, Atherton’s first jobs were for commercial art firms. In 1929, using the prize money won for a painting he entered in an art competition, Atherton and his wife moved to New York City. Though the economic situation was difficult in those years, he managed to keep going by taking commissions for magazine illustrations, and over the years he would paint more than forty covers for The Saturday Evening Post. In 1938, an artist friend suggested that he use the same flat, decorative style as his commercial work for his gallery paintings. This was a breakthrough for Atherton; soon afterwards he held a one-man show at the Julien Levy Gallery in New York, and his paintings began to be collected by museums including the Museum of Modern Art in New York and the Metropolitan Museum of Art. Atherton’s reputation increased to a national scale when he designed the art deco stone lithograph poster for the 1939 World’s Fair that strikingly depicted Earth and its atmospheric layers in the lap of Liberty. Atherton was highly influenced by the magic realist...

Abstract landscape painting of a white cloud in a light blue sky over an expansive dark brown country field "West Wind," painted by David Konigsberg in 2019 18 x 24 x 2 inches Ready...

"Central Park", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of figures resting in Central Park on a misty afternoon with a cool grey blue palette 7 x 24 i...

Abstract Deconstructionist watercolor painting of a rural landscape with a cool grey blue palette and earth tones "Mindscape 10", painted by Susan Hope Fogel in 2020 22 x 30 inches ...

Impressionist style en plein air landscape painting on linen of a rural country barn with a bright yellow sunset and earth toned plowed farm fields #3991 Warren's Barn, painted by Ha...

Realistic oil painting of New York City edifice by Richard Britell oil on linen 10 x 8 inches Framed, hangs flush to the wall Signed on ...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

"Natura Locum", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of figures strolling down the lane in Harlem Park 39.5 x 50 inches, archival watercolor and go...

Impressionistic landscape painting of the Hudson River during the wintertime in tones of grey, white, slate, blue, dark brown and green Oil on linen, 22 x 28 inches John Kelly approaches the Hudson Valley landscape with the eye of an architect and the hand of an impressionist. With intense attention paid to form and light, Kelly nevertheless manages to abstract the landscape just slightly, breaking earth, sky, and atmosphere down to their most elemental qualities. In this painting, a body of water, solidified into ice, stretches toward a murky treeline. The painting is composed primarily in a palette of pale blue, gray, and pink, with white, dark green, and gray accents. About the artist: Hudson Valley based painter John Kelly received his education from the Art Institute of Boston and Buffalo State. He has been exhibiting around the northeastern United States since the 1970s. EDUCATION 1973 74 BUFFALO STATE BUFFALO NY 1974 – 77 ART INSTITUTE OF BOSTON EXHIBITIONS 1978 BOSTON CITY HALL GROUP SHOW CURATED BY DAVID VAREANO 1979 MAC READY GALLERY JOHN KELLY, DEBORAH CLARKE 1979 BERKSHIRE MUSEUM REGIONAL CURATED BY KENWORTH MOFFIT 1984 GALLERIE TAUB PHILADELPHIA PA SOLO PAINTINGS 1984 GROUND ZERO GALLERY SURVEY SHOW AT KAMIKAZE 1984 NO LO CONTENDERE GALLERY NYC SMALL WORKS 1985 UNIVERSITY OF MASSACHUSETTS, BOSTON SOLO PAINTINGS 1988 RENNSELAER REGIONAL TROY NY CURATED BY LANGDON QUINN 1995 HUDSON VALLEY COMMUNITY COLLEGE SOLO PAINTINGS 1997 FIRST THINGS GALLERY NYC SOLO PAINTINGS 2014 CHATHAM BOOK STORE GALLERY SOLO PAINTINGS 2015 AWS GALLERY GREAT BARRINGTON MA SOLO PAINTINGS 2017 SPENCERTOWN ACADEMY REGIONAL 2017 CARRIE HADDAD GALLERY HUDSON NY LANSCAPE SHOW 2017 WRIGHT STATE UNIVERSITY DRAWING PERCEPTIONS 1981 FOUNDED MAAPSPACE, PERFORMANCE AND READING SERIES WITH BOOK, PRINTED MATTER AND EXHIBITION SPACE AT THE INSTANT MUSEUM 63 ENDICOTT ST BOSTON,MA CURATED 1983 MAIL ART; DAVID COLE AND PAUL ZELAVANSKY 1984 CONTENT SHOW, PAINTINGS AND XEROX PRINTED MATTER 1985 IS THIS ROMANTICISM PAINTINGS- MAGNUS JOHNSTONE, DENNIS RAFFERTY, PETER HOSS 1985 GROUND ZERO, EAST VILLAGE STENCIL AND STREET ART CURATED BY MARGUERITE VAN COOK AND JAMES ROMBERGER ; JANE BAUMANN, DAVID WOJNOROWICZ, MICHAEL ROMAN...

"A Way in Light" by Susan Hope Fogel oil on canvas panel 9 x 12 inches, 14.5 x 17 inches in gold leaf frame wire on reverse for easy installation signature in lower left Susan Hope...

Photo-realist still life painting of lush green lotus plants on a soft grey sky background "Lotus Number Twenty-Eight", painted by Frank DePietro in 201...

This work by Nell Blaine was exhibited at the Poindexter Gallery, as well as the Tibor de Nagy Gallery, both in New York City. It is signed lower left, and signed, titled, and dated ...

Impressionist style en plein air landscape painting of rural country hay field at sunset with robin egg's blue sky and yellow clouds #5790 At the Slurry Pit, painted by Harry Orlyk i...

oil on linen on panel 23.5 x 13 inches This modern cityscape oil painting was completed on linen and mounted on panel. Painted in a realistic style, the scene is of Brooklyn roofto...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Moon Noon (Figurative Painting of Young Woman Reaching to Cloudy Yellow Sky) by Annika Tucksmith 2024 oil on panel 16 x 20 inches, unframed With the occasional exception, the subjec...

Contemporary Impressionist Encaustic Landscape Painting "Spring Snow", made by Regina Quinn in 2023 Encaustic, oil with wax, and India Ink on panel 16 x 12 inches, 17.25 x 13.25 x 2...

"Two Sisters" by Richard Britell 86 x 45 inches vertical, monochromatic blue contemporary landscape oil painting on canvas This large vertical blue monochromatic...

Modern abstract, geometric landscape painting of green and teal mountains against a gestural, expressionistic green and light yellow sky "Fiel...

Realistic, ornate oil painting of New York City edifice by Richard Britell oil on wood panel 10 x 8 inches Framed, hangs flush to the wall Signed o...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Realistic, richly colorful oil painting of New York City edifice by Richard Britell oil on wood panel 10 x 8 inches Framed, hangs flush ...

60 x 72 x 1.5 inches acrylic on canvas being offered by Carrie Haddad Gallery located in Hudson, NY. Large, horizontal abstract painting with a palette of bright green, yellow and o...

Rising (Contemporary Cosmic Abstract Painting on Canvas in Black and White) painted by Cinda Sparling 16 x 20 x 1.5 inches oil on canvas, unframed (no frame required) Cinda Sparling...

49 x 79 inches framed, thin black painted wood frame 48.5 x 77.5 inches unframed oil on canvas $9,000 Modern, horizontal landscape oil painting of a large volcano, Cotopaxi, in...

"Jersey Shore", 2021 by Susan Hope Fogel Abstract Deconstructionist watercolor painting of a summer beach scene 7 x 24 inches, archival watercolor and gouache on 300 lb. Arches pape...

60 x 72 x 1.5 inches acrylic on canvas This painting is being offered by Carrie Haddad Gallery, located in Hudson, NY. Tirta gangga means WATER PALACE and is a former royal palace i...

Morningstar Panorama (Study) Contemporary Oil Painting of Rural Landscape with Sheep Grazing and Red Barns Painted by Robert Goldstrom in 2022, 10 x 20 inches, 12.5 x 22.5 inches fra...

86 x 42 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of romance...

Modern abstract landscape painting of green and teal mountains against a gestural, expressionistic green and light yellow sky "South Greenport", painted by Hudson Valley based artist...

11 x 25 inches oil on canvas, unframed (thin wood stripping only) Cotopaxi is the highest active volcano in the world located south of Quito in Ecuador. This very contemporary ...

Horizontal photo-realist still life painting on canvas of green lotus leaves on a light grey background 'Lotus Number Fifteen' by Frank Depietro, made i...

Abstracted cityscape painting on paper in blue and red oil wash of industrial beams and water towers in New York City "Untitled II," painted by Ricardo Mulero in 2018 7.5 x 5 inches, oil wash on paper 16.5 x 13.5 inches in a soft white wood frame with an 8-ply window mat and non-glare glass Excellent condition, ready to hang as is Ricardo Mulero is fascinated with capturing the brilliance of light and the contrast of natural beauty with utilitarian landscapes. Here, Mulero focuses on an abstracted New York cityscape of rooftop water towers and he fragments the industrial urban landscape to highlight bold shapes with contrasting color palettes in blue, black, and red. The piece is in excellent condition and ready to hang. About the Artist: Growing up in Puerto Rico, I observed how people and nature could co-exist in harmony. Today, that principle guides my design and artistic work. My paintings are expressions that draw upon my life experiences, traditions, and surroundings. These unique environments inspire my oil paintings: Puerto Rico, where I grew up, New York City, Fire Island Pines...

Burst (Contemporary Cosmic Abstract Painting on Canvas in Black and Fire Orange Red) painted by Cinda Sparling 16 x 20 x 1.5 inches oil on canvas, unfra...

36 x 72 inches with thin wood frame $8,500 Modern, horizontal landscape oil painting of a large volcano in the Ecuadorian Andes. The oil painting is very colorful with highly sat...

16 x 23 inches $2,500 oil on canvas Modern, horizontal landscape oil painting of a statue of the Lady of Guadalupe on a high mountain in Colombia. The oil painting is very color...

11 x 25.5 inches $2,500 oil on canvas, unframed Modern, horizontal landscape oil painting of Lake Guatavita in Colombia which inspired the lege...

Cityscape painting on muslin of iconic New York City water towers against an abstract maroon, silver, and blue rooftop skyline "41st & 10th" by Hudson, NY based artist, Ricardo Muler...

Encaustic on board 10 x 12 inches This monochromatic encaustic landscape on board was created by Hudson Valley-based artist Leigh Palmer. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. The main image is bordered by white to give the impression of a window. About the artist: In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception of Carrie Haddad Gallery in 1991. Today, the artist continues to work with both encaustic and oil paint. He is currently developing a new series in his studio right across the street from the gallery. We hope to reveal his new work to the public sometime in 2021. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in various ways by others. In this recent body of work, I draw on my deep love of nature: the impressions from my new rural life Upstate and in the Berkshires...