Italy - Sterling Silver

Sterlin Silver vase. The smooth body is shaped and slightly hammered The foot follows the shape of the body harmoniously Completely hand made This vase has been studied to have a b...

Description Charles II sterling silver tankard, John Ruslen, London, 1680. Decorated with vertical grooves separated by horizontal circular bands, handle with engraved initials, "JM"...

Table ashtray in the shape of a four-leaf clover with structure in 925/1000 sterling Silver gold plated and external and internal lining in real malachite stone. Dimensions cm. 12 x ...

Walking stick: Liberty knob in 800/1000 silver. The knob depicts the figure of a reclining naked woman in the round. Solid ebony wood shaft. Metal tip. Germany circa 1900.

Round table box in 925/1000 sterling silver gold plated with fired enamels, with “paillons” in pure gold on the upper circle, fine fired enamelled miniature with hand-painted floral ...

This important Picture Frame Green is in 925/1000 sterling silver gold plated 24 carats. It is rectangular shaped photo frame. The surface of this Picture Frame Green is fired enamel...

Large table clock in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè, formed by a rectangular base of cm. 12 x 24 x ...

Large oval tea and coffee service in 800 solid silver on feet, completely handcrafted and lightly hammered. The oval shape, particularly difficult to make as it is completely shaped ...

This type of centerpiece was very much in vogue in the prestigious and aristocratic houses of the 1700s. It was used to contain fruit or be decorated with floral compositions and po...

Large rectangular tabletop jewelery box with inward corners in gilded 925/1000 silver with translucent fired enamel on guillochè also on the sides and finished with fine hand engraving. In the center, a beautiful rectangular miniature cm. 4 x 5.5 hand painted in tempera on vegetable ivory plate by Roberto Masi depicting the portrait of Madame Boucard by Tamara De Lempicka (1931). Size cm. 14 x 19 x 3.2. Weight gr. 1,248. Designed by Giorgio Salimbeni in 1998 and manufactured in Florence in various specimens with different subjects and colours, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous glazing firings at high heat about 800°C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature...

A wonderful pair of Krupp Milano serving platters reclaimed from the Alexandra Plaza Hotel. Both platters are stamped Krupp Milano, Alexandra Plaza. Dimensions: Large W38cm x H4cm. ...

Heart-shaped frame in 925/1000 gold-plated sterling silver with translucent fired enamel on guilloche, modern contemporary style. External cm. 7.4 x 7.6 internal cm. 4.5 x 4.8. Weigh...

Fantastic reproduction of the famous saltcellar of Benvenuto Cellini, symbol of the world goldsmith's art. The master goldsmith made only very few copies of this wonderful object that makes it a unique piece in the world. 6.641 grams of solid silver. Some information on the original piece by Benvenuto Cellini: The Cellini Salt...

Round table box in 925/1000 sterling silver gold plated with fire enamels, with pure gold “paillons” on the upper circle, fine fire enamelled miniature hand painted by the painter Br...

This magnificent bowl with lid and base is entirely made in silver and was specifically designed to store and serve caviar. Its Classic shape is adorned with Renaissance-inspired dec...

Four-leaf clover shaped frame for oval photo in 925/1000 gold-plated sterling silver with translucent turquoise fired enamel on guilloche, modern contemporary style. External cm. 8.5...

Box Black and Red enamel is Inspired by drawings by Louis Cartier from the early 1900s in Art Deco style and recreated for Cartier USA in the 1980s. It is in 925/1000 sterling. Box B...

This centerpiece was made in Milan - Italy, by the prestigious silverware "Argenterie di Milano di Fiorentini" towards the end of the 70s. The fruit, all made and modeled by hand obt...

Cylindrical table cigar box in 925/1000 sterling silver gold plated with translucent fired enamels on guilloché, with hinged lid. Modern contemporary style. Diameter cm. 5 height cm....

Small round frame with flat edge in 925/1000 sterling silver gold plated with translucent fired enamel on guilloche, English style, early 1900s. External diameter cm. 7.2, internal c...

This divine Table Box is in 925/1000 sterling silver. Table Box hand-painted miniature has a Rectangular shape with rounded corners. On the cover there is a beautiful hand-engraved...

Italian sterling silver stand made in the 80s of the last century. The structure of the object is very simple, with a smooth double-stepped base. In the stem of the base, small l...

Large shaped frame for a round and a rectangular photograph in gold-plated 925/1000 sterling silver with translucent fired enamel on a radial guilloché and rich friezes in the Russia...

Oval shaped external photo frame in 925/1000 sterling silver gold plated with translucent fired enamels on guilloché and hand-painted floral miniatures. Viennese Art Nouveau style, s...

Description Charles II sterling silver tankard, AL silversmith, London, 1676. Tapered-sided body with hexagonal shield at base of handle, double scroll grip, contemporary heraldic cr...

Faithful copy of the writing service by the silversmith Pietro Rubini, Milan c.1775 The inkstand is composed of a shaped tray supported by 4 rocailles feet, modeled along the entire profile by finely embossed and chiselled volutes, leaves and shells. Above the tray are two ink holders and two pen holders with spiral workmanship and highly embossed vegetable decorations. A bell in the center of the object rests on a FASTIGIO pierced with flowering vines. By Fiorentini, Argenterie di Milano - Italy for ARVAL ARGENTI VALENZA Italian silverware...

21th Century Italian Sterling Silver 4 Lights Candelabra 4 flame sterling silver candelabra. The base was made with the ella fusion technique and modeled with acanthus leaves. Subs...

Playful true-to-life silver rhinoceros that serves as a lighter other than being a decorative artwork in its own right. Expertly handcrafted by the F...

Figure realized in sterling silver using the lost wax process. The details are gilded and enameled. The figure is 19.5 cm high and depicts a 15th century French soldier with Jousting Lance and shield The wood square base is 7 cm high where there is an engraved label "Armatura Francese XV° Secolo" - "French Armour...

Rectangular table box with inward corners in gold-plated 925/1000 sterling silver with translucent enamel fired on guilloche and a fine round miniature in the centre, diameter cm. 4....

Black Box Erté inspiration is in 925/1000 sterling silver. Black Box Erté inspiration has black fired enamels. Black Box Erté inspiration has an fired miniature by the painter Renato...

Four-leaf clover shaped frame for oval photo in 925/1000 gold-plated sterling silver with translucent lilac fired enamel on guilloche, modern contemporary style. External cm. 8.5 x 8...

This Italian Baroque style mirror has a shaped silver frame that is embossed and chiseled. Certain central details were lightly hammered out in order to create a contrast with the sh...

Shaped rectangular pocket cigarette case in 925/1000 sterling silver with translucent fired enamels on guillochè with Art Deco style geometric de...

Description George II sterling silver pourer with lid, London, 1734. Flared body with subtly molded stepped circular base. Finely chiseled floral carvings and foliage on the surface,...

Silver Glasses _ Set of 2 San Lorenzo, Milano 1970 Silver 925 San Lorenzo and B&B marks impressed Excellent Condiction Weight: 425g

Silver vintage centerpiece is a precious decorative object realized in the 20th century. A very elegant silver circular centerpiece with emboss...

Salimbeni Pocket photos holder in sterling silver 925/1000 gold plated with two-tone translucent fired enamels on guillochè, with hand-engraved edge. Empire style Napoleon III. Octag...

Cornice portafotografie rettangolare in argento 9251000 dorato con smalto traslucido a fuoco su guillochè. Stile moderno contemporaneo. Vetro molato. Pannello in velluto blu. Dimensi...

Rectangular photo frame in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè with 2 oval borders internal size cm. 4 x 5.2 and ornaments with festoons a...

Cylindrical handbag perfume holder in 925/1000 sterling silver with screw cap and fine manual engraving of Art Deco style decorations, with 3 colours of fired enamels. Diameter cm. 2...

Large octagonal table frame for round photos diameter cm. 7, in 925/1000 sterling silver gold plated with translucent fired enamel on sunburst guilloche, with Napoleon III French Empire style borders and ornaments. External cm. 17 x 17. Weight gr. 483. Designed by Giorgio Salimbeni in 1978 on the inspiration of previous artefacts from the early 1900s and manufactured in Florence at the headquarters of the Salimbeni company with completely manual execution by artisan artists with a very thick plate and large reinforcements suitable to support numerous high-fire enameling firings at approximately 750 < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

This sumptuous soup terrine is made entirely in silver in the shape of a cabbage, rendered in all its vivid detail. Masterful craftsmanship and a Classic...

Evening bag in the shape of an envelope in 925/1000 sterling silver with black fired enamel. Measure cm. 8.2 x 4.7 x 13.5 - interior with beveled mirror and velvet lining. With trian...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Cylindrical handbag perfume holder in 925/1000 sterling silver with screw cap and fine hand-engraved design in Art Deco style, fire enamelled in 3 colours. Diameter 2 cm, total heigh...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Maker's mark A.A., Moscow, 1892 Re...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Elongated, plain baluster form wit...

Shaped snuff box in 925/1000 sterling silver gold plated with fire-enameled stripes and fine oval enameled miniature in center cm. 3 x 4 hand-painted by ...

Magnificent set of 4 pieces in sterling silver consisting of one teapot, one coffee pot, one milk jug and one sugar box hand made by Ilario Pradella for Bellezza Cagliari. Splendid ...

Rectangular table box with rounded corners in 925/1000 sterling silver gold plated with two-tone translucent fired enamels with guillochè stripes and hand-engraved motifs. George V E...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Germany, circa 1740 Of rectangular...

Rectangular photograph frame in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and hand-painted miniature of flower garlands in the late 19th century...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our items. Beauti...

Baroque oval silver tray. Made in Milan, Italy in the mid-19th century. Completely hand engraved with scrolls and central flowers. The swirls and flo...

Heart-shaped table box in 925/1000 sterling silver gold-plated with translucent fired enamel on guilloché above and below. Modern contemporary style. Dimensions cm. 8.8 x 8 cm high....

Beautiful silver vanity set made in the 30's of fine Italian craftsmanship. The vanity set is totally made of silver finely crafted and decorated. The set contains 5 pieces and is c...

Heart-shaped table box in 925/1000 sterling silver with translucent fired enamel on guilloché above and below. Modern contemporary style. Dimensions cm. 8 x 8.8 high cm. 2.8. Weight ...