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Item Ships From: Manhattan
Efflorescence
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Photogram, Archival Pi...
Johnny Thunders and David Johansen, LA 1973
By Bob Gruen
Located in Toronto, ON
Open and Limited Edition Silver Gelatin Prints
Hand Signed by Bob Gruen
8" x 10" Unframed
Open Edition
11" x 14" Unframed
Open Edition
16" x 20" Unframed
Open Edition
20" x 24" U...
Category
1970s Other Art Style Manhattan - Black and White Photography
Materials
Silver Gelatin
"Striped Pegasus"- Black and White Wildlife Photography, Zebra in Africa
Located in Brooklyn, NY
Right after visiting a Masai tribe in Amboseli National Park, we came across this beautiful zebra. He was feeding with a female and a foal. Once they say us, the female and the foal ...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Acrylic Polymer, Photographic Paper, Black and White
"Pensacola", 1992
By Michael McLaughlin
Located in Hudson, NY
American, architecture, trees, urban, black and white, Florida, text, romance, sign, Americana, blur, rural, palm trees, surrealist, blur, blurry, landscape, american, photography, black & white, b&w, film photography, architecture, landmark, vignette, nostalgia
A surrealist, blurred landscape...
Category
1990s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Slim Aarons 'Jamaica Sea Sailing'
By Slim Aarons
Located in New York, NY
Jamaica Sea Sailing, 1953
Fiber print
Estate edition of 150
Signature stamped and hand numbered with Certificate of authenticity
1953: Two men sailing their yacht 'Eel II' in Jamaic...
Category
1950s Modern Manhattan - Black and White Photography
Materials
Silver Gelatin
Slim Aarons, Backgammon by the Pool (Estate Edition)
By Slim Aarons
Located in New York, NY
Backgammon by the Pool, 1957
Silver gelatin print
Estate edition of 150
Countess Peter Jean-Baptiste de Manio (left) and Mary Beth-Turner play backgammon by a swimming pool in Palm ...
Category
1950s Modern Manhattan - Black and White Photography
Materials
Lambda
"Tree Runner", Plas Newydd, Wales, 2009
By Pete Kelly
Located in Hudson, NY
A boy runs through a thickly wooded forest that looks fresh out of a fairy tale book. The sky is covered with foliage and the lines of trees seem to go...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Paper, Pigment
Slim Aarons Style 'Gretchen Van de Kamp Ward In Gustave Tassell'
By Slim Aarons
Located in New York, NY
Slim Aarons
Gretchen Van de Kamp Ward In Gustave Tassell
1960 (printed later)
Silver gelatin print
estate signature stamped edition of 150
with certif...
Category
1950s Modern Manhattan - Black and White Photography
Materials
Silver Gelatin
Natural History Museum, Londra, 2005
By Massimo Listri
Located in New York, NY
Massimo Listri
Natural History Museum, Londra, 2005
Chromogenic Print
Signed, dated, and numbered on verso label
39.5 x 47.5 inches edition o...
Category
Early 2000s Contemporary Manhattan - Black and White Photography
Materials
C Print
Bette Midler Film Set Backstage Baby Daughter Vintage b&w Print Contemporary
By Roddy McDowall 1
Located in New York, NY
Bette Midler Film Set Backstage Baby Daughter Vintage b&w Print Contemporary
Roddy McDowall (British-American, 1928-1998)m "Bette Midler & Daughter Sop...
Category
1980s Photorealist Manhattan - Black and White Photography
Materials
Silver Gelatin
"Sennon Cove Surfers on the Cornish Seaside", UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Eclipse (after Antonioni)
By Jonathan VanDyke
Located in New York, NY
Eclipse (after Antonioni)
2014
Signed and numbered, verso
Gelatin silver print (Edition of 3)
11 x 14 inches
This work is offered by ClampArt in New York City.
Category
Manhattan - Black and White Photography
Slim Aarons Style 'Last-minute Adjustments'
By Slim Aarons
Located in New York, NY
Slim Aarons
Last-minute Adjustments
1955 (printed later)
Silver gelatin print
estate signature stamped edition of 150
with certificate of authenticity
A young woman has last-minute...
Category
1940s Modern Manhattan - Black and White Photography
Materials
Silver Gelatin
Untitled Nude Back
By Jennifer Lin
Located in New York, NY
Untitled Nude, 2012
Archival pigment print
32 x 42 inches
Edition of 6
New York based artist Jennifer Mien Mien Lin’s (1983-) conceptual photography is a look into the identity...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
Sandbox
By Mindaugas Gabrenas
Located in Hudson, NY
Black and White, Beach, Sky, Landscape, Figurative, reflection, b&w, black & white, beach, figure, landscape, portrait, high contrast, water, sky, clouds, weather, water, beach, mirr...
Category
21st Century and Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
"Big Bad Wolf"- Black and White Wildlife Photography, Lone Wolf
Located in Brooklyn, NY
We've all heard or read that the dogs come from wolves. They are very similar except for one thing: when you see a wolf you immediately know, they don’t wiggle their tail or rub them...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Acrylic Polymer, Photographic Paper
Ben
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
Slim Aarons Style 'September Affair'
By Slim Aarons
Located in New York, NY
Slim Aarons
September Affair
1949
Silver gelatin print
estate signature stamped edition of 150
with certificate of authenticity
A young woman mode...
Category
1940s Modern Manhattan - Black and White Photography
Materials
Silver Gelatin
Crysthansemums, 1995
By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 25
CURRENT EXHIBITION - runs through May 8th, 2016. Any framed photographs purchased during the show wil...
Category
1990s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
The Rolling Stones II - black and white photography
By Phillip Townsend
Located in New York, NY
This photo was taken a few minutes before the Stones appeared on 'Thank Your Lucky Stars' at ATV studios in Birmingham in 1963. This was their first TV appearance and Phillip caught ...
Category
1960s Modern Manhattan - Black and White Photography
Materials
Silver Gelatin
Jane, 1996
By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 25
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Shaped by the Wind
By Jean- Michel Lenoir
Located in New York, NY
SHAPED BY THE WIND
30" X 42" Ed. of 10, Unframed
we can frame it in a white wood shadow box. The frame price is 400$.
Available in size 42 x 60" Framed Ed. of 10. $6,800
A resolu...
Category
2010s Naturalistic Manhattan - Black and White Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...
Boxing
Located in New York, NY
Boxing
PA, c. 1990s
Signed, titled, and dated in pencil, verso
(Total edition of 5)
Vintage gelatin silver print
16 x 20 inches, sheet
$6,100
Modern gelatin silver print
16 x 20 ...
Category
1990s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Pensacola, Florida
Located in New York, NY
Pensacola, Florida
1998
Signed, titled, and dated in pencil, verso
(Total edition of 5)
Vintage gelatin silver print
16 x 20 inches, sheet
$6,100
Modern gelatin silver print
16 x...
Category
1990s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Hop Scotch
By Laurence Salzmann
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
1990s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Bird Walker
By Ted Adams
Located in Hudson, NY
Black and White, Birds, Trees, Landscape, Abstract, bird, rural, america, american, b&w, black & white, landscape, nature, pathway, high contrast, vi...
Category
21st Century and Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
"Inglewood", Los Angeles, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Alleman's interesting use of perspective makes this photograph almost collage-like. The angle of his camera completely throws off the scale of the airplane and stop sign, merging the...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
Untitled, NUDE
By Yoshihiko Ueda
Located in New York, NY
Yoshihiko Ueda
Untitled, NUDE , 1985
Gelatin silver print
10 3/4 x 8 3/4 inches (image)
11 x 9 1/2 inches (sheet)
27 5/8 x 22 1/2 inches (frame)
Edition 1 of 25
Signed recto
Black ...
Category
1980s Manhattan - Black and White Photography
Materials
Silver Gelatin
Atlantic City, New Jersey
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
Silhouette, Bar 81 Les, NY.
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
Dollface
By Ted Adams
Located in Hudson, NY
Black and White, Women, Fashion, Figurative, Photography, Portrait, doll, woman, photograph, b&w, black & white, high contrast, american, vignette, suburban, diner, storefront, moody, blur, america, portrait photograph, suburban
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Ted Adams juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams' work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
“I see photography as a way of cropping the world – selectively taking things out of context – which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create 'narrative' and context rather than discard them.”
While he has exhibited artistic photography in a variety of genres, he has turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4” x 6” to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design – yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer's gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras, preferring the archival qualities of black and white film and primitive analog functionality.
In the invitational image, “Beyond” we see an abandoned building. The eye immediately is drawn to the structure’s one indication of life, a sign reading “Beyond” which glows like platinum in contrast to the forlorn setting. One has to wonder what goes on beyond the shut door. Yet the humor lies in the idea that anything in these surroundings could be in the superlative -- beyond the gritty or merely mundane.
Adams' sarcasm veils an artistic integrity. What seems happenstance and simple, a road sign, a graffiti ridden wall, or a bank of phones, belies the artists uncanny ability to see the interesting in the ordinary. In a second picture, “Solitary”, we see the words “solitarily confined” sprawled across a wall. Just to the side of the wall stands a little girl. One might think of the solitary confinement in terms of a jail term or the graffiti an indictment on society. But the surprise lies with the child at play, seemingly free of any constraints at all.
Born in Louisville Kentucky, Adams spent most of his adult life in Philadelphia after having moved there to work as a professional darkroom printer. In addition to artistic and documentary photography, Adams works as a multi-media artist. He curates the online Abandoned Photo Museum...
Category
21st Century and Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Preparing for the Wrestling Class
By Laurence Salzmann
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Laurence Salzmann’s first solo show at the Robin Rice Gallery depicts the gritty world of wrestling in the city of Santiago de Cuba. The word “La Lucha” means both wrestling and struggle in Cuban Spanish. Here the dual meaning refers equally to the young wrestlers’ physical struggle and the Cuban people’s fight to survive in an economically and politically oppressed culture. Both rely on pride, ingenuity and an indomitable spirit as they strive to gain respect on the global stage.
Salzmann’s photographs reflect over a decade long passion that began on a trip to Santiago de Cuba to improve relations between our two countries. While there, Salzmann stumbled upon a gym where young boys aged 8-18 learn Greco-Roman style wrestling. Once home he could not get the silhouetted forms of young athletes in training out of his head.
This classical series of eighteen photographs, ranging in size from 11″ x 14″ to 20″ x 24″ are silver gelatin prints. Using his Hasselblad, Salzmann’s shots are un-posed and almost voyeuristic, revealing an intimate and universal portrait of human resilience. While Salzmann’s work is rooted in the social-documentary tradition, the exquisitely printed images tell a narrative of personal discovery that appeals to all ages and cultures. Taking early inspiration from American photographic greats such as Walker Evans and Paul Strand, Salzmann’s method is to create a relationship whereby the subjects feel comfortable with his presence.
In the invitational image, “Ascending”, we see four boys train using their only resources, their sinewy bodies and the primitive gym’s concrete stairs. Each boy grips the ankles of another, wheelbarrow style, as they climb the steps on their hands. The slanted staircase, the triangulated shapes of the boy’s limbs intertwined, and the brown bodies against the stark white wall create an arresting image that goes beyond its documentary origin to artistry. Viewed from afar it recalls the ancient Greek brush in red-figure technique used to decorate fine pottery.
In the image, “Jump of the Tiger”, a young man vaults across the back of another. The intense physicality of the wrestler...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Future Champions
By Laurence Salzmann
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 7.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
1990s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Free Exercise
By Laurence Salzmann
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
"Cab Midtown Manhattan, December 2004", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the visual rhythms and geometry of buildings, highways and parks, h...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
"Cows, Little Dartmouth, Dartmouth, Devon, UK", 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Slim Aarons 'Cricketers on the Pitch'
By Slim Aarons
Located in New York, NY
Slim Aarons
Cricketers on the pitch, Belfast
1962 (printed later)
Silver gelatin print
estate signature stamped edition of 150
with certificate of authenticity
Cricketers on the pi...
Category
1940s Modern Manhattan - Black and White Photography
Materials
Silver Gelatin
"Hollywood, October 2005", Los Angeles, 2005
By Thomas Michael Alleman
Located in Hudson, NY
An unconventional rendering of the classic Hollywood sign.
Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye for the vis...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
La Belle Femme
By Silvia Lareo-Vazquez
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10. Prints are signed and editioned.
If the exhibition piece is sold or the customer orders a different p...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
"Tuscan Landscape", Bacio, Tuscany, 2006
By Pete Kelly
Located in Hudson, NY
The rolling hills and lush vegetation in this gorgeous Tuscan landscape encourage viewers to travel to the countryside in their own imagination.
Pet...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
Mr. Darcy, Dartmoor UK
By Patricia Heal
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Canvas, Mixed Media
"Racehorse Blur Double, " 2004, Sedgefield, UK
By Pete Kelly
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and power in the beauty of the urban landscape. "I try to see beauty around me, drawing beauty from ugliness by capturing close up textures of fading paint or graffiti, or by reducing the shape of the subject to silhouette."
Kelly's fascination with photography, the quality, and flexibility of the medium
began at a very early age.
Born in England in 1966, and as the son of a military man, Kelly spent most of his childhood growing up in West Germany.
After leaving school Kelly enrolled in a photography course with the R. A. F Photographic Unit, based in Wildenrath in Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveller, Kelly initially decided to return to the UK,
to study Graphic Design at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in America,
Kelly began working as a Photographers Assistant.
Working closely with a range of photographers allowed him to intrinsically develop his own
refined sense of aesthetic as well as develop and master photographic theory and technique.
Now working as a Fine Art Photographer in his own right,
Pete Kelly utilises the most cutting edge equipment and techniques,
painting with photography by compositing and layering photographs...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
"Majestic", Dartmoor, UK, 2007
By Patricia Heal
Located in Hudson, NY
Listing is for FRAMED print.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow t...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Canvas, Mixed Media
"Padstow Cornwall", Cornwall, UK, 2007
By Pete Kelly
Located in Hudson, NY
Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
"Cummins Steam Pump", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Paper, Pigment
"Diver Series III", Anguilla, 2006
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Ink
"Foxtor", Dartmoor, UK, 2010
By Patricia Heal
Located in Hudson, NY
Listing is for FRAMED print.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Patricia Heal's 8th show at the Robin Rice Gallery marks a departure from her previous figurative work with a visual essay celebrating the wild ponies of Dartmoor National Park in Devon, England. The dedicated exhibit reflects Patricia's life-long love affair with the area and its inhabitants—the semi-feral native ponies that have roamed the moors for centuries.
The work represents a conscious shift to provide a respite from the modern world and create a sense that one has stumbled upon a treasured possession. With a nod to Peter Beard and Deborah Turbeville, each photograph, whether from negative or digital, is printed on canvas that has been distressed to take on a worn, slightly damaged texture and then stitched to another piece of canvas with horsehair. Through tearing, staining with archival inks, charcoal and graphite, the canvasses take on a look and feel of a valued relic from the past only now rediscovered by the viewer. There will be no editions as they are truly one-of-a-kind.
Born and raised in the region, Dartmoor was an important part of Patricia's childhood experience. The magical ponies and misty, granite flecked moorlands always held a special place in her imagination. She has recently been inspired by the Dartmoor Pony Heritage Trust (DPHT), whose mission it is to save the indigenous pony from extinction. It is estimated now that there are as few as 1500 ponies kept on the moors.
In the invitational image, Lord Byron “—Indigenous Dartmoor Pony”, we see a close-up of a pony against a distressed canvas background that takes on the elegant look and feel of tapestry, framing the pony's powerful profile and highlighting its mane.
In another image, “Sherberton Crossroads”, a dappled grey pony gallops across the terrain. The pony's elongated shape blends perfectly with the horizon, a mix of sparse, flat rock and low brownish green vegetation that gives way to a blue expanse of sky. It's a seamless integration of the statuesque horse and nature.
The 30 individual canvases of different shapes and sizes are presented in collage formation on one wall. Heal sees the series as one large complete work. On the facing wall, Heal's video installation of the ponies roaming wild in their environment adds yet another layer to the show. It is surrounded by text of a poem by Emily Bronte and an article about Dartmoor written by Andrew Price.
The exhibit will also be shown in London next year, further raising awareness of these wild ponies who embody freedom and strength despite their rare breed status. Steven Spielberg's “Warhorse” was shot in Dartmoor last year and will be released later this fall. He says of the area:
“I have never before, in my long and eclectic career, been gifted with such an abundance of natural beauty as I did while filming “Warhorse” on Dartmoor.” —Steven Spielberg, Enjoy Dartmoor Magazine.
Black and white, horse, equestrian, animal, custom, frame insects...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Canvas, Mixed Media
"Blur Stampede Panoramic", Marple, Cheshire, UK, 2010
By Pete Kelly
Located in Hudson, NY
Horse, panoramic, black and white, English, England, UK, United Kingdom, British, wild horses, b&w, black & white, motion, motion blur, vignette, field, nature, europe, photography, ...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
"Show Jumper", 2007
By Pete Kelly
Located in Hudson, NY
Pete Kelly captures the focus and composure required of equestrians. The woman faces away from the camera, focusing on the obstacle that her horse and her will have to endure as a te...
Category
21st Century and Contemporary Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
Tamazunchale
Located in New York, NY
Signed, titled, and dated in pencil, recto; Also studio stamped, verso
Vintage gelatin silver print
This work is offered by ClampArt in New York City.
Category
1950s Contemporary Manhattan - Black and White Photography
Materials
Silver Gelatin
Surf Dog
By Christophe von Hohenberg
Located in New York, NY
Ed. 4/25, includes white frame.
"Surf Dog" is part of Christophe von Hohenberg's ongoing series of minimal, dreamlike images captured on the beaches of America’s Northeastern shorel...
Category
2010s Manhattan - Black and White Photography
Materials
Archival Pigment
John Lennon, NYC 1974
By Bob Gruen
Located in Toronto, ON
Open and Limited Edition Silver Gelatin Prints
Hand Signed by Bob Gruen
8" x 10" Unframed
Open Edition
11" x 14" Unframed
Open Edition
16" x 20" Unframed
Open Edition
20" x 24" Unframed
Limited Edition of 150
30" x 40" Unframed
Limited Edition of 75
Bob Gruen is one of the most well-known and respected photographers in rock and roll. From John Lennon to Johnny Rotten; Muddy Waters to the Rolling Stones; Elvis to Madonna; Bob Dylan to Bob Marley; Tina Turner to Debbie Harry, he has captured the music scene for over forty years in photographs that have gained worldwide recognition.
Shortly after John Lennon moved to New York in 1971, Bob became John and Yoko's personal photographer and friend, making photos of their working life as well as private moments. In 1974 he created the iconic images of John Lennon wearing a New York City t-shirt and, standing in front of the Statue of Liberty making the peace sign - two of the most popular of Lennon's images.
Bob has worked with major rock acts such as Led Zeppelin, The Who, David Bowie, Tina Turner, Elton John, Aerosmith, Kiss & Alice Cooper. He toured extensively with the emerging punk and new wave bands including the New York Dolls, Sex Pistols, Clash, Ramones, Patti Smith Group and Blondie.
His "Sid Vicious with Hot Dog" photo was acquired in 1999 by The National Portrait Gallery, London, for their permanent collection and his John Lennon NYC...
Category
1970s Other Art Style Manhattan - Black and White Photography
Materials
Silver Gelatin
Cat - From the Black beauty series
By Netta Laufer
Located in New York, NY
Black Beauty evokes aesthetic and ethical questions arising from use of “Curing Genetics” in the breeding of animals. In this postmodern world, animals are commodities like any other commodity. Humans are no longer satisfied with the exotic and mysterious creations of nature, and seek to box nature...
Category
2010s Contemporary Manhattan - Black and White Photography
Materials
Archival Pigment
Leonard Cohen, NYC, 1974
By Bob Gruen
Located in Toronto, ON
Open and Limited Edition Silver Gelatin Prints
Hand Signed by Bob Gruen
8" x 10" Unframed
Open Edition
11" x 14" Unframed
Open Edition
16" x 20" Unframed
Open Edition
20" x 24" U...
Category
1970s Other Art Style Manhattan - Black and White Photography
Materials
Silver Gelatin
William Burroughs
By William Coupon
Located in New York, NY
William Burroughs, 1981
Archival pigment print
image size: 36 x 36 inches
Signed and numbered edition of 15
William Coupon is an American photographer, born in New York City, k...
Category
1980s 85 New Wave Manhattan - Black and White Photography
Materials
Archival Pigment
Natural History Museum, Londra, 2005
By Massimo Listri
Located in New York, NY
Massimo Listri
Natural History Museum, Londra, 2005
Chromogenic Print
Signed, dated, and numbered on verso label
39.5 x 47.5 inches edition o...
Category
Early 2000s Contemporary Manhattan - Black and White Photography
Materials
C Print
Slim Aarons 'Soho Waiters Race'
By Slim Aarons
Located in New York, NY
Soho Waiters Race, 1955, Printed Later
Waiters carrying half bottles of champagne set off on the annual waiters' race from Soho Square to Greek Street, i...
Category
1950s Modern Manhattan - Black and White Photography
Materials
Silver Gelatin
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