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Item Ships From: Manhattan
Kroma: Agrias claudina belsazar-M-R
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Twilight, St Petersburg 1995
By Boris Smelov
Located in New York, NY
Vintage Gelatin Silver Print. 16 1/4 x11 3/4". Image Size: 10 1/2 x 10 1/4."
Signed and Dated by photographer on verso.
Boris Smelov 95, 7/15
Photographer Boris Smelov) was a li...
Category
1990s Contemporary Manhattan - Still-life Photography
Materials
Photographic Paper
Experiment upon the center of gravity made on a set of Dominoes...
By McDermott & McGough
Located in New York, NY
McDermott & McGough
Experiment upon the center of gravity made on a set of Dominoes from Sentimental Education, 1998
Photogravure
13 1/2 x 10 1/4 inches (image)
25 x 20 inches...
Category
Late 20th Century Contemporary Manhattan - Still-life Photography
Materials
Photogravure
KROMA - Polyura dehaani sulthan
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris
By Geoffrey Baris
Located in New York, NY
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certifica...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Color, Archival Pigment
$1,260 Sale Price
31% Off
Orange Flower Detail, Color Nature Photography by Geoffrey Baris, Close-up
By Geoffrey Baris
Located in New York, NY
Orange Flower Petals Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Color, Archival Pigment
$1,260 Sale Price
31% Off
Kroma: Papilio Rumanzovia-V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Morpho Cypris
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Charaxes Jasius - V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Papilio Maackii-F
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Cyclamen D03
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
$18,000
Kroma: Marpesia Cosita-R
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Papilio rumanzovia-V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Graphium idaeoides-M
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010
By Jonathan Becker
Located in New York, NY
Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010
"Trompe l'oeil (and not)"
Photographed by Jonathan Becker
Contemporary
28" x 28.5...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Kroma: Parnassius Nomion Richthofeni-M
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Kroma - The butterfly collection - Prepona praeneste
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Iris Atropurpea D01
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
Blow Up, Untitled 19
By Ori Gersht
Located in New York, NY
From the series Blow Up
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
Untitled #7, Guild Hall
By Laura Letinsky
Located in New York, NY
Laura Letinsky
Untitled #7, Guild Hall, 2013
Archival pigment print
Edition of 7
Image: 43 x 33 3.8 inches
Paper: 53 x 44 inches
Category
21st Century and Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"A Fine Prospect", limited edition, American Landscape Photograph
By Ken Ragsdale
Located in New York, NY
30"x40" photograph of created landscape of paper. from the series: "The Hundred- Acre Wood" signed on reverse edition of 5. This photograph depicts the artist's vision of the American landscape, created in paper and then photographed to create this atmospheric image. The limited edition photograph captures a feel of Western United States farming, with a quality of light from the Hudson Valley. A union of artistic vision from West Coast to East Coast, Ken Ragsdale is a master of material construction, light and photographic composition.
The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper
Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences.
Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past.
Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Pigment, Archival Pigment
Like Ice in the Clouds (Japan) No. 83
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print, framed, edition 8.
Signed, titled, dated and editioned on frame label provided.
In this latest body of work, Simone Rosenbauer continues her series "...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Dark Sun No. 20
Located in New York, NY
For the past 30 years Barbara Jaffe has used her 4x5 inch view camera and a variety of black & white and expired pos/neg Polaroid films to create photographs that are a tribute to th...
Category
1990s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Dark Sun No. 58
Located in New York, NY
For the past 30 years Barbara Jaffe has used her 4x5 inch view camera and a variety of black & white and expired pos/neg Polaroid films to create photographs that are a tribute to th...
Category
Early 2000s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
White Peony
By John Grant
Located in New York City, NY
John Grant
White Peony, 2010
60x60 inches -Ed.10
Archival Pigment Print - Plexiglas
Signed
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Plexiglass, Archival Pigment
B-52 Cockpit
By Phillip Buehler
Located in New York, NY
40"40" photograph, edition of 5, signed and editioned on reverse
framed in natural wood shadowbox frame
This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery.
For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Untitled (2005.A)
By Uta Barth
Located in New York, NY
Uta Barth
'Untitled (2005.A),' 2005
Laminated color photograph
20 x 30 inches (sheet)
20.25 x 30.33 x 1.5 inches (frame)
Edition 12 of 20
Signed on label on f...
Category
Early 2000s Contemporary Manhattan - Still-life Photography
Materials
Laminate, Photographic Paper
Arrogant and aloft, 2019
By Tina West
Located in Hudson, NY
Listing is for framing. UNFRAMED print. Inquire within for CURRENT EXHIBITION - runs through March 1st, 2020. Any framed photographs purchased during the show will be available after...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Sno6-016 (sno blanket)
Located in New York, NY
Doug and Mike Starn
Sno6-016 (sno blanket), 2006-07
Archival inkjet print on Gampi paper with varnish and acrylic paint
32.5 x 25 inches (sheet)
40 x 32 inc...
Category
Early 2000s Contemporary Manhattan - Still-life Photography
Materials
Paper, Varnish, Acrylic, Inkjet, Archival Pigment
Untitled #5, Guild Hall
By Laura Letinsky
Located in New York, NY
Laura Letinsky
Untitled #5, Guild Hall, 2013
Archival pigment print
Edition of 7
Image: 48 x 37 1/2 inches
Paper: 58 x 48 inches
Category
21st Century and Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Like Ice in the Clouds (Japan) No. 106
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print, framed, edition 8.
Signed, titled, dated and editioned on frame label provided.
In this latest body of work, Simone Rosenbauer continues her series "...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Blow Up, Untitled 17
By Ori Gersht
Located in New York, NY
From the series Blow Up
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
White Peony
By John Grant
Located in New York City, NY
John Grant
White Peony, 2010
40x40 inches -Ed.20
Archival Pigment Print - Plexiglas
Signed
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Plexiglass, Archival Pigment
Iris Atropurpea 01W P
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
Iris Atropurpea 03W P
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
Residence, Snowstorm, New Jersey
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"The Abby Garden", Penzance, Cornwall, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Silver Gelatin
"To Coastal Walk", Little Dartmouth, Dartmouth, Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Silver Gelatin
"So We Balance Ourselves", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Minutes", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Firstgiving", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Hope Is a Waking Dream, New York", 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Monumental Stillness", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Counteracting Gravity by Gentle Movement", New York 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Running Lights", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"No. 2", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Mainspring", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"1940", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Paper, Pigment
Light Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
Price ...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Paper
"Knotted Wire Brush", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Paper, Pigment
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Paper, Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Paper, Pigment
Iris Atropurpea 06B P
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
Cyclamen D01
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
$18,000
Iris Atropurpea 02W P
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
Lilium Candidum P01
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
Drown
By Ori Gersht
Located in New York, NY
From the series Falling Bird
Category
Early 2000s Manhattan - Still-life Photography
Materials
Archival Pigment
$18,000
Cyclamen P04
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
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