Manhattan - Still-life Photography
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Item Ships From: Manhattan
Bed - Dream Santa Fe, New Mexico, Frame included
By Robert Stivers
Located in Hudson, NY
Price for UNFRAMED item
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Airplane, Denver" Denver, Colorado, 2005
By Bill Phelps
Located in Hudson, NY
Airplane, American, Sepia tone, vintage, portrait, film, Americana, Classic Airplane, Mechanical , mechanics, engine, Denver, Colorado, Sepia tone, Summertime, Bridgehampton, america...
Category
Early 2000s Modern Manhattan - Still-life Photography
Materials
Archival Ink, Archival Pigment
Bunny Lambert Mellon’s gardens, Upperville, Virginia, 1 June 2010
By Jonathan Becker
Located in New York, NY
At Oak Spring Farm, Bunny Lambert Mellon's Gardens, Upperville, Virginia, 1 June 2010
Photographed by Jonathan Becker
Contemporary
28" x 28.5" Ar...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Three Pears and an Apple, France
By Edward Steichen
Located in New York, NY
Three Pears and an Apple, France, c. 1921: The Early Years 1900-1927, 1981
photogravure on BFK Rives Paper
image size: 13 x 10 inches
paper size: 20 x 15 1/4 inches
Edition of 500
Category
1920s Manhattan - Still-life Photography
Materials
Photogravure
RAVEN SKULL, Diptych from Comparative Anatomy Portfolio
Located in New York, NY
DIANNE KORNBERG
RAVEN SKULL,Diptych from Comparative Anatomy Portfolio, 1993
selenium toned gelatin silver print ed.15
18 x 32 in. 45.7 x 81.2 cm.
Category
1990s Contemporary Manhattan - Still-life Photography
Materials
Silver Gelatin
Kroma: Prepona Praeneste
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Ornithoptera Croesus
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Doll No. 3 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 3 (Edition 1/25), Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century
Colors: Black, Blue, White,...
Category
Late 20th Century Abstract Manhattan - Still-life Photography
Materials
Photographic Film
Doll No. 2 "Madeline" (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 2 (Edition 1/25) "Madeline", Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century
Colors...
Category
Late 20th Century Abstract Manhattan - Still-life Photography
Materials
Photographic Film
Doll No. 15 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Dolls No. 15 (Edition 1/25), Lucille Khornak, Color Photograph on Board With Liquid Acrylic Finish/ Mixed Media, 26 x 40, Late 20th Century
Colors: Bla...
Category
Late 20th Century Abstract Manhattan - Still-life Photography
Materials
Photographic Film
Doll No. 16 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 16 (Edition 1/25), Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century
Colors: Blue, Gray, Brown,...
Category
Late 20th Century Abstract Manhattan - Still-life Photography
Materials
Photographic Film
Doll No. 7 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 7 (Edition 1/25), Lucille Khornak, Color Photograph on Board with Acrylic Finish, 26 x 40, Late 20th Century
Colors: Black, Blue, White,...
Category
Late 20th Century Abstract Manhattan - Still-life Photography
Materials
Photographic Paper
Kroma: Polyura Dehaani Sulthan
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Papilio Zalmoxis-R
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Agrias Claudina Belsazar-M-V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Passion Lies at the Edge of Uncertainty, Kansas City, MO, 2019
By Tina West
Located in Hudson, NY
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka...
Category
2010s Modern Manhattan - Still-life Photography
Materials
Archival Pigment
Proteas 10:05AM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Kroma: Ornithoptera Aesacus
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Airplane, Front Denver, CO
By Bill Phelps
Located in Hudson, NY
This is a photograph of a Swiss made Pilatus PC-12 airplane. There are other Airplane images in this series as well.
The plane is made by Pilatus Aircraft of Stans, Switzerland, sinc...
Category
Early 2000s Modern Manhattan - Still-life Photography
Materials
Archival Ink, Archival Pigment
Kroma: Papilio Rumanzovia-V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Blossfeldt Fern, Denver, CO, 2010
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category
2010s Modern Manhattan - Still-life Photography
Materials
Archival Pigment
Confidence is not Pride, Kansas City, MO, 2019
By Tina West
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category
2010s Modern Manhattan - Still-life Photography
Materials
Archival Pigment
"Midtown Manhattan", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Any commuting New Yorker's worst nightmare- an overturned umbrella. A scene that many people would walk by unaware, Alleman captures the true misfortune and despair portrayed in a si...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Ranunculus 1:26PM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary Modern Manhattan - Still-life Photography
Materials
Archival Pigment
In me the circle is ever turning (Crabapple)
By Frances F. Denny
Located in New York, NY
In me the circle is ever turning (Crabapple)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 ...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Aces", New York, 2007
By Tina West
Located in Hudson, NY
Framing charges includes
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
An indrawn breath (Chocolate Cosmos)
By Frances F. Denny
Located in New York, NY
An indrawn breath (Chocolate Cosmos)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 inches
(...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
She is the cauldron (Larkspur, Hound’s Tongue, Greater Masterwort)
By Frances F. Denny
Located in New York, NY
She is the cauldron (Larkspur, Hound’s Tongue, Greater Masterwort)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Dark memories of whence She came (Hellebore, Anemone, Fritillaria)
By Frances F. Denny
Located in New York, NY
Dark memories of whence She came (Hellebore, Anemone, Fritillaria)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Merry meet again (Daffodil)
By Frances F. Denny
Located in New York, NY
Merry meet again (Daffodil)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 inches
(Edition o...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Taos 2:19PM, New Mexico
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Anguilla, BWI, 1989
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 5 of 25
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category
1980s Contemporary Manhattan - Still-life Photography
Materials
Silver Gelatin
Twilight, St Petersburg 1995
By Boris Smelov
Located in New York, NY
Vintage Gelatin Silver Print. 16 1/4 x11 3/4". Image Size: 10 1/2 x 10 1/4."
Signed and Dated by photographer on verso.
Boris Smelov 95, 7/15
Photographer Boris Smelov) was a li...
Category
1990s Contemporary Manhattan - Still-life Photography
Materials
Photographic Paper
And The Soul Wanted To Move
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Heptacodium miconioides - Seven-Son Flower
By Jose Picayo
Located in Hudson, NY
Black and White, Trees, Botanical, Nature, Study, Still Life, Ecological, black & white, b&w, texture, trees, bark, leaves, photography, contemporary photography, woodlands, botanica...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Silver Gelatin
Lotus 10
By Doris Mitsch
Located in New York, NY
This photograph by Doris Mitsch is offered by CLAMP in New York City.
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Ink, Rag Paper
Spring A
By Doris Mitsch
Located in New York, NY
This is a photograph of pink flowers against a black background by Doris Mitsch, offered by CLAMP in New York City.
40 x 32 inches
(Edition of 7)
25 x 20 inches
(Edition of 7)
17....
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Scary Baby
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Silver Gelatin
Phone Bank
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Silver Gelatin
Biblioteca Palatina, Parma
By Massimo Listri
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
C Print
Beaumaris Yachts, Beaumaris, Wales, 2009
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017.
Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience.
Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly
is the originator of art that is tactile, archival and organic.
In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories.
Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...
Category
Early 2000s Contemporary Manhattan - Still-life Photography
Materials
Pigment
Tulip Thijs Boots (Misty Gray)
By Daniel Handal
Located in New York, NY
Tulip Thijs Boots (Misty Gray)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
16 x 20 x 1.5 inches
Thi...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Pigment
Hot Flash Camellias (Smokey Gray)
By Daniel Handal
Located in New York, NY
Hot Flash Camellias (Smokey Gray)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
18 x 8 x 1.5 inches
...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Pigment
Purple Matthiola & Bishop’s Flower (B+W Checkered)
By Daniel Handal
Located in New York, NY
Purple Matthiola & Bishop’s Flower (B+W Checkered)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
18 x ...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Pigment
Tulip Thijs Boots (Miami Green)
By Daniel Handal
Located in New York, NY
Tulip Thijs Boots (Miami Green)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
13.5 x 9 x 1.5 inches
T...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Pigment
Renucula
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Banana Split
By Sharon Core
Located in New York, NY
From Sharon Core's series Oldenburgs, which playfully explores the sculptural work of Claes Oldenburg.
Category
2010s Manhattan - Still-life Photography
Materials
Archival Pigment
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Paper, Pigment
Sunday Morning Coffee Photograph New York, NY 1996
By Fernando Natalici
Located in NEW YORK, NY
Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici.
Archival Inkjet Print, 13 x 19 inches including borders.
Hand signed o...
Category
1990s Pop Art Manhattan - Still-life Photography
Materials
Inkjet
"Mala", 2011
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
Shippi...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Paper, Pigment
Cloud Horses, New Mexico, 2002
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Paper, Pigment
Blue Roses
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
"The Shape of Time", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
Early 2000s Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Kroma: Morpho Cypris
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic Manhattan - Still-life Photography
Materials
Color, Dye Transfer
Together
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
If the...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
Residence, Snowstorm, New Jersey
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary Manhattan - Still-life Photography
Materials
Archival Pigment
