Michigan - Paintings

Paul Lucien Maze, an Anglo-French painter, was renowned as one of the great artists of his generation. Known as “The last of the Post Impressionists", Maze utilized oils, watercolours and pastels, his subjects varied from French maritime...

Signed: J. Birdsall (Lower, Right) Dated: 1919 (Upper, Right) " Sugar Bush ", 1919 Oil on Canvas Board 24" x 30" Housed in a 3" Walnut Frame Overall Size: 29 1/2" x 35 1/4" In...

ONE WEEK ONLY SALE "Color Moves" is a colorful abstract with a broad linear element. Artist David Rubello studied and painted naturalism for many years...

William Samuel Schwartz (Russian/American, 1896-1977) Signed: William S Schwartz (Lower, Left) " Elements ", c. 1928-29 (Date based Upon 8 Pl...

Austin Christian Fine Art is proud to present another great example of Gilot's work. I have had the pleasure of handling many original painti...

Gerhard Arij Ludwig Morgenstjerne Munthe (German/Dutch, 1875 - 1927) Signed: G. M. Munthe 24. (Lower, Left) " Bomschuiten at sunset ", 1924 Oil on Canvas 22 1/2" x 16 3/4" Hous...

This painting is an intuitive exploration of color in collaboration with my daughters. The palette chosen by one of my daughters started off venturing with colors not typical in my p...

SALE ONE WEEK ONLY The untitled oil painting of a quiet country winter scene is a typical subject matter for T. M. Nicholas who is considered by many to be among the most prominent painter of his generation and specifically of the Rockport School of Art. Painting is signed in the lower right front corner. He grew up admiring the rugged beauty of the U.S. northeast coastline especially the landscapes of coastal New England. His father, esteemed painter, Tom Nicholas...

Signed: ACW (Lower, Left) " Christmas Ornaments ", c. 1970s Oil on Canvas 36" x 24" Housed in a 3" Frame Overall Size: 41 3/4" x 29 1/2" In very good condition overall. A nice...

Walter Hunt (English, 1861-1941) Signed: W. Hunt 1933 " The Otter Hunt ", 1933 Oil on Canvas 10" x 6 3/4" Housed in a 1 1/2" Ornamented Frame with a 1" Liner Overall Size: 12" ...

SALE ONE WEEK ONLY “Untitled #34” was created by Sam Gilliam, one of the great innovators in postwar American painting. It is dated and signed on the lower front. The thick handmade paper is rich with folds and texture and the colors lively. In addition to Acrylic paint on the surface there appears to be imbedded color in the handmade paper which has additional embossed accents. Unframed the piece measures 16 x 14. Provenance of Yaw Gallery, Birmingham, Michigan is on the verso along with the note that the Paper Surfaces in contact with this artwork are acid free. In the mid-1960s he emerged from the Washington D.C. scene with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. One profound manner was the sculpture aspect of the painting giving it a free flowing expression of pure color. In the latter half of the 1950s, Washington D.C. saw a flourishing of abstract art that emphasized the form-making capabilities of pure color. Known as The Washington Color School, the loosely affiliated group of abstract painters knew each other through various teaching experiences. The moniker has an uncertain origin but likely originated with the title of a 1965 exhibition at the Washington Gallery of Modern Art, "Washington Color Painters," curated by Gerald Nordland. The show exhibited the works of Kenneth Noland, Paul Reed, Morris Louis, Howard Mehring, Thomas Downing, and Gene Davis. Additionally, Leon Berkowitz...

William Meade Prince (American, 1893-1951) Signed: Will Meade Prince (Lower, Right) " Cane Pole Fishing ", 1934 Oil on Canvas 20" x 23" Housed in its Original 1 3/4" Period Toole...

Carl Schmidt (American, 1885 - 1969) Signed: C. Schmidt (Lower, Right) " Early Autumn " Oil on Canvas Laid on Board 10" x 8" Housed in a 1 1/2" Silver Frame with a Liner Overal...

John Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a 2 3/4" Husar Frame Ove...

Andre Renoux la Tuile a Loup rue Daubenton - 1989 Painting Canvas Size 23.75'' x 15'' inches His art has been the subject of three monographs, numero...

Frederick McNamara Evans (English, 1859-1929) Signed: F.M. Evans (Lower, Left) " A Game of Patience ", circa 1900 (Titled in pencil on verso and original label.) Watercolor on pape...

The artist's work delves into the fascinating realm of distorted reality, invoking a sense of happiness and well-being from a bygone era that exists only in the imagination. Through ...

The artist's work delves into the fascinating realm of distorted reality, invoking a sense of happiness and well-being from a bygone era that exists only in the imagination. Through ...

“Untitled Female" is a colorful piece by Richard Wilson that has meaning for native Detroiters through use of the blues and oranges - their "Tiger" baseball team's colors and the "D"...

Edwin Wappler (American, 1887 - 1973) Signed: Edwin Wappler (Lower, Left) " Along the Creek ", c. 1920s-1930s (Possibly Tennessee) Oil on Canvas, Laid on Masonite 20" x 24" Hou...

"Untitled" by Beverly Fishman is a silkscreen on polished stainless metal filled with bright primary colors and repetitive designs and swirls. Fishman draws on a range of artistic and conceptual influences in crafting her unique canvases, from the industrial-inspired Minimalism of artists like Donald Judd or Frank Stella to techniques taken from the fields of science and medicine. The piece is signed and dated on verso by the artist along with the provenance via a label from the Bruno David Gallery in St. Louis, Missouri stating artist's name, title, date, size and medium and date of 2/2009 when it was in the possession of the gallery. Beverly Fishman’s neon-hued geometric works utilize both shaped canvases and eye-popping forms within the picture plane. Her subjects range from stars and boxes to depictions of human heads and skulls and crossbones and include cameos by pop culturalicons like the Teenage Mutant Ninja Turtles...

Luke Gray has an impressive exhibition history, with 25 group exhibitions and 14 solo exhibitions held in both the United States and international locations. This demonstrates his de...

Among the Flowers, c. 1970s Signed: Mcgrath (Lower, Right) Seated Girl in Garden Oil on Canvas 8" x 10" Housed in a 1 1/4" Frame Overall Size: 10 ...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

Zula Kenyon (American, 1873-1947) Signed: Kenyon - '06 - " Curious Kittens ", 1906 Pastel on Paper 13 1/4" x 16 1/2" Housed in a 4" Period Ornamented Frame with a 1" Liner Over...

A wonderful painting in the style clearly identified with the artist.

An early self portrait of the artist signed lower right---Provenance: purchased directly from the artist in 1989

A wonderful self portrait of the artist holding his paintbrush--beautifully painted and signed lower left---Provenance: purchased directly from the artist in 1994

This early painting by the artist done in 1911 is illustrated in the monograph by Lloyd Goodrich, KENNETH HAYES MILLER, figure 3.

This painting was done early in Clyde Singer's career while at the Art Students League in New York. It was purchased directly from the artist in 1988.

A fine example of the magic realism of this Detroit artist whose work is included in the Whitney Museum of Art

A fine example of the artist's best realistic style. A haunting landscape.

A powerful depiction of a KKK member---signed lower right A reminder of the unfortunate history of behavior that this country has not yet ridden itself of.

A fine example of precisionist style painting by a rarely seen for sale Pittsburgh artist. It is in excellent condition with the original frame.

A fine early work by the artist done while he was a student at the ART STUDENTS LEAGUE in the class of the noted teacher and artist Kenneth Hays Miller----Provenance: purchased direc...

Yolande Ardissone (French, Born 1927) Signed: Ardissone (Lower, Right) " La Rivière " Oil on Canvas 32" x 26" Housed in a 3 1/4" Frame with a Linen Liner Overall Size: 40" x 3...

Van Weiss (20th Century) Signed: Van Weiss (Lower, Left) " Winter Landscape ", c. 1920s-1930s Oil on Canvas 24" x 34"

SALE ONE WEEK ONLY In “My Best Friend” Girard has captured a tender symbiotic relationship between the woman and her sweet pet. The entire piece swirls with the soft beauty and magical exchange shared by the two individuals. The frame does not enclose so much as enfolds the scene and its decorations are an integral part of the work. Upon close inspection tiny animal figures cavort in the air adding to the spell - almost like fairy characters from Shakespeare’s “A Midsummer’s Night Dream.” The jewelry is beautifully render as are the loving expressions of the faces of both the animal and the woman. The composition is filled with objects and figures but captured softly and in rich detail. The figures appear to be completely self-absorbed and the decorative elements about their heads could suggest the intensity of their thoughts and feelings. Girard was a Detroit figurative painter and teacher at College for Creative Studies, Detroit, Michigan where he taught for 30 years. Other College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), and John Louis Krieger...

Elizabeth Nelson Fairchild (American, Born 1910) Signed: E. Fairchild (Lower, Left) " Portrait of a Horse ", c. 1940 Oil on Board 9" x 7" Housed in a 2" Gold Leaf Frame Overall...

Tom Perkinson Summer at the Harbor 1989 Large Acrylic Painting Canvas 50.5 x 40.5 inches Framed Size 55.5 x 45.5 inches Tom Perkinson was ...

August Laux (German/American, 1853-1921) Signed: August Laux (Lower, Right) " Hide and Seek ", circa 1880 Oil on Canvas 16" x 20" Housed in a 3" Period Ornamented Frame with a 1...

Rolf Stoll, (German/American, 1892-1978) Signed: Rolf Stoll, (lower, left) “ After the Symphonic Poem, " Verklarte Nacht ", by Arnold Schoenberg ", (titled on stretcher verso) Circ...

William Edward Powell (English, 1878/85 - 1955) Signed: W. E. Powell (Lower, Left) " Contemplation ", circa 1910- 1920 Watercolor on Paper 22 1/2" x 18 1/2" Housed in its origin...

Jim Stella 2012 Mixed Media Oil, Acrylic, Oil Stick and Collage 68 x 63 inches Jim Stella was born in Detroit in 1954 and was attracted to art from an ear...

Continuing to explore the smaller figurative painting series. Holding the work during the process changes the experience a lot, as does the ...

This piece highlights the energy of the sacral chakra, located in the reproductive organs. This chakra carries the energy of creation, power exchange, and relationship. Featuring a m...

Don Jacot (American, 1949 - 2021) Signed: DJacot ' 89 (Lower, Right) " Time ² ", 1989 (Titled, In Pencil, Center) (Time Squared) Gouache on Paper Painti...

Carl Hoerman (German/American, 1885 - 1955) Signed: Carl Hoerman (Lower, Right) " July Evening " , c. 1930 Dunes Near Saugatuck Mich. (Titled and Site I...

Ink on paper, 2022. Piece is matted.

SALE ONE WEEK ONLY “Roxbury” is a stunning landscape of architecture and city deleterious. Moon-Joo Lee received her MFA from Cranbrook Academy of Art, Department of Painting in 2003 and received the schools' Top Prize with this painting. “Roxbury” subsequently was on display at Chrysler’s World Headquarters for a period of time. While at Cranbrook she began to document the ubiquitous construction sites skirting Detroit and similar cities across the country. The transitory urban fabric became her compelling subject, emblematic of fluctuating socio-economic conditions and a widespread culture of uncertainty. - Joe Houston of Cranbrook Art Museum. Lee’s painting “Roxbury” captures the cycle of construction, destruction and reconstruction that perpetually transforms the American city scene. In this image, a business that boasts NEW in its signage is already in the process of being destroyed. This could be a scene of bombing or environmental damage, but per Moon-Joo Lee’s aesthetics, the mountainous terrain of assorted refuse is there to remind the viewer that perhaps new and better do not necessarily mean that nor do they guarantee positive change. Lee's contemporary landscape underscores the extent to which nature has been supplanted by a manufactured environment, portraying rampant cultural transformation as a modern expression of manifest destiny. Moon-Joo Lee is one of the many well-known artists who attended The Cranbrook Academy of Art in Bloomfield Hills, Michigan, that was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. It is the country’s top ranked, graduate-only program in architecture, design and fine art. Each year, just 75 students are invited to study and live on the landmark Saarinen-designed campus which features: private studios, state-of-the art workshops, the renowned Cranbrook Art Museum and 300 acres of forests, lakes and streams, all a short drive from the city of Detroit. The focus at Cranbrook is on studio practice in one of ten disciplines including Architecture, 2D and 3D Design, Ceramics, Fiber, Metalsmithing, Painting, Photography, Print Media, and Sculpture. The program is anchored by celebrated Artists- and Designers-in-Residence, one for each discipline, all of whom live and practice on campus alongside the graduate students. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media), Lauren Anais Hussey (Abstract), Andrea Eis (film, photography), Lilian Swann Saarinen (Sculpture), Douglas Semivan...

Ink on paper, 2022. Piece is matted.

Ink on paper, 2022. Piece is matted.

SALE ONE WEEK ONLY "Spidey" is in the style of Graffiti, or, Street Art. It's a spray painted portrait of the iconic figure from the popular action-figure comic genre, "Spiderman," and the subject matter of several famously popular movies under the same title. Antonio “Shades” Agee, a passionate Detroit native and public figure, was an active participant in the creation of the Detroit graffiti scene as one of the first documented graffiti artists in the city. The piece is signed, dated and titled on verso. Growing up in the Motor City...

Ink on paper, 2022. Piece is matted.

Unique piece, acrylic on canvas. Created approximately between 1989-1992. Signed and titled on back of frame in pencil. Piece is in excellent shape. Back of frame has water damage.

Ink on paper, 2022. Piece is matted.

Ink on paper, 2022. Piece is matted.

Ink on paper, 2022. Piece is matted.