Milan - Serveware, Ceramics, Silver and Glass

A set of two porcelain pocket emptiers/ashtray with a classic shape and unique printed design. This collection is inspired by Vito's hometown in south Italy, Puglia. The design is fo...

From the encounter between the historical archives of the Duomo di Milano and the imagery of Grand Tour by Vito Nesta, this unique collections of porcelains and fabrics were born. “Il Duomo...

Le Volte Celesti è una collezione di piatti e complementi d'arredo progettata dal designer Vito Nesta. La digitalizzazione di alcuni dei disegni prese...

From stellar kitchens to the table. The memory bowl is an ancestral reminder, a symbol of the vital relationship between people and food. As necessary as i...

This sumptuous soup terrine is made entirely in silver in the shape of a cabbage, rendered in all its vivid detail. Masterful craftsmanship and a Classic...

Precious candlestick in blown glass by Venetian artisans. The particular palm shape is a tribute to the exotic world, with a solid base, a slender stem and...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Black dragon POOL is a collection of plates and vases inspired by the famous Chinese pond of the same name, located in the scenic Jade Spring Park. The de...

1960s Astonishing set of six crystal glasses. Made in Italy. The Items are in excellent condition. Diameter 2,36" x 6,29" inches. Diameter cm 6 x ...

Transforming a piece of art into an object of daily use, this unique paper clay tray by ceramist Paola Paronetto will add glamour to any dècor. Part of the Cactus series, featuring objects inspired by nature, the ridges on the external surface are hand painted in a deep forest green, adding texture and visual intrigue to the ring shape of this stunning handcrafted object. Used as a centerpiece on a dining table or to serve and display food, this tray will infuse any interior with a modern allure. Every one of Paola Paronetto’s creations is unique. Slight variations in shape, colour and size are to be considered a guarantee of authenticity and value. They are finished with non-toxic satin-finish enamels. Although very rarely, it is possible for them to leak after long periods of exposure to water. It is therefore advisable to test their water resistance before using them on delicate surfaces. They should not be used as dining utensils...

From the encounter between the historical archives of the Duomo di Milano and the imagery of Grand Tour by Vito Nesta, this unique collections of porcelains and fabrics were born. “Il Duomo...

Vito Nesta Grand Tour's "Corrispondenze" collection is a portrait of what we carry with us after every journey we make in the world. Images, colo...

Enjoy a shot with this tequila glass, handcrafted in tuscany by skilled artisans. Ideal for savoring tequila, mezcal, or other fine spirits, this glass from the wonder crystals colle...

This large-scale figure of a horse head was produced in Italy and dates to the 80s. The white glaze gives this piece a modern look and captures the elegance and beauty of the horse....

A superb addition to contemporary tables, this set of six coasters stands out for the unpredictable hues and abstract traceries caused by oxides when rea...

Vito Nesta e Alessandro Guerriero hanno unito le loro forze per creare la collezione Alchimie, diversi prodotti, dalle porcellane ai tessuti, che riporta ai giorni nostri gli stilemi...

This 34cm diameter bowl is part of the La Storia Infinita collection by Grand Tour By Vito Nesta. The very versatile shape is suitable as a fruit stand, table centerpiece or ornamental bowl on any shelf. This collection, developed with La Veneranda Fabbrica del Duomo di Milano tells through antique postcards the endless work behind the construction and maintenance of Milan's famous cathedral...

The Las Palmas Porcelain Collection owes its name to the city of Palmas, in Brazil. It is a true tribute to palm trees, whether it is their leaves, the whole plant, or even the lands...

Sculptural, bright white, well-defined and multi-fold. Colominas has created a table service inspired by Angelo Mangiarotti’s soft lines, exalting the shape and structure of objects that characterize the exploration of one of the greatest pleasures afforded us, food. Size: 36.5 x 10 cm, polished finishing. Commercial name: Amaltea, Materia e Tavola Collection by the Spanish Designer Ivan Colominas. Available also in black Marquinia, white Michelangelo, white Arabescato, green Guatemala, Blu Sodalite, black Portoro marbles. Made in Italy, hand finished. Mmairo loves wining and dining, good food and...

The cabinet de Curiosités collection takes inspiration from the rooms of the same name which in the sixteenth century collected objects and subjects of various kinds. In this collect...

A refined addition to a modern or classic home, this set of six porcelain soup plates is a splendid addition to any special occasion and can be served ove...

This luxurious set of 6 18cl chalices are fit for royalty. They come in 6 vivid transparent colors and are made to hold champagne or any other drink of your choice. Each glass is han...

Piero Fornasetti box wood metal crome gold, 1960, Italy.

Colony is a polished aluminium tray designed by Aldo Cibic. The square Silhouette is Minimalist, but the rounded corners and the sinuous handles give to the object a warm and refined...

Violet and orange meet in this exquisite dish and are separated by a band of vivid gold. This elegant and modern design will add a touch of color and sophistication to any dining tab...

Unique Carlo Zauli monumental wall plate, Italy, 1970s

Exuding elegance and functionality, the Rose thermal carafe is expertly crafted from stainless steel both inside and out. Its practical design includes removable linings for effortle...

Dodò is a low mouth-blown glass carafe available in two different versions: in smooth glass or in grooved glass with a plissé effect. The Dodò carafe is part ...

Bode Willumsen for Royal Copenhagen, beautiful footed stoneware pitcher in rare deep earthy red glazed ceramic, 1940s. Designed by Danish ceramist Bode Willumsen and manufactured by...

Precious and colorful, this set counts six water glasses whose minimalist shape gets counterbalanced by an eccentric mix of minute etchings and hues. Each glass flaunts a different h...

Lavenia vase holder ceramic, 1930, Italy.

A luxurious container conceived for a likewise luxe delicacy, this bowl is a precious piece that cannot be missed in the most exclusive tableware collections. Only interrupted by a d...

Inspired by the highest mountain of the Alps, the Mont Blanc, this collection of plates is a photography of the changing seasons. Winter is here and a...

1960s Gorgeous cocktail shaker "Parisienne" in stainless steel. Made in France. It's in excellent condition Dimension: diam 4,72" x 11,41" H inches diam cm 12 x cm 29 H

Made in Italy in 1959 by Cioffi. It is marked on the bottom. This tray / centerpiece is made in hand-modeled and hand-painted earthenware. It is a vintage item, therefore it might s...

Precious candlestick in blown glass by Venetian artisans. The particular palm shape is a tribute to the exotic world, with a solid base, a slender stem and incredible detailed leaves...

Elevate your daily tea or coffee ritual with our exquisite perline torch cup. The plated brass cup is handcrafted in Italy using sheet turning techniques. The handle, adorned with a ...

The porcelain collection Pompei by Grand Tour By Vito Nesta brings the Grottesche wall decoration back to life in a contemporary key. Ancient designs are taken and declined on the di...

Renato Toso Sassi Series Murano glass paperweight for Fratelli Toso. Presented at the XXXV Biennale, Italy 1970 Reference: Il Vetro di Murano Alle Biennali 1895 - 1972. P. 103.

The Classic design of this porcelain vase comes back to life with retro decorations with a contemporary flavor. This vase is embellished with animals and branches inspired by the fau...

Zaccagnini “Cicogne” Ceramic, 1940, Italy.

Walking stick: handle, spherical in shape, in painted porcelain, depicting a group of mice. Rattan wood shaft. Metal ferrule. Royal Copenhagen, Denmark second half of the 19th century.

Many are the different types of glass created by master makers on the Venetian island of Murano. From air-thin vases to expressive sculptures, also massive objects with deep and vivi...

The bucolic flair imbuing this set in white-glazed ceramic is ennobled by the striking artistic sensibility of Patrizia Italiano, who deftly handcrafts and paints in green and black ...

Vito Nesta Grand Tour's "Corrispondenze" collection is a portrait of what we carry with us after every journey we make in the world. Images, colo...

Venini Empty pockets murano glass 1950 Italy.

Box Richard Ginori “ Gio’ Ponti”

This Tea Time Set is part of the Mont Blanc Porcelain collection by Grand Tour by Vito Nesta, Inspired by the highest mountain of the Alps, the Mont Blanc, this collection is a photo...

The Mediterraneo collection is the result of Vito Nesta’s reflection on the line between reality and fantasy. The architectures of the doors depicted on the plates arise from technic...

Inspired by the highest mountain of the Alps, the Mont Blanc, this collection of plates is a photography of the changing seasons. Winter is here and a...

Transparent blown glass laboratory retort from the early 19th century, used for distillation, has a spherical body and long neck in the center. Very Good Condition. Measures length ...

Made in Italy, 1980s. This tray is made in transparent glass. It reminds of Ettore Sottsass' style. This is a vintage item, therefore it might show slight traces of use, but it can b...

Part of the Serpentine collection, designed by master glassmaker Simone Crestani, this ashtray is inspired by the symbolism and mesmerizing charm of the snake. Handcrafted entirely o...

This cutlery and wine accessory set, crafted by the prestigious Lorenzi manufactory in Milan, represents the pinnacle of Italian craftsmanship. The blades are forged from durable sta...

Vito Nesta Grand Tour's "Corrispondenze" collection is a portrait of what we carry with us after every journey we make in the world. Images, colo...

In the vicinity of a Buddhist temple, the slow and cyclical flow of time is outlined. The Galtaji collection tells an Indian astronomical garden, where monkeys populate the branches...

Elegant Italian nickel-plated brass ice cube holder made by Martini. On the front of the ice cup we find their Martini. At both ends we find two knobs to fac...

Adspera is a centerpiece in brass designed by Chiara Andreatti for Paola C. and it is part of the collection Coquille, a collection composed of cake stands, centerpieces, fruit bowls...

Made in Italy, 1970s - 1980s. This cake stand / pedestal bowl is made in Murano glass and features a fish-shaped stem. It is signed by La Murrina. This is a vintage piece, therefo...

The gelato cup, designed by Natalia Criado is part of the wonder crystal collection. Handcrafted with a nod to 19th-century glassblowing techniques, this delightful piece features an...