New Mexico

#39386, 29 August, Ariel color photograph, limited edition, signed ATACAMA: Renewable Energy and Mining in the High Desert of Chile CHANGING PERSPECTIVES: Renewable Energy and the Shifting Human Landscape is a long-term aerial and ground-based photography project documenting global renewable energy development. Chile is the world's leading copper exporter and the second-largest lithium producer. We use Chilean copper...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

14 x 16.5 inches, Edition of 20, $750 18 x 21.5 inches, Edition of 20, $1000 Tom Chambers is an American born photographer who creates seamless and surreal photomontages. Chambers p...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

'Mandrill #1, Los Angeles, CA, 2014' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animals. ...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Smoke, sculpture, by Kerry Green, aluminum, silver, abstract, maquette Custom sizes and colors available Contact the gallery for availability Since childhood, Kerry Green has alwa...

Untitled painting by Jim Alford, abstract gradation, sky blue, mauve, white

Fragment Attraction, limited edition photograph, archival, signed and numbered I present unspoken stories that illustrate fleeting moments in time and which are intended to evoke a...

Myrtle and Mary Paradise Lost with Orange Key Lime, limited edition photograph. The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value. Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...

Walnut wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furn...

Spode Creatures of Curiosity with Romanesco, limited edition photograph The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value. Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...

Staging Pictures: Early Polaroids focuses on Stivers' working Polaroid prints, shot with a Hasselblad Polaroid back for instant proofing of lighting and composition of his subjects. ...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

It Snowed When They Came scarf design by Melanie Yazzie chiffon contemporary Scarf Melanie Yazzie Native American Navajo chiffon Lightweight and easy care chiffon fabric with digi...

Rams, cast sterling silver pendant Melanie Yazzie new Navajo necklace aries Melanie A. Yazzie (Navajo-Diné) is a highly regarded multimedia artist known for her printmaking, paintin...

"Cherubs" (A) Pen and Ink drawing of Putto Italian School Late 17th early 18th century. Pen and ink on paper 6 ½ x 17 ½ (22 ½ x 11 ½) inches Antique scenes of putto and a faun cele...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Steady My Steed, limited edition photograph, archival, signed and numbered I present unspoken stories that illustrate fleeting moments in time and which are intended to evoke a moo...

Dog with Funky Feet, sterling silver pin pendant Melanie Yazzie Navajo Native American new Melanie A. Yazzie (Navajo-Diné) is a highly regarded multimedia artist known for her print...

Asperitas Cloud, Seibert, CO, limited edition photograph, signed, archival ink In his epic landscape photography, Mitch Dobrowner is drawn towards nature at its most sublime. Influ...

Sombra Girl, cast white bronze belt buckle, dog Melanie Yazzie Navajo Native American Will fit belt size 1.5" maximum. Melanie A. Yazzie (Navajo-Diné) is a highly regarded multimed...

The photography of Carla van de Puttelaar allows the eye to touch the skin on many different levels. Through her lens, she makes the viewer aware of the sensitivity and the sensualit...

Satsuki by Ouchi Makato Japanese etching Kabuki geometric orange white black Some minor issues with the flatness of the paper. Images shown. Ouchi Makoto...

Staging Pictures: Early Polaroids focuses on Stivers' working Polaroid prints, shot with a Hasselblad Polaroid back for instant proofing of lighting and composition of his subjects. ...

'Mountain Lion #4, Los Angeles, CA, 2011' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animal...

Early 20th century Tibetan horse trapping, West Tibet This robust and graphically dazzling textile from the Tibetan plateau would have been used as either an under or over-saddle ...

'Orangutan #3, Los Angeles, CA, 2011' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animals. ...

Lone Pine Peak, Eastern Sierra Nevada, CA, limited edition photograph, signed While photographing, the world gets quiet around me... things seem simple again – and I obtain a respe...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings. Th...

Leaf No. 26C1, limited edition, archival pigment ink print, signed and numbered Our world is immersed in light, but its physical essence is chemical. Digital photographic processes...

King Penguin #4, limited edition archival ink photograph, signed and numbered Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, ...

"Highway 26, Shoshoni, Wyoming; June 9, 2021" is a color photograph by Steve Fitch. This piece is printed by the artist using archival pigment inks and is signed. In American Motel Signs, Steve Fitch documents the changing landscape, capturing the bright neon motel signs littered across long highway expanses throughout the West. The delightful photographs in this series, map out Fitch’s extensive journey to seek out a typology of visual relics that are quickly fading into the American collective memory. For Fitch, these motel signs carry an unquestionable enchantment in their folk originality — the blocky fonts and garish designs. His work is a road trip to the past, down lonesome highways where these emblems of roadside American...

"Tulle no. 54, Taos, NM" is a color photograph, limited edition, signed and numbered by Thomas Jackson. Thomas Jackson's Emergent Behavior is inspired by the instinctual self-organi...

In the Dare alla Luce series, I initially responded to a collection of vintage photographs, retrieved from a variety of sources both personal and anonymous. Through hand-manipulated ...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Tea for Two, limited edition, archival ink photograph, signed and numbered. Charming, whimsical, and enigmatic, Tom Chambers' stirring photomontages have captivated collectors for m...

Mars Formation, limited edition archival photograph, signed and numbered Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, his ima...

Portwood 21 The Balvenie 0182, limited edition photograph, signed and numbered Ernie Button’s photographs are a treat to the imagination. A journey along the delicate lines and vib...

Temple of the Sun, limited edition archival ink photograph, signed and numbered. Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, ...

“Declaration” was inspired by my return to international travel in 2022. Just as life had changed with the impact of Covid, my photography work shifted from elements of magic realism...

"Covid Vanitas: The Pandemic Still Lifes" On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual ...

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but h...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

Volucris in High Desert, Trementina, NM, is a landscape photograph by Mitch Dobrowner. This photograph is printed using archival pigment and is signed and numbered in graphite. Mi...

Eagle Dancer, by Dan Namingha, Hopi, dancer, lithograph, bold, red, blue Eagle Dancer, Hopi dancer lithograph bold reds and blues by Dan Namingha Hopi Glenn Green Galleries also pr...

'King Penguin #1, Albuquerque, New Mexico, USA, 2019' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of...

Dragonfly necklace, cast silver Kingman turquoise beads Melanie Yazzie Navajo Melanie A. Yazzie (Navajo-Diné) is a highly regarded multimedia arti...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

"Ratcliffe Power Station, Study 59, Nottinghamshire, England. 1993" is a limited edition, silver gelatin print and comes matted to 20x16 in. Michael Kenna is a master of contemporar...

"Asparagus Sticks, Study 2, Hokkaido, Japan" is a limited edition, silver gelatin print. The photograph is signed and numbered and comes matted to 20x16" Michael Kenna is a master ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures, and minimalist aesthetics, Kenna’s signature style remains highly influential amo...

Pair of Landscapes: Dijon France, Burgundy Canal Jean Boulay (French, 1937-1994) Oil on canvas Signed and dated 21 1/2 x 15 inches (each) The pair landscape...

Spirit Pond Wide Cuff, sterling silver abstract contemporary, Navajo, Indigenous Melanie A. Yazzie ™: Spirit Pond Cuff cast sterling silver wide cuff bracelet 5” L x 1.75” w 1.25” o...

black and white etching on paper unframed #14/30 image size 12 x 14.5 signed, titled & numbered by the artist under the image on the front. COHOE, Grey 1944-1991 PERSONAL: Born 1944, in Tocito, NM; died November 2, 1991. Education: Attended Institute of American Indian Arts, 1966-67, College of Santa Fe, 1967, Fort Lewis College, 1968, and Haystack Mountain...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the ...