New Mexico

Taisho-Early Showa period Japanese Stencil-Dyed Summer Kimono with bamboo Motif A light-weight summer kimono woven of both cotton and silk, and patter...

Maggie Taylor creates evocative single-scene narratives in her whimsical and often elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objec...

Talavie, Hopi desert landscape, village scene, blues, reds, by Dan Namingha hand pulled limited edition lithograph signed and numbered by the artist

Mid-Century Cyclists - The Field Sprint Pierre Bosco (Italy/France, 1909-1993) Oil on canvas Signed lower right. 15 x 12 inches, frame size “The savage art of Bosco bears its ruden...

Leather Cuff bracelet with Navajo Geometric Element, By Melanie Yazzie, Navajo Artist Jewelry series made in Santa Fe, New Mexico Melanie A. Yazzie (Navajo-Diné) is a highly regar...

Summer Sky, limited edition lithograph, landscape, desert, turquoise, orange

"Galloping Horse and Rider" Alessio Issupoff (1889 Russia-1957 Rome) Oil on wood panel Signed lower right 5 1/2 x8 1/2 (13 1/2 x 16 1/2 frame) inches This is such a stunning little jewel, it's almost hard to believe. Alessio Issupoff dedicated his whole life to art and was shaped by his years at the Moscow School of Painting, and later absorbed a great deal from Impressionism and the work of the Italian Renaissance masters. But he kept his distinctive style and remained true to the idea that excited the generation of painters of the turn of the 20th century — “the embodiment of the great beauty of everything alive.” Alexei Vladimirovich Isupov, known by his Italianized name Alessio Issupoff, was born in Vyatka (now Kirov) on March 10, 1889. The son of an icon carver and gilder, he learned to paint from the artisan painters who worked with his father. Wanting to give expression to his own artistic creativity, the young Alexei did not take up his father's trade but left Vyatka for Moscow where he attended the School of Painting, Sculpture and Architecture. His mentor was the painter Apollinary Mikhailovich Vasnetsov, brother of Viktor, who introduced him to the Moscow artistic milieu and helped him find work. By studying and visiting museums, Issupoff formed his own aesthetic “taste” by modifying it on contemporary Russian and French Renaissance art...

This console table in blackened burnt ash (Shou Sugi Ban) was designed to be an entry table or hallway table in a small home. The lines are clean, yet engaging and distinct. Shou sug...

Contemporary Ketoh, by Melanie A. Yazzie, Navajo, bracelet, leather, silver adjustable length 7.5" or 8" Artist Jewelry series made in Santa Fe, New Mexico Melanie A. Yazzie (Nava...

Kuba (Bushong) Raffia Fiber Textile Panel From Woman’s Skirt The Bushong people are one of the largest and most dominant ethnic groups within the Kuba Kingdom in the DR Congo, and h...

Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

mixed media on canvas Clouds Over the Jemez, unique painting New Mexico landscape, clouds, mountains

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

Martha Mans lavender The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be e...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

These tripod stools in solid hardwoods with wedged tenons were originally designed as affordable items for us to make around the holidays but quickly became a regular piece that we p...

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

As night falls over the Makgadikgadi Pans, giant trees stand starkly against the horizon. Leafless branches reach for the light. On the opposite side of the sky, Earth’s shadow is ri...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Antique Indian Embroidered Kantha Cloth Indian kantha cloths originally developed as a way in which old sari cloth could be recycled and put to use. They’re usually composed of 3-4 ...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Pair of Terriers Gianni Reggio (Italian, 1898-1961) Circa 1930s Gouache on paper 15 x 14 inches (frame) Signed on the back. Gianni Reggio was an Italian painter and illustrator wh...

Martha Mans lavender The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be ex...

Antique Horse Bronze Portrait of a Trotting Stallion Isidore Jules Bonheur (France, 1827-1901) Cast bronze mounted on a rectangular plinth with dark brown patina, Signed: I. BONHEUR 17 x 11 3/4 A brilliant exploration of a stallion in full trot. The patina is a deep, warm walnut brown with honey-colored tones. Isidore Bonheur was best known and the most distinguished of the 19th century French animalier sculptors. Isidore, the younger brother of Rosa Bonheur and older brother of Auguste, began his studies of painting initially with his father, who was friends with Francisco Goya. By 1848 he debuted at the Paris Salon having discontinued animal and landscape painting to concentrate on creating sculptures and in 1849, Bonheur enrolled at the Ecole des Beaux Arts. He won medals at the Paris Salon in 1859 and did so again in 1865 and in 1869. After entering the Exposition Universelle 1855, he won the Gold Medal in 1889. In the 1870s exhibited in the London at the Royal Academy of Arts where he earned great prestige and won the coveted Medaille d’Or. After winning numerous other medals and prizes, Bonheur was awarded the Legion d' Honneur in 1895 and he was Knighted in Portugal, Spain and France. Bonheur continued exhibiting at the Paris Salon until 1899. Many of his bronzes were fabricated at the foundry owned by Hippolyte Peyrol, Bonheur's brother-in-law by marriage to Isidore’s youngest sister Juliette Bonheur. The Peyrol casts for both Rosa and Isidore are exceptionally well executed which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphized but modelled to catch movement or posture characteristics of the particular species he was sculpting. He achieved this most successfully with his sculptures of horses which are usually depicted as relaxed rather than spirited. These figures are among his most renowned works and his equestrian models became very popular, particularly among the British aristocracy. An acute observer of nature, his sculptures reflect his commitment to the Realist school - with precise detailing of the movements of animals in their natural habitats. Ultimately, His naturalistic studies of animals are now some of the most highly sought after works by any of the animalier. He was possibly inspired by his many visits to the Buffalo Bill Wild West Show...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch...

Antique Traditional Japanese Batik (Wasarasa) Western inspired Japanese batik (wasarasa) designs became increasingly popular during the latter part of the Meiji (1868~1911) and Tais...

Patty deGrandpre’s “Sighting (Tarantula Season)” is a unique abstract mixed media print represented on 11 x 14 inch Yupo utilizing concepts of both printmaking and creative photograp...

Apache Mountain Spirit Dancers, lithograph, black & white, Allan Houser hand pulled black and white lithograph edition printed in Santa Fe, New Mexico L...

22k yellow gold ancient Greek Ixthus or Ichthus symbol charm pendant on an 18 inch 18k gold foxtail chain necklace. Charm pendant is 0.69 inch i...

Olive Trees and Farm: Cannes. (Ferme dans le Oliviers: Cannes” Raymond Thibesart (France, 1874-1968) Oil on canvas, circa 1920s Signed ;lower right 19 1/2 x 24 1/2 (26 1/2 x 31 1/2 ...

American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying years of working in business, Rennert was inspired to ex...

Listening, bronze sculpture, childs portrait, black granite base, green patina 35 lbs

Tupuna, ceramic series, ancestor's cloak, contemporary sculpture, Maori

Authentic ancient Byzantine bronze coin (Justin 1, Follis, Constantinople mint, 518-527 A.D.) set in oxidized sterling silver and 22k yellow gold hand...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

“I guess my work is kind of a love letter to the past and that freedom that we had, but also an acknowledgment of the anxiety that I feel, that is real, about not being able to let o...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Beat of the Drum Paul Moore bronze Native American man with Drum, headdress Paul Moore was born in Oklahoma City a member of the (Creek) Muscogee N...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

Rippling, limited edition lithograph, Japanese, black, white, red, signed,number

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Rams, cast sterling silver pendant Melanie Yazzie new Navajo necklace aries Melanie A. Yazzie (Navajo-Diné) is a highly regarded multimedia artist known for her printmaking, paintin...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

4.32 total carat emerald-cut Aquamarine and oval Freshwater Pearls 14k yellow gold drop stud earrings. Drop earrings are 1.13 inches in length. Freshwater Pearls are between 16mm and...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

This media cabinet in solid walnut with sliding cane doors was originally designed so that a receiver could be hidden behind the cane doors and still be controlled with a remote. We ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Trees on the Chama 22 x 30" image size watercolor, 32 x 40" framed in a whitewash profile with museum quality glass red green blue yellow I document the essence of the landscape eve...

'Mountain Lion #4, Los Angeles, CA, 2011' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animal...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...