New Mexico

My work uses the Japanese and Chinese calligraphic characters that I have practiced since childhood. I take a line from one character, and when that brushstroke is made it tells me w...

Martha Mans 10 x 10 image size and 21 x 21 matted and framed The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

I begin with a silver photographic image, evidence. Then I paint on this in many transparent layers of oil paint and pencil. If I am lucky the media combing, and become enmeshed, a c...

I begin with a silver photographic image, evidence. Then I paint on this in many transparent layers of oil paint and pencil. If I am lucky the media combing, and become enmeshed, a c...

The sunflower and the bouquet is an idea that has been floating around in the artist's head for years. It starts with the notion of the still life, the most basic subject when approaching visual art. It's the attempt to look at that which is full of life, yet by acknowledging its existence, one understands that beauty is temporary and will fade. This series starts with the flower, the symbol of fleeing beauty. By taking this character and turning it into a cast object, the artist has turned it into an icon, further removed from reality by bleeding it of color. The sunflowers then become beautiful shadows their former selves, as dying coral becomes enticing when it bleaches. They are elegant reminders of their past, whilst also becoming new figures that reference archaic notes of classical beauty expressed monochromatic hues. STATEMENT In the end, gravity always wins. It is the blunt, immutable force that has a constant effect, keeping us on the ground and ultimately pulling us into it. Sculpture by its very nature is in conversation with this pull, at times enjoying and acknowledging it, and at times trying to hide and defy it. My work recognizes the force of gravity, sometimes tacitly and sometimes overtly. It is a practice of mixing the delicate with the ordinary. I have been mining the contrasts of sculpture, relishing the materiality while also attempting to address the ephemeral. Because sculpture is so heavily rooted in the ground, one has to accept its materiality. Yet, some of the most effective work I have witnessed is that which attempts transcendence. It is that steady push and pull between mass and lightness, solidity and absence, form and void. Additionally, I am drawn towards familiar objects and associations that are embedded within them. Current work makes reference to visual anchors such as bodily forms, sagging, or bloating. Whether the product is a still life created in Scotch tape or a bouquet composed of plaster flowers, I look to the fantastic as a goal in my work. The work is intensely representational in content but without clearly assigned meaning, thus creating a disquiet. In this way I think in a surrealist vein, looking to traditional figures like Eva Hesse and Piero Manzoni, and contemporary figures like Robert Gober and Matthew Barney. The juxtaposition of the seemingly simple streamline objects with this disquiet adds a powerful force to the work, again symbolic of the contrast between the emotional life which defines us as humans and the compulsions and minutia that compose our daily lives. Joe Davidson

Waita - Song, Contemporary Maori Sculpture, Aotearoa, facial moko, tattoo, male

Maggie Taylor creates what she calls “dreamlike worlds inhabited by everyday objects.” To make her intricate compositions, Taylor collages a variety of images using digital technology. She begins with small pastel drawings to use as backgrounds, then scans each additional element into the computer and combines them using Photoshop, arranging figures much in the same way she creates still lifes in the studio. Finding inspiration in 19th-century photographs, taxidermy specimens, mounted insects, vintage toys, sea shells, feathers, and other artifacts she finds at flea markets, online auctions, and in her own backyard, Taylor creates surreal pigmented digital prints that call to mind tintype photographs...

practiced since childhood. I take a line from one character, and when that brushstroke is made it tells me where the next one should be placed. This method of working is untraditional. I have found that the details and individual lines of a character are beautiful by themselves. I may use the individual brushstrokes that form a written word, Japanese letters...

Maggie Taylor creates what she calls “dreamlike worlds inhabited by everyday objects.” To make her intricate compositions, Taylor collages a variety of images using digital technology. She begins with small pastel drawings to use as backgrounds, then scans each additional element into the computer and combines them using Photoshop, arranging figures much in the same way she creates still lifes in the studio. Finding inspiration in 19th-century photographs, taxidermy specimens, mounted insects, vintage toys, sea shells, feathers, and other artifacts she finds at flea markets, online auctions, and in her own backyard, Taylor creates surreal pigmented digital prints that call to mind tintype photographs...

Ceremonial Night, by Dan Namingha, limited edition, lithograph, Hopi, landscape hand pulled limited edition lithograph Tamarind Institute signed and numbered by the artist Glenn Gr...

This unframed, signed, limited edition pigment print by artist Brad Ellis exists in an edition of 30. Paper size is 46"h x 35"w with an image size of 40"h x 29"w. Brad Ellis is a Da...

This unframed, signed, limited edition pigment print by artist Dara Mark exists in an edition of 40. Paper size is 36"h x 24"w with an image size of 30"h x 18.5"w. “New Mexico artist Dara Mark’s work possesses an ordered, calm beauty that sets it apart. Her patterned, abstract paintings take advantage of the flowing effects produced by her materials…and recall the natural world, which, like her paintings, is a grand mixture of the ordered and the random.” American Artist Watercolor Magazine Mark studied at Yale and the University of California at Santa Barbara. She has received artist grants from the Arts Councils of Missouri and California and the Santa Barbara County Arts Commission and has shown in museums including The Albuquerque Museum, Los Angeles Municipal Gallery and the Palm Springs Art...

Hesot Kachin Mana, by Dan Namingha, bronze, kachina, Hop,i brown, sculpture #1/18 bronze edition signed and numbered by the artist We present paintings, prints, and sculptures by Sou...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Fire & Cane 3267 is a limited edition color photograph, signed and numbered Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and sights on his...

Talavie, Hopi desert landscape, village scene, blues, reds, by Dan Namingha hand pulled limited edition lithograph signed and numbered by the artist

Running Heart, gold, bronze, sculpture, valentine, heart, runner, love, racer Bronze Running Heart sculpture gold patina wood base open edition, number stamped on foot

Wounaan Tribe Panama Rainforest Basket black, white geometric rectangle hand woven, palm fibers natural dye Tribal artwork The baskets are made by ...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 50. Paper size is 35"h x 44"w with an image size of 24.5"h x 35"w. R...

Grandmother, Melanie Yazzie, red sculpture, abstract, Navajo, outdoor, indoor Melanie Yazzie GRANDMOTHER 60" fabricated aluminum © 2018 60...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Cottonwood in Jemez Canyon by John Hogan mixed media monotype, New Mexico unique framed mixed media mono print John Hogan A graduate of Northeast Louisiana State University with a b...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

This unframed, signed, limited edition pigment print by artist Gary Mankus exists in an edition of 40. Paper size is 37"h x 35"w with an image size of 27"h x 27"w. Gary Mankus was b...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

Shibui 2988 is a limited edition color photograph and is signed and numbered Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and sights on his...

Aviation Old Tom Gin 2864, limited edition color photograph, signed and numbered. Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and sights o...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26 inches h x 27 inches w. Born in Mexico City in 1950, Ricardo Mazal moved to Barcelona Spain in 1986, and since 1990 has lived and worked in New York City, as well as Santa Fe New Mexico. Mazal’s work explores the process of visual perception as it takes form in the human consciousness. His paintings depict the passage of time, not by illustrating events but by leaving their residue to dissipate in space like a still photograph of a speeding object blurred to abstraction. In the last decade he has been honored with ten individual museum exhibitions, including a retrospective at the Museo de Arte Moderno in Mexico City and the Museo de Arte Contemporaneo (MARCO) in Monterrey. He has also shown at the Museo Nacional de Anthropologia, Mexico City and the Scottsdale Museum of Contemporary Art. KORA follows the direction begun by La Tumba de La Reina Roja (The tomb of the Red Queen...

Planet Macallan 101, limited edition color photograph, signed and numbered For much of my adult life, photography has provided me a forum to communicate my past & present, my humor...

This unframed, signed, limited edition pigment print by artist Gary Mankus exists in an edition of 40. Paper size is 37"h x 35"w with an image size of 27"h x 27"w. Gary Mankus was b...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 40. Paper size is 30 inches h x 24 inches w with an image size of 17...

Sister Twins, scarf Melanie Yazzie Navajo purple-gray blue-green Hopi Lightweight and easy care poly crepe de Chine fabric with digitally printed Melanie Yazzie designs in gray, blue...

This unframed, signed, limited edition pigment print by artist John Fincher exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 22"h...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Beverly Hills Yazzie, sterling silver pendant Melanie Yazzie Horse Navajo Also available with a pin back. Contact us for information. Wearable art jewelry designs by internationally...

acrylic, sumi ink on canvas, framed in maple black, red, yellow, white Thomas Slate uses large gestural drawings to create energetic abstractions. The la...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

cyanotype, acrylic on canvas blue, white, cyan, yellow Thomas uses a cyanotype photographic process incorporated into his paintings. The layering process of his paintings evoke a se...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

This unframed, signed, limited edition pigment print by artist Dara Mark exists in an edition of 25. Paper size is 24"h x 30"w with an image size of 20"h x 25.5"w. “New Mexico artist Dara Mark’s work possesses an ordered, calm beauty that sets it apart. Her patterned, abstract paintings take advantage of the flowing effects produced by her materials…and recall the natural world, which, like her paintings, is a grand mixture of the ordered and the random.” American Artist Watercolor Magazine Mark studied at Yale and the University of California at Santa Barbara. She has received artist grants from the Arts Councils of Missouri and California and the Santa Barbara County Arts Commission and has shown in museums including The Albuquerque Museum, Los Angeles Municipal Gallery and the Palm Springs Art...

It Snowed When They Came scarf design by Melanie Yazzie chiffon contemporary Scarf Melanie Yazzie Native American Navajo chiffon Lightweight and easy care chiffon fabric with digi...

Pink is a Touch Red is a Stare, uses the realm of flowers and plants to barrage the senses. The work began as a feverish exploration to make photographs about how something feels. Th...

5 Weeks in a Cask 3979, limited edition color photograph, signed and numbered. Focusing on subjects grand and mundane, Ernie Button takes color photographs of cities and sights on ...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Tribe: Woodlands - Western great lakes, attributed to the Mesquakie Date: 19th century or earlier Materials: Bulrush, vegetal dyes, indigo cloth-strap tie. Dimensions: L 86" x 55" Condition: Excellent, some wear patterns, minor fading. No restoration. Comments: The intricate interlocking geometric patterns provide innumerable hourglass and diamond motifs which are the central patterns of Western Great Lakes iconography. This artist achieved an extraordinary level of sophistication in overlaying diamond/hourglass design on contrasting background colors resulting in a dynamic interplay of pulsating foreground and background. "Rush mats...

acrylic on canvas blue white yellow red orange can hang vertically or horizontally Thomas starts with several layers of acrylic, using processes of contrasting colors and surface te...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Edition of 15 Other Editions: 15 x 15" Edition of 15- Sold Out 22 x 22" Edition of 10- Sold Out 36 x 36" Edition of 9- $9,000 After completing her prodigious series of illustration...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 17"h x 14"w. Rob...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...