New Mexico

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Bauer " Indian" planter pot in Terracotta. Showing signs of use and wear consistent with age. Having deco and brutal designs aesthetic and being composed in Terracotta these are th...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Mid-Century - Horse Race #28 Pierre Bosco (Italy/France, 1909-1993) Oil on canvas Signed lower right. 9 /78 x 6 7/8 (17 7/8 x 14 5/8 inches, frame size) *Frame appears to be original...

My Protectors, three-winged dragonfly earrings silver Navajo Melanie Yazzie Melanie A. Yazzie (Navajo-Diné) is a highly regarded multimedia artist known for her printmaking, paintin...

Antique Indonesian Horse, yellow, red, sculpture, free-standing, vintage, walking Some wear on paint and crack that has been repaired.

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...

Authentic ancient Roman bronze coin and ancient Garnet bead drop 22k yellow gold pendant on a 21k gold rolo chain necklace. Rolo chain is 18 i...

Patty deGrandpre’s “Sighting (Coyote Pink)” is a unique abstract mixed media print represented on 11 x 14 inch Yupo utilizing concepts from both printmaking and creative photography....

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kans...

Apache Mountain Spirit Dancers, lithograph, black & white, Allan Houser hand pulled black and white lithograph edition printed in Santa Fe, New Mexico L...

Linda Connor: Lick Observatory These celestial images are made from glass plate negatives that belong to the archive of the Lick Observatory in San Francisco. These images were mad...

Antique Woman’s Silk Tie-Dyed Kerchief (chabot), Cambodia This small, graphically intriguing resist-dyed textile was made by the Cham people of Cambodia, a muslim group with histori...

Antique Bronze Dog Sculpture Chihuahua "La Petite Belle Lydie" Charles Valton (French, 1851-1918) Circa 15 1/2 x 10 1/4 x 7 Lydie is a Chihuahua making her a very rare image from ...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

Rippling, limited edition lithograph, Japanese, black, white, red, signed,number

This media cabinet in solid walnut with sliding cane doors was originally designed so that a receiver could be hidden behind the cane doors and still be controlled with a remote. We ...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Beat of the Drum Paul Moore bronze Native American man with Drum, headdress Paul Moore was born in Oklahoma City a member of the (Creek) Muscogee N...

Antique Tribal Kachin Woman’s Jacket with Shells, Myanmar (Burma) A small, intricately woven woman’s jacket from the Kachin (Maru) tribal group located in the far northeast of Myanm...

Hand-wrapped 22k yellow gold asymmetrical dangle earrings featuring Kingman Spiderweb Turquoise, Ancient Roman bronze coins, Moonstone, raw Paraiba...

Mid-Century Cyclists - The Field Sprint Pierre Bosco (Italy/France, 1909-1993) Oil on canvas Signed lower right. 15 x 12 inches, frame size “The savage art of Bosco bears its ruden...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Crossing Over, black white scarf Melanie Yazzie Native American Navajo chiffon Lightweight and easy care chiffon fabric with digitally printed Melan...

"Branch and Berries Tokyo Honshu Japan, 2023 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to 20x1...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

This Mid-Century inspired walnut sideboard was designed to provide extra storage in a client’s guest house here in Santa Fe. She loves midcentury design and the guest house has conte...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

"Hillside Fence Study 9 Teshikaga Hokkaido Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted to...

Antique Indian Embroidered Kantha Cloth Indian kantha cloths originally developed as a way in which old sari cloth could be recycled and put to use. They’re usually composed of 3-4 ...

acrylic, mixed media on canvas My paintings explore the themes of light, atmosphere, and the emotional impact of nature. The bold, expressive brushstrokes and saturated hues in my w...

Mandarin Spessartite Garnet one carat cabochon set in a textured, hand forged 22k yellow gold solitaire ring. The warm orange Garnet and hammered high karat gold fuses contemporary, ...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Abruzzo, located in southern Italy, is known as the ‘green region of Europe’ because of the system of parks and nature reserves covering more than one-third of its territory. It has one of the highest biodiversity indexes in Europe, and one of the richest areas of flora in the world. In Abruzzo, Michael Kenna found a cultural identity that elsewhere, for the most part, has been lost to globalization and instant communication. Kenna photographed medieval ruins, ancient villages and a countryside rich in traditional cultivation. As curator Vincenzo de...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

The Patient Traveler by Maggie Taylor is a limited-edition, color photomontage image. Maggie Taylor is a Florida-based artist who creates complex photomontage compositions with a fl...

Taisho-Early Showa period Japanese Stencil-Dyed Summer Kimono with bamboo Motif A light-weight summer kimono woven of both cotton and silk, and patter...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Martha Mans lavender The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be ex...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

Flower earrings, cast, sterling silver, dangle earrings, Melanie Yazzie, flowers The weight is the combined total of both earrings. Melanie A. Yazzie (Navajo-Diné) is a highly rega...

acrylic, mixed media on canvas My paintings explore the themes of light, atmosphere, and nature. The expressive brushstrokes and saturated hues in my work aim to convey a sense of e...

It Snowed When They Came scarf design by Melanie Yazzie chiffon contemporary Scarf Melanie Yazzie Native American Navajo chiffon Lightweight and easy care chiffon fabric with digi...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

He Sees, poly crepe de Chine scarf, bee,red,blue, artist design, Native American

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

SUSANNAH HAYS approaches her photographic practice as a philosopher experiences poetic material renderings of our phenomenological world. Investigating tangible objects, each of her ...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Ihi (Power), contemporary Maori sculpture, green patina, warrior figure Wi Te Tau Pirika Taepa (born 1946, in Wellington) is a New Zealand ceramicist ...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and spirituality. Appropriately, her subject matter is often in spiritual c...

"Basilica di Santa Maria della Salute, Venice" Raymond Allègre (France, 1857-1933) Circa 1900 Oil on wood panel Signed lower left 13 1/2 x 9 (22 1/2 x 17 frame) inches The saturate...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...