New Mexico - Mixed Media

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Wounaan Tribe Panama Rainforest Basket, gold, black, red geometric hand woven natural dyes The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panam...

Patty deGrandpre’s “Landlocked (The End of the Line)” is an 14 x 11 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

Book Matched Walnut wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to ...

Walnut wood It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furniture that solves des...

Butterfly Basket, Wounaan Tribe, Panama, Rainforest, black, red, green, white The baskets are made by the Wounaan and Embera Indians from the Darien ...

Marble, granite and limestone sculpture

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Geometric Basket, tan, white, black, Wounaan Tribe, Panama, rainforest, diamonds Palm fiber and vegetal dyes The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panama. The Wounaan believe they emerged from the palm tree. They weave baskets from palm fiber and use natural dyes. The dyes are made from wood, plants, and earth. Achieving a particular color takes weeks. The rainforest baskets are of the highest quality to be found anywhere in the world. Comparable to the North American Pomo and Panamint baskets, widely considered the best weavers in the world. The Wounaan and Embera are the finest weavers working today. The area in which they live is extremely remote and dangerous to reach. From Panama City...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Heliconia plant, basket, Wounaan Tribe, palm fiber, natural dyes, red, black The baskets are made by the Wounaan and Embera Indians from the Darien Rainforest in Panama. The Wounaa...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

Walnut wood It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furniture that solves des...

Puma Plaque, Wounaan, Darien Rainforest, Basket, Black, white, red, handwoven

New Day by Troy Williams wood sculpture, female figure, Santa Fe artist cottonwood on steel pedestal, unique sculpture, light brown

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Encaustic on panel. blue teal aqua white yellow orange navy Red It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and ...

Walnut wood It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furniture that solves des...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

I've been fascinated with botany and have photographed flowers for 40 years now. Flowers were around long before animals – about 140 million years. There are estimated to be 400,000...

Edition of 8 Fixed is a series of photographs made by Rachel Phillips' alter-ego Madge Cameron: Until this project, Madge Cameron (b. 1935) had always seen photography as a sep...

Bernal Ghost by John Hogan mixed media monotype unique yellow brown blue green unique framed landscape print New Mexico landscape John Hogan A graduate of Northeast Louisiana State...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

In Home Movies McCall employs the cinematic qualities of found vintage photographs to construct narratives exploring the passage of time, transition, transformation, and loss. Each s...

Texas Mesquite wood with steel base It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating f...

For "Corner Rope," Mary Shaffer twisted beautifully clear hot glass into a thick rope shape. The metal ends attach to opposite walls in any corner, forming a sculpture light bridge t...

Deconstructed and cropped images of a picnic table, a lawn chair, flowers, and a pineapple upside cake are represented in Patty deGrandpre’s 12 x 12 inch contemporary mixed media monoprint titled “Picnic”. Hues of vivid red, yellow, blue, and black both contrast and compliment in this dynamic abstracted pictorial. Embracing both experimental printmaking and creative photography, applications of block printing ink and digital inkjet are skillfully multi layered onto Red River photo...

Patty deGrandpre’s “The Beauty on the Way There” is a predominately turquoise blue, black, grey, and red contemporary abstract landscape represented on a 16 x 20 x 2 inch “Ampersand Claybord” block embracing creative photography, mixed media, and collage. Snapshots of a Western United States highway and it’s vast scenic surroundings are printed on Awagami Bamboo Japanese paper in both black and white as well as monochromatic red. The prints are cropped and combined with thoughtfully shaped monoprint fragments and collaged onto smooth fields of turquoise and grey hued water based block printing ink. The graphic design approach to this modern composition is appreciated as the viewer recognizes a glimpse through a car window of distant mountains and roadside terrain. A rectangular red and blue print reminiscent of vintage floral wallpaper...

Cropped and deconstructed images of clouds, palm trees, an abandoned Hawaiian hotel facade, a car, an Aloha Airlines vintage trademark, a beach chair and a vintage photo of the two ladies in skirts are represented on 14 x 11 inch Awagami Bamboo Japanese paper in Patty deGrandpre’s contemporary abstract monoprint titled “Vintage Hawaii and Some Lady Legs...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

This unframed, signed, limited edition pigment print by artist Dara Mark exists in an edition of 25. Paper size is 24"h x 30"w with an image size of 20"h x 25.5"w. “New Mexico artist Dara Mark’s work possesses an ordered, calm beauty that sets it apart. Her patterned, abstract paintings take advantage of the flowing effects produced by her materials…and recall the natural world, which, like her paintings, is a grand mixture of the ordered and the random.” American Artist Watercolor Magazine Mark studied at Yale and the University of California at Santa Barbara. She has received artist grants from the Arts Councils of Missouri and California and the Santa Barbara County Arts Commission and has shown in museums including The Albuquerque Museum, Los Angeles Municipal Gallery and the Palm Springs Art...

Patty deGrandpre’s “Landlocked (Cactus, a million needles)” is an 12.375 x 16 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both print...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

Mango wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furnit...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

tulip wood top, Steel base Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach t...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Cropped and deconstructed images of a Kauai beachfront, palm trees and a pair of roosters are represented on 14 x 11 inch Yupo translucent paper in Patty deGrandpre’s contemporary abstract mixed media print titled “Two Roosters Running Amok on Poipu Beach”. This one of kind piece pays homage to this notorious Kauai beach and the roosters and chickens that have become so familiar to the Hawaiian Islands. DeGrandpre thoughtfully combines and layers block printing ink and digital inkjet in hues of blue, orange, yellow, red, and gray. A screen of clouds provides both contrast and texture within the distinct fields of vivid color and the pair of red roosters to create this graphic interpretation of a tropical Hawaiian landscape...

Cropped and deconstructed images of a two typewriters, a fence, a distant suburban landscape, and the lower half of three mannequins donning flowered coats are represented on 14 x 11...

Patty deGrandpre’s “I Can’t See Much from Here” is a 14.5 x 11 inch unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking techniques an...

Patty deGrandpre’s “Delivered to the Wrong House” is a 14.5 x 11 inch mixed media unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking...

Patty deGrandpre’s “Leave the Flowers by the Back Door” is a 16 x 13 inch mixed media unique print represented on 19 x 16 inch Awagami Bamboo paper embracing both traditional printma...

Patty deGrandpre’s “The Long Part of the Drive” is a predominately blue, yellow, and gold unique contemporary abstract landscape represented on a 16 x 20 x 2 inch “Ampersand Claybord...