New Mexico - Paintings

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured su...

acrylic, sumi ink on canvas black white red yellow Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textu...

Antique Horse Painting "Sysonby"-Equestrian Painting Edward Herbert Miner (American, 1882-1941) Depicting the champion thoroughbred horse Sysonby (1902-1906) Oil on canvas, signed "E H Miner 1905" 24 x 32 inches Ex. Collection of Mr. & Mrs. Walter M Jeffords, a prominent Philadelphia lawyer and racehorse owner, at Sotheby's NY, 2004. Sysonby (1902–1906) was an American Thoroughbred racehorse. He won every start easily, except one, at distances from one mile to two and a quarter miles. His superiority as a two and three-year-old was unchallenged during his short career of 15 race starts. Sysonby was regarded by many experts as the best horse to have raced in the United States between the Civil War and World War I. His sole loss in 15 starts came after he was doped by his groom as a bribe; even then, it took another member of the Hall of Fame, Artful, to beat him Foaled in Kentucky, Sysonby was a bay son of the 1885 Epsom Derby winner, Melton, out of the English mare Optime by Orme (by the undefeated Ormonde). The mating of Melton and Optime was arranged by Marcus Daly, who was involved with the Anaconda Copper Mine. Daly died before Optime, stabled in England, foaled. His stock, including the still pregnant Optime, was brought to New York to be auctioned. James R. Keene purchased Optime for $6,600, sending her to his Castleton Stud in Kentucky, which he rarely visited. Apparently Optime's foal, observed in his paddock, was anything but inspiring. Considered unattractive and small, as well as slow, young Sysonby was to be sent back to England for sale. But Keene's trainer, the well-regarded James G. Rowe, Sr., had seen Sysonby in action during some early trials. When it was time for the yearlings to be sent away, Rowe, a leading trainer who had once been a leading jockey (guiding Harry Bassett to his Saratoga Cup win amongst many other successes), covered Sysonby in blankets, convincing Keene he was too ill to make the long ocean journey. In the care of Rowe, Sysonby won everything Rowe entered him in by sizable margins, with the exception of the Futurity Stakes (USA), where he came in an unaccountable third, beaten by the filly Tradition and the filly Artful. Artful ranked 94th in the top 100 U.S. Thoroughbred champions of the 20th century by Blood-Horse magazine). Rowe saw Sysonby's groom exhibiting a large sum of money, and the groom admitted he'd been bribed to drug Sysonby before the race. If not drugged, nothing beat Sysonby. The turf writer Neil Newman ranked Sysonby as one of the three best colts he'd ever seen. The other two were Colin (also trained by Rowe) and Man o' War. Sysonby was the top money earner of 1905. Average winning margin was 4 ¼ lengths. Was ahead at every point of every race, except at the quarter call in the Brighton Junior Stakes, and in the stretch of the Futurity. Sysonby was inducted into the National Museum of Racing and Hall of Fame in Saratoga Springs, New York, in 1956. In the list of the top 100 U.S. Thoroughbred champions of the 20th Century by Blood-Horse magazine, he ranks 30th. Eighteen years after Sysonby's death, a December 11, 1924 Daily Racing Form article looking back on his racing career, called Sysonby "One of Greatest Race Horses in History of the American Turf". James Rowe, Sr. was also inducted posthumously into the Hall of Fame as a trainer. Provenance: Walter Morrison Jeffords Sr. (August 8, 1883 – September 28, 1960) was a successful Investment banker and owner/breeder of Thoroughbred racehorses who, in partnership with his wife's uncle, Samuel Riddle, purchased and operated Faraway Farm near Lexington Kentucky where they stood Man o' War. Jeffords is one of only five people to be named an Exemplar of Racing by the National Museum of Racing and Hall of Fame. His former estate is now Ridley Creek...

acrylic, sumi ink on canvas black white red blue Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his p...

acrylic, sumi ink on canvas black white red Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started paint...

cyanotype, acrylic on canvas blue, white, cyan Thomas uses a cyanotype photographic process incorporated into his paintings. The layering process of his paintings evoke a sense of d...

Bowl of Beads,trompe l'oeil painting on birch wood panel, black, green, orange Dimensional unique painting on birch wood panel. Stanley is a classic storyteller. As an artist or her work involves a media and contains movement, mystery and suspense; as a wife and mother, she basks in the vital role of nurturer, and as a teacher she stretches her own horizons with and parking was thinking from a lot time of pursuing her art. Stanley recognizes her "stories" - visual experiences that come to her, often in the form of dreams and the daydreams -in a journal , which then becomes the sketchbook from which she distills the dreams into paintings . Once she is dedicated as an artist, working up to 40 hours a week at her studio, but she also enjoys teaching, privately and at a nearby colleges: " Painting is so egocentric, so solitary, it's nice to get outside yourself, " she says of her passion the passing it on. Helen Stanley...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his piece...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured su...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured su...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his piece...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured su...

Dropped Bowl, trompe l'oeil, painting, blue, red, stripes, dimensional Stanley is a classic storyteller. As an artist or her work involves a media and contains movement, mystery and suspense; as a wife and mother, she basks in the vital role of nurturer, and as a teacher, she stretches her own horizons with and parking was thinking from a lot of time of pursuing her art. Stanley recognizes her "stories" - visual experiences that come to her, often in the form of dreams and daydreams -in a journal, which then becomes the sketchbook from which she distills the dreams into paintings. Once she is dedicated as an artist, working up to 40 hours a week at her studio, but she also enjoys teaching, privately and at a nearby college: " Painting is so egocentric, so solitary, it's nice to get outside yourself, " she says of her passion the passing it on. Helen Stanley...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his piece...

Amboy Crater, Southern California, painting on paper, walnut ink, landscape Walnut ink on handmade Indian paper Helen Stanley’s sculptural paintings ar...

Ancient Highway, trompe l'oiel, oil painting, ruins, road, western landscape Helen Stanley’s sculptural paintings are beautifully drawn, realistically r...

Road to Beatty, walnut ink on handmade paper, desert landscape painting, small Road to Beatty, walnut ink on handmade paper, desert landscape painting, small

oil on panel MARTHA MANS A master realist painter, she was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Student’s League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

oil on panel MARTHA MANS A master realist painter, she was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Student’s League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Legacy Series: Leaving Behind, contemporary painting, Maori art, figurative

Red Gap, by Glenn Green, Abstract painting, red, white, blue, vertical, bold Red Gap, Abstract landscape painting, red, white, blue, bold colors, vertical

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch...

This painting is about the protectors I envisage for my Mokopuna (Granddaughter) Kimiora. The owl or morepork is a guardian for my family and the owl is depicted by the “Ruru” in a c...

oil on panel MARTHA MANS A master realist painter, she was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Student’s League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Jo Moore's compelling original artwork draws on inspiration from nature, displaying dramatically rich textural surfaces.Sought after both nationally and internationally, and collecte...

Jo Moore's compelling original artwork draws on inspiration from nature, displaying dramatically rich textural surfaces.Sought after both nationally and internationally, and collecte...

acrylic, cyanotype on canvas blue, white, cyan, yellow, green, purple, lavender Can Hang horizontally or vertically The layering process of Slate's paintings evoke a sense of depth ...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started paint...

gray brown taupe beige blue red black green teal rust white Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the uni...

acrylic on canvas blue white yellow red orange can hang vertically or horizontally Thomas starts with several layers of acrylic, using processes of contrasting colors and surface te...

acrylic, sumi ink on canvas, framed in maple black, red, yellow, white Thomas Slate uses large gestural drawings to create energetic abstractions. The la...

cyanotype, acrylic on canvas blue, white, cyan, yellow Thomas uses a cyanotype photographic process incorporated into his paintings. The layering process of his paintings evoke a se...

Martha Mans 10 x 10 image size and 21 x 21 matted and framed The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

Jo Moore's compelling original artwork draws on inspiration from nature, displaying dramatically rich textural surfaces.Sought after both nationally and internationally, and collecte...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

12 x 12" oil, aluminum leaf on panel Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast stretches of prairie lead to distant horizons. Represen...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

Untitled painting by Jim Alford, gradient, mauve, sage, white, black abstract

Untitled painting by Jim Alford, abstract gradation, sky blue, mauve, white

Martha Mans 10 x 10 image size and 21 x 21 matted and framed The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

La Vie, by Kenji Yoshida, Nihonga, Japanese, painting, silver, black, red, gold La Vie 58, by Kenji Yoshida Nihonga Japanese painting silver black red gold Gold leaf, Silver leaf a...

12 x 12" oil, aluminum leaf on panel Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast stretches of prairie lead to distant horizons. Represen...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started paint...

Jo Moore's compelling original artwork draws on inspiration from nature, displaying dramatically rich textural surfaces.Sought after both nationally and internationally, and collecte...

Jo Moore's compelling original artwork draws on inspiration from nature, displaying dramatically rich textural surfaces.Sought after both nationally and internationally, and collecte...

Jo Moore's compelling original artwork draws on inspiration from nature, displaying dramatically rich textural surfaces.Sought after both nationally and internationally, and collecte...

Jo Moore's compelling original artwork draws on inspiration from nature, displaying dramatically rich textural surfaces.Sought after both nationally and internationally, and collec...

Jo Moore's compelling original artwork draws on inspiration from nature, displaying dramatically rich textural surfaces.Sought after both nationally and internationally, and collecte...

mixed media on canvas John Hogan A graduate of Northeast Louisiana State University with a Bachelors degree and New Mexico Highlands University with a Masters in Art Hogan studied with Edward Schutz and Elmer Schooley...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

mixed media on canvas Clouds Over the Jemez, unique painting New Mexico landscape, clouds, mountains

Deep Water by Glenn Green, abstract painting, blue, black, red on canvas

Scorched, abstract, painting, by Glenn Green brown, blue, black, yellow, red

Deluge, abstract, painting, by Glenn Green, blue, black, red acrylic on canvas

Current, abstract painting by Glenn Green, red, black, blue, yellow on canvas