New York City - Mixed Media

Adam Collier Noel is an American painter, photographer and collage artist who currently resides in the mountains of Blue Ridge, Georgia. He graduated in 2002 with a BFA in photograph...

Linda Stein, Growing Up Female 931 - Feminist Contemporary Fabric Leather Sculptural Tapestry Growing Up Female: Jewelry, Guns, Landmines 931 is from Linda Stein's Sexism series, w...

During street fighting in Ramadi and Fallujah, Iraq, Richardson noted the impact of stray gunfire and its decaying effect on the city. One particular m...

Eva Bouzard-Hui (American, 1936-2023) Two Mixed Media Abstract Compositions on Handmade Paper, comprising: "Crow and the Mountain", with descriptive label to verso, and "Untitled", b...

Linda Stein, November 6, 2015 New York Times 865 - Feminist Contemporary Fabric Leather Sculptural Tapestry November 6, 2015 New York Times 865 is from Linda Stein's Sexism series,...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Pablo Lehmann creates intricate three-dimensional works by shaping and cutting paper sheets, books and synthetic cloth. His detailed webbing of literary and theoretical book excerpt...

Linda Stein, Three Protectors 1001 - Contemporary 3D Sculptural Drawing Collage In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as de...

Ricardo Mazal Don't Move Blue V. P1, 2023 18.25 x 15 inches RM504 Ricardo Mazal (b. 1950, Mexico City), one of Mexico’s most prominent contemporary artists, is known for his lush ab...

Oil on vintage architecture magazine paper

"My work is based on visualizations of energy, inspired by particle physics and forms in nature. I use the lines of colliding atomic particles to explore a new language of abstractio...

Elfi Schuselka (Austrian, b. 1940), Abstract Landscape Diptych, Mixed Media on Paper, each signed in pencil and numbered to verso, unframed. Each: 8.75" H x 10.25" W. Provenance: Fro...

Contemporary collage by Cindy Zaglin. Zaglin has been creating art since early childhood. Her current work has evolved from a representational depiction ...

Isabel Peña Escalera 2, 2006 Photo-painting on parchment paper 39.50h x 48w in 100.33h x 121.92w cm

J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters around New York, Ivcevich ph...

Framed size: 28.50h x 23w in J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters...

J. Ivcevich portrays urban deterioration and grit in much of his work. Taking inspiration from the abstract forms found in shredded advertisement posters around New York, Ivcevich ph...

"My work is based on visualizations of energy, inspired by particle physics and forms in nature. I use the lines of colliding atomic particles to explore a new language of abstractio...

Large Format Abstract White & Blue Mixed Media Painting by Cuban Artist Victor Manuel. Victor is an emerging talent born and raised in Havana. With a great sense of Havana’s always ...

Original Neutral Color Tone Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his art...

Peter Christian Petersen (Danish, b. 1973), "Basic 2", Mixed Media on Canvas, 2000, acrylic and enamel, red with white and grey spots, signed, dated, and titled with American-Europea...

This is an unusual image in the cactus-filled desert of a squirrel reaching towards a human hand that is tenderly holding a small bird. The image is striking because of its strong g...

Uri Aran News Reel, 2018 Enamel, oil pastel, pen, graphite, and mixed media on MDO 21 x 8 1/4 inches 26 1/8 x 13 1/2 x 2 1/2 inches (frame) Signed verso

This original monotype was created using a series of found objects manipulated into these natural-like forms. This print is part of a series that can be purchased as a series or by t...

Mixed Media collage by Deborah W. Perlman, made with paper, wire mesh, photographs, and flat aluminum wire. Influenced by her training, Perlman create...

Contemporary collage by Stacy Bergener. In Bergner's own words, she approaches her work as taking something close to chaotic and creating order from it almost like putting together ...

This is a monotype collage made from original monotypes that were then cut up into this abstract composition. I like using found objects and textures in my prints to create unique shapes and forms to be used in my collages. Monotype collage on Rives BFK 280 gsm printmaking paper...

Linda Stein, Nancy Wake 933 - Feminist Contemporary Mixed Media Fabric Sculptural Tapestry Nancy Wake 933 is from Linda Stein's Holocaust Heroes: Fierce Females series, which highlights Holocaust-era female heroes. Stein began to produce sculptural tapestries in 2013, in which she combines archival images of a subject with her pantheon of female Exemplars--Wonder Woman, Princess Mononoke, Storm, Nausicaa, Kannon, and Lady Gaga--with multiple fabrics and leather. Nancy Wake 933 features Nancy Wake, a British agent during the later part of World War II. She became a leading figure in the maquis groups of the French Resistance...

During street fighting in Ramadi and Fallujah, Iraq, Richardson noted the impact of stray gunfire and its decaying effect on the city. One particular memory he has is of a plywood sign featuring the figure of a man hoisting a barbell over his head, an advertisement for a local gym. As months passed, the sign splintered to near oblivion, first the figure’s legs, then his head and arms, and finally, most of his torso disappeared as the fighting smoldered on. Nearly ten years later, Richardson began to develop his own bullet-ridden and splintered war motifs. In wartime, cards are the time killer’s friend, a way to pass time between patrols, operations, and the work of war. In Iraq, U.S. troops were issued playing card decks featuring Iraqi officials wanted by the U.S. Government. In the Shotgun...

Contemporary collage by Roxane Hollosi. In her art Hollosi documents the emotional, social and environmental energies she encounter in the moment of creation. The artist founds her ...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Knights in a series called Knights, Revisited. A Prominent Greek Profile...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

Jeremy Deller This artwork is not to be re-sold at auction or online, if you do you will be cursed and die horribly., 2018 Marker on posterboard 28 x 22 inches Signed verso

Linda Stein, Masculinities: Image 846 - Feminist Contemporary Fabric Leather Sculpture Tapestry Masculinities: Image 846 is from Linda Stein's Sexism series, which advocates an exp...

Linda Stein, I Sell the Shadow to Support the Substance (Kamala Harris) 1042 - Feminist Contemporary Fabric Leather Sculptural Tapestry I Sell the Shad...

The focus of “Black Lips” is a woman with a 1920s flappers haircut who captivates the viewer with her sultry black lips. Geometric shards of arcylic with pa...

Throughout Isabel Turban work process, collected maps gathered from various travels are the most significant material as they fuel inspiration for the work.

Archival Pigment Print Hand-Finished with spray paint on Moab Entrada Bright 290 gsm paper Printers Proof Unique 1/1 Signed & Numbered with a Certificate of Authenticity Size: 1...

Linda Stein, Gloria Steinem 1037 - Feminist Contemporary Fabric Leather Sculptural Tapestry Gloria Steinem 1037 is from Linda Stein's Sexism series, wh...

Oil on vintage architecture magazine paper

Edition version – Night Sky and Silver Stars Surface – Fabriano Unica 250gsm paper Edition size – 5 Size – 19.6 x 27.5" (50x70cm) Year – 2024 Description – 12 colour stencil and ...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

David Hare Cronus Asleep in the Cave, 1971 Acrylic, ink wash, graphite, paper collage on paper on board 26 x 35 inches “Freedom is what we want,” David Hare boldly stated in 1965, b...

David Hare Cronus Waiting, 1990 Ink and Wash on Paper on Board 34 x 25 1/4 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Artwork of an accomplished artist Jerry Meyer.

Figurative Mixed Media Portrait Painting by Cuban Artist Hector Frank. Unique Painting with a certificate of authenticity. Despite international acclaim as one Cuba’s foremost livi...

73” x 40” x 2” variable dimensions (resin, metal) In Philip Simmons' series of sculpture made of resin, metal, and vinyl, he references pop sources and the news media to comment o...

Pablo Lehmann creates intricate three-dimensional works by shaping and cutting paper sheets, books and synthetic cloth. His detailed webbing of literary and theoretical book excerpt...

Elfi Schuselka (Austrian, b. 1940), "Roundabout", Acrylic on Tarlatan with foamcore elements, 1982, signed to the verso, on backing paper with descriptive studio label. 46" H x 43.5"...

Separation- a modern day reality for too many.

Tufnell's focus is primarily on sculpture, and he typically works with a variety of materials, including wood, metal, and found objects. While some of his sculptures do incorporate h...

From my ongoing series, 'Portable Landscape or Landscape for the Traveler.' Before European contact, the Lenape Manhattan's original inhabitants called the island Manahatta, which me...

Oil on vintage architecture magazine paper

Elizabeth Gregory-Gruen’s Cut Work series is a free hand paper cutting process that charts the contours of our ever-changing emotional experience through the movement of form, line, ...

Contemporary collage by Debra Friedkin. Debra Friedkin’s work ranges from whimsical to darkly humorous, informed by sleek modernism, pulp science fiction and spiritual symbolism. Debra Friedkin studied art at Lehman College, NYC and Long Island University post-graduate. She mentored privately with Lester Zakarin, an illustrator for Stan Lee Comics...

Valerie B Hird NEW MEDIA, 2020 wood, screws, foamcore, paper, watercolor, ink, electrical wire, LEDs, batteries 28 x 14 x 6 1/2 in. 71.1 x 35.6 x 16.5 cm. When the handle is tur...

Edition version – custom made to order edition of both classic VW camper and VW beetle. (2 hand painted multiples with matching numbers) Collectors can choose specific tags for the ...

Edition version – custom made to order edition of either classic VW camper or VW beetle. Surface – Cold pressed 300gsm paper Edition size – 5 of each Size 20 x 16 " Year – 2024 ...