New York City - Mixed Media

Collage by Torea Frey created using waste papers and scraps from books, magazines, and sewing patterns. Torea is a writer, editor, and artist living in Oregon. Her work has appeared...

"Various questions have led me to where my work is today. Primarily, what is the nature of a specific thing if it can be represented in various ways, even in opposing ways? Essential...

Chellis Baird Flirt, 2021 plaster cast, 20 x 24 x 4 inches, edition of 10 American artist Chellis Baird blurs the intersection of painting, sculpture and textiles. Baird explores the elements of painting by reconstructing canvases from a unique perspective. Her bespoke process begins with woven structures as her base. Each canvas starts with neutral toned materials that are then painted, dyed and sculpted into dimensional brushstrokes. She creates compositions through a series of twists, knots, and upcycled textiles. Baird’s background in dance and women's fashion allows her to dress the canvas with imagination. Not unlike a garment, she uses color to emphasize the authenticity and body of each piece. Baird received her BFA in textiles from Rhode Island School of Design and studied studio art at the Art Students League in New York City. Baird’s first solo museum exhibition, TETHERED, was held at the Myrtle Beach...

Marilla Palmer Inspired by Rainbows, 2021 watercolor, pressed flowers, Durabrite print, mulberry paper on Arches paper 30 x 40 in. overall 4 panels at 15 x...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media 11 × 13 inches Signed and dated 1965 on the lower right recto Unique Frame included: held in original vinta...

Carole Feuerman Shower Profile (Blue), 2012 Mixed media: two color silkscreen with Diamond Dust, mounted to linen Canvas Hand signed, dated and numbered on the back of the canvas Sig...

Judy Chicago Cloisonne Brooch of Hildegard of Bingen from The Dinner Party, 1987 Limited Edition Cloisonne brooch/pin with clasp on the back and Judy Chicago's incised signature and ...

"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them. These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics. The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens

Keith Haring for New York CityKids, 1986. Rare vintage 1986 sticker illustrated by Keith Haring for the CityKids coalition in New York: "City Kids Speak on Liberty" New York, 1986 sponsored by Burger...

Waves, 2022 by a.muse is a painting on Japanese washi paper. In this colorful art on paper the artist celebrates color and rhythm through lines and stripes of orange, red, aqua, blue...

CAM’s work can be seen as a moving meditation on the very nature of transformation and the notable significance of challenge as a rite of passage to sacred change. Concerned with ho...

This is a 1/1 original currency with wood cutout framed - It's all hand done with spray paint and resin and wood cut outs framed. TBOY is a British artist who's meteoric rise has p...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Thomas Anderson Abstract Expressionist painting on paper, ca. 1987 Mixed media watercolor, gouache and marker on paper Signed in black marker lower right front Unique Frame included ...

"Sharmistha Kar (b. India) is an artist and educator. Sharmistha obtained her Bachelor of Visual Arts in 2007 from Rabindra Bharati University, focusing in painting. Since then, sh...

Alan Shields Lonely Night, 1969 Screenprint and Pochoir with collage on perforated paper Pencil signed, numbered and dated from the limited edition of 100 Unframed Mixed media colla...

Elfi Schuselka (Austrian, b. 1940), Rainbow Found Object Composition, Mixed Media, dried paint and painted sticks on twine grid, apparently unsigned. 31.5" H x 32" W. Provenance: Fro...

This envelope was produced as part of "International Volunteer Day", a human right's cause created by the World Federation of the United Nations. This mailer includes stamps, the art...

Gregory Lomayesva (American, b. 1971) Untitled, c. 21st century Mixed media on canvas 18 x 12 x 1 1/2 in. Signed lower left Contemporary Hopi artist...

"#71 – THEN IT'S HOPELESS?" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 71 of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from the page to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text of the poem. Here the poem reads: "Then it's hopeless? / But sometimes I cannot hope. / I cannot." Note the poem is outlined in dark red and purple radiating lines, while outside there are lighter violet, blue and white lines. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...

Artist: Verbicky, James Title: Citta Samtana Diptych (The Stars Above) Date: 2021 Medium: Mixed media, resin on wood panel Unframed Dimensions: 60" x 80" Signature: Signed by A...

Linda Turner, raised both in NYC and Northern Virginia, resides in Brooklyn, NY. She achieved a BFA in Surface Design/Textile Design from the Fashion Inst...

Vintage original Barbara Kruger Record Art, 1994 Off-set lithograph on vinyl record cover Measure: 12 x 12 inches Minor shelf wear; in otherwise good vintage condition. Very cool fr...

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

Oil on C-print (Unique) Signed and dated, verso This work is offered by ClampArt, located in New York City. Informed by major events in his own life, Gaz’s “Ensnared” series explore...

Nancy Graves New York State Governor's Arts Award, 1988 Bronze, polychrome patina and baked enamel on base with Award plaque 10 1/4 × 7 × 10 1/4 inches Hand signed and dated with inc...

Paper size is 12 x 9 inches. Mixed media on handmade paper. Based in Andres, NY and West Orange, NJ, Lisa Pressman initially focused on sculpture before moving toward painting in t...

Domenick Capobiano (American, b. 1928), Celestial Composition, Mixed Media Collage on Board, 1963, pastel, acrylic, newspaper, signed and dated lower right, inscribed to verso "To El...

Artist: Yannick Ballif, French (b. 1927) Title: Red Planet Year: circa 1975 Medium: Acrylic Monoprint with India Ink on Rag Paper Size: 30 x 44 inches

Date: 2017 Hand-Casted Red Marbled Glass Edition of 81/100 Size: 12 x 9 in. (30.48 x 22.86 cm) Printer: Foundry: Hot Spot Glass Publisher: American Image Art, NY

Limited Edition Keith Haring spray paint set of 2: published circa 2018 featuring the Estate trademark of Keith Haring. A unique Haring collectible that makes for a fantastic Keith H...

Abstract collage by Iona Fromboluti. Fromboluti’s mixed media collages are a beautiful abstract compositions, comprised out of flowing shapes that overlap and interact with each oth...

Ballerina #1 Edition version –ballerina statue with fluorescent spatter dress and ballet shoes finished with a gloss varnish Surface – resin statue Size – 11” tall X 3” wide appro...

Marlene Tseng Yu (Taiwanese-American, b. 1936) Untitled, 1971 Mixed media Framed: 37 x 48 in. Marlene Tseng Yu was born in Taiwan in 1937 and came to the U.S. in 1963. From 1969 to...

Mel Ramos Cacciucco - Coco Pazzo - New York, NY, ca. 2000 Ceramic Plate Artist signature fired into the plate on the back and numbered 243 from the edition of only 510. 10 inches diameter Unframed Makes a memorable gift! This striking, extremely rare limited edition, signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. It was designed by renowned American Pop artist Mel Ramos. From the late 1990s through the millenium, Buon Ricordo...

Amy Sands Revolution XX monoprint, serigraphy, lasercut on two sheets of rice paper 15 x 15 inches, 22 1/4 x 22 1/4 inches framed in white 2016 Amy Sands' works of art embody source...

Amy Sands Revolution XXI monoprint, serigraphy, lasercut on three sheets of rice paper 15 x 15 inches, 22 1/4 x 22 1/4 inches framed in white 2017 Amy Sands' works of art embody so...

Completing by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 49 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ...

Santi Moix Consilience, 2009 Crayon and pencil on paper Signed and dated 2009 in crayon on the front Unique Frame included Provenance: the Artist and Kasmin Gallery This exquisite, u...

Sam Francis Suite of Four Limited Edition Ceramic Plates, ca. 2000 Set of four (4) limited edition ceramic plates in original museum box Edition of 2000 7 × 7 inches Unframed Note: M...

An original mixed media painting of a portrait and still life images by Israeli artist, Michael Eisemann. The artwork is hand-signed and dated in ink...

Francisco Fernández, Claudia Fernández, Diego Toledo, Hector Quinones Corpse Drawing #47, The Return of the Cadavre Exquis, 1993 Ink, graphite, acrylic, and watercolor, with collage ...

The new works of Mylinh Nguyen designed from polymer resin, bring us into a nature whose refinement commands admiration. From the physiognomy of living or extinct plant species, the ...

Original 1980s Keith Haring Record Art: Keith Haring 'The Baby Beat Box' 1986: Rare highly sought after 1980s Keith Haring record album art featuring a Haring boombox man, a bold Ke...

Yiddish Theatre Cubist Costume Design 1924 Deco Color Field Modernism Broadway. Boris Aronson (1898 – 1980) "Day and Night," 17 ½ x 13 inches. Gouache ...

"#159 – SLEEP" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 159 of a found copy of Ernest Hemingway's WWII romance novel. The artis...

Amy Sands Revolution LIII monoprint, serigraphy, lasercut on layered kozo framed 35 x 35 inches 2018 This item is framed in a white wood frame Amy sands' works of art embody sourced...

Oil on C-print (Unique) Signed and dated, verso This work is offered by ClampArt, located in New York City. Informed by major events in his own life, Gaz’s “Ensnared” series explore...

Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board Signed and dated on label, verso This artwork is offered by ClampArt, located in New York City. Cub...

Hanging crafted wood wall sculpture with a mini diorama of an old record shop that can be seen through a viewfinder. Batteries included. More information be...

Trained in traditional venetian plaster, Vincent employs a unique material approach to his work, creating pieces by carefully layering, carving, coloring, and burnishing. This proces...

Oil on C-print (Unique) Signed and dated, verso This work is offered by ClampArt, located in New York City. Informed by major events in his own life, Gaz’s “Ensnared” series explore...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

Mark Gonzales Supreme Skateboard Deck 2017: Dimensions: 31.5 x 8 x 0.5 in. (80.01 x 20.32 cm). Medium: Offset print on Maple Wood. Printed artist sig...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt sources and arranges her fabric...

ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 8 1/2 x 5 1/2 inches Watercolor, gouache, and ink on black paper Signed lower right Framed by Bark BIO rene Pereira was born in 1902 in Chelsea, Massachusetts and grew up in Great Barrington. She was strongly influenced by her mother who was an amateur artist. Irene began art lessons at the age of fifteen; she took a secretarial job because her father had died. She took art classes at the Art Students League in New York City. At the age of twenty-one she married the first of three husbands, Humberto Pereira, whose name she kept. She traveled extensively in Europe and North Africa and was much inspired by the expansive vistas of the Sahara Desert. Returning to New York, she began incorporating these visions into her work, increasingly experimental in her styles and methods. At first she painted on canvas, then she devised a means of actually incorporating light into her works by painting on layers of glass and mounting the layers together. In 1942 she married George Brown, an engineer, who helped her experiment with a variety of materials. By the 1950s she became more interested in writing poetry and, divorced from Brown in 1952, she married George Reavey, an Irish Poet...

Rare Vintage 1980s Keith Haring Record Cover Art: (Set of 4: 1983-1987): Four individual 7 inch albums - all illustrated by Haring during his lifetime - making for standout 1980s Ke...

#fahrenheit451, 2014 Neon and sheet metal 20 × 52 × 4 inches (50.8 × 132.1 × 10.2 cm) Edition 3/5 + 1AP 26 × 70 × 6 inches (66 × 177.8 × 15.2 cm) Editio...

Deborah T Colter is a contemporary abstract painter who lives on the Island of Martha’s Vineyard. Deborah graduated from the Rhode Island School of D...