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Item Ships From: New York City
Untitled (Boy with Book)
By Larry Clark
Located in New York, NY
Larry Clark
Untitled (Boy with Book), 1971/c. 1981
Gelatin Silver Print
11 x 14 inches
Category
1970s American Realist New York City - Black and White Photography
Materials
Silver Gelatin
Privileges
By Ejaz Khan
Located in Brooklyn, NY
Saintes-Maries-de-la-Mer. Early evening. I have been photographing white horse pictures in France for about five years or so. On location whenever I get...
Category
2010s Contemporary New York City - Black and White Photography
Materials
Plexiglass, Photographic Paper
$2,880 Sale Price
20% Off
Last Cloud
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
If the...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Eternal Love
By Ejaz Khan
Located in Brooklyn, NY
Love isn't always clean
Category
2010s Contemporary New York City - Black and White Photography
Materials
Acrylic Polymer, Photographic Paper
$2,880 Sale Price
20% Off
"The Abby Garden", Penzance, Cornwall, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
Dollface
By Ted Adams
Located in Hudson, NY
Black and White, Women, Fashion, Figurative, Photography, Portrait, doll, woman, photograph, b&w, black & white, high contrast, american, vignette, suburban, diner, storefront, moody, blur, america, portrait photograph, suburban
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Ted Adams juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams' work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
“I see photography as a way of cropping the world – selectively taking things out of context – which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create 'narrative' and context rather than discard them.”
While he has exhibited artistic photography in a variety of genres, he has turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4” x 6” to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design – yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer's gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras, preferring the archival qualities of black and white film and primitive analog functionality.
In the invitational image, “Beyond” we see an abandoned building. The eye immediately is drawn to the structure’s one indication of life, a sign reading “Beyond” which glows like platinum in contrast to the forlorn setting. One has to wonder what goes on beyond the shut door. Yet the humor lies in the idea that anything in these surroundings could be in the superlative -- beyond the gritty or merely mundane.
Adams' sarcasm veils an artistic integrity. What seems happenstance and simple, a road sign, a graffiti ridden wall, or a bank of phones, belies the artists uncanny ability to see the interesting in the ordinary. In a second picture, “Solitary”, we see the words “solitarily confined” sprawled across a wall. Just to the side of the wall stands a little girl. One might think of the solitary confinement in terms of a jail term or the graffiti an indictment on society. But the surprise lies with the child at play, seemingly free of any constraints at all.
Born in Louisville Kentucky, Adams spent most of his adult life in Philadelphia after having moved there to work as a professional darkroom printer. In addition to artistic and documentary photography, Adams works as a multi-media artist. He curates the online Abandoned Photo Museum...
Category
21st Century and Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
$1,000
Slim Aarons, Poolside Gaze
By Slim Aarons
Located in New York, NY
Kaufmann Desert House, 1970
C print
Estate edition of 150
Former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, and ac...
Category
1970s Modern New York City - Black and White Photography
Materials
Silver Gelatin
Of Convergence Through Storms, Texas, 2016
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary New York City - Black and White Photography
Materials
Archival Pigment
And The Soul Wanted To Move
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Pete Townshend, NYC 1973
By Bob Gruen
Located in Toronto, ON
Open and Limited Edition Silver Gelatin Prints
Hand Signed by Bob Gruen
8" x 10" Unframed
Open Edition
11" x 14" Unframed
Open Edition
16" x 20" Unframed
Open Edition
20" x 24" U...
Category
1970s Other Art Style New York City - Black and White Photography
Materials
Silver Gelatin
Rise, New Mexico, 2010
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Drift, Wisconsin, 2007
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
Early 2000s Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Robert Plant, NYC 1974
By Bob Gruen
Located in Toronto, ON
Open and Limited Edition Silver Gelatin Prints
Hand Signed by Bob Gruen
8" x 10" Unframed
Open Edition
11" x 14" Unframed
Open Edition
16" x 20" Unframed
Open Edition
20" x 24" U...
Category
1970s Other Art Style New York City - Black and White Photography
Materials
Silver Gelatin
"Sunset, Dartmouth, Facing the English Channel", Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
Colette (Victorian Punk)
By William Coupon
Located in New York, NY
Colette (Victorian Punk)
Archival pigment print
14 x 14 inches
Signed and numbered
edition of 10
William Coupon is an American photographer, born in New York City, known princip...
Category
1970s Modern New York City - Black and White Photography
Materials
Archival Pigment
Gold bars
By Guido Argentini
Located in New York City, NY
40x40in
ed.18
Archival Pigment Print
Mounted and Framed
Also available in 48x48in and 60x60in.
Limited edition signed print by Guido Argentini.
Guido Argentini was born in Florenc...
Category
2010s Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Balmain's Mermaid, A Night in Paris
By Gleb Derujinsky
Located in New York, NY
Balmain's Mermaid, A Night in Paris
1957
Archival pigment print
Estate stamped, signed and numbered by Andrea Derujinsky with certificate of authenticity
Groundbreaking fashion photographer Gleb Derujinsky invigorated the fashion industry with his glamorous, exotic, and often unconventional photographs. Gleb Derujinsky's career as a fashion photographer took hold in the golden age of European haute couture, when Balenciaga and Pierre Balmain were at the top of their game and Yves Saint Laurent and Karl Lagerfeld were designing their first runway shows. Although air travel was still reserved for the happy few, Derujinsky convinced his editors Carmel Snow and Diana Vreeland to send him around the world to photograph beautiful models like Carmen Dell Orefice and his future wife, Ruth Neumann draped in expensive gowns juxtaposed against rough desert dunes or a glittering ocean at sunset. His ideas were revolutionary and they gave rise to the mystique and glamour that is now pervasive in fashion. Derujinsky was the quintessential Renaissance man photographer, award-winning cinematographer and commercial director, inventor, WWII veteran, world traveler, jewelry designer, musician, ski instructor, Ferrari America race-car driver, and champion glider pilot. His passion for photography started at the tender age of six, by ten, he had built a photo enlarger, and as a teenager, he became the youngest member of the Camera Club of New York. His photographs appeared in major lifestyle magazines and extensively in Harper's Bazaar from 1950 to 1970
Derujinsky’s best fashion photographs are typified by the frisson between high fashion in the 1950s and 1960s with the dynamism of locations and urban scenarios." Louis Vuitton Fashion...
Category
1950s Modern New York City - Black and White Photography
Materials
Archival Pigment
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Paper, Pigment
Les Quais - Paris, France
Located in New York, NY
The work is available as Silver gelatin print, by the artist, made in the darkroom, from the original 35 mm black and white negative and in a total edition of 25.
Available in 4 siz...
Category
1990s Contemporary New York City - Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
Norman Parkinson 'Golfing at Le Toque'
By Norman Parkinson
Located in New York, NY
Norman Parkinson
Golfing at Le Toque
1939 printed later
Silver gelatin print
60 x 40 inches
Estate stamped and numbered on verso
A woman in a white suit hitting a golf ball in a sa...
Category
1950s Modern New York City - Black and White Photography
Materials
C Print
Sanders
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
"Downtown Los Angeles, September 2005", Los Angeles, 2005
By Thomas Michael Alleman
Located in Hudson, NY
The skewed perspective and stark contrasts of dark and light gives a new point of view to the infamous Hollywood Walk of Fame. The rays of light cast upon the star give a sense of th...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Digging for Clams (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
Slim Aarons
Digging for Clams on Black Beach (Slim Aarons Estate Edition), 1960
Chromogenic Lambda print
Mrs Hans Estin watches her children digging for clams at low tide on Black B...
Category
1960s American Modern New York City - Black and White Photography
Materials
Lambda
King of Kings
By Björn Persson
Located in New York City, NY
47x71 inches (120x180cm)
Edition of 10
Archival Pigment Print
Mounted and Framed - Ask us for framing options.
Björn Persson is an internationally renowned artist based in Stockho...
Category
2010s Contemporary New York City - Black and White Photography
Materials
Inkjet, Black and White, Archival Pigment
Contemplating the Galaxy, Jaipur, India
By Gleb Derujinsky
Located in New York, NY
Contemplating the Galaxy, Jaipur, India
1957
Archival pigment print
Edition of 5
Estate stamped, signed and numbered by Andrea Derujinsky with certificate of authenticity
The entire Gleb Derujinsky Collection available exclusively at IFAC Arts on 1stdibs.
Groundbreaking fashion photographer Gleb Derujinsky invigorated the fashion industry with his glamorous, exotic, and often unconventional photographs. Gleb Derujinsky's career as a fashion photographer took hold in the golden age of European haute couture, when Balenciaga and Pierre Balmain were at the top of their game and Yves Saint Laurent and Karl Lagerfeld were designing their first runway shows. Although air travel was still reserved for the happy few, Derujinsky convinced his editors Carmel Snow and Diana Vreeland to send him around the world to photograph beautiful models like Carmen Dell Orefice and his future wife, Ruth Neumann draped in expensive gowns juxtaposed against rough desert dunes or a glittering ocean at sunset. His ideas were revolutionary and they gave rise to the mystique and glamour that is now pervasive in fashion. Derujinsky was the quintessential Renaissance man photographer, award-winning cinematographer and commercial director, inventor, WWII veteran, world traveler, jewelry designer, musician, ski instructor, Ferrari America race-car driver, and champion glider pilot. His passion for photography started at the tender age of six, by ten, he had built a photo enlarger, and as a teenager, he became the youngest member of the Camera Club of New York. His photographs appeared in major lifestyle magazines and extensively in Harper's Bazaar from 1950 to 1970
Derujinsky’s best fashion photographs are typified by the frisson between high fashion in the 1950s and 1960s with the dynamism of locations and urban scenarios." Louis Vuitton Fashion...
Category
1950s Modern New York City - Black and White Photography
Materials
Archival Pigment
"Notched Ear", Dartmoor, UK, 2007
By Patricia Heal
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Canvas, Mixed Media
"Drummer", Miami Beach, Florida, 1997
By Lynda Churilla
Located in Hudson, NY
Churilla's use of shadows in this print make the man's eyes pop out against a blurred, nondescript background. Although we are not given much information about the subject's body, th...
Category
1990s Contemporary New York City - Black and White Photography
Materials
Archival Pigment
"Lyme Park", England
By Pete Kelly
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
John Kelly, Backstage, at the Limelight, Chelsea, New York City
Located in New York, NY
This black and white portrait, taken by Paula Gately Tillman in 1986, is offered by CLAMP in New York City.
John Kelly, Backstage, at the Limelig...
Category
1980s Contemporary New York City - Black and White Photography
Materials
Archival Pigment
RuPaul, Peachtree Street Garden, Atlanta
Located in New York, NY
This black and white portrait of a young RuPaul, taken by Paula Gately Tillman in 1988, is offered by CLAMP in New York City.
RuPaul, Peachtree S...
Category
1980s Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Steve Mass, the owner of the Mudd Club
By William Coupon
Located in New York, NY
Steve Mass, the owner of the Mudd Club
Archival pigment print
14 x 14 inches
Signed and numbered
edition of 15
William Coupon is an American photogra...
Category
1970s Modern New York City - Black and White Photography
Materials
Archival Pigment
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Paper, Pigment
"View to St. Michael's, Mount Penzance 1", Cornwall, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
Bisse #2, Anderson & Lowe Black and White Photograph
By Anderson & Low
Located in New York, NY
This is a black and white photograph by Anderson & Low.
Bisse #2
2000/2001
Signed in pencil, verso
Gelatin silver print (Edition of 25)
20 x 16 inches (50.8 x 40.6 cm), sheet
Category
Early 2000s Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
Slim Aarons Style 'Florence Pritchett Smith'
By Slim Aarons
Located in New York, NY
Slim Aarons
Burlington Arcade
1955 (printed later)
Silver gelatin print
estate signature stamped edition of 150
with certificate of authenticity
Model turned fashion editor turned ...
Category
1940s Modern New York City - Black and White Photography
Materials
Silver Gelatin
"110 Freeway, Los Angeles, September 2005", Los Angeles, 2005
By Thomas Michael Alleman
Located in Hudson, NY
In this photograph a singular car drives on the freeway while being perfectly highlighted by a ray of light. Alleman's Holga lens renders this everyday image into an interesting comb...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
"Foxtor", Dartmoor, UK, 2010
By Patricia Heal
Located in Hudson, NY
Listing is for FRAMED print.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Patricia Heal's 8th show at the Robin Rice Gallery marks a departure from her previous figurative work with a visual essay celebrating the wild ponies of Dartmoor National Park in Devon, England. The dedicated exhibit reflects Patricia's life-long love affair with the area and its inhabitants—the semi-feral native ponies that have roamed the moors for centuries.
The work represents a conscious shift to provide a respite from the modern world and create a sense that one has stumbled upon a treasured possession. With a nod to Peter Beard and Deborah Turbeville, each photograph, whether from negative or digital, is printed on canvas that has been distressed to take on a worn, slightly damaged texture and then stitched to another piece of canvas with horsehair. Through tearing, staining with archival inks, charcoal and graphite, the canvasses take on a look and feel of a valued relic from the past only now rediscovered by the viewer. There will be no editions as they are truly one-of-a-kind.
Born and raised in the region, Dartmoor was an important part of Patricia's childhood experience. The magical ponies and misty, granite flecked moorlands always held a special place in her imagination. She has recently been inspired by the Dartmoor Pony Heritage Trust (DPHT), whose mission it is to save the indigenous pony from extinction. It is estimated now that there are as few as 1500 ponies kept on the moors.
In the invitational image, Lord Byron “—Indigenous Dartmoor Pony”, we see a close-up of a pony against a distressed canvas background that takes on the elegant look and feel of tapestry, framing the pony's powerful profile and highlighting its mane.
In another image, “Sherberton Crossroads”, a dappled grey pony gallops across the terrain. The pony's elongated shape blends perfectly with the horizon, a mix of sparse, flat rock and low brownish green vegetation that gives way to a blue expanse of sky. It's a seamless integration of the statuesque horse and nature.
The 30 individual canvases of different shapes and sizes are presented in collage formation on one wall. Heal sees the series as one large complete work. On the facing wall, Heal's video installation of the ponies roaming wild in their environment adds yet another layer to the show. It is surrounded by text of a poem by Emily Bronte and an article about Dartmoor written by Andrew Price.
The exhibit will also be shown in London next year, further raising awareness of these wild ponies who embody freedom and strength despite their rare breed status. Steven Spielberg's “Warhorse” was shot in Dartmoor last year and will be released later this fall. He says of the area:
“I have never before, in my long and eclectic career, been gifted with such an abundance of natural beauty as I did while filming “Warhorse” on Dartmoor.” —Steven Spielberg, Enjoy Dartmoor Magazine.
Black and white, horse, equestrian, animal, custom, frame insects...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Canvas, Mixed Media
In Motion
By Laurence Salzmann
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 7.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
Apple Blossoms
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Arm Exercise
By Laurence Salzmann
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 7.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
1990s Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
Wings
By Björn Persson
Located in New York City, NY
Available sizes:
32x47 inches (80 x 120 cm) - Edition of 20
Archival Pigment Print
Unframed
Ask us for framing options.
Björn Persson is an internationally renowned artist based i...
Category
2010s Contemporary New York City - Black and White Photography
Materials
Black and White, Inkjet, Archival Pigment
$6,000
Atlantic City, New Jersey
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Alex Collar
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
untitled
Located in New York, NY
Untitled gelatin silver print from the artist's early street photography. Signed and numbered (2 from an edition of 4) verso.
Category
Early 2000s New York City - Black and White Photography
Materials
Photographic Paper, Black and White, Silver Gelatin
The Last Wilderness, Dartmoor UK
By Patricia Heal
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Canvas, Mixed Media
Norman Parkinson 'Beauty Basics'
By Norman Parkinson
Located in New York, NY
Norman Parkinson
Beauty Basics
1950
Silver gelatin print
60 x 40 inches
Estate stamped and numbered edition of 21 on verso
British ballerina Mary Drage, member of the Royal Ballet,...
Category
1950s Modern New York City - Black and White Photography
Materials
Silver Gelatin
Moon Hunter
By Björn Persson
Located in New York City, NY
Available sizes:
32x47in ed.20
40x60in ed.15
47x71in ed.10
Archival Pigment Print
Unframed
Ask us for framing options.
Björn Persson is an internationally renowned artist based i...
Category
2010s Contemporary New York City - Black and White Photography
Materials
Black and White, Inkjet, Archival Pigment
California Theater Marquee, Los Angeles
By Thomas Michael Alleman
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Since the inception of Sunshine & Noir in 2001, Alleman has shot extensively in Los Angeles, New York, San Francisco and other American cities. In his latest iteration Alleman takes a detour beyond the frenetic landscapes of urban America into Paris - playfully guiding the viewer through a simultaneously familiar and foreign geography.
In the exhibition, square and panoramic landscapes and iconic landmarks stretch across the gallery, where Alleman creates intrigue by re-expressing instantly recognizable subjects. Images with blurred, vignetted edges epitomize his surrealist style, haunting throughout the series. His artful mastery at capturing movement is seen in the invitational image, San Fernando Valley, LA, where a van is swallowed by a mass of twisted bicycles. The blurred clouds above give the illusion that the broken down vehicle is actually racing down the highway. This interesting paradox of a decrepit van seemingly in lively motion reflects Alleman’s trademark style - quirky, humorous, and often nostalgic.
His love for the ironic and misplaced becomes further evident in the panoramic California Theater Marquee...
Category
21st Century and Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Study #4, After Minkkinen
By Ron van Dongen
Located in New York, NY
This photograph by Ron Van Dongen is offered by CLAMP in New York City.
Study #4, After Minkkinen
2001
Signed and numbered, verso
Gelatin silver print (Edition of 30)
20 x 16 inches
Category
Early 2000s Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
Steve Mass, the owner of the Mudd Club
By William Coupon
Located in New York, NY
Steve Mass, the owner of the Mudd Club
Archival pigment print
14 x 14 inches
Signed and numbered
edition of 15
William Coupon is an American photographer, born in New York City, ...
Category
1970s Modern New York City - Black and White Photography
Materials
Archival Pigment
Montauk Cowgirl, Montauk Stable
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
Polka Dot, 1994
By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1 of 20
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Weakness
By Ejaz Khan
Located in Brooklyn, NY
As much as I would love to have these animals closer to my reach, I am comforted by the fact that they’re isolated. Their majestic white coats can make them a target for poaching and...
Category
2010s Contemporary New York City - Black and White Photography
Materials
Photographic Paper, Plexiglass
$3,600
Lotus Fire #12
By Kim Reierson
Located in Hudson, NY
Black and white, Still life, Flower, Botanical, Rose, Abstract, flower, still life, photograph, black and white photograph, abstraction, b&w
All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.”
ABOUT
In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work.
On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Void within me, India-Pakistan Border
By Haik Kocharian
Located in Hudson, NY
Black and white, landscape, weather, desert, sand, dunes, photography, B&W photography, archival pigment print, film photography
Listing is for UNFRAMED print. Inquire within for fr...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Archival Pigment
Horse in the Celtic Sea, Penzance, Cornwall, UK
By Robin Rice
Located in Hudson, NY
Black and white, Water, Beach, Sports, Surfer, Surfing, Swimming, Landscape, Sea, horses, horse photography, black and white, film photography, silver gelatin print, film, ocean, hor...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
Solitary
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary New York City - Black and White Photography
Materials
Silver Gelatin
$1,000
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