New York - Paintings

"Fertility" is a stunning painting depicting a vibrant pomegranite tree in the center, surrounded by a rich gold background. The fruitful tree has a lively energy that spreads throug...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Figures Riding Horses Joyce Roybal, (1955) Oil on canvas, signed lower right Size: 30 x 40 in. (76.2 x 101.6 cm) Frame Size: 35.5 x 45.5 inches

Oil on canvas on board.

Artist: Slonem, Hunt Title: Remarkable Date: 2025 Medium: Oil on wood Unframed Dimensions: 12" x 10.5" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Editio...

A vibrant and colorful Parisian city scene by Australian Mollie Flaxman. Captured in a very impressionist manner 'The Bastille' which was a fortress in Paris, known formally as the B...

Hunt Slonem "Red Rover" Single Bunny A single rabbit gestured in black on a red background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed - Plea...

Francks Deceus's "Hero" is a 24 x 48 inches mixed media work on canvas with collage. The work is partitioned in two distinct images. On the left side the artist depicted a baseball player...

This piece, "Joyous Love", is a 55.5x19.75 mixed media painting on canvas by artist Francisco Bartus. Featured are the letters L.O.V.E., made up of individual helpings of paint, stra...

This piece is part of an exciting new collection depicting iconic "Chanel N°5" with the artists "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to capt...

Hunt Slonem "Tulip" on Gold A single flower gestured in green, yellow and red on a metallic background in a vintage frame Unframed: 10 x 8 inches Framed: 16 x 14 inches *Painting is...

Nicely painted mid century abstract oil painting. Great color and composition. Framed. Signed.

Max Beckmann Holzbrücke, 1922 Signed in pencil lower right Drypoint on cream wove paper 11 3/8 x 9 3/8 inches From the edition of 150 Max Beckmann dreamed up a world of actors, cab...

Antique American impressionist coastal seascape oil painting. Oil on canvas. Signed. Framed. Measuring 30 by 36 inches overall and 24 by 30 painting alone.

Watercolor illustration for a series of commercial seed packets. Printed by Stecher-Traung Lithograph Corporation, Rochester, NY, circa 1935. Some staining...

Susan English Cascading Folds (with footer) No.67, 2025 tinted polymer on Yupo paper 32 x 26 in (eng278)

Painting description: This is a new example of my ongoing series, "Intersections". My attempt to capture urban abstraction. Shapes and colors intersect and overlap. With the use of...

A wonderful depiction of a wooded Landscape by the lake and autumn leaves falling by the country side. For this beautiful depiction, we find distinct elements that are unique to the ...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 16H by 20L.

A charming depiction of Washington Square Park with figures in the snow. A cozy impressionistic street scene with colors of cobalts, red, and burnt sienna's. An iconic street scene w...

Jewish Man Playing Viol (3-F) Abraham Straski, Polish (1903–1987) Date: 1952 Oil on Canvas, signed and dated Size: 16 x 11.5 in. (40.64 x 29.21 cm) Frame Si...

Antique American modernist abstract signed oil painting by Anne Sharp. Oil on canvas. Signed.

A wonderful composition of one of Slonem's most iconic subjects of Cockatoos. The thick use of paint is greatly recognizable as he slathers on layer after layer of black and red oil paint with a golden rich background. He then draws in these whimsical birds perched closely together titling the piece "Palm Cockatoos...

This piece, "Twilight Marsh", by artist Dennis Sheehan is a 19x28 tonalist oil painting on canvas featuring a moody marshy green landscape just b...

Marie Yvonne Picard-Pangalos [French Title Illegible], 1930 Oil on wood panel 25 1/2 x 19 in. Signed, dated, and inscribed lower left Exhibition label verso According to the 1999 "...

Forest Landscape John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Portrait of a Clown This expressive and dynamic work by Ken Foster, an accomplished English Impressionist painter, is a compelling example of his mastery in capturing the essence of...

George Sotter Bucks County Landscape, 1908 Signed Lower Right: Sotter 08; signed on the reverse: G. W. Sotter Oil on artist board 12 x 9 inches Born in Pittsburgh in 1879 to Nicholas and Katherine Sotter, George William Sotter painted the rivers and mills of that city in his early youth. He apprenticed with several stained-glass studios there prior to becoming a partner in the studio of Horace Rudy in Pittsburgh around 1901. He took leave from the studio and came to Bucks County in 1902, to study at the Pennsylvania Academy of the Fine Arts as well as with Edward W. Redfield, the premier painter of the New Hope School. In 1903, he participated in the annual exhibition at the Pennsylvania Academy of the Fine Arts. He continued his studies at the Academy from 1905 – 1907 under William Merritt Chase and Thomas Anshutz. George William Sotter lived in Holicong, Pennsylvania, near New Hope, in a converted 19th Century stone barn. There, in his studio, he painted landscape scenes of Bucks County, which link Sotter to the New Hope School of American Impressionism...

Antique impressionist nude woman portrait oil painting. Oil on canvas. Framed.

Beautifully painted sunset on the river with a single figure in a punt and cattle crossing by the American artist, George Riecke. Most likely a New Orlea...

oil paint on panel 12 x 12 inches This contemporary cityscape oil painting is painted on wood panel in a realistic style. The scene is of a Brooklyn skyline where old water towers...

Like the 2015 String Theory series, the Dream Weavers takes its cue from the African Weaver Birds and their spectacular nest making skills. The Weaver Birds create various iconic for...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...

"Workers" Russian Constructivist 1920s Modern Social Realism Cubism Figurative VLADIMIR VASIL’EVICH LEBEDEV (1891-1967) "Workers" Gouache on paper Monog...

An almost abstract scene of a landscape darkening in the fading light of sunset. Red prairie grasses bend in the wind as walls of clouds descend to cover the last strands of gold in ...

"Italian Hillside" is a 48x60 oil painting on canvas by renowned artist Anne Packard. This expansive landscape painting leads the viewers eye through rolling hills of lush green foliage. A grouping of structures stand atop, catching the last bit of an afternoon sun. Signed to lower left. About the artist: Anne has brought to her work an instinct and skill drawn from a deep family well of American and European painters. A third generation Provincetown painter, she is a bona fide Cape Cod artist. Her grandfather, Max...

Signed lower right Titled and signed verso Provenance Mallet Auction Japan, February 28, 2019, lot 206 Private collection, New York City (Purchased from above sale) This work is av...

Leon Kroll Rocks and Surf, Monhegan, 1913 Signed and dated lower right Oil on canvas 30 x 25 inches Leon Kroll remained a painter of realism at a time when the American art world w...

Large and impressive modernist landscape painting. Oil on canvas. Framed. Signed illegibly.

A Fall Scene (Autumn Landscape Painting with Red Barn and Tree in Golden Field) by Tracy Helgeson 2024 oil on panel 24 x 36 inches unframed Excellent condition and ready to hang Side...

Modern Luminist, Hudson River School landscape painting on canvas of the expansive view over the Hudson River as observed at the top of Olana, the historic home of Frederic Church "In the Afterglow" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 48 x 60 x 1 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left Acclaimed artist of the Hudson Valley, Jane Bloodgood, takes her painting to a new level with a new work entitled "In the Afterglow". Her interpretation of this very iconic view (observed from the top of Olana, the historic home of Frederic Church located near Hudson, NY) is set during the very quiet moments of a summer's evening when the sun has dipped beyond the mountains. The crystal blue sky illuminates with the sun's setting rays; a golden band of yellow haze otherwise known as "The Venus Belt" is an atmospheric phenomenon only visible shortly before sunrise or right before sunset. The water reflects the pink and purple glow that forms near the horizon; the dusty shadows of trees tower over the water's edge. We marvel at how simply Jane captures a complex phenomenon, evidence of her unparalleled ability to paint light and endow her work with luminosity. Yet this painting succeeds not only in its representation of the actual landscape and the awe produced by the experience, but also in its contemporary abstraction of atomsphere. The big, open blue sky is stacked with the colors of the sunset against the horizon, calling to mind a Rothko or the other great color field painters who achieve mood and depth from singular color. About the work: Painter Jane Bloodgood-Abrams has become one of the area’s most celebrated artists, gracing viewers with her compositions of sky, river, and earth. Being less concerned with documenting specific scenes, Bloodgood-Abrams is focused on capturing nature’s essence, “the deeply profound moments, where there is a connection to a vital energy.” Her process begins with being in nature, where she allows the emotional energy of the landscape to filter through her psyche. The memory is then translated onto canvas after being worked over a period of time with layers of paint that is applied, wiped away, and reworked. The result is a radiantly dramatic remembrance of Bloodgood-Abram’s encounter with “something beyond everyday life”. The artist’s final hope is for these images to evoke remembrances within the viewer's own personal relationship with nature. Artist Biography: Jane Bloodgood Abrams was born in Queens, New York. She received her Bachelor’s of Fine Arts from the College of Saint Rose in Albany, in 1985. Three years later, she earned a Master’s of Fine Arts at the State University of New York in New Paltz. Now she paints in the Hudson River Valley and the Berkshires. EDUCATION Master of Fine Arts Painting - (cum laude) State University of New York at New Paltz 1988 Bachelor of Studio Arts - (cum laude) College of Saint Rose, Albany 1985 SELECTED SOLO EXHIBITIONS: 2015 Carrie Haddad Gallery, Hudson, NY 2014 Mark Gruber Gallery, New Paltz, NY Carrie Haddad Gallery, Hudson, NY 2013 Christopher Clark Fine Art, San Francisco, CA The Harrison Gallery, Williamstown, MA 2012 Carrie Haddad Gallery, Hudson NY River Gallery, Chattanooga, TN The Storefront Gallery, Kingston, NY "Beyond the Real" 2011 The Harrison Gallery, Williamstown, MA Carrie Haddad Gallery, Hudson, NY Locust Grove State Historical Site, Poughkeepsie, NY 2010 Carrie Haddad Gallery, Hudson, NY 2009 Carrie Haddad Gallery, Hudson, NY 2008 DFN Gallery, New York, NY 2007 Meyer East Gallery, Santa Fe, NM The Harrison Gallery, Williamstown, MA Carrie Haddad Gallery, Hudson, NY 2006 Mendenhall-Sobieski Gallery, Los Angeles, CA DFN Gallery, New York, NY Carrie Haddad Gallery, Hudson, NY 2005 Carrie Haddad Gallery, Hudson, NY River Gallery, Chattanooga, TN 2004 Albert Shahinian Galleries, Poughkeepsie, NY Carrie Haddad Gallery, Hudson, NY 2003 Carrie Haddad Gallery, Hudson, NY Living Room Gallery, Kingston, NY River Gallery, Chattanooga, TN 2002 Carrie Haddad Gallery, Hudson, NY 2001 Carrie Haddad Gallery, Hudson, NY Artforms Gallery, Albany, NY 2000 Carrie Haddad Gallery, Hudson, NY Mark Gruber Gallery, "Romancing the Landscape" New Paltz, NY 1999 River Gallery, Chattanooga, TN 1998 Alan Sheppard Gallery, Piermont, NY "New Traditions" 1997 Coffey Gallery, Kingston, NY SELECTED JURIED AND INVITATIONAL MULTI-ARTIST EXHIBITIONS: 2016 Byrdcliffe’s Legacy: An ode to Nature and Place, Kleinert Art Center, Woodstock, NY Artists of the Mohawk-Hudson Region, Hyde Collection Museum, Glens Falls, NY ARTBAR Gallery, Kingston, NY 2015 The Laffer Gallery, Schuylerville, NY Jessica Hagen Fine Art, Newport, RI 2014 Jessica Hagen Fine Art, Newport, RI “Riverscapes,” The Harrison Gallery, Williamstown, MA "Far and Wide" Regional Juried Exhibition, Woodstock Art Association and Museum, Woodstock, NY 2013 Artists of the Mohawk-Hudson Region, Hyde Collection Museum, Glens Falls, NY Far and Wide" Regional Juried Exhibition, Woodstock Art Association and Museum, Woodstock, NY 2012 "Riverscapes," The Harrison Gallery, Williamstown, MA “The Great Hudson River Exhibition,” Mill Street...

Inspired by our local produce. The subtle colors of the leeks and the textures of the onion skins prompted me to paint this. The glass bowl is there for contrast. Something man-made ...

Mystery Artist Untitled (North African Street Scene), 1966 Oil on canvas 20 x 16 in. Framed: 24 x 20 1/4 x 1 1/4 in. Signed and dated lower right Inscribed verso: Original oil painting

Impressive early American modernist abstract textural painting. Oil on canvas. Framed. Signed. Image size, 42 by 46 inches.

Title: Geometry Clash VI Medium: Oil on canvas Size: 27 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This p...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 12H by 10L.

Artist: Todd Boppel, American (1934 - 2000) Title: Kennan Year: 1977 Medium: Acrylic on Paper, signed and dated verso Size: 22 x 30 in. (55.88 x 76.2 cm)

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

This exquisite painting by renowned Victorian English artist Oliver Clare beautifully captures a vibrant still life of fruit on a mossy bank. The composition is a testament to Clar...

Antique American impressionist flower still life oil painting. Oil on canvas, circa 1920. Signed. Image size 20L x 16H. Housed in a period giltwood frame.

Sally Michel Avery (1902 - 2003) Bucolic Landscape with Cows, 1963 Oil on canvasboard 9 x 12 inches Signed and dated lower left Provenance: The art...

Hunt Slonem "Awaiting Flutter" Multicolor Butterflies A group of seven butterflies on a scored gold metallic background in a vintage frame Unframed: 22 x 30 inches Framed: 26.5 x 34...

Artist: Slonem, Hunt Title: Henry Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Edition: Unique

Hunt Slonem "Chinensis" Multicolor Bunnies Multiple black outline rabbits on a metallic background. Unframed Hunt Slonem is a well-renowned American artist known for his neo-express...

Guy Wiggins Clearing after a Shower Signed lower right, titled on verso Oil on panel 12 x 16 inches Guy Carleton Wiggins is best known for his impressionistic snow scenes of New Yo...

Bruce Sargeant (1898-1938)] Two Sailors n.d. Signed in red, u.r. Double-sided painting on panel 30 x 24 inches

Antique American modernist portrait oil painting by Salpi Miriam Mavian (Born 1908). Oil on canvas, circa 1930. Signed. Displayed in a giltwoo...

Here we have an incredible Luminous Landscape with a boat in a stream by Charles P Appel (1857-1928) Painting is very calm and soothing to look at…. amazing condition, unlined and ...