New York - Paintings

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His wor...

Rex Ray (American 1956-2015) "Untitled", Abstract Mixed Media on Wood, Signed Verso, 16 x 24, Early 21st Century, 2010 - Colors: Green, Yellow, Orange, Red, Pink, Black, Brown Rex Ray (Sept. 11, 1956—Feb. 9, 2015) was an American artist best known for his innovative pop aesthetic in fine and commercial art—on canvases, wood panels, album covers, paper, book jackets, murals, and rock and roll posters. Born in Landstuhl, Germany in 1956, Michael Patterson was raised in Colorado Springs. Before moving to San Francisco in 1981, Patterson, inspired by Andy Warhol, adopted the moniker Rex Ray. He attended the San Francisco Art Institute where he studied with Sam Tchakalian, Kathy Acker, and Angela Davis, and received his BFA in 1989. He became a major force in the Bay Area’s art, literary, and activist communities. Ray was one of the first artists to use Mac-based technologies in the creative process to generate art and graphics. His early designs include: the first graphics for the San Francisco chapter of Act Up; many guerilla marketing flyers and posters for queer nightclubs; and numerous book covers for City Lights Books and HIGH RISK/Serpent’s Tail. His impressive client roster in the music, fashion, entertainment, and design industries, includes David Bowie, The Residents, Bill Graham Presents, DreamWorks, Levis, Neiman Marcus, Sony Music, Warner Brothers, and Apple. Rex Ray designs have been licensed and produced as distinctive imagery on scarves, carpets, ceramics, wristwatches, surfboards, and even on a Mini...

Artist: Slonem, Hunt Title: Spotted Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Edition: Un...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking in front of the Théâtre de l'Atelier with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a gold tone French style carved wood frame with hanging wire on verso ready to be displayed. Art measures 14 x 18 inches Frame measures 18 x 22.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

This painting depicts a colorful Mid Century Street in Paris France, a popular subject of the times painted by many important impressionist 20th Century painters. This piece is a bol...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Very finely painted early 1900s American impressionist beach scene. Oil on board. Framed. Signed verso. Great colors and very well painted. Excellent ready to hang condition.

Beth Dacey's "Cigarettes and Coffee" is a 40x30 oil painting on canvas of a woman in a yellow coat and white scarf on her head. Sitting at a diner booth, t...

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate geometric minimalistic composition. Even though this work has a rustic and heavily textured quality, the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating a piece that allows us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her piece aims to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This unique work is executed on 1.5 depth baltic birch panel, and signed and titled by the artist on verso. Art measures 36 x 36 inches A native New Yorker, Christie Owen...

Impressionist winter pastoral scene of a quaint snow covered home by the Plumstead Bucks County, PA. Willett has portrayed this charming mill scene in a most intimate, yet energetic way, and has packed much feeling into this miniature work. It is almost as if we are there in the starry night with snow, bringing a beautiful feeling of nostalgia. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of Buckingham County with the calm, endearing charm of a snowy evening. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. This piece is signed lower left and it comes housed in a decorative wood frame ready to be displayed with hanging hardware on verso. Art measures 5 x 7 inches Frame measures 7 x 9 inches Christopher Willett, was born in 1959 in Bucks County Pennsylvania and is mostly known for his landscape paintings. Willett, a painter with a family lineage dating back to ancestors arriving in this country aboard the Mayflower and Victory, settling Plymouth. Some recorded family history finds a Willett ancestor, Augustine Willett whom was a Captain of historic repute under the command of General Washington. Additionally, in more recent history, Willett artisans became renowned for their designs and beautiful works in stained glass that adorn the Bryn Athen Cathedral- for the Pit Cairn estate. Willett, is also a descendant of the renowned painter Edward Hicks...

This French mid-century Impressionist still life by Marcel Masson is a compelling celebration of rustic elegance and artistic spontaneity. The composition, featuring flowers and dried corn arranged in a dark, graceful vase, captures the beauty of natural simplicity through Masson’s distinctive painterly style. His textured brushstrokes and warm, earthy palette evoke a sense of authenticity and timeless charm, creating a piece that feels both intimate and universal. For art collectors, this work represents a fine example of mid-century Impressionist still life, highlighting the artist’s ability to elevate everyday objects into subjects of beauty and contemplation. Marcel Masson’s expressive technique and harmonious use of color imbue the painting with depth and emotion, making it a valuable addition to any collection of 20th-century art. Interior designers will appreciate the versatility and understated elegance of this painting. Its neutral tones and rustic subject matter make it an ideal complement to a variety of interiors, from minimalist modern spaces seeking a touch of organic warmth to traditional rooms needing an accent of French...

"Oranges #1" is a realistic oil painting on panel, depicting 3 ripe oranges and their branches resting on a rustic blue wall. Details in the light blue table background reveal nails ...

William Merritt Chase Still Life of Fish Signed lower right Oil on canvas 32 x 39 1/2 inches Provenance Francis E. Myers, III, Ashland, Ohio Butler Institute of American Art, Youngs...

A fluid wash of bubblegum pink fills the surface of this painting. Ricard has written in bright yellow, blue, and vivid silver the following: So how do you be friends w/a whore? Business being business/Ethically, a ho can’t rat on its tricks; so if the ho is hohoing yr husband Damned if you’ll ever find out. March 26. Whore sharply contrasts the beauty of silver, yellow, and pink with Rene’s pithy, obscene pronouncement. The pink ground is applied in a sheer wash, like Male Cinderella’s background, and the artist’s cursive shimmers in the same silver as One Shoe One You / True Love, Size 3?, and This is not a thanksgiving pumpkin. While Whore shares enticing formal qualities with other works in this group, the text snaps us to cold reality, down into the gutter with a bump. Ricard is happy to visit a fairy tale, but doesn’t stays in the fantasy for long. There’s an intimacy to this work’s smaller scale which compels the viewer to lean in and decode Ricard’s poetry. The artist’s outsized signature is with initials in dark blue, which pop out against that beautiful saturated pink. Canvas floater frame, in maple with .25 inch moulding. Whore is part of a group of works dating from 1989-1990 as Rene Ricard prepared for Mal de Fin at the Petersburg Gallery, New York, in 1990, his very first one-man exhibition. Born Albert Napoleon Ricard, he moved to New York in the 1960s at the age of 18. With that relocation, Albert died, and Rene was born. Instantly adopted into Andy Warhol’s glittering orbit, Ricard thrived in the city, with its heady concentration of art, culture, and debauchery. In New York Ricard found the milieu where he would shine. He acted in underground films, playing Warhol in the artist’s own Andy Warhol Story. He became a renowned poet and writer, published in the Paris Review and Artforum. In typically wry fashion he explained how he became a painter: “I began adding images [to my poetry] because I’ve always liked to draw and paint. And it was hard to find junk-store paintings of the right quality, things that could support some writing, so I just started making the images myself. Unfortunately, people really like that, even though I far prefer just the writing.” Ricard drew on his vast knowledge of literature and art history, weaving these references together with bursts of autobiographical poetry: what the New York Times termed his “seething verbal finesse.” Ricard, having spent years in the Factory’s milieu, learned from Warhol’s creative strategies. Warhol created images quickly with screen printing, with no regard for perfection. Duplication was the method and the ideology. Ricard, too, worked quickly: urgency was part of his visual language of looped cursive and scribbled colors. He often borrowed a lithographic plate or silkscreen from already-completed works, printing the matrix on canvas or paper to create backgrounds for new works (Size 3’s red printed background may be an example of this). He appropriated thrifted paintings and discarded items such as a pinboard or a piece of insulation, so long as the object in question had a flat surface upon which to work. The two artists were both outsiders to the art world in a sense—Warhol coming from the world of design and Ricard, a bona fide author, but both intuitively understanding how to compel the viewer. As Warhol anthologized consumerism, Ricard catalogued desire. For example, Size 3 and One Shoe One You feature Ricard’s take on Warhol’s famous shoe drawings...

This exquisite early 19th-century English portrait of a gun dog or foxhound by Thomas Weaver is a masterpiece of sporting art that offers both historical...

Martin Johnson Heade Quiet River at Dusk, circa 1859 Oil on canvas 15 x 25 inches Martin Johnson Heade was born in Lumberville, in Bucks County, Pennsylvania on August 11, 1819. He...

Colorful landscape painting on canvas "Orchard Sky" 28x42 by artist H.M. Saffer II. Painted in the style of pointillism, a series of tiny painted brushstrokes , this oil landscape d...

This is a wonderful example of Louis Bouché's charming Nude portraits. The artist was truly a master of capturing the energy of the times, and character o...

A wonderful composition of one of Slonem's most iconic subjects of Mrs. Kennedy. The thick use of paint is greatly recognizable as he slathers on layer after layer of Cobalt blue oil...

A joyous colorful floral still life painting depicting a bunch of freshly picked flowers placed effortlessly. The piece is done in a highly impressionistic manner and is a wonderful display of Reilly's more impromptu style, with bold colors of joyful yellow, deep rouge, and softer colors of light blue, hints of brown, and pops of pink. White ostrich daisies along with blue bluebells, orange, yellow and mamey flowers on a background of bright green grass and dark bushes in the background. This still life in nature, in the garden from nature. This bouquet reminds us of sunny summer days filled with the scent of flowers and nature. This piece is titled and has artist's estate stamp on the back, it comes housed in a contemporary gold leaf plain air wood frame with hanging wire on verso ready to be displayed. Art measures 30 x 24 inches Frame measures 37 x 31 inches John Reilly is a critically acclaimed and award-winning New Jersey artist, born in Brooklyn, NY in 1942. He received his early art training at the School of Art and Design, formally known as ‘The School of Industrial Art’ in Manhattan, where he studied advertising art. By the age of twenty-three, he operated a mid-town-based sales promotion agency, eventually expanding the business to service large companies such as Bacardi Rum, Johnson and Johnson, Nabisco, and KLM...

Hand-painted cyanotype still life of pink flowers on indigo with custom frame Nocturnal Nature (Double Hibiscus, Rose) — painted cyanotype by Julia Whitney Barnes 2024 watercolor, go...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Image size, 36H by 28L.

Antique American impressionist oil painting. Oil on canvas. Framed. Signed verso. Measuring 33 by 25 inches overall and 32 by 24 painting alone.

Very impressive early American abstract expressionist painting. Oil on board. Framed. Signed. Housed in a wonderful period wide modernist frame.

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

Title: Kun Mountain Spring II Medium: Oil on canvas Size: 23.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Not...

"Friday Morning in Sag Harbor" is an impressionistic plein air painting of Madison Street in Sag Harbor, New York. Marc Dalessio is one of the world's leading plein air painters and ...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Signed in monogram. Image size, 12H by 16L.

Medium: Oil On Board Painting Size: 24.25 x 16.25 inches Frame Size: 29.75 x 21.75 inches Condition: This artwork is in good overall condition for its age. Signature: Signed Artist...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts two delicate butterflies in ascension placed in a wonderful golden landscape. Slonem ...

An abstract Avante Garde piece with vivid use of paint and complex lines and color placement. A strong modernist oil painting depicted in 1969 during the rise of Avante Garde express...

This painting depicts a whimsical scene of a figure reclining and reading. The figure is done in a quick way, where the scene almost is abstracted. The bright colors and quick brush ...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

A stunning 19th-century Hudson River School landscape painting, beautifully framed in an exquisite period giltwood molding.

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Francis Sartorius (1734-1804) A horse and groom with a dog signed and dated 'F.Sartorius.Pinxt.1777' (lower right) Oil on canvas Canvas Size - 14 1/4 x 18 in Framed Size - 16 1/2 x 1...

This piece, "Heart and Soul", is a 24x24 mixed media painting on canvas by artist Francisco Bartus featuring a fiery color palette. Depicted is one heart symbols, made up of individu...

Antique American Hudson River School coastal seascape. Most likely a view of Maine. Oil on board. Image size, 8 by 12 inches.

Impressive early French impressionist Paris street scene oil painting. Framed. Oil on canvas. Signed. Image size, 24H by 40L.

Francis Mabel Hollams (British, 1877–1963) Bumble, 1957 Oil on wood panel With characteristic precision and affection, Francis Mabel Hollams captures the spirit of a beloved compani...

The pi fire of Jesus appears when looking straight in the middle in the light. Acrylic, STRAWS, Plexiglas. Sang Sik Hongs' work is all made by hand; each straw is hand placed, a co...

A strong Post-Impressionist oil on canvas painting by André Roubaud depicting the Sainte-Victoire Mountain in France, executed in wonderful colors and ge...

This exquisite oil on canvas by Edwin Frederick Holt, depicting a black and white spaniel with a game bird, is a stunning example of Victorian sporting art, painted circa 1863. Holt's exceptional attention to detail brings the subject to life, from the textured fur of the spaniel to the fine feathers of the game bird and the naturalistic landscape in the background. The artist's ability to capture the loyal and determined expression of the dog highlights his skill in portraying both the beauty and character of animals. For art collectors, this painting represents a piece of history, reflecting the 19th-century English tradition of celebrating hunting and companionship with animals through art. Edwin Frederick Holt's works are sought after for their authenticity and fine craftsmanship, making this a valuable addition to any collection of sporting or animal-themed artwork. For interior designers, this piece offers a perfect blend of elegance and charm, suitable for a variety of settings. The warm tones of the landscape and the golden frame add richness to the painting, making it an ideal choice for classic or traditional interiors. It can become a focal point in a study, library, or living room, enhancing the atmosphere with its timeless sophistication. For collectors of canine art, this painting is more than an aesthetic treasure—it is a heartfelt tribute to the enduring bond between humans and their canine companions. Its historical significance, combined with the artist's skill and the beauty of the composition, ensures it will remain a cherished and admired piece for generations to come. in 1830, Edwin Frederick Holt grew up in Hampstead and went on to spend the majority of his adult life in Dunstable. Edwin began his artistic career by studying at the Royal Academy of Art where he went on to win a Silver medal for his work at the age of 24. From this point on, his work continued to get recognized and many of his pieces were entered into exhibitions. In total, Edwin Frederick Holt exhibited 7 paintings at the RoyalAcademy, 12 at the British Institution and 40 at the Royal Society of Arts. Alongside his exhibitions, Edwin Frederick Holt also illustrated in "Farm Animal Portraits...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the busy Parisian street from the 20th Century with much life. The artist mostly used ...

Antique American impressionist beach seascape oil painting. Oil on canvas board. Framed. Measuring 11 by 14 inches overall and 9 by 12 painting alone.

Wonderful American modernist portrait painting. Framed. Oil on canvas. Image size, 20H by 16L.

Mystery Artist Tennessee, 9/12/86 Oil on canvas 34 x 43 3/4 x 1 in. Titled and inscribed upper left

"Saint-Malo Sailboats" is a plein air painting created in Northwestern France. A pair of sailboats rest along the harbor's wharf, their masts intersect the warm atmostphere, and thei...

Attributed to Francis Swaine (British, 1725–1782) Naval Engagement at Sea, 18th century Oil on panel In this evocative seascape, a cluster of ships—flags raised, cannons fired—conve...

An original American impressionist oil painting of a country road in Maine by Emile Gruppe's cousin, American artist Haley B. Nell. Not much else is known about Nell, although the a...

Impressive early American modernist abstract expressionist oil painting. Framed. Oil on canvas. Signed. Image size, 40H by 30L.

Square, abstract expressionist oil painting on canvas in aqua, teal, blue, and green against pale grey with accents of yellow, peach, and mauve 'Delta' by Jenny Nelson Oil on linen, ...

This piece depicts famous icon, Marilyn Monroe. Done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beauty. Its compos...

Incredible and rare early American modernist interior scene still life. So finely painted and a very rare and provocative subject for its time. Signed lower left. Handsomely fram...

Spanish artist Xavi Carbonell born 1971, actively paints like a child as an adult, and leaves all of his pieces "untitled" so that each viewer can create their own story. The result...

Arthur Clifton Goodwin Park Street, Boston Signed lower right Oil on canvas 25 x 30 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goo...