New York - Paintings

Oil on canvas

Original still life painting by Edward A. Butler.

Abstract figurative gouache on paper painting

Mixed Media Abstract on canvas. About the Artist: Nella was born, raised and educated in Italy in a family with a long heritage of...

Grace Graupe-Pillard has concentrated on portraiture since her early charcoal drawings which she exhibited at The Drawing Center, NYC in 1981. Her work, which has been exhibited at notable institutions such as MOMA PS1 and galleries including Cheim & Read Gallery (NY) and Carl Hammer Gallery (Chicago), has evolved from over the years from pastels to large-scale oil paintings and installations of people who she describes as “having not been integrated into mainstream society.” Her more recent paintings, inspired by selfies and iPhone photographs, attempt to convey the vitality and diversity of 21st century contemporary culture while capturing the ineffable moments in our lives. “The sensuality and radiant beauty of youth and ethnic diversity are depicted in my choice of subjects, as well as the ravages of time which are imprinted on our being. All stages of life are filled with humanity that both elevates and dissipates the spirit.” Her work has been written about in The NY Times, Art News, The Village Voice...

Homage to the late great David Bowie. Figurative painting. About the Artist: Le Closier is a Belgian painter living in New York. After moving to Paris in the early 2000's, mixing Pop Art and Street Art, he started painting on the walls of his Montparnasse neighborhood in Paris (famous in the 50's for being the gathering point of writers and painters i.e Jean-Paul Sartre, Simone de Beauvoir, Picasso, Matisse, Cézanne, Modigliani....). A few years later, Le Closier made official portraits for tennis players Serena Williams, Kei Nishikori, Gustavo "Guga" Kuerten, Bryan Brothers, David Goffin, Bethanie Mattek-Sands and Jeremy Chardy, American golf player Cristie Kerr and Paris-Saint-Germain's president Nasser Al-Khelaifi (among others). ​ In May 2016, he was asked by France Pavilion to paint a portrait of Chief Justice Stephen Breyer for the French/American business week at the French Embassy in Washington, DC. Today, Le Closier creates colorful compositions inspired by celebrities, arts, comics, advertising, fashion..., mixing people, brands and symbols on different supports (canvas, wood cutouts...

Colorful oil on canvas abstract expressionistic figurative painting.

Acrylic on canvas 36.60 x 48.40 in unstretched

Born in Philadelphia, Ben Wilson was a New York abstract expressionist painter. His work was exhibited frequently from the mid-thirties through sixties, and less frequently but consi...

2021, Acrylic on Canvas

Fun, vibrant mixed media piece. Woman diving into the pool. On wood. About the Artist: Allen's work has gained recognition world-wide for it's complex layering of mixed media works that create a narrative of modern American culture. His work today is a culmination of many years of painting, thinking and experiencing. He blends urban street art with his background of typography, mixed media collage, and abstract expressionism into each of his urban pop expressionist works. The son of fine artist / commercial artist Harrison Allen, Mark learned a lot very early from his talented father. His think training also includes a bachelor degree in commercial art from Texas State University in San Marcos, TX. He continued study at Parson's School of Design in New York City where he had an apartment across the street from Andy Warhol's factory (they met in 1982.) He continued study later at Art Center College of Design in Pasadena, CA. Allen is represented in galleries throughout the world. Museums he has shown in include The Rock & Roll Hall of Fame Museum - Cleveland, OH; Experience Music Project - Seattle, WA; Memphis Brooks Museum of Art; Dallas Museum of Art, and Acadian Museum - Lafayette, LA. He was a major figure in the graphic design community for over two decades. Much of his celebrated work is from the entertainment industry doing graphic design work for high profile clients including the 'Yu-Gi-Oh' logo, 'The Wizard of Oz' 60th Anniversary logo, redesigned Coca-Cola bottles, designed 'The Nightmare Before Christmas' logo for Disney and art directed for recording artist Sean 'P Diddy...

Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...

Acrylic on Paper

Abstract Canvas. Vibrant colors. Blues. Pinks. Greens. Whites. Yellows. About the Artist: Francine Tint is a New York based abstract expressionist painter. She studied pai...

"United Together" is part of a series called "Spoken" by artist Kelvin Agyepong Ansong which depicts the fierce fight women around the world continue t...

Abstract Canvas. Vibrant colors. Blues. Pinks. Greens. Whites. About the Artist: Francine Tint is a New York based abstract expressionist painter. She studied painting at P...

Isabel Turbán layers paintings with transfers, acrylic, charcoal, and other mixed media onto canvas or paper. Her abstract paintings manifest memory, cultural experience, and politic...

Vicky Barranguet Tenri Composition, 2016 Acrylic on canvas 40 x 60 in (101.6h x 152.4w cm)

Acrylics, inks, archival spray on custom stretched canvas. Triptych of Two Horses at play. Subdued palate. About the Artist: My process often moves m...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...

A British-born, American based painter, Richard Combes focuses his subjects on the forgotten or the forlorn, perhaps indications or remnants of a time before.

Innocence of childhood. Portrait. About the Artist: My art is a visual recording of the powerful imagines that occur regularly in life, distilling them down and preserving the ...

A painting by contemporary Scottish sculptor, painter and performance artist Bruce McLean.

35.40 x 82.30 in Oil on canvas Unstretched

Oil on canvas 62 x 62 in Unstretched Luciana Levinton de-contextualizes architectural elements, sketches facades, delineates floor plan...

The Staring Figures by Max Weber (1881-1961) Ink, pencil, and watercolor on paper 10 ½ x 7 ½ inches unframed (26.67 x 19.05 cm) 16 ½ x 11 ½ inches framed (41.91 x 29.21 cm) Descript...

Abstract, oil on canvas. Subtle hues. Framed in natural wood. 2 inch deep. About the Artist: Nella was born, raised and educated in Italy in a family with a long heritage o...

Original oil painting by Richard Combes featuring a Bombay Sapphire sign.

Abstract Painting. Geometric style. Oils on canvas. About the Artist: I work in a style I call Geometric Surrealism, abstracting physical ...

Line, Color, Form Number 1, 1959, by Albert Manchak (b. 1925) Oil on canvas 35 ½ x 35 ½ inches unframed 37 x 37 inches framed Signed on bottom right Lab...

Isabel Peña Rayuela Photo-painting on parchment paper 46h x 40w in 116.84h x 101.60w cm

Louisa Lizbeth Chase was born in 1951 to Benjamin and Wilda Stengel Chase in Panama City, Panama, where her father, a West Point graduate, was stationed. The family moved to Pennsylv...

Oil painting of a grassy landscape with deep greens and browns and a cloudy blue sky with pink accents created with painterly, expressive brush strokes. Russell Sharon was born on a farm in Minnesota. He studied in Mexico City, Boston and New York. He is known for his wildly colorful works with imagery drawn from the Minnesota landscape...

Oil on canvas

Cleve Gray Conjugations, 1975 Vermont Series Mixed media on paper 14 1/2 x 22 1/2 inches each

Original painting by Alexandra Pacula.

Abstract Expressionist seascape oil painting.

Vittore Ghislandi, called Fra Galgario Provenance: Robert L. and Bertina Suida Manning, New York, ca. 1966-1996 Private Collection, USA Exhibited: “Eighteenth Century European Pai...

Isabel Turbán layers paintings with transfers, acrylic, charcoal, and other mixed media onto canvas or paper. Her abstract paintings manifest memory, cultural experience, and politi...

Signed on verso

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painted all over the world and his works have been shown in galleries throughout the US and Europe. Sjöman’s roots are in Finland and Sweden and he draws inspiration from his Scandinavian heritage for his complex abstract geometrical murals and studio works. Sjöman has become a staple of the art scene of New York City and beyond. His murals can be seen in a wide variety of spots in and around the city: 
on churches, in hotels and high-end boutiques, in luxury high-rises throughout Manhattan and on the 69th floor of WTC 4. Sjöman’s studio works are based on canvases, prints and installations and he is no stranger to painting on metal and wood. Rubin's studio works have been on display at Scope New York, Scope Miami and Art Miami during Art Basel, as well as in galleries throughout New York City, Miami and Los Angeles. Sjöman’s art has been featured in NBC News, New York Post...

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painted all over the world and his works have been shown in galleries throughout the US and Europe. Sjöman’s roots are in Finland and Sweden and he draws inspiration from his Scandinavian heritage for his complex abstract geometrical murals and studio works. Sjöman has become a staple of the art scene of New York City and beyond. His murals can be seen in a wide variety of spots in and around the city: 
on churches, in hotels and high-end boutiques, in luxury high-rises throughout Manhattan and on the 69th floor of WTC 4. Sjöman’s studio works are based on canvases, prints and installations and he is no stranger to painting on metal and wood. Rubin's studio works have been on display at Scope New York, Scope Miami and Art Miami during Art Basel, as well as in galleries throughout New York City, Miami and Los Angeles. Sjöman’s art has been featured in NBC News, New York Post...

Figurative piece with a fun, simple narrative. The beauty of the piece lies in its simplicity. On 3/4 canvas.

This piece is part of a beautiful collection which includes twenty oil paintings, with silver/gold leaf on canvas. The astonishing light that this world-renowned artist has captured ...

Portrait

Diana Horowitz painted World Trade Center Reflecting Pools and Harbor #1 during her tenure as a guest artist on the 48th floor of the re-built 7 World Trade Center. When 7 World Trad...

Signed and dated (at lower right): J. STONE ROBERTS./ 2004.

Nostalgic painting of vintage toy car that has been worked on by a novice mechanic. Oil on canvas with black frame one inch on front, two inches deep. This piece sold but commissio...

Audrey Hepburn. Portrait. Abstract Feel. Oil on Linen. Sides painted black. About the Artist: Karl has been a fine artist his entire life and is well known for his portraits,...

Acrylic on Paper

Original Landscape painting by New Jersey artist Anita Mazzucca.

Still life of boxes and geometric shapes

Abstract oil on canvas.

LEE’S works are mythically driven and influenced by his Asiatic roots. Primitively drawn they evoke a palpable yet sublime reverence for quietude and reflection. His work floats, a...

Miriam Peralta Sostenido 7, 2012 Mixed media on paper 24h x 29.50w in 60.96h x 74.93w cm

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman...

Homage to Dick Tracey. Pop Art influenced work of amazing, infamous graffiti, pop, street artist. Sprays, enamels, oils acrylics on canvas. About the Artist Born in Belgium and artistically inclined at an early age, V.P. was executing well-defined pencil sketched portraits of anyone who would sit for him by age 4. The family’s emigration to the United States in 1967 landed the 8 year old in the Fordham section of the Bronx at the height of the psychedelic era and POP ART movement.  The Fordham Road shopping district offered the young budding artist a fount of inspiration in the form of vibrant Rock & Roll, “black-light” posters in the windows of “head-shops” and the elaborately colored wardrobes of the hippies crowding the boulevard. The pivotal shift in V.P.’s artistic expression was fueled in 1968 by the sight of a Peter Max designed billboard.  Armed with magic markers and acrylic paints, V.P. recreated the vibrant designs from Max’s billboard, the music posters in store windows and the paisley patterns of the shirts the “flower children” favored, as well as the names and slogans painted on the walls of the neighborhood.  The early seventies brought with it a wondrous sight passing overhead on the sides of the elevated trains. NYC Subway Graffiti had arrived.  Looking up and seeing the esoteric names intricately rendered in multi colored swirls and strategically placed on the sides of the trains completely enthralled V.P.’s creative and adventurous spirit. Compelled to be a part of this fascinating movement he watched and rode the subways, deciphering the names and studying the “styles” on the steel rolling art gallery. Using his artistic influences and skills with markers, V.P. created his first moniker “SONIC-ACE” and obsessively drew it in colorful flowing letters to develop his own style.   At age 13 he set out to traverse the city, facing dangers and overcoming obstacles to enter an unknown and secretive world in order to join those who inspired him.  By 1974, he would change his moniker to “VICTOR-161” and paint hundreds of train cars and soon be admitted into the world famous graffiti clique “WILD STYLE” - an honor bestowed due to peer recognized artistic and stylistic abilities.  (WILDSTYLE was created/coined by the iconic TRACY-168)  V.P. was a well known and respected “writer” who “pieced” with revered writers of the day, under the aforementioned monikers including aka’s T-BOLT-123, SULFA-ONE, FANTA-ONE, BOND & ACES.  V.P. retired from painting NYC subway trains in 1977 with occasional excursions in 1986,1987,1988,1999 & 1992.  He continuously expanded his artistic pallet, studying Art History & Graphic Design in college while seeking knowledge from masters in chosen fields of art.  His works have shown in independent galleries nationally and are sought after by international collectors, with numerous private commissions. He has been featured in several best selling books and magazines focusing on graffiti art as well as his status of having been a part of the 1970’s “Golden Era” of NYC Subway Graffiti. V.P. works with a variety of mediums including aerosol paints, oils, water color & acrylic paints, often combining mediums as well as blending POP, graffiti and abstract styles of painting onto wood, canvas and metal.  His professional artistic background includes commercial art and design, logo design, silk screening, printmaking, large commissioned public murals, sign painting, pin striping and airbrushing cars, sculpting, metal fabrication, woodcarving and tattooing. Exhibitions:  Fashion Moda (BXNY) Group Show 1980/Fun Gallery (NYC) group show 1981, Beef Gallery, (LA) Group Show 1981, Gallery International (NYC) Group Show 1985, Susan Greco Gallery (NY) Group Show 1990, Shady Side...