New York - Paintings

Wonderful early American modernist dog portrait painting. Oil on board. Framed. Image size, 10H x 8L.

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed "Lee Tang".

A bold and elegant piece depicting Audrey Hepburn's Breakfast At Tiffany's juxtaposed with Chanel on an elegant lilac background. With impasto painting, and quick brushwork we are dr...

Lilly Martin Spencer (American, 1822-1902) A Portrait of a Mother and Child 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...

Antique American modernist abstract oil painting. Oil on board. Signed. Framed. Image size, 7L x 5H.

Modernist abstract composition signed Geist. Oil on board, circa 1950. Signed lower right. Displayed in a wood frame. Image size, 7"L x 10"H, overall 15"L x 17"H.

Antique American modernist abstract landscape oil painting by Charles Green Shaw (1892 - 1974). Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed i...

Hunt Slonem "Ofelia" Black and White Bunny A rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 17 x 15 inches *Painting is framed - P...

"Orange Umbrellas, Juan les Pins" is an oil on canvas painting. It depicts figures on a beach in the French Riviera that is full of orange umbrellas. Paul Rafferty was born in 1965...

Riders Joyce Roybal, (1955) Oil on Canvas, signed lower right Size: 19.75 x 24 in. (50.17 x 60.96 cm) Frame Size: 26 x 29.75 inches

Artist: Irving Amen, American (1918 - 2011) Title: Reading Girl Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 24 x 20 in. (60.96 x 50.8 cm)

Striking vintage portrait of "Lady in Red". In high quality carved and gilt frame. Oil on canvas. Circa 1950. Unsigned. # Hollywood regency mid century modern portrait lady women...

Title: Gentle Violet Medium: Oil on canvas Size: 23.5 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: Ming Wang...

Modern academic style figurative painting by Judith Wyer, "Afterglow," 2024 oil on linen, framed 22 x 18 inches with a slim floater frame 21 x 17 inches unframed The artist Judith W...

This piece, "Fishin' Solo" is a 36x48 oil painting on canvas by artist Trip Park featuring a man in orange shorts, blue shirt and cowboy hat fishing on the edge of the water. The wat...

Title: Whisper Of The Flower Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

A masterful oil painting depicting a figure in the village by British American artist John Clymer. As an Impressionist painter, he was known for his pastoral landscapes depicting sce...

!9th century English portrait of a King Charles Cavalier Spaniel Wonderful portrait study of this very popular breed of dog. Dating from the middle of the 19th century this piece...

6025 Paris street scene with people walking Framed Image size 7.5x9.5"

Nicely painted mid century abstract expressionist oil painting. Great color and composition. Framed. Signed. Oil on canvas.

Spring Break Afternoon #2 is a 60 x 48-inch acrylic and collage work on canvas. The primary colors are yellow and blue, with an orange accent. The image is playful, with hundreds of ...

Figures Riding Horses Joyce Roybal, (1955) Oil on canvas, signed lower right Size: 30 x 40 in. (76.2 x 101.6 cm) Frame Size: 35.5 x 45.5 inches

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light purple bunny on a Purple background with thick use of paint ...

Title: Rhyme Series I Medium: Oil on canvas Size: 27 x 35 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Here for you consideration is a colorful oil on canvas painting by the well known French artist, Urbain Huchet. Signed lower right and titled verso. In very good original condition....

Hunt Slonem "Double Bunny" Black Outline Pair on a Peach Background A rabbit couple gestured in black on a light orange and pink background in a vintage frame Unframed: 10 x 8 inche...

Mary Bernstein (American, XX), Abstract Seated Female Nude, Oil on Canvas, signed lower right, unframed. 46" H x 42" W.

Antique American modernist signed abstract oil painting. Oil on canvas. Signed. Framed.

Very finely painted American impressionist winter landscape of Mt Denali in Alaska by Paul Lauritz (1889 - 1975). Oil on canvas. Excellent color and composition. Housed in a peri...

An acrylic and gold leaf on canvas piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very color...

Antique American impressionist flower garden painting. Watercolor and gouache on board. Signed. Framed.

Antique American impressionist portrait oil painting. Oil on canvas. Signed. Framed. Measuring 15 by 19 inches overall and 10.5 by 15 painting alone.

Nicely painted early American impressionist landscape oil painting. Framed. Oil on board. Signed.

Andre Lhote (French, 1885-1962), "Portrait d'Anne (Mme. Lhote)" [Portrait of Anne (Mrs. Lhote)], Oil on Paper Laid to Canvas, 1930, signed "A. Lhote" lower right, Soufer Gallery and ...

Hunt Slonem "John" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is fra...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed.

Antique American school seascape oil painting. Oil on canvas. Framed. Signed. Image size, 30L x 24H.

"Grapefruit and Strawberries" is a classical realist still life of fruit. Signed bottom right corner Framed Dimensions: 19.25 x 19.25 inches Steven J. Levin - (b. 1964) is classica...

Eric Cederberg (1897-1984) Beach with pearls, ca. 1950 Oil on panel 9 1/10 × 14 3/5 in l 23 × 37 cm Frame included: 13 3/4 x 19 1/3 l 35 x 49 cm Signed lower left Exhibition history...

Minimalist Cubist Abstract Miriam Bromberg Oil on Canvas, signed Size: 42 x 18 in. (106.68 x 45.72 cm) Frame Size: 47 x 22.5 inches

Title: Untitled - Village Medium: Oil on canvas Size: 47 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 201...

8.5 x 7 inches sold with white 8 ply matte board that is 21.5 x 19 inches This little gem is a unique print made by the artist that she then hand embellished with oil paint. This w...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges 40 × 60 in 101.6 × 152.4 cm Edition 8/30 (unique variant) Frame included Measurements: Sheet: 40 inches (vertical) by 60 inches (horizontal) Frame: 42 inches x 62 inches x 1 inch Dexter's Choice, State # II is a unique, mixed media work from an edition of 30 unique variants done in pochoir, (25 stencils, 14 colors). Here, Zox uses watercolor instead of inks, which is applied to heavy 300 lb. watercolor paper. Although it is a multiple signed and numbered from the edition of 30, each work of art is unique because of how the paper receives the watercolor brush. In addition, this work is created like a mixed media painting because it has 11 lines added by hand with wax and water based crayons and oil sticks. The unique watercolor technique that Zox employed in making "Dexter's Choice" is documented in the textbook, "Screen Printing: Water Based Techniques,Roni Henning, NYIT ". Dexter's Choice was published by Images Gallery, and this work was acquired directly from the publisher before they sold out. This work is elegantly floated and framed in a white wood frame. Accompanied by gallery issued Certificate of Guarantee Larry Zox Biography: A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions. Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
 Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4 In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

Oil on canvas 14 3/4 x 21 1/2 inches (37.5 x 54.6 cm.) Framed: 20 x 26 inches (50.8 x 66 cm) Signed: Luce Provenance: Private West Coast collection Literature: This painting will b...

"Hip, Hip, Hooray!", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2019 24 x 24 x 2.5 inches Carved wood and acrylic paint on panel Signed, ver...

Figurative oil on canvas painting of a young athletic male 24 x 20 inches, 29.5 x 23.5 inches vintage gold painted wood frame signed B. Sargeant in red in upper right hand corner T...

Dale Bessire Winter Landscape Signed lower right Oil on canvas 20 x 24 inches A founding member of the Brown County Art Gallery Association, Dale Bessire was a native of Indianapol...

Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, also known as Cossacks of Saporog, Are Drafting a Manifesto. Late 19...

Signed, u.r. Oil on canvas mounted to Masonite 80 x 32 inches

This floral still life, "White Roses", by artist Yin Yong Chun is a 24x30 oil painting on canvas featuring a bouquet of white roses in a glass vase with fallen white petals on the t...

Painting description: This is a new example of a form I have been working with for many years. It is expressive and contains and reflects life in our constantly changing world. Robe...

5120 Impressionist oil painting of an interior table setting

19th century Impressionist oil painting of two women in a park. Oil on canvas, circa 1900. Signed illegibly lower left. Displayed in giltwood...

Tess Michalik Tropicana, 2025 oil on panel 36 x 36 in. (mic043)

Photorealist still life painting on canvas of a light pink lotus flower with brown lotus pods and green petals against a light grey background "Lotus Number Sixty-Five" oil on canvas, 48 x 48 inches, 49 x 49 x 2 inches with a dark wood frame Signed lower left Excellent condition and ready to hang Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPietro features a light pink lotus flower, with lush green leaves on a pale grey background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Jules Herve (French, 1887 - 1981) Game of Checkers, circa 1960 Oil on canvas 10 5/8 x 8 5/8 inches Signed lower right; signed on the reverse Jules Rene Herve, an impressionist of ou...

Jean Dassonval (French, 1939-2012) Untitled, 1989 Acrylic and mixed media on canvas 19 3/4 x 25 3/4 in. Signed lower right: Dassonval Stamped verso: Jean Dassonval Inscribed in Fren...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...

Rare early American sunset Hudson River School swimming hole painting. Framed. Oil on board. Image size, 7.25H by 10L.