New York - Paintings

Impressive early American modernist beach scene oil painting by Brooks Kelly (1935 - 2012). Framed. Oil on canvas, lain to board. Signed. Image size, 12H by 16L.

Sea Cliffs (54) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 16 in. x 20 in. (40.64 cm x 50.8 cm)

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light blue bunny on turquoise resin background with thick use of p...

An acrylic and oil on canvas piece with bright use of color and texture. We are focused on the simplicity of beauty in the moment as Shaoul creates a translucent but very colorful pa...

Juanita Guccione (1904 - 1999) Study for Ladders, 1948 Gouache on paper 17 x 13 inches Signed lower left, dated, and inscribed “Study for Oil Painting...

Signed lower left Provenance Wally Findlay Galleries, New York Private Collection, New York City This work is available for viewing in our New York City showroom.

Jene Highstein Untitled, 1982 Pastel and Chalk on Paper Hand signed and dated by artist on the front 32 × 40 inches Frame included Original hand signed pastel and chalk drawing, with...

"Little Boat on Secret Beach" is an oil painting. A small row boat lays upright tied loosely to a post, as if ready to be used, or just dragged in after an...

Antique American modernist abstract expressionist oil painting. Oil on canvas. Signed. Framed.

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

American school abstract painting. Watercolor on paper, circa 1960. Unsigned. Image size, 12"L x 9"H.

An oil painting of sun rays peeking through a clouded sky at one of the Great Lakes. 28.8 x 41 inches, framed American realist painter Carl Bretzke is particularly adept at noctur...

Artist: Dong Moy Chu Kingman, Chinese/American (1911 - 2000) Title: Acapulco Beach Scene I Year: 1968 Medium: Watercolor, signed and dated l.r. Size: 10.5 x 18 on 13.5 x 20.5 inches ...

Impressionist style en plein air landscape painting on linen of a barn on a country farm, featuring bright tones of greens against a light blue sky #4494 Overgrown Barn, painted by H...

Oil paint on canvas Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transform our perceptions. His subject matter concentrates on still lives of food, toys, candy and household objects. In addition to many group shows across the country, Mr. Newton’s show, “HARD CANDY and other confections” represents his fifth solo exhibition. His paintings have been collected in numerous private collections. Mr. Newton resides in Fort Greene, Brooklyn, NY. Dr. Sonia Coman writes in her essay, Doug Newton’s hard candy: the confection of painting Doug Newton’s paintings are about… painting. The hyperrealist technique of trompe l’oeil or “trick the eye” is knowingly playful. It simultaneously calls attention to the illusion of a different material—for example, translucent candy wrappers—and the reality of the layers of paint, masterfully applied to the canvas. In that, Newton’s paintings pay homage to an esteemed series of trompe l’oeil masters, from Inquisition-era Spanish painter Francisco de Zurbarán to Gilded-Age American painter William Michael Harnett...

Samantha Haring "Sic Transit," 2023 Oil on paper on panel 16 x16 in. (hari020)

Abstract mixed media painting on board made with copper leaf and accents of blue, green, and sienna oil paint "Abstract 1", Painted by Hudson Valley based artist, James O'Shea in 2021 Oil, copper leaf, and pencil on board 10 x 10 inches unframed, 12 x 12 x 2 inches in an off-white painted wood floater frame Wire backing, ready to hang Excellent condition James O’Shea’s deeply pigmented abstractions are grounded in the landscape. Taking his cues from the bare winter months in the Northeast when the horizon is stripped of its foliage, he suggests that “So much of life’s structure reveals itself when it goes into hibernation”. The architecture in O’Shea’s compositions takes form with expressive gestures using...

This captivating mid-century Spanish painting by Alfredo Opisso immerses the viewer in the lively atmosphere of a café or bar, where figures gather to drink, sing, and dance. Rendere...

Wonderful English mid century portrait of a Saluki dog. Kate Gray was a British animal portrait painter during the last half of the 20th century. She also painted flower subjects. ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Mint green background with thick use of paint. In...

Artist: Jan De Ruth, Czech (1922 - 1991) Title: Azaki Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size: 43 x 31 inches

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Winold Reiss The Red Silo Signed lower left Watercolor on paper 20 x 29 inches Winold Reiss (1886-1953) was an artist and designer who emigrated to the United States from Germany in 1913. Probably best known as a portraitist, Reiss was a pioneer of modernism and well known for his brilliant work in graphic and interior design. A compassionate man who greatly respected all people as human beings, he believed that his art could help break down racial prejudices. Like his father Fritz Reiss (1857-1915), who was also an artist and who was his son's first teacher, Winold Reiss was artistically moved by diverse cultures. The elder Reiss focused on folk life in Germany while Winold drew substantial inspiration from a range of cultures, particularly Native American, Mexican, and African-American. As did many young aspiring artists, Winold Reiss studied with the esteemed painter and teacher Franz von Stuck at the Royal Academy of Fine Arts in Munich, which was at that time a center of the decorative and fine-arts movement. It is not known whether Reiss met E. Martin Hennings...

This equine racing painting "Irad Ortiz" by artist Anne Wolff is a 24x18 original oil painting on canvas. Featured is the back view of famous jockey Irad Ortiz on horseback. He is ...

Antique American school modernist surreal landscape. Oil on canvas, circa 1981. Signed on verso. Image size 30L x 18H. Housed in a period modern frame.

Under the Viaduct American Scene Social Realism WPA Era Mid-20th Century Modern Syd J. Browne (1907-1991) Under the Viaduct 22 x 30 inches Oil on canvas. c. 1930s Signed lower left ...

An impressionistic painting of Fenske's recognizable blue teapot reflecting a window with a view of the Tuscan countryside. A glass and a bottle of wine, a...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame. It’s based on Alice in wonderla...

Painted directly from live observation, Doug Newton’s hyper-real paintings explore translucency, reflections and luminosity, and dazzle the viewer with ...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas.

An oil painting of a Haystack in a grassy field. Painted en plein air on Gibson Lane, in Sagaponack, New York, during the summer of 2019. Butko focuses in on one particular haystack,...

Original oil on canvas painting of a seaside vista by the American artist, Robert Waltsak. Signed lower left. Condition is excellent. Overall framed in a grey wash frame with gold h...

Artist: Josep Grau-Garriga, Spanish (1929 - ) Title: Untitled, Museum of Fine Arts, Houston TX Year: 1971 Medium: Mixed Media and Collage on Paper, signed Size: 25.5 in. x 20 in. (6...

Finely painted American impressionist seascape painting. Oil on board. Signed. Framed. Measuring 14 by 20 inches.

Very nicely painted American modernist harbor oil painting. Framed. Oil on board. Signed. Image size, 16H by 20L.

Irving Ramsay Wiles, 1861-1948 A Fashionable Young Lady Oil on canvas 28 1/8 x 22 5/8 inches Signed lower right: Irving R Wiles Illustrator, teacher, and painter Irving Ramsey Wiles was adept at portraits, figural works, and landscapes characterized by the informal elegance of cosmopolitan American art at the turn of the twentieth century. Wiles received his earliest art instruction from his father, landscape painter and teacher Lemuel M. Wiles (1826–1905), and at the age of eighteen, in 1879, exhibited his first painting at New York’s prestigious National Academy of Design. After one year’s study at the Art Students League in New York, under the influential painter-teachers William Merritt Chase and J. Carroll Beckwith, Wiles went to Paris for further study. He enrolled in the Académie Julian, a popular school among American artists, and then worked in the studio of French academic painter Charles Auguste Émile Durand, known as Carolus-Duran (1837–1917). During his student years Wiles painted watercolor street scenes of Paris, and he also traveled in Italy and in the French countryside. Wiles returned to New York in 1884 and exhibited two of his sketches. These attracted the notice of the art editor of the popular Century Magazine, who asked the young artist to make illustrations for the journal. Wiles’s illustrations appeared in other publications as well, and he also supported himself by teaching at his studio and at his father’s summer art school in upstate New York. Wiles was elected a member of the progressive Society of American Artists and, after one of his works won a prize there, to the National Academy of Design as an associate member; full membership followed in 1897. By that date, Wiles was able to devote himself more fully to portraits and figural compositions in oils, paintings that mark the influence of his teacher Chase, who remained a lifelong friend. Like his mentor, Wiles also worked in watercolor and pastel and belonged to several organizations devoted to those media, which enjoyed revivals in late-nineteenth-century America. He exhibited his work widely and won numerous awards throughout his career. In the late 1890s, Wiles and his father moved their summer classes to Peconic, on the North Fork of New York’s Long Island...

Artist: David Messer Title: Three Children Playing Year: circa 1960 Medium: Oil on Canvas, signed verso Size: 10.75 x 13.75 in. (27.31 x 34.93 cm)

Artist: Paul von Ringelheim Title: Abstract in Purple, Green and Red Year: 1974 Medium: Airbrush and Mixed Media on Panel, signed and dated verso Size: 53 x 41.75 in. (134.62 x 106...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

An outstanding oil painting executed with thick use of paint capturing a luminous sight of a train in motion under a bridge with heavy smoke trailing upward. We can feel that a mood...

Antique European impressionist cityscape oil painting. Oil on canvas. Signed. Framed. Measuring 28 by 33 inches overall and 22.5 by 27.25 painting alone

Incredible early American realist still life featuring pineapple and strawberries on a table. Oil on canvas. Incredible detail and masterfully painted. Signed illegibly, last n...

Here for your consideration is an intriguing portrait of a young harem girl in costume by the German artist, Konrad Filip. Signed by the artist top right, Munich. Condition is very ...

Lilly Martin Spencer (American, 1822-1902) A Rare Portrait God Bless My Father. **Figure 84 from principal book/catalogue on Lilly Martin Spencer. 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...

Thelma Appel Journey Through Hell, 2001 Oil on Canvas Hand signed and dated by artist on the back of the canvas Frame Included: hand made metal museum frame This powerful, haunting ...

Antique American impressionist street scene oil painting by Anthony Springer (1928 - 1995). Oil on canvas. Framed. Signed. Image size size, 20H x 16L.

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Nicely painted European impressionist cityscape oil painting. Framed. Oil on canvas. Signed.

Title: Untitled Medium: Oil on canvas Size: 22 x 18 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa A...

Wonderful luminous sunset landscape coastal painting. Oil on canvas. Framed. Signed verso. Image size, 14 by 18 inches.

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

Here for your consideration is a late 19th century still life with fruit by the well known British artist, Henry George Todd. Signed lower left a...

Artist: Slonem, Hunt Title: Owl Albania Date: 2023 Medium: Oil on Panel Unframed Dimensions: 39" x 26.5" Framed Dimensions: 45.5" x 33" Signature: Signed Verso Edition: Unique...

Contemporary painting of a nude man reclining by Mark Beard. Double-sided oil on panel Signed in red, u.r. “Bruce Sargeant is a mythic figure in...

English School, Portrait of a Gentleman, Oil on Canvas, circa 1830, the figure seated in an armchair, unsigned, according to a typed label verso depicting "Lord John H. Morelan(d)", ...

The result is a refreshing view from his Tuscany scenes. The Italian pathway is depicted with much vibrancy and energy as the trees and mountains are depicted loosely in the backgrou...

"Evening Blue Clouds" By Carl Grauer Oil on Canvas 20x20 inches 21 x 21 x 3 inches framed, custom painted white wood floater frame Signed en verso Artist Carl Grauer captures the qu...