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Item Ships From: Nice
Nigerian 19th Century Gold and bronze trade currency Bracelet
Located in NICE, FR
We present you an 19th century antique Nigerian high quality bronze GOLD PLATED bracelet currency traditionally used in monetary functions ...
Category
19th Century African Tribal Antique Nice - Tribal Art
Materials
Bronze, Gold Plate
Ndoma Baule Portrait Mask, Ivory Coast, Wood, lacquered patina, Circa 1930
Located in NICE, FR
"Ndoma” Baule Portrait Mask, Ivory Coast, Circa 1930 Wood, heavy wood with deep brown-black lacquered patina.
A superb old hardwood dance mask featuring an ...
Category
1930s Tribal Vintage Nice - Tribal Art
Materials
Wood
Baoulé portrait mask, carved wood, lacquer and pigments, circa 1940, Africa.
Located in Nice, Cote d' Azur
Baoulé portrait mask,
carved wood, lacquer and pigments,
circa 1940, Africa.
Height 29 cm, width 17 cm, depth 14 cm.
Category
1940s African Modern Vintage Nice - Tribal Art
Materials
Wood
Bamana N'tomo mask, Mali, 20th century
Located in NICE, FR
Bamana N'tomo mask, Mali, 20th century
"Generally surmounted by three to eight horns forming a comb, the N'tomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The mask's discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence."
Excerpt from Masques du N'tomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France.
The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites.
The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask.
As teaching aids for candidates, masks from societies accessible to young boys and adults, such as the N'tomo, Korè and Ci wara...
Category
1930s Malian Tribal Vintage Nice - Tribal Art
Materials
Wood
Collection of Kriss Handles, Java, Indonesia, Late 18th / Early 19th Century
Located in NICE, FR
A set of thirteen kriss handles originating from Java, Indonesia, dating from the late 18th to early 19th century.
Beautiful aged patina in dark or amber tones. Exquisite carving wo...
Category
1790s Indonesian Tribal Antique Nice - Tribal Art
Materials
Wood
Rare Kanak "kagu" Wooden Bird Beak Puzzle, New Caledonia, 19th Century
Located in NICE, FR
Rare Kanak war club of the "Kagu" type (Bird's beak) in hardwood, from New Caledonia, Melanesia, 19th century.
This is an exceptional Kanak art collector's item due to its imposing ...
Category
Mid-19th Century New Caledonian Antique Nice - Tribal Art
Materials
Wood
Ciwara Bambara headdress in carved wood and basketry, Mali, Early 20th century
Located in NICE, FR
A very pleasing Ciwara crest, singularly small and accompanied by its original headdress, depicting a stylized antelope leaning on a pangolin. The antelope is ridden by a woman, and white horsehair has been added to the tips of the horns. The piece is carefully sculpted, with notches decorating the bodies of the antelope and the pangolin.
Rattan, plant fiber, cowries, wood Very fine velvety mat patina, Circa 1950
An animal called Ciwara is said to have taught the Bambara how to cultivate the land, and during agrarian ceremonies, they recall the myth through the stylized representation of an antelope whose name ci wara...
Category
Early 20th Century Malian Tribal Nice - Tribal Art
Materials
Wood
Shell Plaque (Barava) from Solomon Islands, 19th Century
Located in NICE, FR
Objects crafted from the shell of the giant Tridacna clam, also known as the fossilized giant clam, held great value among numerous Melanesian peoples. The artistry of working with f...
Category
19th Century Solomon Islands Tribal Antique Nice - Tribal Art
Materials
Shell
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extremely rare Algerian Judaica silver, jewish Dowry box early 19th century
Located in Tel Aviv - Jaffa, IL
Amazing and scarce JUDAICA object, we have here one of the most touching jewish objects we had for a long time, this small silver dowry box was made in Algeria in the early 19th century, it is all covered with symbols of jewish faith and of couples, the sliding lid has 2 flanking birds with hamsa (protective hand) on each side and a flower vase in the middle.
one side shows two flanking lions with a tree in the middle and the other side shows again two big and two small birds with a flower bowl in the middle, front side has a key hole and next to it there is the Hebrew inscription ס״ט״" which says Siman tov or in English "a good sign" it is taken from the wedding blessing, underneath the lock there is another inscription with the name ״עזיזה בת אברהם בן חמו״ which is the name of the bride, her father and her grandfathers name.
the box is full marked a lot of times with the silversmith mark, every side of the box is marked.
this box was probably ordered by the grooms family to hold the jewelry they are giving to the bride as dowry, this type of objects are rare and there are just a few of them on museum collections.
DOWRY (Heb. נְדֻנְיָה), the property a wife brings to her husband at marriage; the Yiddish equivalent, nadn, is from the same root. The custom of nedunyah became clearly defined and institutionalized only in the talmudic period. In biblical times, mohar (מֹהַר), whereby the groom bought his wife from her father (Gen. 24:53; Ex. 22:15–16; Hos. 3:2), was the accepted practice. It was then customary that the groom give the bride gifts, and that she bring certain property to her husband's home upon marriage: slaves, cattle, real estate, etc. (cf. Gen. 24:59–61; 29; Judg. 1:14ff.; I Kings 9:16). Evidence of the custom of nedunyah is to be found in Tobit (7:14; 8:21) and in the Assuan papyri (Cowley, Aramaic, nos. 15, 18). Gradually, mohar was superseded by the ketubbah custom according to which the husband merely assumed the responsibility of compensation to his wife in case he divorced her: he had to pay her 200 zuzim if she had been a virgin at the time of marriage, and 100 zuzim if a widow or divorcée (see *Ketubbah).
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