Ohio - Prints and Multiples

untitled (Still Life with Cup and Horn) Color mezzotint, c. 1980 Numbered and signed in pencil by the artist (see photos) Edition: 100 (53/100) Published by John Szoke Graphics, New ...

Muriel (Mad Meg) Etching, 1973, printed 1976 Signed, dated and numbered in pencil (see photos) The image was first created as an illustration for John Gardner's "The King's Indian" in 1973. An illustration for the book "The King's Indian", a collection of short stories by author John Gardner (1933-1982), published in 1973. "Mad Meg" was most likely inspired by a figure from Flemish folklore, Dulle Griet, who led an army of women to pillage Hell. "Mad Meg" was the subject of a painting by Pieter Bruegal the Elder, done in 1564. References: Carter 174, page 108 Illustration for "The King's Indian", pages 174-17 Condition: excellent Image/Plate size: 13 3/8 x 9 13/16 inches Sheet size: 15 7/16 x 12 1/4 inches Herbert Lewis Fink, painter, printmaker, sculptor, and educator, born was in Providence, Rhode Island on September 8, 1921. He studied at the Carnegie Institute of Technology in 1941, he received is B.F.A. degree from the Rhode Island School of Design in 1949, his M.F.A. from Yale University in 1956, and he also studied for a year at the Art Students League and with John Frazier...

Louis I of France as a Roman Emperor, in profile to the right Chiaroscuro woodcut, 1631-1633 Unsigned (as usual) After a drawing by Hubert Goltzius (1526-1583)...

Signed in pencil by the artist lower right Titled "Hold Up" by the artist in pencil. Signed by the printer Bolton Brown lower left. Edition: 42 in this state Note: In The Hold Up, se...

Central Park Night Lithograph, 1946 Signed and dated lower right (see photo) Titled, lower center Number lower left (see photo) Edition: 40, plus trial proofs (23/40) This image depi...

Plate 2 2 plate drypoint with hand coloring, 1984 Signed and numbered in pencil (see photos) From: Barcelona Suite (6 plates) Edition: A/P 8/10 in pencil lower left Signed in pen...

Portrait of Wyndham Lewis Etching, 1973 Signed and numbered in pencil Published in 1973 in the deluxe edition of "The Roaring Queen" Edition: 100 (62/100) Condition: Excellent Image/...

Signed, titled and numbered in pencil Edition: 250 (5/250) Signed, titled and numbered in pencil Published by Circle Gallery Ltd. Printer: Atelier Dumas, New York Condition: Very good Atelier Dumas opened in New York printing own work as well as those of Peter Max, Agam, Romare Bearden, Dali, Erté, Peter Hurd, Ting, Karl Appel...

La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre (Peasant turned left holding her hands) Etching, 1618 From: Varie Figure (16 plates) Condition: very good, aging Im...

Enterieur (Outside) Screen print, 1973 Signed lower right in pencil (see photo) Edition: A.P., annotated lower left corner Published by Edition Ltd., Indianapolis Image size: 21 3/4 ...

Homme nu avec femme ivre et jeune flutiste Etching, 1955 Signature stamp lower right (see photo) Annotated in penci lower leftl: "epreuve d'artiste" (see photo) Inventory number vers...

Les deux tures coifffes d’un turban avec une aigrette (The two headdresses of a turban with a crest) Etching, 1618 From: Varie Figure (16 plates) Condition: Trimmed withing the plate...

Theodore Gericault (1791-1824) Passage du Mont Saint-Bernard Lithograph, 1822 Signed and titled in the stone As published in Arnault "Vie politique et militair...

Seven Screen print, 1968 Unsigned (as issued) Edition: 2500 From: Number (10 plates), with poems by Robert Creeley Printer: Domberger KG, Stuttgart Publisher: Edition Domberger Stutt...

En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922 Unsigned as ...

On Christmas Day Drypoint and aquatint, 1979 Signed lower right: Gene Kloss (see photo) Inscribed lower left: "Artist's Proof", and titled "On Christmas Day" An "artist's proof" impression, outside the edition of 25 examples signed and numbered Reference: Sanchez 581 Condition: Excellent Image/Plate size: 10 7/8 x 13 7/8 inches Sheet size: 14 5/8 x 17 5/8 inches Born Alice Glasier in Oakland, CA, Kloss grew up amid the worldly bustle of the San Francisco Bay Area. She attended the University of California at Berkeley, graduating with honors in art in 1924. She discovered her talents in intaglio printmaking during a senior-year course in figurative drawing. The professor, Perham Nahl, held up a print from Kloss’ first plate, still damp from the printing process, and announced that she was destined to become a printmaker. In 1925, Gene married Phillips Kloss, a poet and composer who became her creative partner for life. The match was uncanny, for in her own way Gene, too, was a poet and a composer. Like poetry, her artworks capture a moment in time; like music, her compositions sing with aesthetic harmony. Although she was largely self-taught, Kloss was a printmaking virtuoso. On their honeymoon the Klosses traveled east from California, camping along the way. They spent two week is Taos Canyon – with a portable printing press cemented to a rock near their campsite – where Gene learned to appreciate the wealth of artistic subject matter in New Mexico. The landscape, the cultures, and the immense sky left an indelible impression on the couple, who returned every summer until they made Taos their permanent home 20 years later. Throughout her life, Kloss etched more than 625 copper plates, producing editions ranging from five to 250 prints. She pulled every print in every edition herself, manually cranking the wheel of her geared Sturges press until she finally purchased a motorized one when she was in her 70s. Believing that subject matter dictated technique, she employed etching, drypoint, aquatint, mezzotint, roulette, softground, and a variety of experimental approaches, often combining several techniques on the same plate. She also produced both oil and watercolor paintings. Kloss’ artworks are filled with drama. Her prints employ striking contrasts of darkness and light, and her subjects are often illuminated by mysterious light sources. Though she was a devout realist, there is also a devout abstraction on Kloss’ work that adds an almost mythical quality. For six decades Kloss documented the cultures of the region-from images of daily life to those of rarely seen ceremonies. She and her husband shared a profound respect for the land and people, which made them welcome among the Native American and Hispanic communities. Kloss never owned a camera but relied instead on observation and recollection. Her works provide an inside look at the cultures she depicted yet at the same time communicate the awe and freshness of an outsider’s perspective. Although Kloss is best known for her images of Native American and Penitente scenes, she found artistic inspiration wherever she was. During the early years of their marriage, when she and Phil returned to the Bay Area each winter to care for their aging families, she created images of the California coast. And when the Klosses moved to southwestern Colorado in 1965, she etched the mining towns and mountainous landscapes around her. In 1970 the Klosses returned to Taos and built a house north of town. Though her artwork continued to grow in popularity, she remained faithful to Taos’ Gallery A, where she insisted that owner Mary Sanchez keep the prices of her work reasonable regardless of its market value. Kloss continued to etch until 1985, when declining health made printmaking too difficult. From her first exhibition at San Francisco’s exclusive Gump’s in 1937 to her 1972 election to full membership in the National Academy of Design, Kloss experienced a selective fame. She received numerous awards, and though she is not as well known as members of the Taos Society of Artists...

From: Les Bucoliques De Virgile (25 plates) Published by Andre et Pierre Gonin, Lausanne Printed by Andre Kundig, Geneve on Velin de Rives paper. Regular edition: 200; plus ...

Bare Arms (The Practice #2) Drypoint on Aluminum, 2019 Signed with initials lower right Edition: 8 impressions (all uncolored), this “6 out of 8” There are also 4 AP, 2 with hand coloring Printed on Twinrocker all purpose paper Published by Thomas French Fine Art...

The Quilter Color woodcut printed on cream color wove paper c. 1990 Signed in pencil lower right (see photo) Signed with the artist's stamp lower right in the pencil signature (see p...

Fille dite de joie (They Call Her Daughter of Joy) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922-1927 Unsigned (as issued) From: Miserere (Have Mercy), 58 plate...

Our M.C.-2 Screen print, 1970 Signed in pencil lower right Chop stamp: Denise Rene Editeur, on lower left margin From: Album Charities Edition: 300 (35/300) Catalog raisonne states e...

Fuwa, Kabuki actor Color woodblock, 1931 From: “Kabuki Jahachi-Ban” (Eighteen Kabuki Plays) by the Ichikawa Family Publisher: Gekiga Kanko Kai Carver: Okura Hanbei Printer: Shinmi Yo...

Lithographie originale our XXe siecle Color lithograph, 1964 Unsigned (as issued) From: XXe siecle, Permanence du Sacre, No. 24 Publisher: G. di San Lazzaro, Paris Printed by Mourlot...

Jugentud (Youth) Color lithograph, 1975 Signed, numbered and titled in pencil (see photos) Edition: 250 (67/250) Signed, titled and numbered in pencil Published by Circle Gallery Ltd...

Morning Paper Mezzotint, 1941 Signed in pencil lower right Publisher: 32nd Presentation Print of the Chicago Society of Etchers Edition: 350 Illustrated in GREAT AMERICAN PRINTS 1900...

Unsigned Edition: 12 (proof before lettering) Provenance: Charles Sessler, Philadelphia Considered by A. & B. as "rare, rare, rare." Reference: A. & B. 256 i/II, proof...

Nature morte au bulbe d'ail Mezzotint, 1957 Signed, titled & numberred in pencil (see photos) Edition: 50 (40/50) Condition: Excellent Image: 10 7/8 x 11 5/8 inches Sheet: 14 7/8 x 1...

Signed and numbered by the artist Edition: 25 Printed on Hahnemuhle paper Published by Neptune Fine Arts Condition: excellent Plate/Image size: Sheet size: "Stone Roberts’ luminous still lifes, private interiors, and large-scale panoramas of figures in motion invite us to look—and then look some more—and relish in the sensuality of the three-dimensional world. While Roberts’ varied influences include Greek Mythology and Roman Classicism, Dutch and Spanish Old Masters, Fantin-Latour, Ingres, and Balthus, his subjects are decidedly of today. From Grand Central Terminal to his wife gardening in Stonington, Connecticut, Roberts paints people and places from his personal surroundings into formal compositions that often appear to have mythical, literary, or psychological elements. Roberts received his B.A. from Yale University, New Haven, CT, where he studied painting with William Bailey, and his M.F.A. from the Tyler School of Art, Philadelphia, and Rome. Roberts' work can be found in numerous public and private collections throughout the United States and Europe, including the collection of The Metropolitan Museum of Art and the Louis-Dreyfus Family Collection, New York. A solo exhibition of Stone Roberts’ work was held at the Museum of the City of New York in 2012 entitled Stone Roberts: New York City Paintings." Courtesy of Hirschl & Adler Modern PUBLIC COLLECTIONS Asheville Art Museum, Asheville, NC Sydney and Walda Besthoff Biltmore Estate, Asheville, NC Mrs. Robert Carroll Mr. and Mrs. Willam Cecil Chase Manhattan Bank, New York, NY Evansville Museum of Arts and Sciences, Evansville, IN Jerald Dillon Fessenden Flint Institute of Arts, Flint, MI Ms. Barbara Goldsmith Mrs. Paul Gottlieb Mr. and Mrs. Graham Gund Mr. and Mrs. Arie L. Kopelman Alex S. Jones William Louis-Dreyfus Mr. and Mrs. James C. Marlas J.D. McClatchy and Chip Kidd Mr. and Mrs. Richard L. Menschel The Metropolitan Museum of Art, New York, NY Mrs. Stephen Paine Mr. and Mrs. W.J.W.J. van Roijen Mrs. Julius Rosenwald II Mark Singer Carl Spielvogel and Barbaralee Diamonstein-Spielvogel Bruce Springsteen and Patti Scialfa Stephens Inc., Little Rock, Arkansas Woodberry Forest...

Derrier le Miroir, cover, Volume 141 Original color lithograph, 1963 Unsigned and unnumbered (as issued) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Condition: E...

Shoe Box (D) Lithograph printed on BFK Rives Signed, dated, titled and numbered in pencil (see photos) From: Shoe Box-Exotic (Sculpture and seven original li...

Japanese (mid 20th Century) Unsigned wood cut with hand embellishments in gouache created for a Japanese folding fan. Unsigned Image size: 8 3/8 x 18 1/8 inches Mounted on support sh...

Signed, dated, annotated "epreuve d'artiste"; Annotated on titled "B.B." Edition: 5 References And Exhibitions: One of the three impressions printed on ARCHES watermark paper Int...

Signed and titled in pencil by the artist

No Footprints Show, Where the Flowers Grow Deep Woodcut, 1961 Unsigned (as isssued) From: The "Way" of the Woodcut, three woodcuts, 1961 Publisher: Pratt Adlib Press, Brooklyn, New Y...

Cahiers d'art, Surrealist Composition 1 Pochoir, 1934 Unsigned as issued in Cahier's edition Published in Cahier's d'art, 1934 Unsigned Edition of 1200 There was also a pencil signed...

Signed and dated in pencil lower right From: New Jersey Volunteers for McCarthy Portfolio (14 lithographs by various artists) Signed in pencil lower right and dated ‘68 Printed by Pearl Seligman on Rives Heavyweight paper Edition 250 Features a broadside of Lowell's poem "Fall 1961," and 14 lithographs Signed in pencil by the following artists: Richard Anuskiewicz, Carmen Cicero, Leo Dee, Joseph Demarais...

School Girls of Vienna Packing Rations from England and America for the Little Children Color lithograph poster, 1921 Signed lower right in the text (see photo) Created in the Wein (...

Moto-Flirt Color lithograph, c. 1902 Signed in the stone lower right (see photo) Published by Edmund Sagot (1857-1917), Paris Printed by Atelier Chaix, Paris Large edition with title...

Title: The Heroine Umekawa in "Meido no Kiyaku" Medium: Color woodcut with mica background, silver metallic pigment, and "gofun" for the snow effect Date Of Execution: 1923 Dimension...

The Trench Lithograph, 1937 Signed and annotated in pencil (see photos) Edition: 30 Provenance: Estate of the Artist Mary Ryan Gallery Frac Teck Services, Ft. Worth, TX Part of a se...

DOOR-MC Screen print, 1982 Signed and numbered in pencil Printed on Arches wove paper Published by Atelier Arcay, Paris Edition: 325 (47/325) Reference Benavides & Vasarely No. 894 C...

Ascension Etching and aquatint printed in red and gold leaf on Arches France paper Signed, titled, and editioned in pencil by the artist (see photos) Edition: 60 of which this number...

The Infant Christ and St. John Playing with the Lamb, after Peter Paul Rubens (1577-1640) Woodcut, trimmed and tipped to support Initialed in the block bottom ...

Untitled 2 Aquatint and drypoint, 2008 Initialed, dated, and editioned in pencil by the artist Edition of 14 Plate size: 11 1/2 x 11 inches Sheet size: 20 1/2 x 19 inches Adam Fowl...

Ave Maria-Nanban Music Color woodcut with mica sprinkles, 1925 Signed Hide in image, Signed Kawanishi Hide on printed mount From: Dojin zasshi, Hanga Magazine, Volume 5, No. 4 Condi...

Plate 12 From: 10 Origi, 1942 Signed in the block with the artist's initials lower left (printed) From: 10 Origin Not from the First edition 100, published by Allianz-Verlag, Zurich,...

Alexander Calder Snow-Plough (Chasse-neige) 1963 Lithograph in colors Plate 7, from Derriere le Miroir #141 Unsigned With the central fold, as issued Edition of unknown Sheet...

L'heure de Berger (Hour of the Shepherd) Color lithograph, 1898 Signed in the stone lower right As published in L'Estampe Moderne, Paris, March, 1898 Edition: 2000 (there was also a ...

Bloques (Road Block) Color lithograph, 1905 Signed and numbered in pencil lower right; signed and dated in the stone lower right (see photo) Edition: 100, first edition (33/100) Publ...

Man Sounding Horn (Psalm 150) Lithograph, 1969-1970 Estate signed: "Ben Shahn/by B.B. Shahn" in pencil lower center Stamped signature lower right (see photo) Signed by Mourlot Lith. in pencil lower right (see photo) Edition: 125 (67/125) see photo Psalm 150, "A Hallelujah Chorus" Published by Kennedy Graphics, Ltd., New York, NY Printed by Mourlot Graphics, Ltd., New York, NY Reference: Prescott 255 Kennedy Galleries, The Kennedy Graphics, 380, reproduced Condition: Very good Image/sheet size: 20 1/8 x 25 3/8 inches A posthumous print "This was the final project completed by Ben Shahn (1898-1969), leading American realist painter and muralist widely recognized for his socially conscious works. Born in Lithuania to Jewish parents, Shahn emigrated to the United States in 1906 and became a popular and versatile artist who worked in a variety of media and on a range of projects. His credits are as varied as assistant to muralist Diego Rivera, photographer for the Resettlement Administration (alongside the likes of Dorothea Lange and his friend, Walker Evans), maker of posters for the Office of War Information during WWII, and commercial artist for CBS. He is best known, however, for artwork depicting left-leaning political ideals and highlighting social concerns, such as his series of gouache paintings known as "The Passion of Sacco and Vanzetti...

Kimono Fabric Design Color woodcut with pochoir embellishments on fine silver mica ground. 1936 Unsigned as usual From "Ukiyoe Kosode," a deluxe limited edition album of kimono fabri...

11 color screen print Signed, dated, titled and numberedin pencil Edition: 150 (9/150) Provenance: Estate of the Artist By Decent

St. George Hotel Searchlight Lithograph, 1930 Signed in pencil lower right (see photo) Titled lower left (see photo) Edition: 30 Printed by Meister Schulz, Berlin The image depicts t...

Sketch of Anne Lithograph, 1923-1924 Signed and titled by the artist, signed by his printer Bolton Brown Edition: 42 Printed by Bolton Brown (see photo of his signature in pencil) Pr...

Untitled 5 (Woman Resting Against a Chair) Signed and dated in the lower right corner (see photo) Edition: 100 (43/100 in the lower left corner) Published by Poligrafa, Spain Proven...

Niagara Falls Lithograph, 1931 Signed lower right (see photo) Titled/edition lower left. (see photo) Edition of 25 Provenance: the Estate of the Artist Condition: Excellent Image si...

La butte de Montmartre et le Sacre-Couer (Sacre Coeur from a Distance) Lithograph, 1926 From Joseph Delteil's "Allo, Paris," published by Quatre Chemins, Paris, 1926 Rare signed proo...

On the Beach at Long Branch - The Children's Hour Wood engraving, 1874 Published in "Harper's Weekly" August 15, 1874 (p. 672) Image size: 9 1/4 x 13 5/8 inches Provenance: Wunderlic...