Pennsylvania - Portrait Paintings

Medium: Oil on Canvas Dimensions: 43.00" x 34.00" Signature: Signed Lower Right Original World War II poster illustration. Includes the poste...

Medium: Oil on Canvas Signature: Signed Lower Left Possibly illustrated for Glamour of Fashion Magazine

Gerlach Barklow Co. calendar illustration Signed Lower Right

Signature: Signed Lower Right This Week Herald Tribune, February 5, 1939 EXHIBITED: The Dana Room, Steinman College center, Franklin and Marshall College, ...

Signed Lower Right Film Fun magazine cover, July 1934

Medium: Oil on Masonite Signature: Signed Lower Center Dimensions: 31.00" x 25.00"

Medium: Oil Painting Signature: Signed Lower Left

Medium: Watercolor on Paper Dimensions: 24.00" x 16.00" Signature: Signed Lower Right Image of a woman holding roses.

Medium: Acrylic on Panel Signature: Signed Lower Left Dimensions: 29.5" x 22.75"

Medium: Oil on Board Dimensions: 17.50" x 12.50" Signature: Signed Lower Left

Medium: Oil on Masonite Signature: Unsigned Dimensions: 27.5" x 23.5" American Artist (20th Century)

Medium: Watercolor on Paper Under Glass Signature: Signed Lower Right Dimensions: Approximately 12.00" x 16.00" Portrait of Football Coach Paul Bear Bryant

Medium: Acrylic on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right

Date: 1939 Medium: Oil on Canvas Dimensions: 33.00" x 27.00" Signature: Signed Lower Right Cover of Liberty Magazine, January 14, 1939

Medium: Oil on Canvas Dimensions: 17.25" x 12.75" Signature: Signed Lower Right

Medium: Oil on Canvas Dimensions: 15.50" x 17.00" Signature: Signed Lower Right

Medium: Oil on Canvas Signature: Signed Lower Right Dimensions: 28.00" x 22.00"

"Mini Mart" is a piece by Qiaira Riley made from acrylic paint and paper on found wood. This piece measures measures 24"h x 24"w unframed. "Inspired by the changing visual landscape of my hometown of Chicago, I created these works to explore how the gentrification of the south-side disrupts intimate, private memories associated with public spaces in the name of urban "renewal," even creating commodifiable opportunities to make community memories public and profitable, yet not sacred. I was attending a suburban private liberal arts college; many classmates often seemed obsessed with fantastical, cheap narratives about my community and the folks in it that deeply contrasted the memories of love and care I had grown up with. These works remember and reclaim these spaces while showing off my favorite public treasures, sights, and delicacies. There are also odes to the sweet parts of my adolescence that I hope urban development will not shift: running around the city with my father, who has worked for the Chicago Park District for over 25 years, my mom getting me a 6 piece from Harold's Chicken whenever I got a good report card, or stopping by Zberry, the city's first black-woman owned froyo shop to get a treat after school. I moved to Philadelphia that same year with just two suitcases, my art supplies storage...