Pennsylvania - Art

This piece titled "Highway 101" is an original artwork by Chris Austin and is made of gouache on wood. It measures 13"h x 17"w framed and is signed en verso by the artist. Chris Aus...

This piece titled "Nesting" is an original artwork by Christina Mrozik and is made of watercolor on paper, and measures 17.5"h × 17.5"w framed. It is signed en verso by the artist. ...

About this work: “Lake in the Adirondacks” by Levi Wells Prentice (American, 1851-1935). A charming and finely detailed Adirondacks landscape by Prentice. This composition looks out...

About this work: “Sierra Heights, 1971” by Paul Grimm (1892-1974). A beautiful view of the Sierra Nevada mountains by Grimm, one of the most beloved painters of the California lands...

About this work: “Birches and Huckleberry, October Morning Matunuck, c. 1925” by Frank Convers Mathewson (American, 1862-1941). A stunningly beautiful autumn view of Matunuck, Rhode...

About this work: “Faces, Butterflies, and Birds, 1999” by Hunt Slonem (b. 1951). This fantastic, monumental painting by Slonem brings together some of his most recognizable motifs i...

About this work: “Portrait of Benjamin Franklin (after David Martin), c. 1840” attributed to David Rent Etter (American, 1807-1880). A wonderful 19th-century portrait of Benjamin Fr...

This piece titled "Hieroglyphics (MS Paint Toolbar)" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic hanging from a wooden ...

About this work: “Daguerreotype Dandies, c. 1937” by Tressa Benson (American, 1896-1987). Painted with the charm of a rediscovered family photo, this wonderfully eccentric work by B...

About this work: “Manchester-by-the-Sea” by Ann Sophia Towne Darrah (American, 1819-1881). Darrah was among the earliest American women to establish a professional reputation as a p...

"The Fish Bowl" is a one-of-a-kind piece created by Eustace Mamba. This original artwork made of oils and acrylics on sewn mixed media measures 12”h x 12”w. It ships with a gallery-...

This abstract monochrome painting explores the interplay of black and white through bold, gestural brushstrokes and layered textures. Organic shapes, sweeping arcs, and scattered cir...

Forest Moons is an abstract painting in layered greens, with a mix of soft circular shapes and more solid, angular forms. The composition suggests a natural setting, with lighter spo...

“Portrait of a North African Man, 1872” by August Holmberg (1851-1911) This striking oil painting by the German painter, August Holmberg, depicts a richly detailed and intimate port...

This wonderful 17th-century French School vanitas painting is a meditation on mortality and the transience of earthly pleasures. The composition centers on a finely rendered human sk...

This sculpture titled "You Are Here: S Thing" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. The piece measures 4"h x 4"w x 1.75"d. Kelly Kozma ...

This sculpture titled "You Are Here: Black" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. Kozma's work is supported by her practice of collectin...

A vibrant Bermuda seascape depicting the rocky shoreline with turquoise waters breaking against sunlit boulders beneath a sweeping tree. Mears uses bold, textured brushstrokes and a ...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

“A Lady in Black, 1894” by Paul-Marie Lapierre Renouard (1854-1940) This exceptional pastel portrait of an elegant woman in black is among the artist’s finest works. A close examina...

This piece titled "Bar" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum, and pastel by Drew Leshko. This piece measures 17”h x 1.75”w x 10”d. Paradi...

A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...

“Quebec City, 1853” by Edmund C. Coates (American, 1816-1871). A luminous 19th-century view of Quebec City by the American painter Edmund C. Coates, known for his detailed Hudson Ri...

A wonderful example of Peterson’s views of the Florida Coast during her winter trips down south. Painted during Peterson’s mature period, this lively work underscores the energy of ...

“Jamaican Girl by the Palm Tree, c. 1930” by Will Howe Foote (American, 1874-1965) A fantastic portrait of a young Jamaican woman set against a vibrant palm frond, painted by the re...

This piece, titled "The Meanderer" is an original free-standing sculpture by Seth Clark as part of his newest solo exhibition, "Passing Through". Clark's deteriorating structures h...

This sculpture titled "You Are Here: Yellow" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. Kozma's work is supported by her practice of collecti...

This painting was developed through an investigative process centered on shape, color, and the continual addition and subtraction of paint. Created using oil paint and oil sticks, th...

Stunning abstract expressionist painting, ca. 1955. Oil on Canvas, measuring 36 x 40 inches. Some natural cracking and paint loss due to heavy impasto technique. Unsigned. Art su...

A wonderfully vivid view of a Savannah fruit market by Harry Leslie Hoffman, dating to his 1914 trip to the city. Hoffman paints the figures with remarkable confidence and sets them...

"Make Believer (V3)" is a one-of-a-kind original work by Amanda Marie (Mando), created using acrylic and aerosol on paper. The piece measures 19.75 × 15.75 inches and is pencil signe...

Mark Morrison (1895-1964) Head of Woman , ca. 1950 Carved stone 7.75" wide, 9" deep, height is 20 7/8" Signed at base. Provenance: Estate of Mrs. Mark Morrison. Born: Kingf...

"Gay Armory" is an original piece by Jeff Rubio made from stoneware, glaze, epoxy clay, 22k gold. This pieces measures 12"h x 11.5"w x 2"d and comes with a signed Certificate of Auth...

This abstract piece explores balance through bold black brushstrokes set against a soft neutral background. The composition combines sweeping gestures and organic forms, creating a s...

Mark Morrison (1895-1964) Rattlesnake , ca. 1950 Carved pink Texas granite 13.5" wide, 13" deep, height is 7" Repair and conservation to uppermost part of snake's body. Provena...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

Emerging in the late twentieth century with his celebrated “Men in the Cities” series, Robert Longo quickly established himself as a draftsman of rare discipline, transforming media ...

This piece titled "The Nightmare Began Just Like Any Other Dream" is an original artwork by Angela Rio and is made of acrylic on masonite framed in artist-m...

This painting was created from a photograph taken during a snowy weekend at the artist’s mother-in-law’s home in New York. A single evergreen stands in a quiet, snow-covered yard, se...

"Smell Da Flowers" is a one-of-a-kind piece created by Eustace Mamba. This original sewn mixed media in painted wood frame artwork measures 7.5”h x 9.5”w framed. It ships with a gal...

"Untitled III" is an original piece by NDA made from acrylic on cut wood. This pieces measures 39.25”h x 22.5”w. NDA is a public and gallery artist based out of Philadelphia. Althou...

Known for his evocative, snow-covered landscapes, Koeniger brings this subject to life with his bold, confident brushwork and keen eye for natural light. The composition centers arou...

"TV" is an original piece by Ulla-Stina Wikander is a free standing sculpture. This piece is made from sourcing vintage needlepoint embroidery featuring a woman on vintage television...

A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

"LaFlat" is an original archival pigment print on cardboard box artwork by Kid Hazo measuring 5.5"h x 11"w x 5.25"d. This is an edition of 13. Hazo’s belief that art is for everyon...

Contemporary Details II, 1997 Pastel on buff handmade paper 12 x 12 inches (30.5 x 30.5 cm) Framed dimensions: 26 x 26 inches Signed, dated and inscribed lower right: Brooker '97 TTGG Provenance The artist; June Kelly Gallery, New York; Private collection, Washington, DC Renowned abstract painter Moe...

This piece titled "busy day" is original artwork made from monoprint, pencil, marker, acrylic gouache collage panel by Miriam Singer. This piece measures 6"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture...

“Mobile (The Inventor), 1953” by Paul Cadmus (American, 1904-1999). A figure painter known from the 1930s on for his baldly satirical commentaries on human appetites and desires, Ca...

Painted plein air in oil on panel, this work captures the landscape of the artist’s childhood home, rendered directly from life. The immediacy of outdoor observation is evident in th...

This piece is an abstract acrylic painting created on a wood panel. It features a bold, energetic composition built from large, block-like shapes and expressive strokes of saturated ...

This white wall-hanging artwork titled "Close Enough" is an original artwork by Rosa Leff made of hand-cut paper towel. This piece measures 12"h x 12"w fra...

This piece, titled "Wanderer Study 1" is an original artwork by Seth Clark made of collage, charcoal, pastel, acrylic, and graphite on wood. This piece measures 21”h x 17”w framed an...

The White Boat, Edgartown, c. 1916 Watercolor and gouache on board 18 x 24 inches (45.7 x 61 cm) Framed dims: 24 x 29 1/2 inches Signed at lower right: JANE PETERSON Inscribed on ver...

Untitled (Pastel #19), c. 1920-30 Pastel on sandpaper 8 x 11 inches (20.3 x 27.9 cm) Framed dimensions: 16 1/2 x 18 1/2 inches Estate stamp on verso Provenance The artist; Estate of...

This piece titled "Cigar Factory" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, pastel by Drew Leshko. This piece measures 15”h x 1”w x 8”d. ...

This painting combines geometric and organic shapes to create a sense of movement and rhythm. A variety of tools, including soft brushes, chip brushes, a drywall scraper, and a rubbe...

This piece titled "This Must Be the Place VE 5/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 ...

"INTRO MELODY INTRO REPRISE" is an original artwork by Hyland Mather made of acrylic and aerosol with string and pins on canvas, the work is presented in a solid wood tray frame. It ...

This piece titled "Timesteps" is an limited edition piece by Kate VanVliet and is made from two-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an editio...

"Hounds" is an original piece by Ariel Parrow made from oil on canvas, and measures 9"h x 9"w x 1.5"d. This painting is signed by the artist en verso. Ariel Parrow is an American mu...